Composer

On Fancies and Goodnights, Richard writes: ‘As a curious traveller will collect objects that catch his eye, these short pieces are among the many that have caught my ear with their beauty, strangeness, and unpredictability. I have borrowed the title “Fancies and Goodnights” from a book of bewitching tales by the English writer, John Collier.’

EPSG:4326

Richard Goode piano

Wigmore Hall

Pre-concert Conversation: A life in editing: perspectives on the editing of music from Professors Hugh Macdonald and Graham Sadler.

Joubert Centenary Celebration

Royal Birmingham Conservatoire

The American pianist makes her Manchester debut performing selections from her critically acclaimed album Nature.

Tiffany Poon is a pianist whose work centres on interpretation, atmosphere, and emotional precision. She approaches classical music as a living language, shaping sound and silence with intention and clarity, and allowing meaning to emerge through listening rather than explanation.

Tiffany Poon (piano)

Royal Northern College of Music

Grammy-nominated pianist Simone Dinnerstein returns to Chamber Music at Beall with a “colorful and idiosyncratic” (The New York Times) concert shaped by musical interconnection.

"Reflections" with Simone Dinnerstein

Beall Concert Hall

Music for Tempesta's Silver Jubilee. Join us for a celebration of Tempesta di Mare's 25th anniversary! Savor the orchestral sound and the sense of discovery that defined Tempesta over its first quarter century.

Brilliance & Endurance

Presbyterian Church of Chestnut Hill

Trinity @ 22nd

The 2026/27 Visions & Visionaries season begins with musical depictions of the hunt, a favorite aristocratic pastime with potentially lethal consequences. Charpentier’s chamber opera Actéon tells the tale of a hunter whose brief vision of Diana proves fatal, while Rameau’s Hippolyte et Aricie relates the story of two lovers who, while fleeing a vengeful stepmother, enjoy a brief hunt in the forest. Both feature tenor Richard Pittsinger in his Ars Lyrica debut. Heinichen’s Concerto in F Major spotlights the horns and oboes, traditional instruments of the hunt.

Hunter’s Prey

Hobby Center for the Performing Arts

Tamara Stefanovich offers a programme that reflects music’s power to transcend the ordinary and touch aspects of the human spirit that words cannot express. The Grammy Award-nominated pianist, hailed by the Guardian as ‘Fearless, dazzling, exceptional’, creates a feeling of sacred space and intimacy with a lunchtime recital that rises from Bach’s Aria variata and embraces Messiaen’s tender meditations on the infant Christ.

Tamara Stefanovich piano

Mishka Rushdie Momen’s recording of works by 16th- and 17th-century English and Dutch composers, aptly titled Reformation, captured the hearts of open-minded critics and listeners. Described by The Times as ‘one of the most thoughtful and sensitive of British pianists’, she breathes fresh life and colours into works by the great French composers for harpsichord in a programme rich in spirit and expressive diversity.

Mishka Rushdie Momen piano

The Ensemble Resonanz from Hamburg presents an eccentric programme full of creative surprises and contradictions in Berlin. The musical compass becomes disoriented by a dizzying alternation of places, times, styles and ideas. Milica Djordjević unleashes the forces of nature and evokes the energy of noise, Benjamin Britten soothes the spirits of the modern age and a leap back into the French Baroque reveals the composer Jean-Philippe Rameau as a visionary. The new work by Enno Poppe creates an enigmatic connection back into a time when the moods of our tonal system were still vividly coloured and nothing was standardised.

Ensemble Resonanz

Berliner Philharmonie

Radu Ratoi is the winner of the 2024 Susan Wadsworth International Auditions. An extraordinary talent, he has been praised for his originality and virtuosity in the instruments, in both classical and contemporary repertoire. Ratoi continues to push the limits of the instrument through inventive transcriptions of Bach, Scarlatti, Rameau, Liszt, and many more, extending the repertoire possibilities for the accordion.

