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Barrie Kosky's The Magic Flute takes us into its own fantastic world of images. Tamino falls in love with a portrait of Pamina and sets out to save her. Threatened by dragons, enchanted by pink elephants, dancing constellations and flying butterfly boys, The Magic Flute becomes a magical road movie on the way to true love. Wolfgang Amadeus Mozart's opera seems to raise more puzzles and questions than it provides answers. It is not for nothing that the "title heroine" of this classic opera is an instrument - because in the end, only music seems to find the right language for the depths of basic human experiences before which logic and reason capitulate. The British theater troupe "1927" and Barrie Kosky tell the story with the help of projected animations as a living picture book in a "deliciously absurd mixture of silent and animated film." [BERLINER MORGENPOST]

Engelbert Humperdinck's great fairytale opera for the whole family is back on the stage of the Komische Oper Berlin! In the new production by Dagmar Manzel, the story of the siblings in the forest comes to life again: full of childlike imagination, poetic wit and lots of magic.

Glamour, beats and sequins meet autocratic rulers, archaic rituals meet electronic sounds and old acquaintances meet new discoveries, in the good old Komische Oper tradition of daring to strike a balance between pop and experimentation, affirmation and criticism. In the third edition of Schall&Rausch, the Komische Oper Berlin brings opposites together and (un)known faces together!

A normal day like any other: three strangers board Gaye Su Akyol's minibus , unaware that the journey will take them... into space! More precisely: the minibus makes a crash landing on the grey planet. Two-headed parrots, talking palm trees and human-like cyborgs populate this colourless and otherwise lifeless world. But what is this surreal universe all about?

Herbert Fritsch kehrt nach Don Giovanni und Der fliegende Holländer an die Komische Oper Berlin zurück, diesmal im Doppelpack mit der deutschen Pop-Ikone Herbert Grönemeyer und einem opulenten, komischen, ebenso absurden wie gewitzten Klamauk über Eugène Labiches Verwechslungskomödie Ein Florentinerhut!

Archaic and tender at the same time, GAIA-24 . makes us sing and dance for Mother Earth, with string quartet and electric guitar, baroque and techno, and asks: What does war do to nature? After the Ukrainian composer duo Opera Aperta addressed the reconquest of the former Chernobyl nuclear power plant by nature in CHORNOBYLDORF , in GAIA-24 . they devote themselves to the consequences of the demolition of the Kakhovka dam during the Russian invasion of Ukraine.

Helena, the most beautiful woman in the world and wife of King Menelaus, is bored at the court of Sparta when a mysterious - and incredibly attractive - shepherd suddenly appears and brings a lot of life into the shabby place. What else can Helena, the faithful servant of Venus, do but surrender to her fate?

Kurt Weill is known here primarily for the works he wrote together with Bertolt Brecht. But his oeuvre encompasses much more than just The Threepenny Opera and The Rise and Fall of the City of Mahagonny . And his musicals written for Broadway are no less revolutionary than the works he wrote in Germany. Influenced by the German musical tradition, the Jewish composer, who was born in Dessau, matured into an artist in the "wild" Berlin of the 1920s and was expelled by the Nazis, had a decisive influence on the new musical. In the Lonely House recital , Katharine Mehrling traces the songs from Kurt Weill's time in exile and brings them back to life, accompanied by Barrie Kosky on the piano.

In 2017, Satyagraha celebrated its acclaimed premiere at the Komische Oper Berlin. Now another work from the opera trilogy by minimal music pioneer Philip Glass is being released, each of which centers on a personality who changed the world: this time it is the Egyptian pharaoh Akhenaten. The director is Barrie Kosky, who has shown not only with Moses and Aron how powerful and approachable the myth can be in contemporary sounds.

In 1983, a cry for liberation resounded from Broadway to London and Berlin, heralding the triumph of a musical that demanded the right to a colorful life beyond stingy pettiness. Georges runs the nightclub "La Cage aux Folles". The absolute star is his partner, the drag queen Zaza alias Albin. Then Jean-Michel, Georges' son from a previous relationship, shows up: he wants to marry Anne, the daughter of an ultra-conservative family, and, to Albin's great disappointment, asks Georges to go alone to the first meeting with the family. Albin is deeply hurt. But he insists on having dinner together in Jacqueline's restaurant... Jerry Herman created a classic of the musical genre with an empowerment anthem that gave not only the queer scene the strength to fight for more openness and justice. Directed by Barrie Kosky, the piece becomes an ever-valid plea for the courage to stand up for yourself and for each other!