Music and storytelling at Eremitage Palace about Christian VI and Pietism, featuring Georg Philipp Telemann's cantata Ach Herr, strafe mich nicht. Arranged in collaboration with Kind of Opera, with musicians from Concerto Copenhagen.

Christian VI and Pietism: Music as Inner Order

Den Sorte Diamant

Sound the trumpet! In the baroque era, every concert was a celebration, as composers and performers competed to dazzle, to move, and above all, to entertain their audiences. It was a Europe-wide phenomenon. In Germany, Telemann wrote music to feast by, and his friend Johann Sebastian Bach composed religious music as powerful and as heart-rending as any opera. And here in England, in 1717, King George I simply put an orchestra on a boat and sailed off up the Thames: the ultimate royal pleasure cruise, set to the irrepressible melodies of his favourite composer, George Frederic Handel.

Handel and Bach: A Baroque Celebration

Derby Cathedral

Royal Northern Sinfonia, with their Artistic Partner Maria Włoszczowska directing and stepping into the solo spot.

EPSG:4326

Vivaldi's Four Seasons 2026

The Sands Centre, Carlisle

The Glasshouse International Centre for Music

Kings Place, London

Hear the evolution of keyboard fantasias — stretching from the 17th century to today — with works by Telemann, Mozart, Chopin, and Billy Joel.

Robert Blocker plays Telemann and Schumann

Yale University

Baroque trailblazers Antonio Vivaldi and J. S. Bach launch this journey through the world of 18th-century orchestral music. Concertmaster Gina DiBello shines in one of Vivaldi’s most intriguing dark-hued concertos, balanced by the buoyant, dance-driven elegance of Bach’s Orchestral Suite No. 1. Telemann’s cosmopolitan brilliance and the bold innovation of his godson, C. P. E. Bach, lead seamlessly to Joseph Haydn’s impassioned Symphony No. 80.

Vivaldi & Beyond

Harris Theater

North Shore Center for the Performing Arts in Skokie

Enjoy a varied programme of chamber music from Royal College of Music musicians at this lunchtime concert at St Mary Abbots Church in Kensington.

RCM at St Mary Abbots Church

St Mary Abbots Church

Mozart, Haydn, Telemann and Philidor: four composers in a passionate age, reinventing music on the wing. A dynamic start to a season of music that defies convention.

1765: Times of Transition

Milton Court Concert Hall

Mozart, Haydn, Telemann and Philidor: four composers in a passionate age, reinventing music on the wing. A dynamic start to a season of music that defies convention.
They called it “sturm und drang” - “storm and stress” - and for a few tempestuous years in the 1760s, it seemed as if music itself had turned upside down. No emotion was too powerful: this was a time for child geniuses, young radicals and cutting-edge comedy – and for old dogs to learn a few new tricks, too.

Tonight, Laurence Cummings and Academy of Ancient Music dive headlong into the crucible, with a volcanic symphony from the young Haydn, the boy Mozart’s brilliant symphonic debut, and a real discovery – a very Gallic spin on a bawdy English romp from the French composer Philidor. And then, the astonishing tragedy of Ino, retold by the 84-year old Telemann in music that would dazzle a composer a quarter his age, with 2026 Grammy Award-winning American soprano Amanda Forsythe. It’ll thrill you, too.

University of Cambridge

MusEquality is an original Czech musical quintet founded at the Academy of Performing Arts in Prague, devoted to imaginative interpretations of classical music inspired by folk traditions. The ensemble performs in an unusual chamber formation.

MusEquality

Czech Radio

A concert with young musicians from MGK-klassisk at Aalborg Kulturskole and pianist Anton Juhl (winner of Pianister i Nord 2025).

Young Players Classical

Torvet

The English Concert "celebrities of the Baroque performance movement” (New York Classical Review) launch a celebration of the majestic High Baroque with Handel’s Sonata in G, a masterclass in grace and counterpoint.

