Share

Beloved rock band Sunflower Bean return reinvigorated with the most hard-fought and vulnerable album of their career: Mortal Primetime. In the three years since their last LP Headful of Sugar, the members of Sunflower Bean drifted from one another as they pursued new projects and confronted personal challenges, tragedies and transformations. But Mortal Primetime – the band’s fourth album, but first self-produced – finds Sunflower Bean with a renewed sense of purpose after nearly losing everything they built together. “You get to decide what your prime is, and you fight for it,” bassist and vocalist Julia Cumming says. “This is ours, and that can’t be taken away by circumstance. We can’t take it away from each other. This moment, where we are now, is what we’ve always fought for.” With mixing by Caesar Edmunds (The Killers, Wet Leg) and engineering by Sarah Tudzin (Illuminati Hotties, Boygenius), Sunflower Bean were inspired by alternative rock, dreamy psychedelia, and arena-sized ambition to create a sound that’s undeniably theirs on Mortal Primetime; a record that celebrates their history while hurtling toward the future.

Blue, as Julia Cumming of Brooklyn’s Sunflower Bean points out, is something of a “loaded color.” The word is of course often synonymous with sadness—certainly blues music isn’t known for its laughs. But it's also the "emotional color" of the band's upcoming, sparkling second album, Twentytwo in Blue. “We definitely don’t want it to come across as a sad record,” explains Cumming. “Blue is kind of hopeful, and we wanted to explore that color with this record.” The new record by vocalist and bassist Cumming, drummer Jacob Faber and guitarist and vocalist Nick Kivlen is many things: rousing, romantic, topical, empathetic and insightful. But defeatist it’s not.