Wander Series: Radu Ratoi, accordion

The Cottonwood Campus

Turning brass into gold: five young trumpeters from Great Britain, Sweden, and Ukraine know the formula that countless alchemists have sought in vain. Founded four years ago at London’s Royal Academy of Music, Fiveby5 produces a radiant, golden brass sound with a brilliant sheen and has already won numerous prizes. Most recently, the quintet won the prestigious Philip Jones International Brass Ensemble Competition in 2025. This success has, among other things, led to their appearance at “In the Streets: City Stage”: the varied program ranges from Bach, Rameau, and Mozart to the rousing Hoe-Down from Aaron Copland’s cowboy ballet Rodeo.

“Brass Spectacular in Memory of Philip Jones”

KKL Lucerne

Kapellplatz

Piano recital by Alexandre Tharaud: Couperin, Rameau, Mozart, Poulenc, Wiéner.

Alexandre Tharaud Recital

Parc de Florans

Tragédie lyrique by Jean-Philippe Rameau, performed by the ensemble A nocte temporis under the direction of Reinoud Van Mechelen, with the Chœur de chambre de Namur.

Les Boréades

Basilique Notre-Dame

A recital as Babayan likes them: unexpected and varied, a journey that takes us from Schubert to the land of the Wizard of Oz. Sergei Babayan has devised an ideal program for a summer late afternoon. A program made largely of transcriptions: Schubert and Schumann lieder transcribed by Liszt, Rachmaninoff romances reduced for solo piano, a miniature by Kreisler revised by Rachmaninoff.

Rachmaninoff / Liszt

Opéra Comédie

The Grammy Award-winning Baroque orchestra Apollo’s Fire returns to the Venetian Theater with FENCING MATCH, a high-energy program directed by the "charismatic and tireless" Jeannette Sorrell. These "Dueling Double Concertos” pit soloists against one another in a brilliant display of 18th-century virtuosity.

Apollo's Fire

Venetian Theater at Caramoor

Les Indes galantes by Rameau enchants with its vivid orchestration, rhythmic brilliance, and imaginative portrayal of love across cultures. Rameau’s opéra-ballet fuses elegance with exotic flair, offering spirited dances and lush harmonies. Each entrée unfolds like a musical tapestry, celebrating emotional depth and Enlightenment curiosity through dazzling theatrical and sonic invention.

Opera: LES INDES GALANTES by Jean-Philippe Rameau

Trinity-On-Main

Santo Fragilio Performing Arts Center

Fancy a few artistic extravaganzas? Then the third palace concert of the season is just the right place for you. We've got a musical brawl by Biber on offer, a monkey dance à la Purcell, and wild dance numbers by Rameau. Bach's son, Wilhelm Friedemann, also goes against the grain of the laws of harmony. Astor Piazzolla's work isn't quite as bizarre, but then again, the tango was long considered extravagant. And Piazzolla, in particular, repeatedly built stylistic bridges to Baroque music, for example in his version of the "Four Seasons." Where Vivaldi celebrates country life, here we wander through the dance halls of Buenos Aires—including a fugue in "Spring."

3rd Castle Concert

Sondershausen Castle

Pygmalion

Deutsche Philharmonie Merck

Schwetzingen Festival (Schwetzinger SWR Festival)

Richard Goode has been hailed for music-making of tremendous emotional power, depth and expressiveness, and acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic piano music. Goode has curated a program called “Fancies and Goodnights”—borrowing the title from a book of bewitching tales by writer John Collier—that highlights works that have caught his ear with their beauty and unpredictability.

Richard Goode, piano

Oberlin College

Kaleidoscopic hues and big emotions sit side by side in this vibrant concert weaving together the Baroque era and the present day, directed by outstanding British viola player Lawrence Power.

