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Not only as a big symphonic ensemble, but also as the Konzerthaus Chamber Orchestra our Konzerthausorchester musicians come together several times each season – this time under the direction of of our First Concertmaster Suyoen Kim. They choose the pieces and instrumentation for their concerts themselves.

Do you ever wonder during a symphony concert im Großen Saal how the Konzerthausorchester actually manages to play together so perfectly? What does a conductor and the individual musicians in the instrumental groups contribute? Successful orchestral playing, like successful coexistence in a democratic society, is based on listening to each other and creating polyphony together. In our workshop, you can literally experience this for yourself - even without any previous musical knowledge.

Music is time in sound. Sometimes it is fast, sometimes very slow and extended. The tempo of the music can have a steady pulse like the heartbeat or expand like the universe. In this concert we rush, hearing and feeling, from the infinity of the atmosphere of space through the seasons and times of day to the now, immediately - in this moment.

Music is time in sound. Sometimes it is fast, sometimes very slow and extended. The tempo of the music can be like a heartbeat, have a steady pulse or expand like the universe. In this concert we rush, hearing and feeling, from the infinity of the atmosphere of space through the seasons and times of day to the now, immediately - in this moment.

p>Chamber music is one of the great joys of life for our orchestral musicians. Here they meet up with Lera Auerbach, the composer, pianist and visual artist to whom a ‘Creative Portrait’ is dedicated this season. She will play Mozart's Piano Concerto in D minor, first performed in 1785, in a version with string quintet. As the orchestra plays the role of a partner to the solo instrument in this concerto far more than in earlier representatives of the genre, K. 466 is probably a particularly good choice for such an arrangement!

„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979.

The Konzerthausorchester invites families to the Great Hall on Sundays at 11.00 - croissants and hot chocolate included! A musician always leads through the program. They reveal secrets from everyday life in the orchestra and invite you to join in. Meanwhile, younger siblings between the ages of 3 and 6 are very welcome at the “Musical childcare”.

The one-hour short concerts ‘8Zehn30’ on Thursdays from 18:30 at the Konzerthaus Berlin are always short and sweet: let go of everyday life and simply immerse yourself in 60 minutes of music without a break - regardless of whether the end of the working day is already in sight or another evening shift has to be put in. The orchestra musicians of the Konzerthausorchester Berlin accompany their audience through a short(er) concert evening - from the personal introduction to the after-concert drinks at the bar in the Beethoven Hall.

Our former chief conductor Christioph Eschenbach is back on the podium of the Konzerthausorchester and is bringing a highly talented young pianist with him: The 19-year-old Simon Haje will play Beethoven's fourth piano concerto from 1805, which already points in the direction of Romanticism. Robert Schumann was not the only one who loved the work, which is the first of its genre to begin directly with the solo instrument. The audience also liked it extraordinarily well straight away. Bruckner's Symphony No. 3 did not fare so well at first, which is why the easily unsettled composer revised it more often than any other of his nine symphonies. It was not until 1890 (17 years after the completion of the first version) that musicians and Viennese audiences finally stopped objecting and the work was finalised!