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Orlando is obsessively in love with Angelica and tries with all his might to win her over. This causes the wizard Zoroastro concern, as Orlando is neglecting his duty as a warrior. When Orlando finds out that Angelica is in love with the soldier Medoro instead of him, he goes mad with jealousy, hallucinates a descent into the underworld and resolves to destroy everything and everyone. Will Zoroastro achieve his goal and get Orlando back onto the “right path”?

"Yaparız biz herşeyi! Together and united we are strong!" the four animals sing and set off for Bremen to find happiness there. They are underdogs, outcasts and individualists: The donkey left his owner standing there when he called him stupid. the dog was disowned by his mistress because he always broke everything when playing. The cat refused to catch mice and was put out on the street. The rooster never managed to control his emotional outbursts and so he was thrown out as a troublemaker. But now they form an unbeatable team that wants to make music together and become famous – "Un pour tous, tous pour un! One for all, all for one!" the four musketeers set off on a journey to the place of their longing. Of course, numerous obstacles appear along the way, and there are also disputes among themselves. This extraordinary children's opera tells how the four idiosyncratic characters learn to overcome their conflicts and their fears.

The Babylonian king Nebuchadnezzar II is a biblical parable of hubris, punishment and catharsis. After all, would we still know his name if he had not made a major appearance in the Third Book of Daniel in the Old Testament? In a speech there, he tells of how, in accordance with a prophecy, he descended into madness, was cast out and lived like an animal. Only the revelation of “God of heaven” brought him back to human society.

Four young, self-proclaimed artists – Rodolfo, Marcello, Schaunard and Colline - enjoy a carefree life in their Parisian garret. Although none of them are getting anywhere with their art, their creativity knows no bounds when it comes to mastering everyday life. Until one day when the neighbour Mimì knocks on their door and brings something completely new into their lives: love, honesty, responsibility. Rodolfo falls in love with Mimì; however, they do not stay together for long, as life moves on. Yet Mimì is terminally ill and cannot simply slip out of Rodolfo’s life again. “La Bohème” captures the entire fullness of life, comedy as well as tragedy, and is a declaration of love to the vibrant city of Paris.

»Le Sacre du Printemps« übt seit der skandalumwitterten Uraufführung von Nijinsky im Jahre 1913 in Paris eine unwiderstehliche Anziehungskraft auf die unterschiedlichsten Choreograf*innen aus. An den Bühnen Köln sind in dieser Spielzeit zwei ganz aktuelle Interpretationen zu sehen. Im Depot werden wir die Südafrikanerin Dada Masilo mit ihrer Version präsentieren und im StaatenHaus den Flamencotänzer Israel Galván.

Cologne on a carnival Sunday in the golden age of the 1920s. After a wild carnival party on the "Schäl Sick", a man is left hungover and in a bat costume. He is the current carnival prince - the victim of a joke by a friend from Düsseldorf. To make matters worse, someone has leaked an unflattering photograph of the bat to a gossip magazine and so the Cologne public - and his fiancée - find out about the prince's escapades and the festival committee immediately strips him of his carnival honors. This calls for revenge. The dethroned prince joins forces with some ladies from Cologne society and hatches a plan. In extravagant apartments, on the street, in a nightclub, on the banks of the Rhine and in the legendary Klingelpütz prison, a fast-paced story of mistaken identities unfolds, full of situational comedy, wordplay and lots of music. With the typical Cologne divertissement, the Cäcilia Wolkenburg offers a “world premiere” of a genuine Cologne musical every year. With catchy music, specially arranged choral pieces, new ballet choreographies and the full enthusiasm of the ensemble of around one hundred players, each divertissement promises the best entertainment. For the anniversary of Cäcilia Wolkenburg in 2024, the audience and the press were full of praise: "storms of applause" (KStA, January 15, 2024), "spectacular" (Kölnische Rundschau January 14, 2024), "great cinema" (Express, January 15, 2024). In 2025, "et Zillche" will show a new version of "Die Fledermaus" and bring - as always with a good dose of humor and in Rhenish dialect - a very unique version of the operetta classic by Johann Strauss (son) to the stage.

