Composer

Ruggero Leoncavallo claimed that the story of Pagliacci was true: a murder he himself, as a child, allegedly witnessed being committed by a killer dressed as a clown. At the beginning of the opera, a character—the Prologue—feels compelled to warn us that everything we are about to see is not fiction, as in a traditional disclaimer, but a genuine “slice of life.” But is it really so? Where does the boundary between reality and representation lie? And is that fragile boundary enough to save a life in danger?

Pagliacci

Teatro Regio di Torino

Mascagni’s Cavalleria Rusticana – Love, Honour and Tragedy in Sicily

Mascagni’s verismo masterpiece Cavalleria Rusticana is a one-act opera set in a Sicilian village on Easter morning. Santuzza anxiously searches for her lover Turiddu, believing he has returned to his former fiancée Lola, who married the wine merchant Alfio after Turiddu was called away to war. Desperate to win him back but cast aside and consumed by jealousy, Santuzza reveals the affair to Alfio. Enraged, Alfio challenges Turiddu to a duel. Before facing his fatal destiny, Turiddu bids a final farewell to his mother.

With its soaring Intermezzo and powerful emotional intensity, Cavalleria Rusticana remains one of the most moving works in the Italian operatic repertoire.

Leoncavallo’s Pagliacci – When Theatre Turns Deadly

Based on a real late-19th-century Italian murder case, Pagliacci follows Canio, the head of a travelling acting troupe. His wife Nedda is secretly involved with Silvio, a young man from the village where they are performing. Although Nedda initially attempts to end the affair, Silvio persuades her to flee with him after the show. Tonio, another member of the troupe who also desires Nedda, is rejected and seeks revenge by revealing the affair to Canio. During the performance, Canio breaks character, confronts Nedda and, knife in hand, collapses the boundary between theatre and reality.

The famous aria “Vesti la giubba” is one of the most recognisable tenor arias in opera history. Pagliacci remains one of the defining masterpieces of verismo opera.

Cavalleria Rusticana & Pagliacci

Hong Kong Cultural Center

As part of Hong Kong’s 2026 opera season, Opera Hong Kong will present two iconic Italian verismo masterpieces, Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci, in a powerful double-bill production from 8 to 11 October 2026 at the Hong Kong Cultural Centre Grand Theatre. This iconic verismo pairing brings together two of the most celebrated Italian operas of the late 19th century, exploring themes of love, betrayal, jealousy and revenge through emotionally charged music and dramatic storytelling. It is one of the key productions in Hong Kong’s 2026 opera program.

Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci

Always an audience favorite for its dramatic, passionate music and colorful scenes, “Pagliacci” (The Clown) is a Verismo style opera, featuring realistic characters thrust into everyday life crises. Italian composer Ruggero Leoncavallo wrote both the wrods and the music in 1892, and not only is the opera based on a true story, but it is perhaps Opera’s original “Reality Show.”

The story follows a raucous band of traveling clowns, jugglers, and actors who arrive in a small italian town to perform their boisterous comedy act. Amid the circus-like atmosphere, tensions arise behind the scenes between the actor playing Pagliaccio, the lead clown, and his young wife. Pagliaccio suspects his wife is having an affair. As his personal conflict is mirrored in the drama they are portraying on stage, the boundaries between performance and reality begin to blur. Consumed with jealousy, suspicion, and rage, Pagliaccio is unable to separate his own life from the fictional play they are enacting. A real-life tragedy unfolds on stage while the audience of villagers mistakes the emotionally-charged drama as expert acting.

EPSG:4326

The DeYor Performing Arts Center

Performed for the first time at Teatro Dal Verme in Milan on 21 May 1892, Pagliacci is a manifesto of the Giovane Scuola. However, the grim story narrated by Leoncavallo develops through a musical dramaturgy with characters that were remarkably innovative for that period, so much so that they can be considered an anticipation of aspects that will be found in a reworked form in early twentieth century theatre. The fall of the so-called ‘fourth wall’ – with the appearance outside the curtain of the Prologue, which disqualifies the theatrical conception of the author –, the tragic reality that bursts onto the scene of the comedy, when Canio’s jealousy results in the double murder of Nedda and her lover, are all precursors of Pirandello’s ‘metateatro’ or theatre within theatre. In the same way, the crime of passion, physical deformity as a sign of inner perversion, and the squalid life of comedians are all themes that are present in this single act, all of which will be found in various authors of early twentieth century Expressionism: from Berg to Hindemith, and the pair Brecht and Weill. As for the Commedia dell ‘Arte stock characters evoked by Leoncavallo’s tale, they in particular will go on to be a source of inspiration for composers such as Malipiero, Strauss, Busoni, and Casella. All of this shows that, his immediate melodic appeal aside (a mention of ‘Vesti la giubba’ suffices, which is so popular with the general public), the masterpiece of the Neapolitan composer deserves a more careful evaluation.