Baroque Threads, Contemporary Colours

The Queen's Hall

City Halls

Holy Trinity Church St Andrews

To kick off its anniversary year in 2026, the Halle State Orchestra invites you to a musical highlight: Under the direction of Fabrice Bollon, Baroque and Impressionist soundscapes will meet. Together with the Halle Handel Festival Orchestra – on period instruments – French music will be performed in all its stylistic breadth.

7th Symphony Concert

Georg-Friedrich-Händel-Halle

Rameau Beethoven

Gasteig HP8

Four people going through the hell of their own emotions are at the centre of Jean-Philippe Rameau’s masterpiece Castor et Pollux. Choreographer and director Nanine Linning, already known to audiences in Graz as the director of the Giulietta act of The Tales of Hoffmann in the 2023/24 season, once again merges the intrinsic elements of dance and music theatre in the French baroque opera. Her artistic partner on this journey into the human abyss is Bernhard Forck, a specialist in early music.

Castor and Pollux

Oper Graz

At the centre of the programme is In C by Terry Riley, a revolutionary piece that forever changed the course of music. It’s built from a simple idea: short repeating musical cells layered by musicians in real time, creating something hypnotic, unpredictable and full of life. Riley’s work was deeply influenced by Indian classical traditions and we bring it into even closer conversation with those roots here featuring sitar, tabla and our full orchestra.

Fantasia Orchestra with Jasdeep Singh Degun

Smith Square Hall

The Myriad Trio brings together flutist Demarre McGill, violist Che-Yen Chen, and harpist Julie Smith Phillips in a group dedicated to exploring the rich sonic possibilities of the flute, viola, and harp. Inspired by the colors and textures made famous in Debussy’s Sonate en Trio, the ensemble unites three celebrated artists who share a commitment to dynamic collaboration and expressive depth.

Myriad Trio

Presidio Theatre Performing Arts Center

Simone Dinnerstein is a pianist of uncommon depth, whose recordings and performances have reshaped the landscape of classical music. She first gained worldwide recognition with her 2007 recording of Bach’s Goldberg Variations, praised for its balance of precision and individuality. Since then, she has topped classical charts, premiered Philip Glass’s Piano Concerto No. 3, brought Cuba’s Havana Lyceum Orchestra to the U.S. for the first time, curated groundbreaking Bach programs, and created multimedia projects blending music and visual art. Her program mirrors the vast range of her decades-long career, blending classical and contemporary piano works.

Simone Dinnerstein, piano

Reva and David Logan Center for the Arts

Music by Marc-Antoine Charpentier, Jean-Baptiste Lully, Marin Marais and Jean Philippe Rameau.

Alla corte dei re di Francia. Musiche per Versailles

Teatro dell'Opera di Roma

Hong-Kong born pianist Tiffany Poon has appeared with orchestras and in recital throughout the United States, Canada, Europe and Australia since she was first accepted to the Juilliard pre-college program at the age of eight where she studied with Emanuel Ax and Joseph Kalichstein.

Tiffany Poon

War Memorial and Performing Arts Center

Orchestra Nazionale Barocca dei Conservatori

Teatro Massimo di Palermo

Globally lauded for her Baroque artistry, Canadian pianist Angela Hewitt won the prestigious City of Leipzig Bach Medal in 2020 and The Daily Telegraph has praised her “crispness and clarity” and “exquisite precision.” Her mastery shines in a program of Baroque brilliance: two adventurous Bach works, the fiery virtuosity of Scarlatti, and Rameau’s elegant Suite No. 2 – her Hyperion recording of which The Times (London) hailed as “magnificent.”

Angela Hewitt, piano

Johns Hopkins University

The light of the moon leads the way in Virpi Pahkinen's anniversary work, a tribute to the power of dance.
For forty years, Virpi Pahkinen has been on stages around the world. She made her debut at the age of 18 and has since developed a unique movement language that touches both body and mind. Her art has taken her to over 130 cities in almost 50 countries, from continent to continent, from the Nobel Festival in Stockholm to the Library of Alexandria. She has received several of the most prestigious awards in Swedish performing arts, including the Svenska Dagbladet Opera Prize and the Litteris et Artibus.

