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The twin peaks of tonight’s all-French programme are two masterpieces from Gabriel Fauré and Maurice Ravel, beginning with the former’s consolatory Requiem, a work whose clean lines, pure vocal textures and elegant orchestrations appear to propose a new philosophy of religion. Prepare for temperatures to rise with the sensual awakenings and sultry dances of Ravel’s suite for the ballet Daphnis and Chloe, evoking an ancient world of pastoral delights. Two prayers by Lili Boulanger, who died tragically young at 24, and Fauré’s incidental music written for a London production of Maeterlinck’s Symbolist play Pelleas and Melisande complete the evening.

Ludovic Morlot, Music Director of the Barcelona Symphony Orchestra, conducts the Guildhall Symphony Orchestra and Chorus in their first concert of the academic year. The sublime programme features Mozart's final symphony, Jupiter, Debussy's Rhapsody for Saxophone and Orchestra and Poulenc's Gloria for soprano, choir and orchestra.

Following a long and highly successful career as both a solo and a collaborative pianist, as well as a festival and concert series programmer, Kathryn Stott has decided to step down from public recitals from the end of this year – though many of her other creative activities will continue. Wigmore audiences will be delighted to partake in this special celebration of her exceptional artistry in her last London recital appearance.

Two leading song performers commemorate those buried in the Parisian cemetery of Montmartre – who include Heine, Berlioz, Lili Boulanger and Apollinaire – also sampling songs regularly heard in nearby cabarets.

The title of this cello and piano duo programme has a distinctly nocturnal ambience in which sit larger pieces by Debussy and Britten.

Christmas is a time for tradition. Together with a romp through the exuberant final chorus of Bach’s Christmas Oratorio, the Connaughts savour seasonal Tchaikovsky, while an Advent carol wraps itself around wistful Nina Simone. But there’s room for innovation too. And as well as a 150th anniversary nod to planetary Holst, there’s Terry Johns’ piano-gilded meditation inspired by the stained glass of Eduardo Paolozzi triptych in St Giles’ Cathedral Edinburgh.