Teatro Malibran

Concert in the Wallenstein Garden

Waldstein Garden

The Perelada Festival inaugurates its summer edition with the presence of an exceptional couple formed by two of the most outstanding voices on the current opera scene: the soprano Ermonela Jaho and the tenor Benjamin Bernheim, accompanied on the piano by Marcos Madrigal.

Benjamin Bernheim & Ermonela Jaho

Church of Carmel

Viva Italia! In their season finale concert, the Berliner Philharmoniker and Kirill Petrenko transform the Waldbühne into a slice of Italy. Start tenor Jonas Kaufmann, who has sung his way to the top of the global opera scene, performs some of the most beautiful arias from Italian operas, allowing us to dream of the South under the Berlin stars. With Respighi’s evocative tone poems Pini di Roma and Fontane di Roma, we walk through the Eternal City – from the pines of the Villa Borghese to the glittering Trevi Fountain.

Kirill Petrenko and Jonas Kaufmann at the Waldbühne

Waldbühne Berlin

Ruggero Leoncavallo’s Pagliacci is a landmark of the verismo movement, a one-act opera that blurs the boundary between theatrical performance and raw human emotion. Set in a rural Italian village, it tells the story of a traveling commedia dell’arte troupe whose offstage tensions spiral tragically into real life.

University of Nevada, Las Vegas

Jealousy and hatred lead to a cruel and sudden death in the tragic opera Pajazzo  by Ruggiero Leoncavallo. The story is about a traveling theater company. Its leader Canio is constantly jealous of his wife Nedda. Many will surely recognize Canio's great aria Vesti la gioubba (Laugh Pajazzo). When it is time to perform the company's performance, Canio breaks down, this time in the guise of Pajazzo. In blind rage, he gives Nedda the option of giving him the name of her lover or death. Nedda refuses, and Canio stabs her and her lover who tries to save her. He is immediately arrested and shouts the famous words to the audience: La commedia è finita! (The comedy is over).

Clown

Louis de Geer konsert & kongress

The show must go on, but how? For Canio and his traveling troupe, painted smiles and colorful costumes belie infidelity and betrayal. The façade is shattered when a hidden affair is revealed and a lighthearted night at the theater gives way to jealousy, suspicion, and ultimately violence. As the line between performance and reality blurs and the drama onstage begins to mirror the turmoil offstage, Pagliacci begs the question—does art imitate life, or does life imitate art?

Ordway Center for the Performing Arts

When Canio, leader of a theatre troupe, sees his life reflected in rehearsals, he becomes convinced that his wife is having an affair.

English Touring Opera: Pagliacci

King's College, Cambridge

Massimo for the city - Chorus of the Teatro Massimo

Parrocchia Nostra Signora delle Nazioni in S. Eugenio Papa

Back-to-back tales of love, betrayal, and revenge create a dramatic evening of emotional theatre—a powerful double-bill of verismo classics—Pagliacci and Cavalleria Rusticana.

In Cavalleria Rusticana, a soldier returns home to discover the woman he loves has married another. One Easter morning, simmering tensions boil over in a small Sicilian village—with tragic consequences. Then in Pagliacci, a traveling clown must perform while grappling with real-life heartbreak and betrayal. As the lines between stage and reality blur, a shocking finale unfolds before the audience’s eyes.

With sweeping melodies, gripping drama, and raw emotion, this is opera at its most visceral. Join us for a night of love, jealousy, and heartbreak you won’t forget.

Pagliacci/Cavalleria Rusticana

Alabama School of Fine Arts

When Canio, leader of a theatre troupe, sees his life reflected in rehearsals for an upcoming opera, he becomes convinced that his wife is having an affiar.

Buxton Opera House

Opera without words

Malmo Live Concert Hall

Pagliacci, an opera in two acts with a prologue, by Ruggero Leoncavallo, follows in the fortunate wake of Cavalleria rusticana, which had paved the way for the strand of verismo theatre. The libretto, prepared by the composer himself, is based on a crime story, a crime of passion that really happened in Montalto Uffugo, the village in Calabria where the composer lived as a young man. Performed at the Teatro Dal Verme in Milan on 21 May 1892, under the baton of Toscanini, the opera achieved international fame in a very short time. The popular setting, where violent feelings are rendered by a convulsive vocalism, is the backdrop to the drama of jealousy of Canio, the head of an itinerant company. Thanks to the subtle narrative device of the theatre within the theatre, of real life consumed in the comedy performed on stage, Leoncavallo enhances the dramatic charge of the subject. The demon of jealousy that devours the protagonist, an unhappy man in reality and in fiction, cannot but lead him to the final catastrophe, with the heinous murder of his adulterous wife Nedda and her unfortunate lover.

Pagliacci / Cavalleria rusticana

Maggio Musicale Fiorentino Theatre

We open with Service Provider, a witty, contemporary comic opera by Christopher Weiss and John de los Santos. When a married couple sits down for a romantic dinner, things take a hilarious turn with the surprise arrival of the husband’s mistress. Fast-paced, sharply written, and hilariously relatable, this bite-sized drama is a modern take on timeless relationship chaos.