Virpi Lunaire

Årsta People's House Theatre

Eskilstuna Theatre, Eskilstuna

The locomotive sheds, Stora

Scala Theatre, Karlstad

Culturum, Nyköping

Vara Concert Hall

Blekinge Kronoberg Regional Theatre

Nicholas McGegan, Philharmonia Baroque’s Music Director Laureate, is joined by Grammy Award–winning tenor Aaron Sheehan and soprano Nola Richardson for Rameau’s opera La Guirlande. One of the first French Baroque operas to be revived in the modern era, it tells an archetypal story of infidelity and forgiveness. Handel’s Dixit Dominus, a pressing choral setting of Psalm 110, opens the concert.

Philharmonia Baroque Orchestra & Chorale Baroque Garlands

Stanford University

Two magical garlands paint a story in Rameau’s La Guirlande—a mystical one-act opera telling a story of love through Baroque dances and irresistible arias. This concert includes another magical garland: Handel’s towering Dixit Dominus, which shows off a different side of the High Baroque style through complex counterpoint and startlingly dramatic choruses. We are thrilled to welcome Nicholas McGegan back to the podium to guide us through these baroque triumphs.

Baroque Garlands

First Congregational Church of Berkeley

Surround yourself with glorious Baroque music in this potpourri program performed by the Calgary Phil in the intimate setting of the Bella Concert Hall. Camille Delaforge leads the Orchestra from the harpsichord in J.S. Bach's festive Orchestral Suite No. 3, which includes his most famous air on the G string. Hear also grand and exquisite numbers from George Frideric Handel and Jean-Philippe Rameau.

Baroque at Bella with Camille Delaforge

Mount Royal University

Music from the court of Versailles begins and ends this sparkling exploration of the baroque. Jonathan Cohen leads a slimmed-down BBC Philharmonic Orchestra and shows just how flexible this group of players can be, as they weave their way through a selection of dances, fugues and concertos.

Music of the Sun King

RNCM (Royal Northern College of Music)

University Orchestra – Callum Smart, guest violin/leader; Bryce Burgess, viola soloist

Auer Hall

From Romantic composers to contemporary musicians, Baroque music remains an inexhaustible source of inspiration. With the help of German countertenor Nils Wanderer, Clemens Schuldt has designed a program as unexpected as it is inspiring. Beyond the irresistible theme of its first movement, Brahms's fourth and final symphony synthesizes the composer's entire musical legacy.

The Nils Wanderer Experience

Montcalm Palace

Back by popular demand, “A Baroque New Year’s Eve at the Opera” will usher in the new year within San Francisco’s beautiful Herbst Theatre. Start an early night on the town with a delightful program of arias, duets, and instrumental music from Baroque opera and concert, with plenty of time left for more celebrations in the evening or an early return home for a peaceful night. Bring your family and friends to celebrate a New Year full of wonderful music.

A Baroque New Year's Eve at the Opera

Founded 40 years ago, Concerto Köln is one of the outstanding protagonists of early music. It's fortunate that the journey to Duisburg is not far – and that the Duisburg Philharmonic also includes seasoned experts in musically informed performance practice. This creates ideal conditions for an extraordinary encounter in a concert that brings together well-known and lesser-known masterpieces by composers of the 17th and 18th centuries. Examples such as those of the Italian Antonio Vivaldi, the German George Frideric Handel, the Frenchman Jean-Philippe Rameau, the Bohemian Jan Dismas Zelenka, and the Englishman Henry Purcell demonstrate that all of Europe was shaken by the tremendous musical developments of this period. Some of these masters will perform "vocal specialties" – arias from operas or sacred works – or, like the piano pioneer Domenico Scarlatti, excerpts from their instrumental works. The name of countertenor Valer Sabadus, who is another guest from Cologne in Duisburg, shines as brilliantly as his voice.

