Emilie Mayer, | Schedule & Tickets 2025

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For a long time, women composers had a hard time; they were mostly ignored in their time and throughout history. But women have composed with strength and talent at many times. In this concert, you can experience some of them, with their rich music and their creative work. You may still know Clara Schumann, Lili Boulanger and Rebecca Clark, but it is a different story with Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century. The Frenchwoman Mélanie Bonis, whose works were mostly published in the 19th century under the pseudonym Mel Bonis, is also hardly known in this country, as is the Austrian pianist, singer and composer Maria Theresia von Paradis, who was blind since childhood and was also very prominent in the musical life of her time, the Viennese Classical period. In this concert you can get to know them all, as well as Emilie Mayer, a German composer of the 19th century who was also highly celebrated during her lifetime and was widely regarded as the "female Beethoven".

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Anastasia Kobekina seems to be the cellist of the moment. Her debut album "Venice", which has just been released by Sony - a sensitive and profound examination of her favorite city, Venice - is being acclaimed by critics. "The Tagesspiegel", "Le Figaro" and the "Frankfurter Allgemeine Zeitung" are currently outdoing each other with hymns of praise. And the Schleswig-Holstein Music Festival has awarded Anastasia Kobekina its 2024 Leonard Bernstein Award, which honors internationally outstanding young musicians. Her meteoric international career has taken the musician, who has been playing the cello since she was four, to the Konzerthausorchester Berlin, the Tonhalle Orchester Zürich, the Royal Liverpool Philharmonic, the National Orchestra d'Ile de France and artists such as Krzysztov Penderecki, Jakub Hrusa and Paavo Järvi. The Tchaikovsky Prize winner plays a cello by Antonio Stradivari from 1698, which was provided to her by the Stradivari Foundation Habisreutinger. With the BSOF she interprets one of the most charming and moving works in cello literature: Robert Schumann's Cello Concerto in A minor.

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Female composers have had a hard time for a long time, and have been largely ignored by history. This year's chamber concert by the hr Symphony Orchestra in Erbach will feature some of them, with their rich music and creative work. Clara Schumann, Lili Boulanger and Rebecca Clark will be familiar, but Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century, is not. The Frenchwoman Mélanie Bonis, whose works were mostly published under the pseudonym Mel Bonis in the 19th century, is also hardly known in this country, as is the Austrian Maria Theresia von Paradis, who was blind since childhood and was very prominent in the musical life of her time, the Viennese Classical period, as a pianist, singer and composer. In this concert you can get to know them all, as well as Emilie Mayer, a 19th-century German composer who was celebrated during her lifetime as the "female Beethoven".