And there was light: By the end of the 16th century at the latest, affect had become an indispensable component of music. Stylus luxurians – "luminous style" – is what music theorist and composer Christoph Bernhard calls this creative device, which was also prevalent in the Baroque period and is characterized by theatricality and intense emotional expression. The Ensemble Astrum researches, experiments, and creates. In their program "And there was light ," the trio of artists led by award-winning Salzburg recorder player Felix Gutschi and Dutch soprano Noëlle Drost dedicate themselves to the stylus luxurians and take the audience on an emotionally profound journey through the Renaissance, Baroque, and early Classical periods.

Museum Concert: Ensemble Astrum And there was

Mozart Residence

Since 2010, chamber music ensembles of the Staatskapelle have been performing at the Bode Museum, a jewel of Berlin's museum landscape. Matinee concerts lasting just over an hour in the Gobelin Hall, with diverse programs that include music from the Baroque and Classical periods as well as works from the Romantic and Modern periods, can easily lead into further hours in the museum—for example, with a guided tour of the exhibition and the "Artwork of the Day," a private tour, or a culinary finale in the stylish museum café.

Museum Concert III

UNESCO Weltkulturerbe Museumsinsel

Freshly sworn in as Leipzig's Thomaskontor, Johann Sebastian Bach was full of energy in 1723, composing, among other works, the "Magnificat," a eulogy cantata for the Advent season for his new choir. Shortly after the annunciation by the angel Gabriel, Mary tells her cousin the good news of her pregnancy with the Savior. This message sounds especially joyful when Vox Luminis, an outstanding early music ensemble, is on stage.

EPSG:4326

Bach: Magnificat

Elbphilharmonie Hamburg

The Baroque Academy Gothenburg Symphony takes the stage with notes of royalty. Allow yourself to dream of gilded parlours of the 18th century, with Telemann’s Tafelmusik.

BAGS plays Telemann

Göteborgs Symfoniker

The Baroque era opened the door for the violin to emerge as a defining voice in music. This program features an all-star cast of CMS violinists performing thrilling solo roles in Baroque concertos, including Vivaldi’s The Four Seasons, one of the earliest examples of program music. Linked to sonnets possibly written by Vivaldi himself, the works depict the seasons through musical suggestions of babbling brooks, thunder and lightning, blasts of winter wind, and birdsong.

Vivaldi's Four Seasons

Lincoln Center for the Performing Arts

This year, exquisite music from the late Baroque and early Classical periods will conjure up a cozy, festive Advent and Christmas atmosphere in the town hall hall—warm orchestral sounds from the German cosmopolitan Telemann, a Christmas symphony from France, a Christmas concert from Italy, flute concertos from the brilliant Bach son Carl Philipp Emanuel, and from the Venetian "Maestro assoluto" Vivaldi. The virtuoso flute tones come from the young Fabian Egger, a competition prize winner, scholarship holder at the Salzburg Mozarteum, and flautist at the Amsterdam Concertgebouw Orchestra. The conductor is Torsten Johann, harpsichordist and co-founder of the Freiburg Baroque Orchestra.

Festive Advent Concerts In The Historic Town Hall

Old Town Hall Nuremberg

Antoine Tamestit : Chamber orchestra

Prinzregententheater

We are absolutely delighted to perform for you the world première of a new composition by Dominic McGonigal — ‘Sunset at Sea’. Dominic’s work has been described as having “great textures and a perfect sense of spacing and pacing” and his ‘Ave Maris Stella Takes Flight’ recently won the Palimpsest Competition at Canterbury Cathedral.

After training as a chorister, Dominic read music at King’s College, Cambridge where he sang bass in King’s Chapel Choir. He found his voice as a composer with his 'Missa Et Incarnatus Est', a large work for 8-part choir, soloists and small orchestra. These days he combines a career in the music business with performing and conducting, including appointments as musical director of COMA Voices, Stoneleigh Choral Society, the Church of St Anselm & St Cecilia in Holborn, Opera Spezzata, EJMS Big Band and St Giles Consort …. and as for this piece, you’ll just have to come and hear it for yourself.