He is probably the most famous playboy of all time: Don Giovanni. According to his servant Leporello, he has seduced 1,003 women in Spain alone. But who is Don Giovanni really? “Chi son io tu non saprai”, seems to be his answer to Donna Anna at the start of the opera, after he has tried to win her over by force. “You’ll never know who I am.” Indeed, his character defies any precise definition; he always remains changeable and unpredictable. Because Don Giovanni is a character without any consciousness. He is the principle that raises human questions about good and evil, desire and duty, transgression and punishment.

Carmen is independent and won’t let anyone take her freedom. She makes her own decisions - nobody else! Carmen loves life. She lives entirely in the present, not in the past or the future. Carmen’s love has wings: when she loves someone, it is for precisely that moment and not for all eternity - her interest might turn to someone else the very next moment. Carmen quarrels and fights, she doesn’t shy away from the criminal milieu either, because property or standards of any kind don’t exist for her.

“Superheldennormalos” is the first community opera to be staged at the Kinderoper Köln. Around 100 children and young people between the ages of ten and eighteen, from, among other things, the ENBE youth centre, Holweide comprehensive school, Helios comprehensive school and Katharina-Henoth comprehensive school, developed the production in various workshops under professional artistic and educational guidance. Starting with the development of the theme and the writing of the libretto to the composition of the music and the creation of the stage and costume design, the “baton” was passed from one workshop group to the next. Finally, children and young people from the Dellbrücker Mauspfad comprehensive school, the Willy Brandt comprehensive school and the Kölner Domchor will also perform on stage alongside the singers of Oper Köln’s International Opera Studio and, accompanied by the Gürzenich Orchestra, will work on the opera with a professional production team. The result is “Superheldennormalos” – an opera about the search for identity, about the fears, wishes and dreams of children and young people, which adults are also likely to relate to. Tamina is out of her depth. At home, she has to babysit her siblings, maintain calm and keep on top of the ever-growing chaos. Though all she wants to do is write, retreat into her own four walls and give free rein to her creativity ... Max struggles every week at football training, where he is regularly picked on by the coach and his team-mates. Nevertheless, Max has a dream: he wants to become a designer and hold his own fashion show. Sammy longs to just be a child again, to feel safe, to dream. She is being drawn deeper and deeper into the pit of depression. Yet all she wants is for everything to be the way it used to be. Wisi spends most of her day looking after other people. And there’s so much to do. There’s the grandma she has to help across the road, the dog that has run away. And then there are Tamina, Max and Sammy, to whom she would like to be more of a friend. Because Wisi has a special gift: she can read people’s feelings. However, at the superhero workshop she learns an important lesson about herself. To direct this special project, which is produced in cooperation with the COMEDIA Theatre Cologne and the Rheinische Musikschule Köln, we have been able to recruit Manuel Moser, who has been head of the department of theatre for young audiences at COMEDIA since 2019. The general musical direction is in the hands of Rainer Mühlbach, director of the International Opera Studio since 2012/13 and musical director of the Kinderoper Köln. A production of the Kinderoper Köln in cooperation with the COMEDIA Theatre and the Rheinische Musikschule Köln.

Eine junge Frau, die von ihrem Bruder mit dessen Freund verheiratet wird, greift zum Messer, als der Bräutigam sich ihr in der Hochzeitsnacht nähern will. Im blutigen Nachthemd erscheint sie unter den Hochzeitsgästen – und rührt deren Herzen: Sie vermittelt dabei den alle ergreifenden Eindruck, die Stimme des größten Feindes ihres Bruders zu hören, den sie zu lieben scheint, und glaubt – offenbar dem Wahnsinn verfallen – nun Hochzeit mit ihm zu feiern.