Marylène Gingras-Roy, violist | Schedule & Tickets 2024
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Marylène Gingras-Roy

Violist

Artist summary generated by AI

Marylène Gingras-Roy is a distinguished violist known for her exceptional talent and contributions to the classical music scene. With a rich background in chamber music, she has performed in notable productions, including her recent participation in The Romance of Brahms, a concert curated by esteemed Music Director Alasdair Neale. This performance showcased the String Sextet No. 2 by Johannes Brahms, featuring acclaimed pianist Jon Kimura Parker alongside an all-star Festival Orchestra. Marylène's artistry and dedication to her craft have earned her recognition within the music community, and she continues to captivate audiences with her expressive playing. As she looks ahead, Marylène is set to engage in upcoming projects that promise to further highlight her musical prowess and commitment to the art form. Her journey as a musician reflects a deep passion for collaboration and a desire to bring the beauty of classical music to life.

Artist summary generated by AI

Marylène Gingras-Roy is a distinguished violist known for her exceptional talent and contributions to the classical music scene. With a rich background in chamber music, she has performed in notable productions, including her recent participation in The Romance of Brahms, a concert curated by esteemed Music Director Alasdair Neale. This performance showcased the String Sextet No. 2 by Johannes Brahms, featuring acclaimed pianist Jon Kimura Parker alongside an all-star Festival Orchestra. Marylène's artistry and dedication to her craft have earned her recognition within the music community, and she continues to captivate audiences with her expressive playing. As she looks ahead, Marylène is set to engage in upcoming projects that promise to further highlight her musical prowess and commitment to the art form. Her journey as a musician reflects a deep passion for collaboration and a desire to bring the beauty of classical music to life.

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