Mozart’s illustrious operatic oeuvre is rounded off by a work providing both copious entertainment and food for thought, affording a fantastic spectacle and presenting a magical ritual of initiation of the human spirit. All that is encompassed in Die Zauberflöte, and all that can be found in Vladimír Morávek’s colourful production, featuring a thrilling atmosphere and teeming with mysterious symbols. There is something for everyone – adults and children, including, if fear hasn’t consumed them, the very youngest.

Die Zauberflöte

The Estates Theatre

And if we were to name the places at which Mozart in person premiered an opera of his and which still function as theatres, the one and only candidate in the world would be the Estates Theatre in Prague. The National Theatre Opera has proudly cherished this unique tradition for decades.

Don Giovanni

Antonín Dvořák’s two most successful operas, The Devil and Kate, and Rusalka, are based on fairy-tale motifs. Blending folk and humorous with lyrical and fantasy elements is one of the typical (and still very popular) traits of Czech drama. Dvořák created a masterly patchwork of contrasting scenes – folksy, breezy, fiendishly fervent and courtly noble.

The Devil and Kate

National Theatre Prague

For over two centuries, Gioachino Rossini has been one of the most celebrated opera composers, and it might even have been the case if he had written nothing but Il barbiere di Siviglia. Both its genesis and premiere were connected with all kinds of twists and turns, which accompany many a play and opera. The piece had to be completed hastily, rehearsed and staged even more hastily; it was a setting of a literary work that had been used several times; the premiere was poorly received and affected by scandal, etc. In hindsight and knowing the fates of other creations, such circumstances would seem to be the best prerequisite for future success. Four years after the opera’s world premiere, in 1816 at the Teatro Argentino in Rome, Il barbiere di Siviglia was first presented, in German translation, at the Estates Theatre in Prague, which in 1825 staged the piece in Czech, owing mainly to the composer and conductor František Škroup (known primarily for creating the melody of the Czech national anthem), who would later on also give Czech premieres of operas by Wagner and others. The Provisional Theatre included Il barbiere di Siviglia in its repertoire during its very first season. Later on the opera was also undertaken by the National Theatre, which to date has adapted it in more than ten productions.

Il barbiere di Siviglia

Antonín Dvořák - Requiem

Grandhotel Pupp

Engelbert Humperdinck’s Hänsel und Gretel is one of the most frequently performed operas in Germany. Inspired by the Grimm brothers’ popular fairy tale, the libretto was written by the composer’s sister Adelheid Wette, who modified the rather macabre story, adding the characters of the Sandman and the Dew Fairy, as well as the instrumental dream pantomime scene in the forest, and concluding it with the resurrection of the witch’s victims and the happy reunion between the children and their parents. With the music written in the grand Wagnerian romantic style, Humperdinck’s opera also contains folk rhythms, songs for children and old melodies. The world premiere, in Weimar on 23 December 1893, was conducted by Richard Strauss, totally enraptured by the piece. Enraptured too was the audience, and Humperdinck’s Hänsel und Gretel has ever since remained extremely popular in Germany, where every December it has been performed at more than 35 opera houses. In 1905, the piece was first shown at the Metropolitan Opera in New York, where it has often been staged during Christmas.

Hänsel und Gretel

State Opera

After 15 years, a Baroque opera is returning to the National Theatre repertoire, and after a full quarter-century the National Theatre staged a work by Jean-Philippe Rameau, the guru of 18th-century French opera: the globally renowned comédie lyrique Platée, which, however, has never before been performed in the entire history of the National Theatre and the State Opera, and its predecessor, the Neues deutsches Theater.

Platée

Bedřich Smetana’s last completed opera, The Devil’s Wall, the fruit of collaboration with Eliška Krásnohorská, who penned the librettos for his previous operas The Kiss and The Secret, bears both its originally intended comic nature and, more significantly, a final lyrical tone. The composer evidently identified with the character of the ageing nobleman Vok, projecting his own feelings, perhaps ever more so than before. This remarkable work can thus be interpreted as, among other things, a reflection on Smetana's life, one fraught with emotional upheavals.

The Devil’s Wall

When, in 1888, the music publisher Edoardo Sonzogno announced a competition for young Italian composers, who were invited to submit a one-act opera, he had not the slightest inkling that the victorious piece would become a timeless blockbuster. The 25-year-old Pietro Mascagni sent Cavalleria rusticana, which he had just completed. The premiere, in 1890 in Rome, was a true sensation, and the verismo opera, depicting ordinary contemporary people, villagers and low social classes, would remain Mascagni’s greatest success. Ruggero Leoncavallo decided to follow suit and duly composed his very first opera, Pagliacci, in the verismo style. Premiered in 1892 in Milan, the piece met with an enthusiastic response. In 1893, the two operas were first staged as a double bill, and ever since they have been frequently performed together.

Michaela Zajmi

Events

Upcoming events

Aug 26, 2026 - Feb 14, 2027

Die Zauberflöte · Národní divadlo

Aug 28 - Nov 27, 2026

Don Giovanni · Národní divadlo

Sep 3, 2026 - Mar 21, 2027

The Devil and Kate · Národní divadlo

Sep 13 - Dec 31, 2026

Il barbiere di Siviglia · Národní divadlo

Oct 29, 2026

Antonín Dvořák - Requiem · Karlovy Vary Symphony Orchestra

Future and recently performed repertoire

Singer in Requiem by Dvořák

Karlovy Vary Symphony Orchestra

Second Lady in Die Zauberflöte by Mozart

Národní divadlo

Donna Elvira in Don Giovanni by Mozart

Národní divadlo

Rosina in Il barbiere di Siviglia by Rossini

Národní divadlo

Juno in Platée by Rameau

Národní divadlo

Lola in Cavalleria rusticana by Mascagni

Národní divadlo

Hänsel in Hänsel und Gretel by Humperdinck

Národní divadlo

Kate in The Devil and Kate by Dvořák

Národní divadlo

Záviš in The Devil's Wall by Smetana

Národní divadlo

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