Harpsichord and Strings

Sheffield Theatres

You can simply go to a concert at the Philharmonie, spontaneously, during your lunch break – and with free admission: every Wednesday at 13:00 between September and June. The programme lasts 40 to 50 minutes: chamber music, piano works or a percussion duo – everything from Tchaikovsky to tango. Members of the Berliner Philharmoniker and the Karajan-Akademie regularly perform, as well as guests from the Deutsches Symphonie-Orchester, the Staatskapelle Berlin and the Berlin music conservatories. As can be expected at a lunch concert, catering is available from 12 noon until shortly before the concert begins.

Lunch concert

Berliner Philharmoniker

Nosky's Baroque Band

Central Park

The British baroque quartet Red Priest presents an exhilarating program of masterpieces from the 17th and 18th centuries in its distinctive, high-energy style. The highlight is their arrangement of Antonio Vivaldi's "The Four Seasons."

07 RED PRIEST: "A BAROQUE EXTRAVAGANZA"

Lambertikirche

A morning concert devoted to entertainment, exploring the theme of games of ladies: Amusements and pleasures, with a portrait of love (Ritratto del amore).

Games of Ladies

Église de Valloire

"Cultural bridges" concert blending Baroque and rock music, by Les Barbarins Fourchus. Mistress of ceremonies, poems and anecdotes.

Trio Barock

Espace culturel Le Savoie

Cinéma de Valloire

Two short comic operas: the award‑winning London production of Bach’s brilliantly caffeinated Coffee Cantata & Telemann’s Canary Cantata, a whimsical lament for a beloved canary. ​

This multi‑award‑winning London production of the Coffee Cantata reimagines Bach’s ode to caffeine as witty, stylish music theatre performed in English — a playful clash of virtue, vice, and the irresistible pull of the daily cup. Featuring sumptuous costumes by Sydney designer Elizabeth Gadsby and wigs adorned with hand‑beaded coffee cups crafted by Jane Corbett, milliner to Queen Elizabeth II and the Princess of Wales.

The program also includes Telemann’s Canary Cantata, starring West Australian Opera principal Brigitte Heuser — a theatrical drawn miniature in which private grief gives way to operatic indignation, and suspicion falls squarely on the household cat.

Bach's Coffee Cantata and Telemann's Canary Cantata

His Majesty's Theatre

Celebrating the Art of Baroque Concerto, director Marios Papadopoulos steers the Oxford Philharmonic through a programme of youthful energy and dazzling virtuosity. Led by the orchestra’s rising stars, this concert highlights concerto masterpieces by Baroque greats Bach, Vivaldi and Telemann. Full of colour, conversation, and exuberance, this concert is a chance to experience Baroque music at its most exhilarating.

The Art of Baroque Concerto by candlelight

St Martin-in-the-Fields Church, London

Celebrating the Art of Baroque Concerto, conductor Marios Papadopoulos steers the Oxford Philharmonic through a programme of youthful energy and dazzling virtuosity. Led by the orchestra’s rising stars, this concert highlights concerto masterpieces by Baroque greats Bach, Vivaldi and Telemann. Full of colour, conversation, and exuberance, this concert is a chance to experience Baroque music at its most exhilarating.

The Art of Baroque Concerto

University of Oxford

The Grammy Award-winning Baroque orchestra Apollo’s Fire returns to the Venetian Theater with FENCING MATCH, a high-energy program directed by the "charismatic and tireless" Jeannette Sorrell. These "Dueling Double Concertos” pit soloists against one another in a brilliant display of 18th-century virtuosity.

Apollo's Fire

Venetian Theater at Caramoor

As their Wigmore Hall Residency ends, Il Giardino Armonico and Giovanni Antonini, visionary conductor and recorder virtuoso, are joined by Julia Lezhneva, famed for her crystalline voice and effortless command of the true art of bel canto. The Russian soprano, harvester of five-star reviews, applies her delightful artistry to a selection of arias from Vivaldi’s operas and Haydn’s dark-hued dramatic cantata, with its heartfelt response to Ariadne’s abandonment by her lover Theseus.