Where the Water Flows...

All Saints Ecclesall

MSM Faculty Recital: William Short, bassoon

Manhattan School of Music

Esbjerg Ensemble will be visited by one of Denmark's most well-known, beloved and internationally recognized classical musicians, Michala Petri. Petri was known as a musical prodigy who shone early with her fabulous virtuosity, especially in the classical recorder repertoire from the Baroque era.

Vivaldi And Michala

Southern Denmark Conservatory of Music

A Baroque Concert by the Neue Philharmonie Frankfurt
Why is the Neue Philharmonie Frankfurt Germany's most successful crossover orchestra? Because of its musicians, who enjoy everything, who are always open-minded, and who shy away from nothing – not even Baroque music! If you look closely,
you'll discover the word "rock" in the word "baroque" – thus dusting off the image of this era with the diversity of Baroque art music: Italy's Dario Castello, France's Jean-Marie Leclair, and the two Germans Georg Friedrich Handel and Georg Philipp Telemann demonstrate with
their works what 17th and 18th century Europe had to offer in terms of variety and diverse musical styles. The evening is given an additional fresh splash of color by two dreamy arias that give the program its title.

17th Wilhelmsbad Chamber Concert

Congress Park Hanau

The Hamburg Stage Ensemble invites you to an extraordinary concert experience in which the solo skills of the musicians take centre stage. The programme includes masterpieces from different eras and combines works by Antonio Vivaldi, Johann Sebastian Bach, Georg Philipp Telemann and Ernest Bloch to create a fascinating musical arc. This concert promises not only technical perfection, but also a journey into the emotional depths of music. It offers a unique blend of virtuosity, expressiveness and stylistic diversity that will delight music lovers.

Hamburg Stage Ensemble

The timeless art of the recital is perpetuated in the hands of present-day masters of the genre.

Yura Lee & Angus Webster

Chamber Music Society of Lincoln Center

Solo violin works continue Augustin Hadelich’s residency this season, culminating in J.S. Bach’s D minor Partita with the expressively and technically transcendent Chaconne — considered the “Everest” of violin performance. The Partita is balanced by music of Bach’s contemporary Georg Philipp Telemann, selections from Nicolò Paganini’s brilliant Caprices, and a Bach-inspired solo sonata from 1923 by the Belgian violinist Eugène Ysaÿe, the Sonata No. 5, from 1923. American composer Coleridge-Taylor Perkinson’s 1979 Blue/s Forms is a work championed by Hadelich in recital.

Augustin Hadelich in Recital

The Cathedral Church of Saint Paul

In our tumultuous modern era, the pleasures of German Baroque music offer a refined, soothing balm. Ivars Taurins conducts a program that includes Handel’s bright-hued Music for the Royal Fireworks, written for King George II to celebrate the end of the War of the Austrian Succession, as well as his stately Organ Concerto, composed for performances at Covent Garden. Telemann’s Wassermusik pays tribute to Hamburg and its river, the Elbe. Telemann portrays mythological figures like tritons and naiads before turning to the city’s “merry boat-people.” The Sinfonia in G Minor by Hasse, best known for his role in developing opera seria, stirs up a whirlwind with energetic strings.

Handel Music for the Royal Fireworks

Benaroya Hall

Chamber and orchestral music of Georg Philipp Telemann, including selections from the Paris Quartets and the suite Hamburger Ebb’ und Fluth.

Noon Concert: University Baroque Ensemble

UC Berkeley Department of Music

Composition during the "Baroque" period was characterized by enormous artistic diversity, virtuoso ornamentation, and deep emotional spirituality – in hardly any region and era is this more evident than in Thuringia in the 17th and 18th centuries, which boasted a cornucopia of musical excellence. Thuringian Baroque music developed in a landscape rich in cultural influences, ecclesiastical power, and a strong bourgeois spirit. The "small states" provided the ideal stage for musical exchange: the ducal courts and royal residences, above all Gotha, Eisenach, and Weimar, were in lively competition with one another; they pushed their court composers to ever greater heights and demanded avant-garde excellence from them.