Studio Series: Service Provider/Pagliacci

Opera Delaware Studios

	
What better way to ring in the New Year than with an exciting program featuring all your favorites from the world of opera performed by members of The Santa Fe Symphony and Chorus. Enjoy overtures and melodies from Mozart, Rossini, Bizet and Leoncavallo alongside dances, choruses and other works from Verdi, Borodin, and Wagner. 

operatic favorites

Lensic Performing Arts Center

End of year Concert 2025

Teatro Lirico Giuseppe Verdi

Ruggero Leoncavallo’s Pagliacci is a gripping masterpiece that blends raw emotion, unforgettable music, and timeless drama. Audiences should not miss the chance to experience what resonates across generations: love, betrayal, jealousy, and revenge—all set within a traveling performing troupe. The famous aria “Vesti la giubba,” where the lead character Canio sings of hiding heartbreak behind a painted smile, is one of the most iconic moments in operatic history.

Opera PAGLIACCI by Leoncavallo

First Presbyterian Church of Hartford

Santo Fragilio Performing Arts Center

The Garde Arts Center, Inc.

A traveling theatre troupe arrives in a small village, ready to perform their latest comedy. But as the lines between life & art begin to blur, tensions within the troupe rise, infidelity & violence erupts, leading to a gripping examination of love, jealousy, and the personal toll that comes with being a performer.

With intense music and unforgettable drama, Pagliacci remains one of opera’s most powerful and moving works.

918 Bathurst

Great Voices is a concert series initiated in the 2025/26 season by Boris Kudlička , the new director of the Grand Theatre - National Opera. It will feature an elite group of Polish opera singers of international renown, who have had the opportunity to invite international artists to collaborate with them. The opening performance will feature Aleksandra Kurzak and Robert Alagna in a duet, followed by Artur Ruciński and Prette Yende in February, Tomasz Konieczny and Camilla Nylund in April, and Piotr Beczała in May.

Great Voices: Aleksandra Kurzak / Roberto Alagna

Teatr Wielki - Polish National Opera

“The artist is a man, and he must write for men. … and you will see true hatred and its bitter fruit.” In the Pagliacci prologue, Tonio tells us what this opera is about – it seeks to put the reality of life on the stage. This applies for both works, which will now enjoy their first new staging at the Bayerische Staatsoper in 46 years (1978). Together Cavalleria rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo simply exemplify verismo. The basic situation: A woman is unfaithful. Another reveals this to the husband, and he, spurred on by this woman, takes bloody revenge on the lover. Cavalleria rusticana is about Turiddu, who returns to find his old flame Lola again, but she is now married to the carter, Alfio. Turiddu then consoles himself by seducing Santuzza. But the old love is reignited, and Lola betrays her husband, and Turiddu his girlfriend. In Pagliacci, the plot revolves around Nedda and her husband Canio, the leader of a group of comedians. Nedda’s love for him has grown cold, so she turns to the farmer, Silvio.

Cavalleria Rusticana / Pagliacci

Max-Joseph-Platz

This duo of passionate one-act operas explores the depths of spurned lovers’ grief and the lengths they’ll go to in avenging betrayal. Deadly love triangles unfold against starkly contrasted backdrops of an idyllic Sicilian countryside and a chaotic urban center.

Music Director Enrique Mazzola leads a a world-class cast that includes Lyric favorites Russell Thomas, Quinn Kelsey, and Gabriella Reyes in Elijah Moshinsky’s original production.

Cavalleria rusticana & Pagliacci

Lyric Opera House

Opera for everyone: BMW Classics Concert

Sportanlage Sendling-Westpark

Cavalleria rusticana and Pagliacci are two classic Italian operas, rich in passion, drama, and musical brilliance.

Cavalleria rusticana & Pagliacci – Two Italian Opera Classics

Royal Danish Opera

Cavalleria rusticana: opera in one act, with a libretto by Giovanni Targioni-Tozzetti and Guido Menasci. Premiered in Rome at the Teatro Costanzi on May 17, 1890 / Pagliacci: opera in two acts, with a libretto by Ruggero Leoncavallo. Premiered in Milan at the Teatro dal Verme on May 21, 1892.

Cavalleria rusticana / Pagliacci

Opéra Berlioz

Pagliacci, a staple of the Italian verismo tradition opens Buffalo Opera Unlimited’s 40th anniversary season. The opera is a larger-than-life story of love, jealously, and betrayal set within a Commedia dell'arte circus troupe, where painted smiles and bright costumes mask infidelity. The lead clown, Canio, is consumed by jealousy when he suspects his wife, Nedda, of having an affair. The line between on-stage and off-stage drama is blurred, ultimately leading to a tragic climax.

Buffalo State Performing Arts Center

Fancy a coffee break like no other? The artists of the National Opera Choir and their choirmaster Noëlle Gény offer you a musical (and gourmet!) break during your day. Join us at 2:30 p.m. for a coffee before the concert!