Il Giardino Armonico; Giovanni Antonini conductor; Julia Lezhneva soprano

Wigmore Hall

In a programme dedicated to recorder concertos, the name of Antonio Vivaldi is an indispensable reference: the author of an impressive number of concertos, well beyond the famous Four Seasons, Vivaldi shaped a language that profoundly marked 18th-century Europe. Alongside him, composers such as Georg Philipp Telemann, Johann Friedrich Fasch and Giovanni Battista Sammartini were able to offer original and refined interpretations of the concerto form, in an extraordinary variety of styles and formal solutions. It is perhaps surprising that the recorder, often considered an instrument with a limited repertoire, should have been the vehicle for such a rich and international production, capable of reflecting different national identities and, at the same time, an authentically European spirit, even verging on the galant style. This programme thus highlights, together, the concerto as a musical form and the recorder as solo instrument, revealing its expressive breadth and vitality. At the heart of this project is also the theme of cultural exchange between Italy and the Netherlands: many of Vivaldi's works were published in Amsterdam at the beginning of the 18th century by the famous publisher Estienne Roger, spreading rapidly throughout Europe and profoundly influencing the musical taste of the time. More than three hundred years later, this ideal dialogue is renewed in the encounter between the flutist Teun Wisse and the Ensemble Locatelli, an artistic partnership born of a shared passion for this repertoire and matured through concerts in various European countries, culminating in a programme designed to celebrate Vivaldi and the immediate and communicative pleasure of a music that, then as now, thrives on energy, exchange and shared joy.

Locatelli Ensemble: FLAUTISSIMO

Gaetano Donizetti Theater

Oliver Zhang, trumpet

Northwestern Bienen School of Music

The final concert of the subscription serie I will be performed by the beloved Czech Philharmonic Chamber Orchestra. Under the expert direction of Nicholas Kraemer—a regular guest of the orchestra—the ensemble will present three of Bach's Brandenburg Concertos, masterpieces that epitomize the Baroque concerto grosso tradition.

Czech Chamber Music Society • Nicholas Kraemer

Rudolfinum

Director of Chamber Music Margaret Batjer invites you to savor an intimate bouquet of Baroque treasures, featuring the return of soprano Amanda Forsythe. From Handel’s expressive arias to Bach’s luminous “Wedding Cantata,” each piece unfolds like a flower in full bloom. On the second half, LACO cuts loose with Telemann’s Don Quixote suite and Biber’s Battalia, inviting you to dance into the night at this wedding themed program.

Baroque In Bloom

Wallis Annenberg Center for the Performing Arts

The Huntington

2nd Symphony Concert – Neuruppin

Veranstaltungszentrum Kulturkirche

Founded in 2019, Ensemble Augelletti were New Generation Baroque Ensemble in partnership with BBC Radio 3, the National Centre for Early Music, and the Royal College of Music and City Music Foundation Artists 2024-5. They are now regarded as among the most innovative and exciting period instrument ensembles and specialise in creating engaging programmes that tell the everyday stories of people living in the 17th and 18th centuries through baroque chamber music.

Ensemble Augelletti

St. Mary's Church

Please join the Early Music Ensemble for an evening exploring the idea of chamber works, featuring Telemann's Trio Sonata in A minor and arias from Handel's Alcina, alongside Machaut's Messe de Nostre Dame. We highlight the performance of pieces by small ensembles, underscoring the connections made between performers, and performers and audience, in small, intimate settings.

In Camera

Zelman Cowen Building (51)

Got Bach? We do–and Telemann too! Enjoy the unparalleled H+H Orchestra led by Artistic Director Jonathan Cohen as they share their “consistently fresh and vital” takes on Baroque music (The Boston Globe). Embrace the warm comfort of Bach cantatas perfectly paired by the grace of Brandenburg Concerto No. 6. To send us off, Telemann’s Du aber Daniel gehe hin reminds the soul of blessed bliss!

Bach + Telemann

Old South Church in Boston

Harvard University

Vocal and instrumental music from opera to musical, with works by Mozart, Telemann, Gershwin and others, plus highlights from The Phantom of the Opera, Frozen and Wicked

Concertino 2026

Schwabacher Marionettenbühne

Sophie Urban, trumpet

Hayden Lovinfosse, trombone

BRSO baroque · Rachel Podger

Munich Residence

Throughout history, music has provided comfort in countless and diverse ways during times of grief and loss. Far Beyond the Skies brings together two venerable traditions, on the one hand two extraordinary works from the German Lutheran tradition which meditate on the release of death and the joys that await, and on the other hand funeral music from the Gospel tradition and where and how these two worlds intersect.

