Dancer

Choreographer

You could say Vivaldi had a kind of synesthesia when writing The Four Seasons. What does being cold feel and sound like? MacArthur Award-winning playwright and librettist Sarah Ruhl joins Anthony Roth Costanzo to co-conceive a tapestry of Vivaldi’s music, telling an original story about a world in which the seasons are completely out of order. 

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The Seasons

Kimmel Center for the Performing Arts

Five artists escape the city to a remote farm, seeking a creative retreat and the inspiration of nature. They paint, write, farm, and some even fall in love, but extreme weather upends their plans, altering their lives forever. The Seasons is set in a near future in which the seasons seem to be out of order. Co-conceived by celebrated playwright Sarah Ruhl and countertenor Anthony Roth Costanzo, this innovative work creates a new narrative from Vivaldi arias, ensembles, and excerpts from The Four Seasons, all woven together with dance by choreographer Pam Tanowitz. Directed by Zack Winokur with music direction by Stephen Stubbs, the piece uses timeless music to find new ways we can draw connections between our emotions and the weather.

Emerson Paramount Center

A group of contemporary artists comes to a retreat in nature to make their art. They feel the emotional weather inside of them more than they feel the weather outside of them. But extreme weather impacts them without warning and changes their lives forever. The Seasons is a meditation on the relationship between our contemporary moment and Vivaldi’s iconic music, which appreciated the harmonious seasons. Vivaldi’s Four Seasons, paired with additional arias and ensembles by the composer, becomes an occasion for seeing our own disordered seasons more clearly.

Midway Artist Studios

New York City Ballet continually invests in works by new generations of choreographers. Pam Tanowitz’s Law of Mosaics, set to Ted Hearne’s score, combines moments of resonant silence with propulsive string-based music, and is further illuminated by the colorful costumes of Reid Bartelme and Harriet Jung. Despite its simplicity, This Bitter Earth, a pas de deux danced to a remix of Dinah Washington’s recording of the title song, ranks among Christopher Wheeldon’s most delicate and moving works. For many followers of the Company, William Forsythe’s Herman Schmerman Pas de Deux remains a totemic example of the adventurousness that Balanchine always championed and exemplified. The Company’s ongoing interest in a wide variety of music and the dancing it inspires is illustrated in Kyle Abraham’s Love Letter (on shuffle), which draws on the pop music of singer-songwriter James Blake and combines classical steps with a distinctly 21st-century aesthetic.

Contemporary Choreography II

Lincoln Center

The Harris Theater's 2006 presentation of New York City Ballet (NYCB), one of the foremost ballet companies in the world, marked the beginning of Harris Theater Presents. Now under the leadership of Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan, NYCB returns to Chicago as part of its 75th anniversary season in two distinct programs celebrating past, present, and future. 

21st Century Choreography

Harris Theater

Direct from its five-star UK run, the NYC premiere of Song of Songs fuses Pam Tanowitz’s choreography with Pulitzer Prize winner David Lang’s “dreamlike” (The Guardian) choral settings of the Biblical love poem, performed live by six musicians, with movement mined and abstracted from Jewish folk dance. Tanowitz’s intricate assemblage of style, form, and emotion "fills the stage with love” (The Guardian).

Pam Tanowitz | Song of Songs

New York City Center

Mikhail Baryshnikov at 75: A Day of Music Celebration

Kaatsbaan Cultural Park

Jerome Robbins is considered one of the most important ballet makers of the 20th century and his unmistakeable style has had a decisive influence on American dance. Interplay, his second choreographic work, premiered in 1945 in New York, provides a rousing opening to the four-part programme American Signatures that combines dance icons with current choreographic voices.

Performed to Morton Gould’s jazzy score, Interplay presents precisely what its title suggests: as if in a playground, the dancers meet, full of fun, but also competing with each other in Robbins’ choreography, that employs jazz elements to enrich the classical ballet vocabulary and with which the theatre maker and dance artist created one of the works that had a formative influence on his aesthetic.

Dancer, Choreographer

Pam Tanowitz

Events

Upcoming events

9 - 30 May, 2026

American Signatures · Volksoper Wien

Past events

19 - 21 Dec, 2025

The Seasons · Opera Philadelphia

12 - 16 Mar, 2025

The Seasons · Boston Lyric Opera

About

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