Coffee Break #1

Opéra Comédie

Presented together,  Josephine  and  Pagliacci  explore the complex interplay between performance and personal turmoil. In  Josephine , Tom Cipullo brings to life the intimate reflections of Josephine Baker, the trail blazing entertainer and activist from St. Louis, MO, as she navigates the tension between her public persona and private struggles with love, identity, and racism. In Leoncavallo's  Pagliacci , the inner turmoil of a traveling actor troupe explodes into violence as Canio, the troupe's lead clown, confronts his wife Nedda's betrayal, shattering the boundary between performance and reality. Both works reveal the emotional depths of performers whose onstage lives mask profound personal pain. Together, they create a compelling evening of raw humanity and unflinching artistry.

Josephine / Pagliacci

Union Avenue Opera

The season concludes with Ruggero Leoncavallo’s Pagliacci, one of the most powerful and enduring works of the Italian verismo tradition. The opera follows a troupe of traveling actors whose onstage comedy begins to mirror the painful realities of their own lives. As jealousy, betrayal, and heartbreak intensify, the boundaries between performance and truth collapse, leading to a shocking and unforgettable climax. Audiences are also invited to a pre-performance talk exploring the evolution of Italian opera and how the art form transformed from virtuosic vocal display into gripping theatrical drama.

North Shore Center for the Performing Arts in Skokie

Before the opera begins, a member of the small theatrical road company, Tonio, who looks like a clown, steps before the curtain. He tells the audience that a clown is also a man, so a clown feels sorrow and pity just like a man.

World's Fair Park - TN Ampitheatre

AK Bissel Park

Sequoyah Birthplace Musuem

While preparing for a performance with their commedia dell’arte troupe, Canio becomes enraged when he discovers that his wife, Nedda, has been having an affair. She refuses to give her lover’s name, as their castmate Beppe urges them to get into costume. During the performance, Canio returns to his jealous rage, and Nedda’s young lover, Silvio, rushes the stage to save her—culminating in a very real tragedy. Featuring one of the most well known arias of all time, “Vesti la giubba,” Pagliacci is a verismo masterpiece of dramatic proportions.

Saenger Theatre Pensacola

At first, it might seem like a touring comedy troupe in Sicily are living a life as lighthearted as their performances, but it quickly becomes apparent that they’re trapped in a real-life tragedy. With love triangles, secret romances, and one of the most iconic (and devastatingly emotional) arias of all time, Pagliacci encapsulates the height of drama.

Leoncavallo’s Pagliacci

Janet Quinney Lawson Capitol Theatre

We are heading back to the opera, with Pagliacci, Leoncavallo’s one-act masterpiece. This indelible story of love, drama and heartbreak features some of the most beautiful music in all of opera – and at just about one hour long it’s the perfect opportunity to experience an opera! With five soloists, a choir, and our orchestra – plus projected supertitles – this will be a concert you don’t want to miss!

Masterworks III: Drama at the Symphony

Placer High School Theater

Two operas, two betrayed husbands, two tragic ends. In Cavalleria rusticana the calm of a Sicilian Easter morning is broken by a betrayed lover who sets off a chain of events culminating in violent tragedy. In true theatrical tradition Pagliacci’s clown tries to go on with the show, but his real-life humiliation and despair lead to a grim climax. The violent passions and raw emotions of these two works changed the direction of Italian opera forever.

Sarasota Opera House

Studio Recitals feature students who all study with the same faculty instructor. These young artists represent their studio with a program curated by their teacher.

Matthew Worth Voice Studio Recital

San Francisco Conservatory of Music

Great Italian drama! A stage full of "real life", with artificially created, convincing reality: sobbing, wheezing, crying, transformation, exhaustion, garnished with a sugary-sweet "bell choir" and a real fight for the best view of the village theater, which becomes the scene of a bloody tragedy. Pagliacci is a big, glittering, shimmering, escalating show that piles up all the advantages of Italian opera - until at the end everything collapses and only one thing remains: the unvarnished finale. And you never know how close it comes to real life.

The Bajazzo

Opernplatz

The classic tale of lust, jealousy, and murder inside a troupe of comedians, featuring the iconic tenor  aria “Vesti la giubba”.  New production by Octavio Cardenas and Daniel Chapman set in 1930’s Italy,  inspired by Italian neorealist cinema.  Starring Robert Stahley and Alaysha Fox.

Lobero Theatre

Opera Santa Barbara presents an enthralling production of "Pagliacci" at the Lobero Theatre, set to captivate audiences on Friday, November 8, 2024, at 7:30 PM and Sunday, November 10, 2024, at 2:30 PM. This drama/thriller, penned by Ruggiero Leoncavallo, is performed in Italian with English translations projected above the stage, ensuring an immersive experience for all. The opera, lasting 1 hour and 30 minutes including intermission, unfolds the classic tale of lust, jealousy, and murder within a troupe of comedians, highlighted by the iconic tenor aria "Vesti la giubba." This new production, directed by Octavio Cardenas and Daniel Chapman, transports the audience to 1930’s Italy, drawing inspiration from Italian neorealist cinema and featuring stars Robert Stahley and Alaysha Fox.