Baroque Impulse with Midori Seiler

Ekhof Theater Gotha

On the penultimate day of summer – a matinee under the sign of the sun: with works by Telemann, Haydn, and Wolf, the program explores the light in its diverse musical refractions. As an expression of courtly splendor under the "Sun King" Louis XIV, the overture suite shone far beyond France's borders. The genre also became extremely popular in Germany, not least thanks to the work of Georg Philipp Telemann. His overture suite "La Bizarre" combines French and Italian stylistic elements in an original way. From baroque radiance to classical transparency: two string quartets from Haydn's so-called "Sun Quartets," Op. 20, form a framework. The stormy G minor quartet forms a charming contrast to the gallantly serene A major quartet, which surprises with an artfully crafted final fugue. 

Culinary Sunday Matinee No. 1

Hotel & Restaurant Schwarzer Bär

Listening to live music is a wonderful experience. In the »Klangzeit« (Sound Time) concerts, you can close your eyes and escape everyday life for a moment. In the entertaining, hour-long concerts featuring the string players of Ensemble Resonanz, you can listen in a relaxed atmosphere, express yourself, sing along to well-known songs and move freely. Here, everyone can be themselves. This makes the format particularly suitable for people with dementia and their relatives. All venues are accessible.

Klangzeit

Concerto Copenhagen meets MGK* students in an exciting project that will culminate in a joint concert!

Every year, Concerto Copenhagen, under the direction of Peter Spissky, holds an intensive workshop with classical music students from MGK, where they work on the special playing techniques and musical expressions that are prevalent in baroque music. The course concludes with a concert where students and CoCo musicians play works by Vivaldi, Handel and Rameau together.

MGK x Concerto Copenhagen

Trinity Church, Copenhagen

Stavnsholt Church

As a tribute to the Montpellier and international figure Jean-Paul Montanari, who passed away last April, the Opera Orchestra is invited to the unique setting of the Théâtre de l'Agora, in the heart of the Cité internationale de la danse, a vibrant place steeped in memory.

Parmi les étoiles

Agora Theater

Guests of this concert are invited on a journey to the Geode, Tippet Rise’s newest outdoor concert space. Designed by Arup, the Geode consists of four triangular structures – one for performers and three for audience members – that both protect from the elements and create the enveloping sonic environment of an indoor hall in the great outdoors.

Angela Chan, violin; Aubree Oliverson, violin; Hsin-Yun Huang, viola; Zlatomir Fung, cello

Tippet Rise Art Center

The formula behind Casco Phil’s annual Summer Concerts has become well-known: in an informal open-air setting, the orchestra presents a surprising repertoire, featuring an equally surprising soloist.

Summer concerts – Baroque around the World

Park Sorghvliedt

Bring a friend and join the Boise Baroque Orchestra for an outdoor evening of music and laughter. Guests are invited to bring their own picnic or pre-purchase food at Roghani's Restaurant and enjoy eating, drinking and socializing while listening to a concert on the lawn, conducted by Artistic Director Robert Franz.

Boise Baroque Summer Music Festival at the Château des Fleurs

Château des Fleurs

Bring a friend and join the Boise Baroque Orchestra for an evening of beautiful baroque music conducted by Artistic Director Robert Franz indoors at the First Presbyterian Church, 950 W. State St., Boise, ID 83702.

Boise Baroque Summer Music Festival at First Presbyterian Church

First Presbyterian Church.Boise

2025 American Bach Academy Finale

San Francisco Conservatory of Music

Late summer nights are for passion, romance, and sometimes… fiery duels. Join us for a red-hot concert of “dueling” double-concertos, inspired by the art of fencing! Highlights include J.S. Bach’s Concerto for Two Violins; René Schiffer’s thrilling Tango Concerto for Two Violas da Gamba; a colorful suite by Rameau; and Telemann’s Concerto for Flute and Recorder, with its famous Polish folk-inspired finale. AF principal players including concertmaster Alan Choo take turns stepping into the spotlight in this evening of dazzling agility.

