EPSG:4326

Romantic Era Masterpieces

Orpheum Theatre, Galesburg

Since the beginning of her career, Norwegian trumpeter Tine Thing Helseth has championed the trumpet repertoire amongst audiences on all six continents, meriting the highest critical praise for her soulful, lyrical sound and collaborative approach to music-making. An artist who challenges the boundaries of genre with an intensely creative, open-minded philosophy, Tine’s ever-expanding repertoire ranges from the classical period to contemporary works and new commissions.

Beethoven’s 5th!

Miller Symphony Hall

Two women composers of the Romantic era hold the spotlight in this imaginative concert of 19th-century music. The ‘fantastic’ (The Guardian) Kammerorchester Basel performs under the direction of Julia Schröder.

Kammerorchester Basel

Usher Hall

Two wonderful women composers of the Romantic era hold the spotlight in this imaginative concert of 19th-century music. The ‘fantastic’ (The Guardian) Kammerorchester Basel performs under the direction Julia Schröder.

Colors From The Newer Era

Christ Lutheran Church in Allentown

Musical ideas, like memories, evolve over time. In both Liszt’s symphonic poem and Mayer’s symphony, melodies and rhythms return over and over, transforming with each iteration until they have become something wholly new and triumphant. While a new work by Yaz Lancaster explores when, how, and why we return to childhood memories in our adult lives.

Throughlines

St. Catherine University

Frank Peter Zimmermann, one of the greatest violinists of our time, performs Brahms’ quasi-symphonic Violin Concerto, in which the orchestra and the soloist engage in dialogue as equal partners. Here, the violin, with its high-energy gusto, spurs the orchestra to a playful, Romani-inspired finale. A contemporary of Brahms, Emilie Mayer, a composer well worth discovering, expresses her fascinating musical personality in her Symphony no. 7, a highly original work replete with surges of passion.

Zimmermann and Brahms’ Masterful Violin Concerto

Place des Arts

South African soprano Golda Schultz has been gracing the stage of the world’s greatest opera houses—from the Metropolitan Opera to the Vienna State Opera. Equally at home in leading operatic roles as she is as a soloist with the world’s foremost orchestras and in the most venerated recital halls, she has quickly become a leading voice in a new generation of star singers. For her Princeton University Concerts debut, she brings the extraordinary warmth of her voice to a program hailed as “a love-letter to women in music” exploring themes of love, nature, folklore and belief from a distinctly female perspective. Discussing the program’s curation, she shares: “Emilie Mayer, whose music was never recorded, was a genius on the level with Beethoven, but she was forgotten the day after she died in 1883. Nadia Boulanger became one of the greatest pedagogues with a touch that defined American culture. Even when we forget these women, what they’ve done still remains.”  

Golda Schultz, Soprano Jonathan Ware, Piano

Alexander Hall

Rediscovering Women Composers

Hanger Farm Arts Centre

As always, we celebrate the voices of female composers, and over the course of the season we present composers whose backgrounds and influences are as diverse as the music they have composed. The companion pieces to our featured work serve to bind the program into a cohesive whole, offering our listeners a varied musical experience and some exposure to less known composers and works.

CWO 23/24 Concert 2

First Presbyterian Church of Oakland

Conductor Mei-Ann Chen, praised for her passionate conducting style, leads the Orchestra in the Florida premiere of the new concerto for piano and orchestra, Shades of Unbroken Dreams, by Orlando favorite James Lee III. Bookending the Concerto is Emilie Mayer’s Overture, whose Romantic vocabulary explores Faust’s searching, questing soul and leads into the beautiful conclusion of our concert, Brahms’s Third, often called his most personal symphony. “Like a rainbow after a thunderstorm,” as the composer’s biographer Karl Geiringer describes it, with an emotional palette that paints in colors of yearning, reflection, and serene acceptance.

Brahms Third Symphony

Dr. Phillips Center for the Performing Arts

Emilie Meyer, a prolific composer in her own right, recalls something of Mozart’s style. English composer Gerald Finzi writes dramatically for both the DSO strings and Principal Clarinet Ralph Skiano, while Elgar’s Serenade puts the former entirely in focus. One of Mozart’s last symphonies takes us all on a ridiculously fun ride.

Elgar & Mozart

Kirk in the Hills

Our Lady Star of the Sea

First United Methodist Church

The Berman Center for the Performing Arts

Robin Wallington unearths a handful of lesser-heard gems spanning the 19th and 20th century. Today, we’ll introduce you to a few composers you may not have heard of, but whose work you’ll soon be seeking out.

Tranquillity and Discovery with the BBC Philharmonic

MediaCityUK

Fanny & Emilie

Villa Marigola

Isabelle Faust returns to Berwaldhallen with Alban Berg's violin concerto – written in memory of a young girl. Principal conductor Daniel Harding also leads the Swedish Radio Symphony Orchestra in the overture to Richard Wagner's Tannhäuser , an opera about the struggle between virtuous and sensual love. In addition, the German Romantic composer Emilie Mayer's Seventh Symphony.

Isabelle Faust In Bergs Violin Concert

SR Berwaldhallen

2024-2025 Season Concert 1

St. John's Episcopal Church Barrington

Jessica Meyer will be our guest as Composer-In-Residence as we give the Western US Premiere of a newly-commissioned work that brims with impassioned flare and fire. IFS Concertmaster Emma Rubinstein dazzles with the exotic music of Ravel, and the Symphony delivers a forgotten gem by the 19th century German composer, Emelie Mayer: her dramatic and evocative Fifth Symphony.

Her Song in 3 Voices

Idaho Falls High School

There’s no limit to the stories that can be told by a string quartet. The Equilibrium Quartet, four members of the Orchestra who aim to re-balance inequality in music, present a chamber concert with a fascinating difference. They'll perform works from the first lady of Polish music, Grażyna Bacewicz, Panamanian folk, and the beautiful yet largely undiscovered music of Emilie Mayer, before easing gently into the Christmas season with Rebecca Clarke’s Combined Carols.

Equilibrium Advent

The Music Room

Explore Romantic music with The Syracuse Orchestra! We’ll feature Noemi Miloradovic and Spencer Phillips playing Bottesini’s Concerto for Violin and Double Bass, and the Orchestra will perform Symphony No. 1 by Mayer and Pelléas et Mélisande by Fauré.

A Romantic Afternoon

St. Paul's Syracuse, the Downtown Episcopal Church

Courageous

The Church of St. John the Divine

Haydn’s Drum Roll Symphony with Richard Egarr

Ordway Center for the Performing Arts

Yannick Nézet-Séguin interprets Schubert’s Symphony No. 9, “The Great,” an imposing yet deeply personal work. Christian Blackshaw, a contemporary Mozart masters, delivers a crystal clear rendition of the composer’s work. With Piano Concerto No. 24, our artist-in-residence highlights Mozart’s ability to convey the depth of human emotion through music.

Emilie Mayer

Events

Upcoming events

14 - 15 Nov, 2024

Isabelle Faust In Bergs Violin Concert · Swedish Radio Symphony Orchestra

Nov 17, 2024

2024-2025 Season Concert 1 · Chamber Orchestra of Barrington at St. John's

Nov 23, 2024

Her Song in 3 Voices · Idaho Falls Symphony

Dec 2, 2024

Equilibrium Advent · Royal Liverpool Philharmonic

Jan 12, 2025

A Romantic Afternoon · The Syracuse Orchestra

Past events

Sep 28, 2024

Romantic Era Masterpieces · Knox-Galesburg Symphony

21 - 22 Sep, 2024

Beethoven’s 5th! · Miller Symphony Hall

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