Ticket Information:
- Premium Aisle Seating: $169
- Premium Center Seating: $139
- Section A: $99
- Section B: $29 (Prices increase to $39 after May 31st)
Ticket prices include a per-ticket Lobero Facility Fee, with other fees possibly applying. Reserved seating is available, ensuring a comfortable and enjoyable viewing experience.

This event is proudly presented by Opera Santa Barbara, a key cultural institution that continues to enrich the local arts scene. For those interested in attending, tickets are available for purchase, promising an unforgettable evening of opera at one of the most beautiful theaters in the world, as acclaimed by Architectural Digest.

Pagliacci (Clowns) offers a tale of art imitating life, and vice-versa, for a troupe of traveling players. Nedda, her husband Canio, and their fellow actors Beppe and Tonio, arrive at a new town, and they explain the show that they will be performing that night: “the troubles of Pagliacco.” The troupe then joins villagers for a drink before the performance, at which Canio reveals that while he plays the clown on stage, in real life he is quickly enraged about the attention his wife receives from other men. Nedda is frightened by Canio’s dark revelation, but later agrees tentatively to elope with Silvio, who is her secret lover. Canio learns of Nedda’s deception, and later that evening, while in character on stage, he acts out his shame, and rage, demanding to know the name of his wife’s love.  Their play ends in violence, both onstage and off, with Canio declaring “La commedia è finita!!” – “The comedy is finished!”

Gianni Schicchi is the scheming title character who plots to gain revenge, riches, and happiness through one extraordinary con. The story begins when the rich Donati family learns that their recently deceased patriarch, Buoso Donati, has left all his wealth to a monastery, much to their dismay. Rinuccio, his nephew, had hoped that his inheritance would enable him to marry his sweetheart, Lauretta, even though she and her father, Gianni Schicchi, are newcomers to Florence and not accepted by the elitist Donati family.

Although initially shunned by the snobby old family, Gianni Schicchi gives in to Rinuccio’s pleas to help the Donati family, and agrees to meddle with the will by impersonating Buoso.  And then the hijinks begin!

Pagliacci & Gianni Schicchi

Kelowna Community Theatre

When a commedia dell’arte troupe arrives in a small Italian village, they are greeted by cheers of welcome. Makeup and costumes transform actors from commoners into clowns, but the infidelity of one wife and the fury of her husband cannot be concealed. Comedy turns to tragedy when jealousy rages, lovers are revealed, and the curtain comes down on murder.

Seattle Center

This summer, enjoy the magic of the Curtis Recital Series from home with our summer broadcast series. Subscribe to our YouTube channel to enjoy never-before-broadcast performances every Wednesday at 6 p.m.

Broadcast: Voice Department

Curtis Institute of Music

Opera Holland Park is thrilled to present a captivating double bill that intertwines the themes of comedy and tragedy through the lens of jealousy, featuring "Il segreto di Susanna" by Ermanno Wolf-Ferrari and "Pagliacci" by Ruggero Leoncavallo. This extraordinary event is set to take place in July and August 2024, offering multiple performances that promise to enchant and provoke thought among its audience.

"Il segreto di Susanna" is a sophisticated comedy that explores the misunderstandings and secrets between a newlywed couple, with a plot that anticipates the screwball comedies of the 1930s. Its counterpart, "Pagliacci," presents a darker narrative of love, betrayal, and revenge within a troupe of traveling performers, culminating in a dramatic and bloody conclusion. This juxtaposition of Wolf-Ferrari’s elegant comedy against Leoncavallo’s harrowing tragedy offers a unique theatrical experience that showcases the diverse emotional landscapes of opera.

The productions boast a talented cast including Clare Presland, Richard Burkhard, and John Savournin, who reunite for John Wilkie’s stylish revival of "Il segreto di Susanna." David Butt Philip, celebrated as the leading tenor of his generation, makes his role debut as Canio in "Pagliacci," under the direction of Martin Lloyd-Evans and conducted by Francesco Cilluffo. The performances also feature Alison Langer as Nedda and Harry Thatcher as Silvio, promising exceptional vocal and dramatic presentations.

Performances are scheduled from July 17th to August 3rd, 2024, with evening shows at 7.30pm. Tickets are available in various bands, offering options for every budget, with prices ranging from £24 for INSPIRE tickets to £175 for Premier seats. Members can enjoy savings of up to £8 per ticket, highlighting the benefits of membership with Opera Holland Park.

This event is not only a celebration of opera but also an exploration of the human condition, performed in Italian with English surtitles to ensure accessibility for all attendees. The City of London Sinfonia and the Opera Holland Park Chorus will accompany the performances, adding to the grandeur and emotional depth of the evening.