FENCING MATCH: Round One

Rocky River Presbyterian Church

The Bath Church, United Church of Christ

Case Western Reserve University

2025 San Francisco Bach Festival Program III

Roots in the Exil – Music for the Planet II – Escape to Exile IV

Saanen Church

2025 San Francisco Bach Festival Program II

2025 San Francisco Bach Festival Program I

Matinée des Jeunes Etoiles III – Metamorphosis

Gstaad Chapel

Bergkirche Abländschen

Experience the sounds of Baroque in a concert featuring Handel’s lively Water Music and the grand Music from the Royal Fireworks performed by the Oxford Philharmonic Orchestra. Pachelbel’s timeless Canon brings serene beauty, while Telemann’s Tafelmusik delights with its charming elegance. This captivating programme transports you to the grandeur of 18th century courtly celebrations with music that is both majestic and inspiring. Enjoy a journey through Baroque splendour, where every piece evokes joy, celebration, and refinement.

Fire and Water, By Candlelight

St Martin-in-the-Fields Church, London

Baroque cello or classical sounds, intimate chamber music or orchestra? No question for the prizewinner in residence. Anastasia Kobekina has invited close friends to perform all of these together on stage for a week as part of the "Baroque with Anastasia & Friends" series.

With Bach and Vivaldi in the castle

ATR Landhandel GmbH & Co. KG

Kick-off in the manor house

Gutshaus Krüger & Krüger

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie.

Twinkle Concert XS / Elfi Baby Concert

Elbphilharmonie

The Boston Early Music Festival revives their acclaimed pairing of Telemann works in this fully staged production. Inspired by the Italian comic intermezzi, Pimpinone approaches social class and seduction with stylish slapstick and evocative humanity as the narcissistic Pimpinone is stung by the beauty and barbs of his charming chambermaid, Vespetta. The cantata Ino is a true hidden gem with a thrilling story drawn from Ovid’s Metamorphoses.

Telemann’s Pimpinone & Ino

Venetian Theater at Caramoor

Some contemporaries never meet, others remain connected for life: For example, George Frideric Handel and George Philipp Telemann first met in Halle at the beginning of the 18th century and deepened their friendship through years of correspondence. Telemann was not only a passionate letter writer, but also learned to love gardening in his adopted home of Hamburg. From London, Handel supplied the amateur gardener with rare flower bulbs. In general, the friendship blossomed magnificently: there are 117 musical ideas that Handel adopted or parodied from Telemann. The Freiburg Baroque Orchestra devotes itself to some examples of these, supplementing it with the third great composer of the time, Johann Sebastian Bach. Although Bach and Telemann did not exchange botanical gifts, they were just as close on a familial and musical level.

Freiburg Baroque Orchestra

Ludwigsburg Residential Palace

Early Music

Leipzig Opera

Esteban Batallán, the CSO’s principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn’s tempestuous Symphony No. 48 and Schubert’s Haydn-inspired Tragic Symphony.

Riccardo Muti & Esteban Batallán

Symphony Center

This varied chamber programme begins with Telemann’s Trio Sonata in B Minor, followed by Bax’s Elegiac Trio and two works by Debussy—Danse de Puck and the early Trio, both arranged by Webb.

Chamber Music with ASMF: “Chansons et Danses”

Holy Trinity Church Bengeo

Summer@SFCM: Guitar Workshop Closing Recital

Friday Concert No. 5

Volkshaus Jena

Join us for a festive evening with your music-loving friends featuring two leading artists performing a thrilling program followed by wine and sumptuous meal at the picturesque Mohawk Golf Club. All proceeds benefit our Annual Fund.

Spring Benefit Geneva Lewis, violin Jay Campbell, cello Mohawk Golf Club

Mohawk Golf Club

Music is able to create a space for inner peace, contemplation and beauty like nothing else. Experience a different concert, where the music and tones create a unified flow and a feeling of balance, peace and presence.

Meditation Concert

Randers Fritidscenter

Wednesday Concert

Messiaskirken

Gavin Gibson performs a recital of works from the baroque to the contemporary.