Far Beyond The Skies

All Souls' Episcopal Church/Bach Collegium San Diego

The Conrad Prebys Performing Arts Center

Evening Recital N° 3

Semperoper Dresden

This evening takes a journey through eras, but also into the inner self of man, focusing on images of wandering, movement, and experiencing new impressions.

Constant motion

Musikverein Wien

What hardly anyone knows: nowhere else (outside Argentina) is as much tango played and danced as in Finland, nowhere else in the world is so much coffee and milk drunk, and what was previously only known to the initiated: one of the best baroque orchestras comes from Helsinki! In 1989, news of the historically-informed performance practice also reached Finland; young professional musicians founded an ensemble that was called the ‘Sixth Floor Orchestra’ for 20 years, named after the practice room (without a lift!). Initially they gave guest performances in neighbouring Scandinavia, but the unconventional group soon made a name for itself in Canada and China with excellent reviews. They have brought Bach, Vivaldi and Telemann with them to the concert in Frankfurt, where the overture, concerto and suite will give them ample opportunity to demonstrate how double dotting, ornamentation and historically informed bowing is done in Finland. The connection with water and tides is certainly felt more intensely on the Nordic coasts, which is why Telemann's orchestral suite ‘Hamburger Ebb’ und Fluth’ from 1732 is a fitting homage to the all-connecting ocean. (Frankfurter Bachkonzerte e. V.)

Finnish Baroque Orchestra

Alte Oper

Baroque music is often presented as grand, serious and a little... cautious. However, the ensemble "Dar vieni" thinks differently. They invite you to a concert in which Baroque is freed from museum frames - it is alive, pulsating. For the ensemble, Baroque is not only counterpoints and ornaments. It is an era in which emotions are no less than today, you just need to blow the dust off it. The ensemble wants to take this music in your hands, move it, feel how it breathes. It wants the listener to be more than just an observer - to get involved, feel the rhythm, emotion, and maybe even forget that they are sitting in a concert hall. Because Baroque music was not written for museums, but for people. It was intended to celebrate, mourn, express passion and inner vibrations - and it still can. You just need to let it live.

"Another One" - Baroque Without Dust

Paliesius Manor

Leipzig’s got talent: in 1723 Bach competed for one of Germany’s top musical jobs. Today, Laurence Cummings and Academy of Ancient Music reveal exactly what he was up against.

The Chosen One

Genius loves company, but when a plum job is up for grabs the gloves come off. After Bach got the gig in Leipzig in 1723, his disappointed employers made it very clear that he wasn’t even their second choice. So who came first – and, for that matter, second? You’d expect them to be good.

The Vienna Academy Orchestra is one of Austria's most important orchestras. This venerable orchestra, with its founder Martin Haselböck, is celebrated worldwide as one of the finest orchestras for period music. From Vienna, where they present a concert series in the legendary Golden Hall of the Vienna Musikverein, they carry the original sounds out into the world – to destinations such as New York, Chicago, Madrid, Tokyo, Tel Aviv, Buenos Aires, and Santiago de Chile.

Vienna Academy Orchestra / Johanna Falkinger / Martin Haselböck

Elbphilharmonie Hamburg

A program rooted in musical storytelling featuring recorder virtuoso Vincent Lauzer. From battlefield drama to literary adventure and Celtic evocation to contemporary reflection, this concert reveals the Baroque as vivid narrative theatre, rich with character and imagination.

7 / Tilting at Windmills

Crescent Arts Centre

The Vienna Academy Orchestra is one of the most important orchestras in Austria. The traditional orchestra with its founder Martin Haselböck is celebrated worldwide as one of the best orchestras for original sound. From Vienna, where they perform a concert cycle in the legendary Golden Hall of the Vienna Musikverein, they take the original sounds out into the world - to New York, Chicago, Madrid, Tokyo, Tel Aviv, Buenos Aires and Santiago de Chile.