From all over Europe

CityPalais

The program offers a bold comparison between distant eras: Domenico Scarlatti’s sonatas and Jean-Philippe Rameau’s timbral frescoes dialogue with the modern and personal language of Leo Samama, a Dutch composer and musicologist born in 1951.

Sofia Vasheruk – From Baroque to Contemporary

Chiaramonte Steri Palace

The Ensemble Masques, led by harpsichordist Olivier Fortin, opens this season's harpsichord focus with 18th-century French chamber music. The program includes several solo harpsichord concertos by Baroque master Jean-Philippe Rameau and his contemporaries.

Ensemble Masques / Olivier Fortin, Cembalo

Elbphilharmonie Hamburg

Forget everything you know about the accordion—Théo Ould is here to blow your mind. Recognized by Le Monde for his “personality that expresses itself naturally in fantasy, in the fresh and enchanting sense of the term,” this astounding French accordionist makes his Princeton University Concerts debut with a bold, tango-inspired program that proves his instrument’s rightful place in the classical world. At just 24, Ould became the first accordionist nominated as a Newly Discovered Talent at the Victoires de la Musique Classique awards, and he is redefining what the accordion can do—blending Baroque elegance, Romantic passion, and cutting-edge contemporary works (some featuring electronics) written just for him, including by Princeton University graduate student composers. With an instrument he calls “halfway between a typewriter and an extraterrestrial device,” Ould delivers a performance that’s anything but ordinary — don’t miss it.

Théo Ould, Accordion

Richardson Auditorium

Making his debut, this astounding French accordionist has been described by Le Monde as having “a masterly technique and an inexhaustible wealth of phrasing.” Offering a tango-inspired program, Ould evinces his instrument’s rightful place in the classical repertory.

Théo Ould, accordion Union College

Union College

Winners of the Inaugural Philip Jones International Brass Ensemble Competition and the Royal Overseas League Competition, Connaught Brass seek to redefine how brass chamber music is perceived. Blending a deep respect for the genre’s rich heritage with a fresh, youthful perspective, their performances are not only marked by vibrance and boldness, but with warmth and approachability, reflecting the strong camaraderie at the heart of the ensemble.

Connaught Brass

The Bridgewater Hall

2nd Chamber Concert: Festive Music for Advent

Allerheiligen-Hofkirche

Savor an afternoon of beautiful Baroque music performed in the stunning acoustics of Faith United Methodist Church. This year’s concert starts with spectacular music by George Frideric Handel. You’ll delight in hearing famous choruses recast for two instrumental “choirs” in the Concerto a due cori in B-Flat Major. Concertmaster Maria Arrua and Music Director Stephen Alltop will team up in a fabulous and rarely heard concerto for Violin and Harpsichord by Joseph Haydn. Principal oboist John Dee will shine in Tomaso Albinoni’s Oboe Concerto in D Minor. Magical and enchanting music from Jean-Philippe Rameau’s opera Les Boréades will conclude this enjoyable afternoon.

Concertofest

Faith United Methodist Church

Violist and composer Nokuthula Ngwenyama guides an evening of musical currents, where ancient echoes and modern voices flow together. This is music as movement—across land, oceans, time, and space.

Tides & Transmissions

Crescent Arts Centre

Music has a special way of taking us to new places through time, across different worlds, and into the hearts of those who came before us. This season, the La Jolla Symphony & Chorus warmly invites you to join us on a unique adventure through "Symphony, Song and Story," a seven-concert series celebrating how music can capture imagination, history, and emotion. Through the works of both revered classical masters and innovative contemporary voices, we'll explore profound stories of heroism, transformation, and devotion, each concert offering a new chapter in this season's journey of storytelling through music. From the refined elegance of Rameau and Debussy to the dramatic intensity of Mahler and Bach's St. John Passion, every performance will invite you to delve into the complex emotional landscapes and intricate narratives that only music can reveal. As a subscriber, you're not just a member of the audience; you're part of this incredible journey. Your seat is more than just a spot to listen; it's an invitation to experience the magic of live music. By joining us this season, you help keep this cherished tradition alive and ensure that these exceptional performances remain accessible to everyone in our community. We are so excited to share this season with you and look forward to making it truly unforgettable. Secure your subscription today, and let's continue this journey together.

