Thus wrote Poulenc in 1945 to the French singer Pierre Bernac, whom he often accompanied on the piano, about his The Tale of Babar the Elephant , the composition of which had been begun almost by chance five years earlier, following a protest from one of his nieces. On a dull, sleepy afternoon in the summer of 1940, Poulenc, in the company of his family, was playing one of his compositions, Melancolie , on the piano , without much success with his four-year-old niece. The little girl, bored by the music, said sincerely and even a little impertinently to her uncle: " Uncle Francis, what boring music. Play this instead ." So saying, the little girl took an album with the tale of Babar the Elephant and placed it on the piano stand, ordering him to play. Poulenc, amused, began to improvise chords, pretending to read music from the album. Thus was born the idea of ​​composing a series of pieces to be organized into a cycle, which in its unified structure became The Story of Babar the Elephant . Originally composed for voice and piano, The Story was orchestrated in 1962, shortly before the composer's death, by Jean Françaix and enjoyed considerable success in this form. On this occasion, it is presented in the chamber orchestra version by David Matthews.

Gaston Polle Ansaldi

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Apr 20, 2026

Poulenc's L'HISTOIRE DE BABAR & Campogrande's THE TWO NIGHTINGALES · Orchestra Sinfonica Siciliana

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