Naive Ema is dying to experience the exciting life and eternal love she only knowns from romance novels. But her dreams and rosy visions clash with the boring reality of her marriage to a prudent and caring country doctor. Ordinariness and banality suffocate her, random love encounters bring temporary excitement but cannot satisfy her fantasies. She is constantly haunted by the desire for all that’s new, better, and greater, but the glittering ideal world that lures her eventually brings her down in the crash with the ruthless reality. Permanent dissatisfaction and desire for a better life that seems at hand and purchasable on credit is a trap into which we are still falling after more than one hundred and fifty years.

Madame Bovary

The Estates Theatre

Philemon and Baucis, Ariadne and Theseus, Helios a Phaethon, Iphis, Amor or Marsyas... Roman poet Publius Ovidius Naso compiled his unprecedented opus in the year 2 AD, where he collected the essential mythological narratives of the Ancient Greek epoch – at that time nearing its end – in a single, chronologically arranged whole. The cycle of notorious stories, from the pagan version of the Creation of the World and the ensuing Titanomachy to the account of the lives of ancient heroes, gods or demigods, which now forms the cultural and historical fundaments inherent to the Western civilization, has one remarkable common denominator: the motif of metamorphosis, or transformation. This ubiquitous principle of existence has been ingrained in humankind since the dawn of time in terms of both an infinite philosophical problem and an eternal hope. Ovid’s immortal epic poems reveals figurative yet concrete and comprehensible parable about physical and metaphysical metamorphoses – subtle or devastating, intimate or global – and invite us to consider our perception of European traditions, but also the general ways of searching for truth, whether over time or deep inside our own soul.

Metamorphoses

State Opera

The councillors of Honice are to elect a bellman, the person responsible for security in the village. The task is formidable, with two strong candidates running for office – the veteran soldier Valentin Bláha and the tailor František Fiala. What is more, the mayor, Filip Dubský, and the first councillor, Jakub Bušek, obstinately sit tight, neither of them willing to compromise. The fraught situation is further aggravated by the municipal council receiving an anonymous letter threatening arson. A plethora of human types is presented on the stage – the “important persons” and their wives, old-timers, young lovers, lowlifes, pig-headed dimwits, tenacious truth-seekers and enthusiastic dupes. All of them live their little lives and great dreams, all of them desire, fight and argue, while the Red Rooster hovers above their roofs … Some 135 years after it was written, Our Uppish and Defiant Fellows is still a fascinating Czech play, a play about ourselves across generations and eras, a play in which the contest for the post of bellman becomes a gigantic struggle for truth and honesty.

Our Uppish and Defiant Fellows

National Theatre Prague

The Tulip Fever is an adaptation of the classic comedy Spanish Brabander (Spaanschen Brabander, 1618) written by Shakespeare’s contemporary Gerbrand Breder (1585-1618), a master playwright of the Dutch Golden Age. The play describes the machinations with tulip bulbs – which in 1637 led to what is considered the first speculative bubble – set against the backdrop of the picaresque poetics of swindlers at the time. The text is skillfully interspersed with typical attributes of real capitalism: quick money, monetization of human relationships, profitable investments, madness of crowds, political scheming, and the notorious uppishness of public figures. In fact, Jerolimo orchestrates this major investment campaign, targeted on Amsterdam bourgeoisie, secretly amidst a never-ending party at Madame Beatrice’s brothel. Will the (mostly sober) people of Amsterdam see through his cynicism before it is too late? Will they come to their senses before realising that they served him not only as a joke, but also as a source of profit? And that it destroys people’s souls? Mhm?! Hardly.

Radúz Mácha

Events

Upcoming events

Sep 2 - Dec 29, 2026

Madame Bovary · Národní divadlo

Sep 28 - Dec 9, 2026

Metamorphoses · Národní divadlo

Oct 10, 2026 - Feb 21, 2027

Our Uppish and Defiant Fellows · Národní divadlo

Nov 11, 2026 - Mar 30, 2027

Scamsterdam · Národní divadlo

About

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