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Bay Area artist Jay DeFeo had one guideline when she began painting The Rose in 1958: to create “an idea that had a center.” Her sole focus for eight years, it bloomed into a 12.7 x 8 foot, one foot-thick mixed-media monument, weighing over a ton. Due to its unwieldy proportions and structural fragility, DeFeo was unable to find The Rose a home, and the painting languished in the basement of the San Francisco Institute of Art, entombed and forgotten, for over 25 years. In 1995, six years after DeFeo’s death, The Rose was bought and restored by the Whitney Museum and is now regarded as a seminal work of contemporary art.

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Elizabeth Merrill

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Oct 18, 2022

Dana Lyn: A Point on a Slow Curve CD Release · Public Theater

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