Student Degree Recital: Gavin Gibson B.M. horn junior recital

The Clarice Smith Performing Arts Center

Austinato

Butler School of Music - University of Texas at Austin

Experience an afternoon of chamber music performed by distinguished artists from the legendary CSO Brass section, renowned for their rich sonorities and spectacular power that define the Chicago Sound. The program features a selection of exuberant favorites, including Leonard Bernstein’s effervescent Overture to Candide and Malcolm Arnold’s virtuosic Quintet for Brass, Op. 73. Additionally, the performance will include intricate arrangements of Early Music by J.S. Bach and Georg Philipp Telemann, showcasing the versatility and depth of the brass ensemble. This event is part of the 2024/25 CSO Chamber Music Series, offering a unique opportunity to hear these masterful musicians in an intimate setting.

CSO Chamber Music at the University of Chicago

Reynolds Club

In pursuit of their degrees at SFCM, each student presents a recital that represents their artistry and craft. Student Recitals feature repertoire curated by students with guidance from their faculty instructor.

Kaiyan Xiao, viola - First Year Master's Recital

Bird sounds at the NDR family concert on March 29th, heard in Antonio Vivaldi's flute concerto "Il Gardellino" (The Goldfinch).

NDR Family Concert: All-rounder!

 Rolf-Liebermann-Studio

In bloom

Wallraf-Richartz-Museum & Fondation Corboud

Sibelius's violin concerto is now the most performed of all violin concertos from the 20th century. Yet its musical language belongs to the late 19th century, and the music is warm and lyrical, dramatic and melancholic. Sibelius, himself a violinist, possibly wrote the concerto he himself would have wanted to play – albeit on a technical level far beyond his own. In this way, the violin concerto can be seen as a farewell to the youthful dreams of a career as a violin virtuoso. It is among the more challenging in the genre, as many violinists have attested.

Sibelius and Tchaikovsky

Stockholm City Hall

When seeking out the forerunners of the influential »Mannheim School«, one often stumbles across the name of Johann Evangelist Brandl, born in Regensburg in 1760.  Even if he never actually belonged to the leading lights of the musical avant-garde, Brandl was nevertheless in close touch with prominent musicians at the Bruchsal court of the Bishop of Speyer. They helped him when the bishop was forced to flee the invading French in 1792, who finally conquered Bruchsal seven years later. Brandl’s new place of work became the Francophile court of the Grand Duke of Baden. There, until his death in 1837, he composed numerous works for his beloved bassoon – including the Quintet, Op. 63.

5th Chamber Music Evening Concert

Semperoper Dresden

When looking for the role models of the influential "Mannheim School", one often comes across the name of Johann Evangelist Brandl, born in Regensburg in 1760. Even though the Upper Palatinate native never made it to the actual Mecca of the musical avant-garde, he nevertheless made enough contacts with colleagues in the Bruchsal court of the Prince-Bishop of Speyer. They helped him when the bishop had to flee from the French in 1792, who then finally took Bruchsal seven years later. Brandl's new place of work was the Francophile court of the Grand Duke of Baden. There he composed numerous works for the bassoon, which he loved, until his death in 1837 - including the Quintet op.63.

5th Chamber Evening

Even though Bach and Telemann lived at the same time, wrote in similar genres, and knew each other – they were born in the same year and their paths crossed many times – their musical styles differ. Explore this contrast in a program that highlights why both composers remain impressive today, led by harpsichordist Steven Devine, best known for playing with the critically-acclaimed Orchestra of the Age of Enlightenment.

Bach & Telemann Together

St. Andrew's United Church

Experience the evocative sounds of "The Hunting Horn: Handel, Couperin & Bach," a captivating concert by the Portland Baroque Orchestra. This performance features a rich blend of horn, oboe, violin, and harpsichord, taking the audience on a musical journey through the European countryside. The program opens with Stölzel’s Sonata, whose simplicity beautifully captures the essence of the outdoors. As the concert progresses, the complexity of the music intensifies with compositions by Telemann and Fasch, reflecting the excitement and intensity of the hunt. These pieces pay homage to the horn’s crucial role in signaling and guiding the pursuit. The concert also includes Handel’s Suite in D Major, arranged by Andrew Clark, Couperin’s Suite from the Concerts royaux, and Bach’s Sonata for violin and harpsichord in E Minor. Under the artistic direction of Julian Perkins and featuring Andrew Clark on the horn, this performance promises a vivid and dynamic exploration of baroque music, celebrating the spirited chase and the majestic sounds of the hunt.

