Stage Director

"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about “Kabale und Liebe”...

Luisa Miller

Hamburg State Opera

In order to free her husband Florestan, Leonore disguises herself as a male prison guard and sneaks into a prison. Beethoven’s only opera is infused with an unwavering belief in the power of hope. The powerful liberation music at the end anticipates the «Ode to Joy» from his Ninth Symphony. Andreas Homoki separates the plot from its bourgeois comic light opera context, focusing instead on the utopian idea of world brotherhood and the universal themes of humanity that Beethoven chose as his central focus. Klaus Florian Vogt, one of the most outstanding tenors of our time, will appear as Florestan.

Fidelio

Zurich Opera House

La Traviata is the final work in the Trilogia Popolare, Verdi's trio of masterpieces written between 1850-52. Once again, he was inspired by an outsider: after the jester in Rigoletto and the gypsy Azucena in Il Trovatore, the courtesan Violetta Valéry -- a woman whose charm surpasses her predecessors -- takes center stage here. The Parisian demimonde is the setting for the story of the unconditional and hopeless love between Alfredo Germont and the terminally ill Violetta. From the very beginning, their love is threatened not only by death, but also by the norms of society and the honor of a family.

La Traviata

Oper Leipzig

A domineering linguistics professor transforms a rough-and-tumble flower seller into a refined lady—what a romance! And as a musical, it’s been an unmatched success, enchanting audiences worldwide for nearly seventy years, thanks to Shaw’s brilliant story and Loewe’s unforgettable melodies.

My Fair Lady

Schiller Theater

Nabucco

San Carlo Theatre

This opera’s 1875 premiere in Paris caused a scandal, after the title character’s anarchic nature and lustful femininity disturbed the bourgeois audience’s sensibilities. But Bizet’s opera soon began its triumphal march, becoming a myth of modern times. To this day, «Carmen» fascinates audiences with its relentless drama and the elemental power of its melodies. Andreas Homoki’s production pays homage to the place where the opera was created, the Opéra comique in Paris. 

Carmen

Hansel and Gretel, children of a poor broom maker and his wife, are sent into the woods one day by their mother to pick berries – as punishment for larking around instead of doing their chores. When their father arrives home bearing a bag full of treats after a successful working day, he berates his wife, because the woods are home to an evil witch. The parents set off to look for the kids, who have meanwhile filled their baskets but then eaten all the berries themselves out of sheer hunger. They also realise darkness has fallen and they’re lost, so they lie down for the night and say their prayers, falling asleep and having a strange and wonderful dream. In the morning they wake to see a cottage made of gingerbread and other sweetmeats. Nibbling at the house, they are surprised by the witch, who takes them captive, planning to bake the children in her oven. Instead, they play a trick on her and push her into her own oven. The spell is broken and all the children who had been transformed into gingerbread by the witch regain their human form. The pair’s parents appear and the reunited family returns home.

Hansel and Gretel

Deutsche Oper Berlin

The season kicks off at Tempelhof Airport’s Hangar 4, which is opening its portals for another spectacular extravaganza: after last season saw hundreds of choral singers performing Handel’s Messiah, this time we’ve got hundreds of dancers in Jesus Christ Superstar! Director Andreas Homoki and set designer Philipp Stölzl are transforming the space into a monumental rock show, the perfect setting for a real superstar...

Je­sus Christ Su­per­star

Tempelhof Airport

Opéra-fantastique in five acts by Jacques Offenbach (1819-1880)
Libretto by Jules Paul Barbier after the drame fantastique of the same name
by Barbier and Michel Florentin Carré

EPSG:4326

Les Contes d’Hoffmann

Opernhaus Zürich

Elias

Musikdrama in one act by Richard Strauss (1864-1949)
after Oscar Wilde’s play of the same name

Salome

Romantic opera in three acts by Richard Wagner (1813-1883)
Libretto by the composer

Lohengrin

Never one to miss an opportunity to make fun of others, the hunchback jester Rigoletto is employed by the Duke of Mantua. His only joy in life is his daughter Gilda. When Rigoletto must witness how she falls for the calculated vows of love of the unscrupulous Duke, he is out for revenge: he hires the contract killer Sparafucile to murder the seducer. Gilda, however, sacrifices herself for her lover. Rigoletto realises that he has driven his daughter to death and destroyed his own life.

Rigoletto

Staatsoper Hamburg

Opera in two acts by Ludwig van Beethoven (1770 - 1827)
Libretto by Joseph Ferdinand Sonnleithner and Georg Friedrich Treitschke

La Traviata is the final work in the Trilogia Popolare, Verdi’s trio of masterpieces written between 1850-52. Once again, he was inspired by an outsider: after the jester in Rigoletto and the gypsy Azucena in Il Trovatore, the courtesan Violetta Valéry -- a woman whose charm surpasses her predecessors -- takes center stage here. The Parisian demimonde is the setting for the story of the unconditional and hopeless love between Alfredo Germont and the terminally ill Violetta. From the very beginning, their love is threatened not only by death, but also by the norms of the society and the honor of a family.