The French Connection

University of California San Diego

For 70 years now, the Frankfurt Radio Symphony Orchestra (hr-Sinfonieorchester Frankfurt) has been a regular guest at the Kassel Music Days – this time with the Russian conductor and harpsichordist Maxim Emelyanichev and a multifaceted program centered around the French Baroque. Two suites by Jean-Baptiste Lully and Jean-Philippe Rameau will be performed, as well as a Baroque-inspired ballet suite by Igor Stravinsky. Audiences can also look forward to a harpsichord concerto that is not yet 100 years old. Maxim Emelyanichev is considered a rising star of early music, approaching his work with tremendous curiosity and musical passion. He will even be at the harpsichord himself for Francis Poulenc's sparkling and witty concerto.

Kassel Music Days

Kassel State Theater

A harpsichord concerto that's not even 100 years old? Yes, Francis Poulenc's "Concert champêtre" spices up the Baroque sound with modern harmonies, and the liaison is a resounding success. The suite theme is also explored in a unique way in this concert: two old pieces, one new – where freshness isn't a matter of era. 20th-century France looks back to the old masters of the Baroque: The conductor who brings this special perspective to the hr-Sinfonieorchester's "Baroque+" series is Maxim Emelyanychev. The Russian is considered a rising star of early music because he approaches his work without any affectation, but with tremendous curiosity and a true musical pulse. He conducts historically informed performance ensembles as well as large symphony orchestras and says: "I want to approach the music with a fresh perspective, but with the aim of performing it as it was possible back then." In Francis Poulenc's sparkling and witty "Concert champêtre," Emelyanychev himself will be at the harpsichord; he loves leading an ensemble from the keyboard: "It's a completely different connection with the orchestra than when you're just conducting. You feel like part of the whole."

Concert champêtre

Hessischer Rundfunk

The annual concerts with pianist Grigory Sokolov have been a cherished tradition at Konserthuset for over 20 years! With few exceptions, he has appeared here every autumn since 2004. He never fails to amaze audiences with his astonishing technical brilliance and exceptional ability to elevate music to extraordinary heights.

Piano Solo – Grigory Sokolov

Konserthuset Stockholm

Renowned for her insightful interpretations characterized by a blend of passion, introspection, and profound expressiveness, Marina Grozdanovic is a pianist celebrated for her ability to engage in a transcendent dialogue with the audience, while drawing them into the depths of music. Her performances stand as a testament to her interpretive prowess, delivering the essence of the composer’s vision with authenticity, vitality and transformative power. She is an internationally acclaimed pianist, and some of her performance highlights include the Beverly Hills International Music Festival at Greystone Mansion in Los Angeles; the Ravinia Music Festival in Chicago; the Kolarac Music Hall in Belgrade, Serbia; the National Gallery in Oslo, Norway; Les Dimanches Musicaux and Atelier Concert Series in Paris; St. Olave’s Church and St. Mary Abbot’s Church in London; and performances with the Bombay Chamber Orchestra in India. She was recently showcased as a distinguished guest performer on Serbian national television, RTS.

Marina Grozdanovic

Logan House

Back to nature!

Wallraf-Richartz Museum

A program of Baroque masterworks including Ferrandini’s Il Pianto di Maria, a suite from Rameau’s Les Boréades, J. S. Bach’s Sinfonia to Cantata BWV 42, and a selection from Handel’s Water Music Suite in F Major.