Horn Studio Recital

Curtis Institute of Music

Please save the date for the Chamber Music Society of Salt Lake City’s 60th Anniversary Gala on Tuesday, March 24, 2026, at Libby Gardner Concert Hall. The evening will include a catered dinner, auction, and unforgettable performance featuring one of Europe’s leading Baroque ensembles, LE CONSORT. All proceeds from our 60th Anniversary Gala support the work of the Chamber Music Society of Salt Lake City.

60TH ANNIVERSARY GALA with LE CONSORT

University of Utah

Chamber Concert 4

WDR Funkhaus

Enjoy a festive concert featuring works by the Baroque master Georg Philipp Telemann. The centerpiece is the dramma per musica "Ich sonst beglücktes Land" (I, otherwise blessed land), an occasional piece from 1711, which was only recently rediscovered and has now been researched and published for the first time by students at the Martin Luther University of Halle-Wittenberg. The program also includes works from the same period of the composer's life at the beginning of the 18th century: the colorful Overture Suite in D major with its magnificent trumpet sounds, the virtuosic Concerto in D major for two violins, and the solemn Magnificat in C major. Discover these lesser-known works by Telemann with the Handel Festival Orchestra!

Handel Festival Orchestra on tour

Gesellschaftshaus Magdeburg

Formed in Paris in 2015, Le Consort is an early music ensemble dedicated to the quintessential chamber music genre that reigned supreme in the Baroque era: the trio sonata. Made up of two violins, a cello and a harpsichord, the ensemble’s diverse repertoire includes trio sonatas from Italy, France, Germany and England, which represent the essence of Baroque chamber music., Le Consort’s Music in the Park Series program highlights the works of well-known composers who helped define the genre, such as J.S Bach, Georg Phillipe Telemann and Francesco Geminiani, as well as those whose works remain unknown and often unpublished, such as Giorgio Gentili, Nicola Porpora, and Michel-Pignolet de Montéclair.

Le Consort

Saint Anthony Park United Church of Christ

OverBridges

CongressCentrum Pforzheim CCP

3rd Concert of the Handel Festival Orchestra

Konzerthalle Ulrichskirche

Don Quixote has inspired innumerable works of art, including a delightful suite by the prolific Telemann and a spectacular concertante piece for cello by Finnish composer Sallinen. In this performance, cellist Johannes Moser will showcase his full virtuosity in Sallinen’s work, then also appear in C.P.E. Bach’s most famous concerto.

Autour de Don Quichotte

The Montreal Museum of Fine Arts

National Arts Centre

The organists of the Church of Saint-Sulpice in Paris are among the superstars of their profession. Charles-Marie Widor held this post for 64 years, followed by the legendary Marcel Dupré, who shaped organ music in one of the world’s most famous churches for decades. Since February 2023, Karol Mossakowski has held the prestigious position of titular organist at Saint-Sulpice.

Organ matinee

Young music students from Gothenburg's Academy of Music and Drama brighten up the dark January afternoon with music for woodwinds.

Under the Sky

Palmhuset

Jordi Savall is a legend of early music, and in this concert he joins forces with the young musicians of the Karajan-Akademie. Together, they unleash elemental musical forces – with Water Music: Ebb and Flow by Georg Philipp Telemann and Handel’s Music for the Royal Fireworks, a work that uniquely combines unrestrained splendour with elegance. The concert opens with the orchestral suite from the opera Alceste, in which Jean-Baptiste Lully explores the full expressive range of the Baroque – from martial fanfares to graceful dances.

Unleashed elemental forces with Jordi Savall and the Karajan-Akademie

Berliner Philharmonie

Ring in the new year with music that will leave you on the edge of your seat! Artistic Director Jonathan Cohen leads the brilliant H+H Orchestra with the glowing Carolyn Sampson, whose voice conveys “a world of meaning with every phrase” (St. Louis Today). Let your spirit soar with the radiant joy in Mozart’s Exsultate Jubilate before feeling the profound expression in Haydn’s Symphony No. 44 and the surging drama of Telemann’s gripping Ino. Toast a brand new year with the wonders of this musical feast!