Opera enthusiasts and newcomers alike are invited to experience this blend of humor, drama, and music under the summer sky at Opera Holland Park, promising an unforgettable journey through the complexities of love and jealousy.

Il segreto di Susanna / Pagliacci

Opera Holland Park

BARN OPERA welcomes spring, and music back to the BARN in an evening of operatic favorites, featuring some of opera's best-loved music, with some of BARN OPERA's favorite (and soon-to-be favorite!) artists!

A Night at the Opera

Barn Opera

Internationally-acclaimed Tenor Eric Fennell makes his SPSO debut featuring some of the most beloved moments from the operas of Puccini, Verdi, Donizetti and more!  Allow yourself to be serenaded by this unforgettable music.

Concert IV: Tenor Eric Fennell in Concert

Calvary Baptist Church

Would you kill for love?

Dive into a world of betrayal, jealousy, and murder, with our reimagined take on Leoncavallo’s classic opera, Pagliacci. Our reinterpretation set in an apocalyptic dreamscape and staged in the round at the Blaisdell Arena, promises a truly distinctive and immersive journey, unlike any other opera we’ve produced before.

Neal S. Blaisdell Center

Canio’s not clowning around. When he catches his beautiful wife Nedda with her lover Silvio, only the start of the troupe’s performance can stay his hand … but not for long. Leoncavallo’s gritty and gorgeous score culminates in one of the most famous and tragic tenor arias of all time: “Vesti la giubba,” the original “Tears of a Clown.”

Florida Grand Opera: I Pagliacci

Broward Center For The Performing Arts

The WVS will reach for the grease paint once again in an orchestral salute to 19th century opera. You don’t want to miss this one!

Orchestra Bon Bons From Favorite Operas

The Vista Center for the Arts

Canio’s not clowning around. His beautiful wife Nedda longs to be free of his clumsy embraces, of her life as a traveling actor, and from the advances of the vile Tonio. When Canio catches her with her lover Silvio, only the start of the troupe’s performance can stay his hand … but not for long. Leoncavallo’s gritty and gorgeous score, based on a true incident witnessed by his policeman father, culminates in one of the most famous and tragic tenor arias of all time: “Vesti la giubba,” the original “Tears of a Clown.”

I Pagliacci

Au-Rene Theater at Broward Center For The Performing Arts

Adrienne Arsht Center for the Performing Arts

La Mer: an endless source of inspiration for artists from Claude Debussy to Charles Trenet. It really doesn’t have to be the Côte d’Azur or the Mediterranean coasts. Ostend was Europe’s leading seaside town in the late 19th century. A place where you could enjoy sun, sea and beach. Where one could parade among the beau monde. Where you could simultaneously listen and be seen at the Kursaal’s renowned concerts and recitals. They had the very greatest conductors and composers on the rostrum and the largest stars in classical music were visiting… and one James Sidney Edouard Ensor was in the loyal audience. The quirky painter was a loyal guest at the Théâtre Royale d’Ostende.

Caruso & Friends | Ensor Festival

Kursaal Oostende

Pagliacci tells the story of an acting troupe: the aging actor Canio learns that his younger wife Nedda is having an affair with another man. Nevertheless, he has to put on a good face every evening on stage as “Bajazzo”. Canio threatens to break because of it.

The ability of the composer Ruggero Leoncavallo to reconcile the playful theater-on-the-theater level, the ambiguous emotional situation and the dark mood makes this opera a thrilling crime thriller.

In Giacomo Puccini's first opera Le Villi, the composer's talent as a melodist and harmonizer - his typical "melancholic tone" - can be clearly heard. Anna and Roberto celebrate their engagement. Soon afterwards, Roberto has to travel to Mainz to collect an inheritance, where he falls for a seductive stranger. Anna feels betrayed by him and dies of grief. Her soul unites with the Willis, the souls of dead women who suffered a similar fate. Roberto finally returns full of remorse, but he is drawn into a frenzied dance by the Willis...

Le Villi / Pagliacci

Staatstheater Mainz

Join us for an unforgettable evening at the Gala Dinner 2023, hosted by Opera Holland Park, set in the magnificent Drapers' Hall on Tuesday, 21 November 2023. This exclusive black-tie event stands out as the only one of its kind in our calendar, offering a unique opportunity to experience performances from our most celebrated principal artists in a setting of unparalleled luxury.

The evening will commence with a sparkling reception at 6.30 pm, followed by a sumptuous dinner accompanied by music starting at 7.15 pm, and will conclude with carriages at 11.30 pm. Guests will be treated to fine food, exquisite wine, and engaging conversation, all while seated alongside OHP artists, creatives, and members of the company. This gala is not only a celebration of opera but also a crucial fundraiser to support Opera Holland Park's impactful work on stage and within the community.