The Hunting Horn: Handel, Couperin & Bach

Sanctuary Hall at First Congregational UCC

Susan Conant, specializes in playing chamber music on recorders, flutes and whistles. Her musical journey spans across ages and cultures as evidenced by her three current Charleston, SC based ensembles; Spartina Consort (Early Music), Porto Seguro, (Brazilian music) and Zephyr (Celtic). She has shared her chamber music in a variety of venues and concert series including Piccolo Spoleto, the Charleston Library Society, Forte Jazz Lounge, North Charleston Arts Festival, Brazil Fest at I’on, Fripp Island Friends of Music, Northern Illinois University, Morton Arboretum, the College of Charleston, McClellanville Arts Council, and UUC Santa Fe. Conant has played with the Charleston Symphony for Harry Potter Live #3, The Christmas Revels, Charleston Pro Musica and the Taylor Festival’s Celtic Christmas. Also a composer, arranger and conductor, Conant is a former Music Director for the Unitarian Church in Charleston and for the UU Society of Geneva, IL. She has published two discs of her own chamber compositions – Lowcountry Sojourn (2013) and A New Leaf (2006). She is also recorded on the Taylor Festival Choir’s, “Sing We Now of Christmas” (2010, MSR Classics) for which she arranged the title cut. Conant’s compositions dig into her roots including English and American folk music from summers growing up at Pinewoods Camp, Early Music studies under Susan Zimmerman and classical flute at the New England Conservatory with Claude Monteaux.

Bach Brandenburgs & More

The Independent Presbyterian Church of Savannah

Handel's mastery in blending celebratory and contemplative elements into his music has stood the test of time like few others. The transitioning between moments of majesty and reflective serenity is beautifully evident in the instrumental selections from Handel’s Occasional Oratorio and his Opera Alcina.

Timeless Beauty

Carterton Events Centre

Dr John Gallagher Concert Chamber

Napier Municipal Theatre

The Regent on Broadway

Kapiti College

Sir Howard Morrison Centre

Baycourt Community & Arts Centre

Michael Fowler Centre

As early as the 18th century, composers were fighting for a European continent without national boundaries. Their music transfer affected not only singers and instrumentalists, but also styles, genres and trends. Italian violinists caused a sensation in London and Dresden, and in Hamburg people danced à la française. You can hear this in the second baroque concert of the season. The Croatian pianist Dejan Lazić and Dutch conductor Jan Willem de Vriend provide additional international flair.

Concerto. Dejan Lazić plays Bach in a baroque setting

Herrenhausen Gallery

The musicians, who are enthusiastic about Baroque music, have enjoyed playing well-known works such as the Brandenburg Concertos or Concerti Grossi by Vivaldi and Handel in their concert programs in recent years, but they also place particular emphasis on the rediscovery of music from the early Baroque period through to the early Classical period.

bochum baroque

Anneliese Brost Musikforum Ruhr

Experience an evening of captivating beauty with the Portland Baroque Orchestra's "D’amore" concert, featuring the exquisite talents of guest director and oboist Debra Nagy. Renowned for her consummate taste and expressivity, Nagy leads a program that celebrates the enchanting fusion of the oboe d’amore and viola d’amore. This unique combination, praised by Leopold Mozart for its especially charming sound in the stillness of the evening, promises to deliver an ethereal auditory experience.

The program includes Antonio Vivaldi's Concerto for viola d’amore in A Major, RV 396, Johann Sebastian Bach's Concerto for oboe d’amore in A Major, BWV 1055R, and Georg Philipp Telemann's Concerto for viola d’amore, oboe d’amore, and flute in E Major, TWV 53:E1. Each piece showcases the distinct, rich resonance of the viola d’amore and the enchanting tones of the oboe d’amore, creating a profound emotional journey for the audience.

