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LSO Family Concerts are a fun, informative way for families to experience live music together and learn more about the instruments of the orchestra. Each concert is based on a theme, with free workshops before the performance, and the opportunity for everyone to get involved by playing or singing along with the audience participation piece during the concert.

Following sensational concerts in Oxford and Germany last season, Martha Argerich returns to perform with the Oxford Philharmonic with concerts in both Oxford and London.

Brit Floyd returns to the stage with their biggest and most spectacular production to date, celebrating the 50th anniversary of Pink Floyd’s classic album Wish You Were Here.

Mahler meets Prokofiev in the Quartet No 6, which Shostakovich started to sketch on honeymoon following his marriage to second wife Margarita Kainova. The 12th, composed after a spell of bad health signalled a decisive return of confidence, (‘it’s a symphony, a symphony’ he enthused). It’s inscribed to his devoted friend Dmitri Tsyganov, first violinist of the Beethoven Quartet. The Carduccis end with No 3, one of Shostakovich's finest works and the only one he wrote in 1946, when the Soviet state began a campaign of censorship.

Following a successful long term artistic relationship, the GRAMMY Award-winning bandleader and composer is joined by the 19-piece ensemble to bring the music of her remarkable, intense album Data Lords to life. Hailed as an evocative and daring voice in the musical world, Maria Schneider's work blurs the lines between genres and has seen her collaborate with Jazz at Lincoln Centre, The Saint Paul Chamber Orchestra and David Bowie.

Roussel’s Le festin de L’araignée weaves a delicate web of sound around a brutal tale of insect carnage. Ravel creates a magical language for an eccentric group of beasts in Histoires naturelles, including a narcissistic peacock and an anxious cricket.

Wynton Marsalis’ Symphony No 4, The Jungle, is a wild and brilliant portrait of New York City in all its dazzling, high-pressure, cosmopolitan glory. Featuring glimpses of ragtime and elements of popular dance music, its six movements combine rapid and hard-swinging fast passages with poignant blues-tinged melodies and colourful, plushly orchestrated jazz chords. The ‘La Esquina’ movement pays homage the city’s Afro-Latin culture while the work’s finale sees wailing brass spin bold melodies over rhythmic riffs. Like the (second) greatest city in the world, this intoxicating cacophony of sounds, cultures and identities will leave you thinking.

A Child of our Time was Tippett’s response to Kristallnacht, a Nazi pogrom against German Jews. In a unique, utterly touching musical language his oratorio explores the darkness of the world and of individuals. A powerful collective spirit is forged in the famous spirituals.

The Berliner Barock Solisten and pianist Alexandros Kapelis come together for Bach’s six concertos for solo keyboard and orchestra: a tour-de-force not seen on the concert stage in recent memory.

Shostakovich was on a chamber music roll when he composed the Quartet No 2 – its Romance tipping the wink to Tchaikovsky and Borodin. Tragedy intrudes on the 11th Quartet which mourns the much-loved Vasily Shirinsky, second violinist of the Beethoven Quartet. And standing at the gateway to Shostakovich’s late style, it’s paired with the lyrical No 14, which breathes the vivacious warmth of its dedicatee, cellist Sergei Shirinsky, and sports a heart-on-sleeve duet Shostakovich called his ‘Italian bit’. The Kyans complete the programme with Gubaidulina’s work about the nature of sound itself.