We are especially proud to announce the participation of distinguished artists such as sopranos Anne Sophie Duprels and Elizabeth Karani, mezzo-soprano Clare Presland, tenors David Butt Philip and Elgan Llŷr Thomas, and baritone Harry Thatcher. These performers will be accompanied by the talents of conductors Charlotte Corderoy and John Andrews, pianist Stuart Wild, members of the City of London Sinfonia, and the Opera Holland Park Chorus. Please note that the lineup of artists is subject to change.

The funds raised during this gala will directly support our award-winning education and outreach program and contribute to our exciting 2024 Season. This upcoming season promises a captivating exploration of jealousy through a revival of the acclaimed 2008 production of Tosca, a new production of The Barber of Seville, semi-staged performances of Puccini’s Edgar, a revival of Il segreto di Susanna in a double bill with a new production of Pagliacci, and our first production of a Handel opera, Acis and Galatea.

Individual tickets for this exclusive event are priced at £375, which includes a voluntary donation of £175. Tables of 8 are available for £3,000, including a voluntary donation of £1,400. As tickets are limited, we encourage prompt inquiries via email at development@operahollandpark.com or by telephone at 020 3846 6222, option 2, to speak to Eleanor, Marylou, or Amy.

Don't miss this opportunity to immerse yourself in the world of opera, enjoy an evening of luxury, and support the future of Opera Holland Park.

Gala Dinner 2023

Drapers' Hall

A traveling troupe of commedia dell’arte brings with them not only a play that is frighteningly true to life, but also a host of secrets and jealousies. In Pagliacci—Clowns—composer Ruggero Leoncavallo created not the usual love triangle, but a love quadrangle, with three men—Canio, Tonio, and Silvio—all fighting for the love and attention of one woman, Nedda. Using the classic ‘play within a play’ format, the real lives of the characters act as a mirror to their parts in the play, with tragic consequences. As the on-stage drama melds with real-life passions, the two stories explode in a finale of manipulation, jealousy, violence, and of course, death. This is commedia after all.

Long Center for the Performing Arts

Experience the gripping tale of love and jealousy in Leoncavallo’s Pagliacci, where a traveling troupe of commedia dell’arte brings to life a play mirroring their own secrets and desires. In Pagliacci, composer Ruggero Leoncavallo created not the usual love triangle, but a love quadrangle, with three men all fighting for the love and attention of one woman. Using the classic ‘play within a play’ format, the characters’ real lives act as a mirror to their parts in the play, with tragic consequences. As the on-stage drama melds with real-life passions, the two stories explode in a finale of manipulation, jealousy, violence, and of course, death. This is commedia after all.

Taken from newspaper headlines, Cavalleria Rusticana and Pagliacci are two tragic tales of love, infidelity, and betrayal juxtaposing in the lives of ordinary people — emotionally intense, passionate, and dramatic.

Pagliacci with Cavalleria Rusticana

Blumenthal Performing Arts Center

Turiddu returns from war to find his love, Lola, married to another. In a scheme to induce jealousy, he seduces Santuzza. As swiftly as she is beguiled, Santuzza is discarded while Turiddu begins an affair with his old flame. After the conclusion of Easter Mass, passions erupt and expose the ugliness of jealousy. With stirring melodies as iconic as the story, Cavalleria rusticana reveals the consequences of infidelity and the lengths we might go to for revenge.

Cavalleria rusticana | Pagliacci

Lyric Opera of Kansas City

Through iconic music and drama, this double bill reveals the consequences of infidelity and the rage within all of us.

Kauffman Center for the Performing Arts

Danger brews in the heart of a small traveling carnival.  The jealous star clown, Canio, suspects that his sexy clown wife Nedda is playing him for a fool. During an evening performance of their usual clown comedy show, theater and reality blend into one, as the enraged Canio exacts his terrible revenge.  Based on a true story, Leoncavallo’s opera paints a vivid portrait of unbridled passion, betrayal, and revenge; revealing that sometimes, behind a clown’s painted, cheery smile, the darkness hides and waits.

Tennessee Performing Arts Center

Celebrate the start of a new season with Riccardo Muti and the Chicago Symphony Orchestra at Symphony Ball, an unforgettable red-carpet evening complete with a champagne toast. The “astoundingly virtuosic and blazingly insightful” (The Guardian) Leonidas Kavakos joins the CSO in Tchaikovsky’s Violin Concerto. Instrumental selections from Italian operas conclude the concert, underscoring the Chicago Tribune’s assertion that “no living conductor knows more about these scores” than Riccardo Muti.

Symphony Ball: Muti & Kavakos

Symphony Center

Pagliacci tells the story of an acting troupe: the aging actor Canio learns that his younger wife Nedda is having an affair with another man. Nevertheless, every evening he has to put on a good face on the stage as "Bajazzo" and play the game. Canio threatens to break up.