Join the Portland Baroque Orchestra for an evening where the delicate interplay of these rare instruments brings to life the works of Baroque masters, offering a deeply moving and memorable musical experience.

D’amore

Reed College

"The most perfect in terms of the whole is the opera orchestra of the Polish king in Dresden" - When the arts were in full bloom at the court of Augustus the Strong and the celebration of the century was approaching with the wedding of his only legitimate son, Frederick Augustus, the best virtuosos were hired from all over Europe. For this event and the "orchestra di Dresda", the great composers of the time outdid each other with new works that still fascinate today.

ThroughOneAnother

Volkspark Friedrichshain

Historical Performance Concerto Competition Winners' Concert

Beethoven was drawn to characters, fictional or real, who dared to stand up against injustices. Egmont in Goethe's drama of the same name was one such fictional but clear role model for Beethoven. In the overture, he encapsulates the drama, from the slow introduction through tragedy to a triumphant conclusion. The orchestra is led by the young and increasingly renowned Czech conductor Jirí Rozen, making his debut with the Royal Stockholm Philharmonic Orchestra.

Bruch Violin Concerto No. 1

An exciting journey of discovering the wide-ranging world of the Baroque era: the programme features a hand-picked selection of chamber music from the 17th and 18th centuries, some of which are rarely heard works filled with virtuosity, colours and melodic expression. And there is a marvellous foray into some of the European courts of this era. The influence of the Dresden court lutenist Sylvius Leopold Weiss, for example, reached far beyond Saxony: Wilhelmine, the music-loving Margravine of Bayreuth, also arranged for his harmonious compositions to be performed in her palace. When Telemann presented his series of quartets at the royal court in Versailles, the musical world there was at his feet – as the elegant and engaging dance movements were his fervent homage to the most elegant court in Europe at the time. It was said of Karl Kohaut that he was a »must-hear« when visiting Vienna. He was regarded as a gifted player of the lute in Haydn’s circle, but also composed himself – often with a preference for folk idioms. Michel Lambert was not only famous as a singer in the Parisian salons in the age of Louis XIV, but was also widely popular for his marvellous melodies, which were published widely as instrumental works. At the end of the Baroque picture book, we hear wonderful variations on the »Follia« tune, a stirring dance in triple metre that was a popular hit in Europe at that time: it was performed constantly in the streets, whether sung, whistled or stomped. Vivaldi’s magnificent version is a true showdown between the instruments.

Chamber concert: strings flute baroque lute

Bamberg Concert Hall

»Music should touch the heart!« Giovanni Antonini is a phenomenal artist who succeeds in realising this credo of 18th century composers. The Italian conductor likes to indulge in the emotional worlds that the works tell us about, immersing himself in the effects and emotions. A musician who has his own language in the midst of all the performers, whose signature is unmistakable and who breathes a lot of fresh air. His energy is truly infectious – and when asked where he gets it from, he once replied in an interview: »I get it from the music. Even after a concert, which was exhausting and tiring, I’m always tired in a positive sense, that’s the difference. And so on the day after, I’m ready for a new musical adventure. And of course there is also my great love for music!« However, he is not only a fiery spirit, but also a sharp-witted analyst. He is particularly well-known for his innovative and sophisticated approaches to the baroque and classical repertoire – and we love to regularly and intensively explore this historical approach with him. This time he takes us into Mozart's adventure world: his last two symphonies are on the programme. In between, there is another »musical adventure«, which Giovanni Antonini has rarely done recently, but which he is happy to do with us: as an accomplished recorder player, he himself takes on the solo part in Telemann’s original instrumental concerto. Our audience is in for a wonderful musical stroll through the colours and temperaments of the 18th century – where the point was always to »delight the connoisseurs and lovers of music«.