Baroque masterworks

New England Conservatory

Concerto Copenhagen meets MGK* students in an exciting project that will culminate in a joint concert!

Every year, Concerto Copenhagen, under the direction of Peter Spissky, holds an intensive workshop with classical music students from MGK, where they work on the special playing techniques and musical expressions that are prevalent in baroque music. The course concludes with a concert where students and CoCo musicians play works by Vivaldi, Handel and Rameau together.

MGK x Concerto Copenhagen

Trinity Church, Copenhagen

Stavnsholt Church

As a tribute to the Montpellier and international figure Jean-Paul Montanari, who passed away last April, the Opera Orchestra is invited to the unique setting of the Théâtre de l'Agora, in the heart of the Cité internationale de la danse, a vibrant place steeped in memory.

Parmi les étoiles

Agora Theater

Jean-Philippe Rameau was already 50 years old when he wrote his first opera, Hippolyte et Aricie, in 1733. Although Jean-Baptiste Lully—whose name at the time stood for French opera par excellence—had already died in 1687, the premiere sparked a bitter dispute between the conservative "Lullists" and the admirers of Rameau's daring, modern style. While some found his harmony too dissonant and his break with tradition scandalous, others were enthusiastic about the innovations that emerged from Rameau's long-standing preoccupation with questions of music theory and aesthetics. Les Indes galantes of 1735 was followed two years later by the tragédie en musique Castor et Pollux—Ramaeau's third completed opera. The premiere at the Paris Académie Royale de Musique was eagerly awaited, if only because of its subject matter; the mythical story of the two Dioscuri was a novelty on the musical theater stage at the time. Rameau himself probably suggested the material to the writer Pierre-Joseph Bernard, who wrote his first libretto, Castor et Pollux: The brothers, the mortal Castor and the immortal Pollux, are both in love with Télaïre, who herself prefers Castor. However, before the opera's action even begins, Castor is murdered. Pollux receives permission from his father Jupiter to free his brother from the underworld in order to reunite him with Télaïre, but he would have to pay for this with his own immortality. For Pollux, an inner struggle now begins between his brotherly loyalty to Castor and his desire for Télaïre. In Castor et Pollux, Rameau combined all the compositional elements for which he was equally famous and infamous, impressively conveying the respective dramatic situation musically in the sometimes highly virtuosic vocal lines as well as in the rich harmony and the differentiated timbres.

Felsenreitschule

Bring a friend and join the Boise Baroque Orchestra for an outdoor evening of music and laughter. Guests are invited to bring their own picnic or pre-purchase food from Roghani's Restaurant and enjoy eating, drinking and socializing while listening to a concert on the lawn, conducted by Artistic Director Robert Franz.

Boise Baroque Summer Music Festival at the Château des Fleurs

Château des Fleurs

Between Wednesday 13 – Saturday 23 August, Chetham’s International Piano Summer School brings world class and legendary musicians to a vibrant, supportive community in central Manchester. Alongside lectures, open lessons and opportunities to develop new skills, you can discover a daily programme of recitals from world-class performers.

Chetham’s International Piano Summer School 2025 – Day Seven

The Stoller Hall

Sokolov solo concert

Great Festival House

For ten years now, the five musicians and friends have formed the ensemble Karidion Brass. With wit and passion, they introduce their listeners to the full diversity of brass music and inspire with their joy in making music together at the highest level. Under the open sky of the courtyard of Dobbertin Monastery, Karidion Brass presents a colorful and diverse program of virtuoso baroque pieces, sophisticated original compositions, and modern, jazzy melodies.