Mozart + Haydn

New England Conservatory of Music

Experience the power and grace of Vivaldi’s famous and familiar The Four Seasons as played and led by Concertmaster Jonathan Crow, joined by principal musicians Sarah Jeffrey (oboe), Heidi Elise Bearcroft (harp), and Rémi Pelletier (viola) who shine in solo turns from the Baroque repertoire.

Vivaldi’s The Four Seasons

Meridian Arts Centre

One of the great violinists of our time, Augustin Hadelich performs works by Telemann, J.S. Bach, Paganini, and others that have inspired him and helped shape his career.

Artist Spotlight: Augustin Hadelich

David Geffen Hall

Traditional German baroque holiday music in an intimate and exquisite concert that combines vocal and instrumental compositions from Bach, Handel and Telemann featuring our Maestro Martin Haselböck on the organ together with other special guest artists. Celebrate the magic sounds of the season during this special time of year.

A Baroque Christmas in Germany | Los Angeles

First Congregational Church of Los Angeles

And there was light: By the end of the 16th century at the latest, affect had become an indispensable component of music. Stylus luxurians – "luminous style" – is what music theorist and composer Christoph Bernhard calls this creative device, which was also prevalent in the Baroque period and is characterized by theatricality and intense emotional expression. The Ensemble Astrum researches, experiments, and creates. In their program "And there was light ," the trio of artists led by award-winning Salzburg recorder player Felix Gutschi and Dutch soprano Noëlle Drost dedicate themselves to the stylus luxurians and take the audience on an emotionally profound journey through the Renaissance, Baroque, and early Classical periods.

Museum Concert: Ensemble Astrum And there was

Mozart Residence

Since 2010, chamber music ensembles of the Staatskapelle have been performing at the Bode Museum, a jewel of Berlin's museum landscape. Matinee concerts lasting just over an hour in the Gobelin Hall, with diverse programs that include music from the Baroque and Classical periods as well as works from the Romantic and Modern periods, can easily lead into further hours in the museum—for example, with a guided tour of the exhibition and the "Artwork of the Day," a private tour, or a culinary finale in the stylish museum café.

Museum Concert III

UNESCO Weltkulturerbe Museumsinsel

Freshly sworn in as Leipzig's Thomaskontor, Johann Sebastian Bach was full of energy in 1723, composing, among other works, the "Magnificat," a eulogy cantata for the Advent season for his new choir. Shortly after the annunciation by the angel Gabriel, Mary tells her cousin the good news of her pregnancy with the Savior. This message sounds especially joyful when Vox Luminis, an outstanding early music ensemble, is on stage.

Bach: Magnificat

The Baroque Academy Gothenburg Symphony takes the stage with notes of royalty. Allow yourself to dream of gilded parlours of the 18th century, with Telemann’s Tafelmusik.

BAGS plays Telemann

Göteborgs Symfoniker

The Baroque era opened the door for the violin to emerge as a defining voice in music. This program features an all-star cast of CMS violinists performing thrilling solo roles in Baroque concertos, including Vivaldi’s The Four Seasons, one of the earliest examples of program music. Linked to sonnets possibly written by Vivaldi himself, the works depict the seasons through musical suggestions of babbling brooks, thunder and lightning, blasts of winter wind, and birdsong.

Vivaldi's Four Seasons

Lincoln Center for the Performing Arts

This year, exquisite music from the late Baroque and early Classical periods will conjure up a cozy, festive Advent and Christmas atmosphere in the town hall hall—warm orchestral sounds from the German cosmopolitan Telemann, a Christmas symphony from France, a Christmas concert from Italy, flute concertos from the brilliant Bach son Carl Philipp Emanuel, and from the Venetian "Maestro assoluto" Vivaldi. The virtuoso flute tones come from the young Fabian Egger, a competition prize winner, scholarship holder at the Salzburg Mozarteum, and flautist at the Amsterdam Concertgebouw Orchestra. The conductor is Torsten Johann, harpsichordist and co-founder of the Freiburg Baroque Orchestra.