In Giacomo Puccini's first opera Le Villi, the composer's talent as a melodist and harmonist - his typical "melancholic tone" - is clearly heard. Anna and Roberto celebrate their engagement. Soon after, Roberto has to travel to Mainz for an inheritance, where he falls for a seductive stranger. Anna feels betrayed by him and dies of grief. Her soul reunites with the Willis, the souls of dead women who have suffered a similar fate. Roberto eventually returns, full of regrets, but the Willis engage him in a frenzied dance...

Le Villi /Pagliacci

Legendary theater and opera director Anne Bogart presents a master class with Boston Conservatory at Berklee students and members of the Boston Lyric Opera's Jane and Steven Akin Emerging Artist Program. Bogart is the recipient of numerous honorary doctorates and accolades for her influence on contemporary theater. She is the cofounder of SITI Company and a professor of theater at Columbia University.

Opera Innovators Series: Anne Bogart

Boston Conservatory at Berklee

Pagliacci contains all the elements of the Italian verismo: A drama of passioned people to be carried away by their most basic instincts such as jealousy or revenge, culminating in several deaths in a brutally immediate spectacle which leaves us breathless.

Experience a rich tapestry of styles, languages, and eras — an ideal introduction or a fresh rediscovery of unforgettable scenes from beloved operas. Selections include Donizetti’s Lucia di Lammermoor, Leoncavallo’s Pagliacci, Tchaikovsky’s Eugene Onegin, and John Corigliano’s The Ghosts of Versailles.

Fall Opera Scenes 2026

Yale University

A traveling troupe of comedians arrives in a lively town, ready to bring laughter to the stage. But behind the painted smiles and playful costumes lie secrets, jealousy, and a hidden love affair that threatens to tear the group apart. As the story they perform begins to mirror their own turmoil, the line between stage and reality starts to blur. What begins as an evening of lighthearted entertainment erupts into a suspenseful tale of heartbreak, suspicion, and revenge. Pagliacci is a riveting, fast-moving drama that shows what happens when emotions run too deep for any mask to hide.

George Mason University

Dominion Energy Center

Harrison Opera House

Guest performance Frankfurt

Alte Oper

Guest performance Baden-Baden

Festspielhaus Baden-Baden

Two love triangles, multiple murders, and boiling emotions. Behind it all: betrayed love, jealousy, and hatred. Pietro Mascagni's opera Cavalleria rusticana and Ruggero Leoncavallo's Pagliacci are two works now almost inextricably linked; composed in 1890 and 1892 respectively, they both evoke the sounds, scents, and atmosphere of southern Italy, but in their brutality and harshness, they also reflect the naturalistic approach of Verismo at the end of the 19th century. 

Cavalleria Rusticana I Pagliacci

City Theatre, Bern

Step into the world of opera with Leoncavallo’s Pagliacci, one of the most exciting examples of verismo, or “real-life” opera. The story follows love, jealousy, and betrayal among traveling performers, full of soaring arias and intense drama that still grabs audiences today.

Opera and Theater

The Lincoln Center

Men and women of flesh and blood take centre stage in Cavalleria rusticana as in Pagliacci. Reality becomes theatre and, when the masks come off, theatre becomes reality. In both of these short works, obsessive love and jealousy give rise to violent emotions and passionate musical outbursts. When they brought rural Italy to the opera stage, Pietro Mascagni and Ruggero Leoncavallo inaugurated verismo in music. Director Damiano Michieletto is reprising his 2018 production, which made a lasting impression with its powerful neo-realist transposition to an Italian village in the mid-twentieth century. For her debut at La Monnaie, conductor Alevtina Ioffe promises to bring out the emotional depth of these scores with their unparalleled dramatic force.

La Monnaie - De Munt

When, in 1888, the music publisher Edoardo Sonzogno announced a competition for young Italian composers, who were invited to submit a one-act opera, he had not the slightest inkling that the victorious piece would become a timeless blockbuster. The 25-year-old Pietro Mascagni sent Cavalleria rusticana, which he had just completed. The premiere, in 1890 in Rome, was a true sensation, and the verismo opera, depicting ordinary contemporary people, villagers and low social classes, would remain Mascagni’s greatest success. Ruggero Leoncavallo decided to follow suit and duly composed his very first opera, Pagliacci, in the verismo style. Premiered in 1892 in Milan, the piece met with an enthusiastic response. In 1893, the two operas were first staged as a double bill, and ever since they have been frequently performed together.

Composer

Ruggiero Leoncavallo

Events

Upcoming events

Oct 15 - Nov 21, 2026

Pagliacci · Teatro Regio Torino

Oct 30 - Nov 1, 2026

Fall Opera Scenes 2026 · Yale School of Music

6 - 22 Nov, 2026

Pagliacci · Virginia Opera

Dec 2, 2026

Guest performance Frankfurt · Berliner Philharmoniker

Dec 3, 2026

Guest performance Baden-Baden · Berliner Philharmoniker

Past events

Oct 15 - Nov 21, 2026

Pagliacci · Teatro Regio Torino

8 - 11 Oct, 2026

Cavalleria Rusticana & Pagliacci · Opera Hong Kong

About

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