Lighting Designer

EPSG:4326

La traviata

Teatro La Fenice

Each year, La Scala entrusts a production to the forces of the Teatro alla Scala Academy of Performing Arts: the orchestra, soloists, and chorus are given the opportunity to engage with the main stage in front of the Season’s audience. For 2026, a new production of Gaetano Donizetti’s L’elisir d’amore is planned, conceived and designed to later be adapted as a performance for young audiences. The production offers the opportunity for two important debuts: Marco Alibrando, one of the most interesting Italian conductors of the new generation, recently appointed Music Director of the Nationaltheatre and Staatskapelle Weimar and the musical force behind the innovative Milan-based project Voce all’Opera, is rapidly establishing his career both in Italy and internationally. Maria Mauti arrives at La Scala following her work as a writer and documentary filmmaker, as well as her first opera directing experience with Norma in Macerata.

L’elisir d’amore

Teatro alla Scala

Three men who make a bet. Two women who are the objects of this bet. Don Alfonso has thought up a perfidious game to test the faithfulness of these women: Fernando and Guglielmo are convinced that Fiordiligi and Dorabella would never betray them. They pretend to go off to war and return in disguise to seduce their respective beloved as a supposed stranger: If they succeed, they have lost the bet and Don Alfonso is triumphant. This is the setup for Mozart’s Così fan tutte. A contemporary operatic subject? It is primarily Mozart's music that secures this opera its place in the repertoire to this day, for it looks deep into the characters’ hearts without condemning them. When what began as a light-hearted game develops into a cruel experiment that ultimately pulls the rug out from under everyone involved, the music lays bare the characters’ emotions in all their complexity and contradiction; it plumbs the existential depths of love, which we all experience in the same way regardless of gender – today as in 1790, when Mozart's opera premiered. The Belgian directing collective FC Bergman, which won the Silver Lion at the Venice Biennale and recently celebrated a resounding success at the Ruhrtriennale, is inclined towards visually powerful surrealism in its theatrical language and tells – for the first time in Berlin and in only its third opera production – Così fan tutte as a story about young people of today who are playfully searching for answers to the questions of life: What does love mean to us? What roles do we play in life? Who manipulates whom? Is reality truly always more sustainable than fantasy? Riccardo Minasi, one of the most interesting conductors in the field of historical performance practice, is working with the Deutsche Oper Berlin orchestra for the first time. A young ensemble of soloists led by Elsa Dreisig as Fiordiligi explores the psychological facets of this many-layered game of love.

Così fan tutte

Deutsche Oper Berlin

Music Director Yannick Nézet-Séguin takes the helm of Strauss’s most beloved score, following his acclaimed Met performances of the composer’s Elektra, Die Frau ohne Schatten, and Salome. After her “resplendent” (Observer) 2025 portrayal of Strauss’s Arabella, soprano Rachel Willis-Sørensen stars as the elegant Marschallin, alongside brilliant mezzo-soprano Emily D’Angelo as her impetuous younger lover, Octavian. Soprano Ying Fang is the lovely heiress who steals his heart, and bass Günther Groissböck reprises his uproarious portrayal of the bumptious Baron Ochs in Robert Carsen’s turn-of-the-century setting.

Lighting Designer

Peter Van Praet

Events

Upcoming events

5 - 16 Sep, 2026

L’elisir d’amore · Teatro alla Scala

Feb 28 - Mar 15, 2027

Così fan tutte · Deutsche Oper Berlin

Mar 24 - Apr 10, 2027

Der Rosenkavalier · The Metropolitan Opera

Past events

8 - 17 Feb, 2026

La traviata · Teatro La Fenice

About

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