Festive Advent Concerts In The Historic Town Hall

Old Town Hall Nuremberg

Antoine Tamestit : Chamber orchestra

Prinzregententheater

We are absolutely delighted to perform for you the world première of a new composition by Dominic McGonigal — ‘Sunset at Sea’. Dominic’s work has been described as having “great textures and a perfect sense of spacing and pacing” and his ‘Ave Maris Stella Takes Flight’ recently won the Palimpsest Competition at Canterbury Cathedral.

After training as a chorister, Dominic read music at King’s College, Cambridge where he sang bass in King’s Chapel Choir. He found his voice as a composer with his 'Missa Et Incarnatus Est', a large work for 8-part choir, soloists and small orchestra. These days he combines a career in the music business with performing and conducting, including appointments as musical director of COMA Voices, Stoneleigh Choral Society, the Church of St Anselm & St Cecilia in Holborn, Opera Spezzata, EJMS Big Band and St Giles Consort …. and as for this piece, you’ll just have to come and hear it for yourself.

Where the Water Flows...

All Saints Ecclesall

MSM Faculty Recital: William Short, bassoon

Manhattan School of Music

Esbjerg Ensemble will be visited by one of Denmark's most well-known, beloved and internationally recognized classical musicians, Michala Petri. Petri was known as a musical prodigy who shone early with her fabulous virtuosity, especially in the classical recorder repertoire from the Baroque era.

Vivaldi And Michala

Southern Denmark Conservatory of Music

Nick Laham – DMA Recital

Hamel Music Center

A Baroque Concert by the Neue Philharmonie Frankfurt
Why is the Neue Philharmonie Frankfurt Germany's most successful crossover orchestra? Because of its musicians, who enjoy everything, who are always open-minded, and who shy away from nothing – not even Baroque music! If you look closely,
you'll discover the word "rock" in the word "baroque" – thus dusting off the image of this era with the diversity of Baroque art music: Italy's Dario Castello, France's Jean-Marie Leclair, and the two Germans Georg Friedrich Handel and Georg Philipp Telemann demonstrate with
their works what 17th and 18th century Europe had to offer in terms of variety and diverse musical styles. The evening is given an additional fresh splash of color by two dreamy arias that give the program its title.

17th Wilhelmsbad Chamber Concert

Congress Park Hanau

The Hamburg Stage Ensemble invites you to an extraordinary concert experience in which the solo skills of the musicians take centre stage. The programme includes masterpieces from different eras and combines works by Antonio Vivaldi, Johann Sebastian Bach, Georg Philipp Telemann and Ernest Bloch to create a fascinating musical arc. This concert promises not only technical perfection, but also a journey into the emotional depths of music. It offers a unique blend of virtuosity, expressiveness and stylistic diversity that will delight music lovers.

Hamburg Stage Ensemble

The timeless art of the recital is perpetuated in the hands of present-day masters of the genre.

Yura Lee & Angus Webster

Chamber Music Society of Lincoln Center

Solo violin works continue Augustin Hadelich’s residency this season, culminating in J.S. Bach’s D minor Partita with the expressively and technically transcendent Chaconne — considered the “Everest” of violin performance. The Partita is balanced by music of Bach’s contemporary Georg Philipp Telemann, selections from Nicolò Paganini’s brilliant Caprices, and a Bach-inspired solo sonata from 1923 by the Belgian violinist Eugène Ysaÿe, the Sonata No. 5, from 1923. American composer Coleridge-Taylor Perkinson’s 1979 Blue/s Forms is a work championed by Hadelich in recital.

Georg Philipp Telemann

Events

Upcoming events

Nov 4, 2026

Birds, Bugs and Kites · Louisiana Philharmonic Orchestra

Nov 5, 2026

Northshore Classics: Brids, Bugs & Kites · Louisiana Philharmonic Orchestra

Nov 8, 2026

Baroque Music Ensemble · Northwestern Bienen School of Music

Nov 12, 2026

Jacqui Go and Eunice Kim, flute · Northwestern Bienen School of Music

Dec 1, 2026

Daniel Hope – Barocker Advent · Zürcher Kammerorchester

Past events

Nov 1, 2026

Christian VI and Pietism: Music as Inner Order · Concerto Copenhagen

Oct 28, 2026

Handel and Bach: A Baroque Celebration · Sinfonia Viva

About

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