YOUNG ELITE Karidion Brass

Klosterkirche Dobbertin

In addition to numerous awards, including the Gramophone Editor's Choice Award for the album "Rhapsody," Martin James Bartlett has already achieved several milestones in his career. With his daring technique and elegant maturity, he has impressed not only the international music press but also the British royal family: In 2016, the Englishman personally performed at the Queen's 90th birthday celebrations. Following his magnificent performances at our Mozart Nights in 2022 and 2023, we are now pleased to welcome the pianist to a piano recital at Schloss Johannisberg with a program spanning several eras and inspired by dance.

Martin James Bartlett, piano

Schloss Johannisberg

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie.

Twinkle Concert XS / Elfi Baby Concert

Elbphilharmonie

A new staging of Rameau’s Les Indes galantes combines exquisite 18th century music with the expressive potency of contemporary street dance styles in a one-of-a-kind exploration of identity, culture and expression. Co-conceived by director-choreographer and French hip hop pioneer Bintou Dembélé and conductor Leonardo García-Alarcón, the performance features their respective ensembles: the dancers of Structure Rualité, Namur Chamber Choir, and period orchestra Cappella Mediterranea, all making their UK opera debuts. Cappella Mediterranea is one of the most in-demand period ensembles in the world, having recently completed a Monteverdi cycle for the Festival d’Aix-en-Provence, as well as engagements at the Opéra national de Paris, Salzburg Easter Festival, La Monnaie (Brussels), and Staatsoper Unter den Linden (Berlin). The production will also feature leading Baroque soloists Gwendoline Blondeel, Ana Quintans, Antonin Rondepierre and Andreas Wolf.

One of the most beautiful baroque opera-ballets ever composed, this is a rare chance to see Rameau’s musical masterpiece, in a carefully crafted new version which will also be performed at Teatro Real (Madrid) and Teatro alla Scala (Milan) among others. Be prepared to be swept away by powerful storytelling as this ornate period score fuses with the emotive physicality of street dance and hip hop styles, with electrifying and deeply moving results.

Les Indes galantes

The Grange at Northington

Many people - or should we say millions of people - know Hayato Sumino as Cateen, because under this artist or influencer name the pianist inspires a constantly growing online fan base for his art: people who otherwise don't have much to do with classical music. The young Japanese has been proving for years that he is also up to the demands of a "normal" concert career, for example with his victory at the PTNA piano competition in his home country in 2018 or his participation in the Chopin Competition in Warsaw in 2021, which was closely followed by the media. As if these talents alone were not enough, Hayato Sumino also has a degree in engineering and is himself active as a composer and arranger. How does Mozart's "Turkish March", the third movement from the wonderful A major Sonata KV 331, sound when you chase it through all major and minor keys? In his 24 variations on this theme, Sumino provides the answer – and contrasts it with the lively arrangement of a Gershwin classic: “An American in Paris”, which also stops by Bochum for a quick visit.

Ruhr Piano Festival

Anneliese Brost Musikforum Ruhr

Listening to live music is a wonderful experience. In the »Klangzeit« (Sound Time) concerts, you can close your eyes and escape everyday life for a moment. In the entertaining, hour-long concerts featuring the string players of Ensemble Resonanz, you can listen in a relaxed atmosphere, express yourself, sing along to well-known songs and move freely. Here, everyone can be themselves. This makes the format particularly suitable for people with dementia and their relatives. All venues are accessible.

Composer

Jean-Philippe Rameau

Events

Upcoming events

Nov 18, 2026

Echoes Across the Atlantic · La Monnaie / De Munt

16 - 17 Dec, 2026

Tomáš Netopil & Jean Rondeau · Prague Symphony Orchestra

Jan 10, 2027

Musician Voices: Baroque Reflections · South Bend Symphony Orchestra

Feb 5, 2027

David Fray, piano · Northwestern Bienen School of Music

Feb 7, 2027

Haydn. Rameau. Schubert · Prague Philharmonia

Past events

Nov 2, 2026

Richard Goode piano · Wigmore Hall

Oct 30, 2026

Joubert Centenary Celebration · Royal Birmingham Conservatoire

About

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