Finnish soprano Camilla Nylund thrilled as Brünnhilde in the new Zurich Ring des Nibelungen, and now she returns to Zurich as Senta. Her stage partner here is Tomasz Koniezcny, who will sing the title role in this revival and who celebrated his own triumph in the Zurich Ring when he took the stage as Wotan. General Music Director Gianandrea Noseda, meanwhile, showed with the Zurich Ring that he is a fantastic Wagner conductor. He now takes over the musical direction of this revival production.

Der fliegende Holländer

Violetta Valéry is beautiful, clever, warm-hearted - and terminally ill. Her life as a noble courtesan is preordained. There is no room for private happiness, not even for her love for the young Alfredo Germont, who conquers her heart and wants to save her from the vicious circle of venal love into a carefree private sphere. There she meets her doom in the shape of Alfredo's father Giorgio Germont....

La travi­ata

Theater Duisburg

"Luisa Miller" is Giuseppe Verdi’s third setting of a play by Friedrich Schiller. “It is a great drama, full of passion and very effective in theatrical terms,” the composer wrote to the librettist Salvadore Cammarano about Kabale und Liebe. In order to conform to the expectations of the censors and audience, Verdi first had to reduce the play to a libretto suitable for opera, moving the focus from Schiller’s political tale to the family drama. In his opera, first performed in Naples in 1849, Verdi produced outstanding character studies of all his protagonists. In this work he laid the foundation for many “Verdi types” of later years, e.g. Iago, Giorgio Germont, Aida or Desdemona. Luisa Miller was first performed in Hamburg at the Hamburg State Opera in 1981 in a new production conducted by Giuseppe Sinopoli and directed by Luciano Damiani, who also designed the sets and costumes at the time.

Opernhaus Zürich's staging of Salome is directed by Andreas Homoki, who holds Richard Strauss’ works near to his heart. In his approach, he looks not only at the psychological aspects of the work, but also considers the societal forces at work. In his production, the appearance of the prophet Jochanaan (John the Baptist) marks the beginning of a new time, in which the power structures of yore are destroyed. The cast brings new voices to the stage of the Opernhaus: the promising Russian Elena Stikhina (a member of the ensemble at the Mariinski Theater in St. Petersburg) is our Salome. Lithuanian bass-baritone Kostas Smoriginas makes his debut in Zurich in the role of Jochanaan. Australian conductor Simone Young, an internationally-renowned Strauss interpreter, returns to the Opernhaus Zürich.

The highly talented young singers present themselves in this final concert with a colorful program of arias, duets and ensembles. 

Gala Concert of the International Opera Studio

With "Das Rheingold," Richard Wagner opens his monumental "Ring of the Nibelung": a mythological world theater about power, love, and the loss of innocence. Whoever renounces love gains power. This fateful law draws both Alberich and the god Wotan into the spell of the cursed ring. From the famous depths of E-flat major, a world unfolds between idyllic nature and moral decay. Andreas Homoki's successful production returns under the musical direction of Gianandrea Noseda. Michael Volle sings Wotan.

Das Rheingold

With Hänsel und Gretel, Engelbert Humperdinck created a fairy-tale opera that has captivated children and families for over 100 years, not just during the Advent season. The enduring success of the work is due, in part, to the exciting story of two children who get lost in a dark forest and are threatened by an evil witch, whom they ultimately defeat through cunning and trickery. The combination of simple, catchy folk melodies like «Ein Männlein steht im Walde» («A Little Man Stands in the Forest») with lavishly orchestrated sound and powerful operatic voices remains highly appealing to audiences of all ages. Andreas Homoki’s production tells the story straightforwardly in poetic imagery, without neglecting either theatrically effective spooky effects or comedic moments. Our young and dynamic conductor, Anna Handler, leads the performance with her vibrant musical energy.

"Die Walküre" takes us from the mythical realm of the gods into the world of men: Siegmund and Sieglinde are consumed by a forbidden love that defies all laws and threatens to undermine Wotan's power plan. In his conflict with Fricka, the father of the gods recognizes his hero's lack of freedom and sacrifices him. Brünnhilde's defiance is severely punished: Wotan puts her into a deep sleep and encircles her with a ring of fire that only a fearless hero can traverse. With the "Ride of the Valkyries" and the "Magic Fire," the music of "Die Walküre" contains some of the most famous passages of the "Ring." Camilla Nylund and Eric Cutler sing Brünnhilde and Siegmund in this continuation of the Zurich "Ring" interpretation by Andreas Homoki and Gianandrea Noseda.

Stage Director

Andreas Homoki

Events

Upcoming events

Jul 6, 2026

Gala Concert of the International Opera Studio · Opernhaus Zürich

Nov 29 - Dec 17, 2026

Das Rheingold · Opernhaus Zürich

Dec 23, 2026 - Jan 9, 2027

Hansel and Gretel · Deutsche Oper Berlin

Jan 24 - Feb 6, 2027

The Valkyrie · Opernhaus Zürich

Past events

May 24 - Jun 5, 2026

Luisa Miller · Staatsoper Hamburg

3 - 16 May, 2026

Fidelio · Opernhaus Zürich

About

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