For over two centuries, Gioachino Rossini has been one of the most celebrated opera composers, and it might even have been the case if he had written nothing but Il barbiere di Siviglia. Both its genesis and premiere were connected with all kinds of twists and turns, which accompany many a play and opera. The piece had to be completed hastily, rehearsed and staged even more hastily; it was a setting of a literary work that had been used several times; the premiere was poorly received and affected by scandal, etc. In hindsight and knowing the fates of other creations, such circumstances would seem to be the best prerequisite for future success. Four years after the opera’s world premiere, in 1816 at the Teatro Argentino in Rome, Il barbiere di Siviglia was first presented, in German translation, at the Estates Theatre in Prague, which in 1825 staged the piece in Czech, owing mainly to the composer and conductor František Škroup (known primarily for creating the melody of the Czech national anthem), who would later on also give Czech premieres of operas by Wagner and others. The Provisional Theatre included Il barbiere di Siviglia in its repertoire during its very first season. Later on the opera was also undertaken by the National Theatre, which to date has adapted it in more than ten productions.

Il barbiere di Siviglia

National Theatre Prague

The Secret is Bedřich Smetana’s seventh, and penultimate, opera. It is also the second fruit of the composer’s collaboration with the librettist Eliška Krásnohorská. Completed in May1878, the piece received its premiere the on 18 September at the New Czech Theatre in Prague. The National Theatre first staged the opera on 12 May 1885, on the first anniversary of Smetana’s death. Yet it only attained wide popularity after the post of the opera company’s director had been assumed by the conductor Karel Kovařovic, who was fully aware of the qualities of the mature Smetana work. Krásnohorská furnished Smetana with an exquisite libretto, whose themes may bring to mind William Shakespeare’s Romeo and Juliet or the Czech author Ladislav Stroupežnický’s play Our Uppish and Defiant Fellows, dating from a later time.

The Secret

Traditional concerts of Christmas music at the National Theatre.

Advent concerts

Today Václav Trojan (1907–1983) is known primarily as a composer of outstanding scores for a number of 20th-century Czech films. The most noteworthy are the soundtracks to Jiří Trnka’s world-renowned animated movies Bayaya, Old Czech Legends, A Midsummer Night’s Dream and The Good Soldier Schweik; Bořivoj Zeman’s fairy tale Once Upon a Time There Was a King ..., featuring Jan Werich in the lead role; and Otakar Vávra’s August Sunday. Moreover, Trojan created the ballets Prince Bayaya and A Midsummer Night’s Dream, which were performed to acclaim at the National Theatre in Prague, and the stage poem Golden Gate, to folk motives. He wrote one opera, Kolotoč (Carousel), for children young and old, as the secondary title indicates. The owner of a merry-go-round invites children to climb aboard: “If you want to see Indians, a kangaroo and gorillas, take a seat on the carousel!” And indeed: in the scenes that follow children are taken on dreamy trips to an African rainforest, the Australian Outback, an Indian jungle, as well as to the world of American film. Characterised by bounteous instrumentation and exquisite melody, Trojan’s music co-creates a colourful fantasy story.

Jan Chalupecký

Events

Upcoming events

Sep 13 - Dec 31, 2026

Il barbiere di Siviglia · Národní divadlo

Nov 6 - Dec 28, 2026

The Secret · Národní divadlo

Nov 29 - Dec 20, 2026

Advent concerts · Národní divadlo

May 22 - Jun 5, 2027

Carousel · Národní divadlo

Future and recently performed repertoire

Conductor in Il barbiere di Siviglia by Rossini

Národní divadlo

Conductor in The Secret by Smetana

Národní divadlo

Conductor in Carousel by Trojan

Národní divadlo

About

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