Giovanni Antonini

Guest in Weikersheim

Tauberphilharmonie Weikersheim

The shepherds play an important role in Polish Christmas tales and songs, the Kolenden. They symbolize the simplicity, laughter and faith of the people who worship the baby Jesus: » Let’s all go to the stable!  « says one of the most beautiful Polish Christmas carols, which really makes your legs twitch and you can feel the shepherds running off together in their great joy. » Hej, Kolenda!  « is the motto of our Christmas concert, the centerpiece of which is a nativity play set to music. Some of the most popular kolendas are played, including the famous » Luleise, Jesulein «, which was sung to Frédéric Chopin by his mother.

Hey Kolenda!

Kreuzkirche Bonn

The culinary Sunday matinees combine chamber music and culinary delights at the highest level and delight music lovers and gourmets alike. On the 3rd Advent, enjoy an hour of pre-Christmas vocal and instrumental music in the pleasant atmosphere of the Hall of Mirrors in the Hotel Schwarzer Bär, including by the great baroque composers Georg Philipp Telemann, Georg Friedrich Händel and Johann Sebastian Bach, performed by musicians from the Jena Philharmonic and guest artists. Following the musical experience, an exquisite 3-course menu, specially created for this occasion, awaits you in the banquet hall. Make your Sunday something very special. Let yourself be pampered by the culinary creations and enjoy the harmonious combination of music and gastronomy.

Culinary Sunday Matinee № 3 • SOLD OUT

Hotel Schwarzer Bär

Experience the grandeur of Baroque music like never before at the Chamber Music Society of Lincoln Center's "Baroque Organ" concert. This exceptional event, set to take place on Sunday and Tuesday, December 8 & 10, 2024, at the prestigious Alice Tully Hall, promises an unforgettable auditory journey through the works of eight Baroque masters.

For two hours, including an intermission, attendees will be treated to a rare opportunity to hear Alice Tully Hall’s magnificent 4,200-pipe organ. This lush and powerful instrument will serve as the centerpiece in a program meticulously curated to showcase its grandiosity. Nine extraordinary artists, including renowned organist Paolo Bordignon, will perform a selection of transcriptions by Bach himself, organ solos featuring a French holiday carol, and more, bringing the rich textures and intricate harmonies of the Baroque era to life.

The program features a diverse range of compositions, from Alessandro Scarlatti's "Three Arias for Trumpet, Oboe, and Organ" to George Frideric Handel's "Concerto in A major for Organ, HWV 307, Op. 7, No. 2". Each piece has been carefully selected to highlight the unique capabilities of the organ, as well as the virtuosity of the performers.

In addition to Bordignon, the concert will feature performances by violinists Benjamin Beilman and Alexander Sitkovetsky, violist Matthew Lipman, cellist Keith Robinson, double bassist Edgar Meyer, oboists James Austin Smith and Juri Vallentin, and trumpeter David Washburn. These acclaimed musicians, each with their own impressive career and contributions to the world of classical music, will come together to create an evening of unparalleled musical excellence.

Located at 1941 Broadway at W 65th St, New York, NY 10023, Alice Tully Hall provides the perfect setting for this musical feast. Its acoustics and intimate atmosphere ensure that every note of the Baroque organ and the ensemble's performance is experienced in its fullest beauty.

Tickets for this not-to-be-missed event are not yet on sale but keep an eye out for their release. This concert is a celebration of Baroque music's enduring beauty and the remarkable talents of today's classical musicians. Join us for an evening that promises to be both enlightening and enchanting, a true testament to the timeless appeal of Baroque music.

Baroque Organ

Lincoln Center

Concert 3

KUMC Student Center

Bach heralds the holidays. The Orchestral Suite No. 3 gleams with the sound of trumpets and drums, while the Sinfonia from Christmas Oratorio captures a quiet pastoral beauty. Two SLSO musicians take center stage for concertos: Alejandro Valdepeñas on viola and Ann Choomack on piccolo. Start your December with Baroque splendor in the warmth of Washington University’s distinctive Art Deco building.

Georg Philipp Telemann

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Past events

Dec 16, 2025

Museum Concert: Ensemble Astrum And there was · Internationale Stiftung Mozarteum

Dec 14, 2025

Museum Concert III · Staatskapelle Berlin

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