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One of Shakespeare’s wittiest comedies comes to life on the Globe’s outdoor stage. Helena is in love with the aristocrat Bertram, while he’s more interested in running off to war than in romance. But strong-willed Helena can’t be deterred, and as she moves mountains and conjures miracles to gain his affection, the play winds into flights of hilarity and passion. Clever and charming, this romantic comedy is the perfect night of theatre under the stars.

In The Odyssey, Penelope’s long wait is rewarded when her husband Odysseus returns home 20 years after leaving to fight in the Trojan War. Will the same be true for Jane in modern-day Brooklyn, 20 years after her husband left for work one fateful September morning? The acclaimed Tyne Rafaeli directs this poetic and touching play about longing, hope, and the myths we tell ourselves just to get through the day. The Janeiad, a wry contemplation of the evocative power of storytelling, marks the Globe’s third collaboration with Anna Ziegler, following The Wanderers and The Last Match.

Noises Off is a brilliant and uproarious backstage comedy that pulls back the curtain on a theatre company struggling to keep its production from falling apart. Forgotten lines, misplaced props, and romantic entanglements lead to total chaos with doors slamming and sardines flying, in a whirlwind of slapstick hilarity. As the actors’ onstage and offstage worlds collide, the result is, as The New York Times calls it, “a raucously delightful comedy” and “altogether hilarious.”

Merriment and mayhem come to life in Shakespeare’s uproarious comedy, last produced at The Old Globe in 2015. Immediately after arriving in a new town, a young man and his sidekick are mistaken for their own long-lost twins, and everyone’s lives are turned upside down as mistaken identities, confused lovers, and all kinds of shenanigans ensue. Globe Resident Artist James Vásquez makes his triumphant return to the Summer Shakespeare Festival after directing 2023’s knockout comic hit The Merry Wives of Windsor.

Deceived, based on the classic play Gaslight, is a psychological thriller that will enthrall Globe audiences, as did 2022’s smash hit Dial M for Murder. Bella Manningham’s new husband seems the doting partner, but when she sees the gaslights dim and he claims they have not, she begins to suspect the strange occurrences aren’t just in her head. Johnna Wright and Patty Jamieson’s exhilarating new adaptation of the beloved mystery, directed by Globe Resident Artist Delicia Turner Sonnenberg (The Old Globe’s Trouble in Mind, Skeleton Crew), blows the dust off a classic, and is “a very satisfying piece of theatrical reinvention” (Toronto Star).

Gather ye lords and ladies, fairies and wizards, knights and dragons at the Kingsbridge Midsummer Renaissance Faire, which comes to glorious life in the world premiere musical comedy Huzzah! Two sisters, one a princess and one who works in insurance, must stop fighting to save their father’s Renaissance Faire from financial ruin (and the occasional mead-based fire). When they gamble the payroll to hire the greatest swordsman on the whole Ren Faire circuit, will things go fair or foul at the Faire? Don thy doublet, cinch thy corset, and grab a turkey leg for a midsummer night’s screamingly funny musical by Olivier Award winners and Tony Award nominees Laurence O’Keefe (Legally Blonde, Heathers the Musical, Bat Boy) and Nell Benjamin (Legally Blonde, Mean Girls, the Globe’s Come Fall in Love – The DDLJ Musical), and directed by Lortel Award-winning Annie Tippe (Off Broadway’s Octet).

An autobiographical tour-de-force that The Wall Street Journal called “a gripping and vividly acted one-man show.” Bobby from Long Island is a small kid with a big dream. Bullied since childhood, his small stature finally wins him respect and success on the racetrack as a jockey. But when his body begins to grow, his dreams seem to slip away, and he must decide how far he’ll go to hold on to glory. From racing horses at Belmont Park to dancing on Broadway stages, Robert Montano brings his own breathtaking career to life onstage under the direction of Jessi D. Hill.