Tonight’s programme traverses a huge range of styles and expression, from Leonarda’s baroque sonata through to the playfulness of Stravinsky and Milhaud. The ensemble has linked the theme of flight with that of exile.  All the composers in the programme have experienced a form of exile: Ukrainian composer Silvestrov and Jewish composer Milhaud were exiled by war, Russian composers Auerbach and Stravinsky sought artistic freedom, while Ustvolskaya’s constant search for an authentic voice led her to cut herself off from everyone and everything. 

Pixels Ensemble: Flight

Lancaster University

The early 17th century was a time of musical experimentation and stylistic change. The new “Stile Moderno” was expressive and dramatic. The early composers on this program pushed the boundaries for instrumental music, writing passionate and virtuosic works that forged new territory for the violin.

Italian Modern

Sunset Center

With repertoire spanning the canon to contemporary works, this beloved series is unparalleled in ambition and depth. Under the inspired curation of new Director of Chamber Music Paul Wiancko, globally renowned chamber musicians present 11 ingenious programs rich in revelry and fellowship. Paul’s inaugural season welcomes composer-in-residence Reena Esmail, along with an array of talented first-timers and Festival favorites ready to rock the Dock.

EPSG:4326

Bank of America Chamber Music

Dock Street Theatre

Collegium Musicum and Arizona Baroque

St. Philip's in the Hills Episcopal Church

Green Room is a brand new concert festival launching 1-3 September, taking world-class artists, usually found on the big stage, into intimate and beautiful performance spaces.

The first series (Balfour Winery are drinks partners), débuts at the stunning medieval Tithe Barn, in the picturesque village of Lenham, Kent.

Green Room Concerts

Tithe Barn

SPCO flutist Julia Bogorad-Kogan curates a program of Baroque chamber music including works by Élisabeth-Claude Jacquet de La Guerre, the first woman to compose opera in France, and Isabella Leonarda whose musical talent was compared to the military prowess of Emperor Leopold I. Discover their “marvelous” chamber music, which was largely unknown for centuries, alongside gems by more recognized Baroque composers Johann Sebastian Bach and Georg Philipp Telemann

Express Concert: Baroque Marvels with Julia Bogorad-Kogan

Capri Theater

Temple Israel

Saint Paul's United Church of Christ

The Early Baroque era of Italian music brought a zenith of dramatic and technical display in the hands of new generations of virtuoso singers and instrumentalists. Composers and performers united in their course of revealing new depths of expression, color, and theatrical effects through music that is immediately thrilling and enthralling.  From the delicate and spatial interplay of three violins in Marini’s Sonata in Ecco to the full-throated and lovelorn dramatic vocal works of Monteverdi — including two epic narratives from his Madrigals of Love and War — this is a program that moves from mystery to magic and from the sacred to the secular.  Headliner works are Isabella Leonarda’s entrancing Sonata XII, Monteverdi’s Magnificat a 6 from the Vespers of 1610, and the same composer’s powerfully arresting setting of Torquato Tasso’s Combattimento di Tancredi e Clorinda. An ensemble of evocative ABS artists brings this passionate music to light in a program featuring vocal and violinistic fireworks. 

Pious & Profane

St. Stephen's Episcopal Church

First Congregational Church

Davis Community Church

St. Mark's Lutheran Church, San Francisco

Female composers have had a hard time for a long time, and have been largely ignored by history. This year's chamber concert by the hr Symphony Orchestra in Erbach will feature some of them, with their rich music and creative work. Clara Schumann, Lili Boulanger and Rebecca Clark will be familiar, but Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century, is not. The Frenchwoman Mélanie Bonis, whose works were mostly published under the pseudonym Mel Bonis in the 19th century, is also hardly known in this country, as is the Austrian Maria Theresia von Paradis, who was blind since childhood and was very prominent in the musical life of her time, the Viennese Classical period, as a pianist, singer and composer. In this concert you can get to know them all, as well as Emilie Mayer, a 19th-century German composer who was celebrated during her lifetime as the "female Beethoven".

Women Power

Werner-Borchers-Halle

For a long time, women composers had a hard time; they were mostly ignored in their time and throughout history. But women have composed with strength and talent at many times. In this concert, you can experience some of them, with their rich music and their creative work. You may still know Clara Schumann, Lili Boulanger and Rebecca Clark, but it is a different story with Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century. The Frenchwoman Mélanie Bonis, whose works were mostly published in the 19th century under the pseudonym Mel Bonis, is also hardly known in this country, as is the Austrian pianist, singer and composer Maria Theresia von Paradis, who was blind since childhood and was also very prominent in the musical life of her time, the Viennese Classical period. In this concert you can get to know them all, as well as Emilie Mayer, a German composer of the 19th century who was also highly celebrated during her lifetime and was widely regarded as the "female Beethoven".

Isabella Leonarda

Events

Upcoming events

Mar 25, 2025

Women Power · hr-Sinfonieorchester

Mar 30, 2025

Women Power · hr-Sinfonieorchester

Past events

Nov 21, 2024

Pixels Ensemble: Flight · Lancaster Arts

16 - 23 Jul, 2024

Italian Modern · Carmel Bach Festival

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