Composer

Sound Designer

Eminent American composer John Adams returns to the Met after a decade-long hiatus for the company premiere of his acclaimed opera-oratorio, which incorporates sacred and secular texts in English, Spanish, and Latin, from biblical times to the present day, in an extraordinarily dramatic retelling of the Nativity. El Niño brings together three of contemporary opera’s fiercest champions, all of whom make highly anticipated company debuts: Marin Alsop, one of the great conductors of our time, who has led more than 200 new-music premieres; soprano Julia Bullock, a leading voice on and off stage; and pathbreaking bass-baritone Davóne Tines. Radiant mezzo-sopranos J’Nai Bridges and Daniela Mack take turns completing the principal trio. The moving, fully-staged new production also marks the Met debut of Lileana Blain-Cruz, resident director at Lincoln Center Theater, who received universal acclaim for her Tony-nominated 2022 production of The Skin of Our Teeth.

EPSG:4326

El Niño

Lincoln Center

For more than 400 years, the Black American spiritual tradition has moved over, across, and through the waters—waters of life force, passage, cleansing, resistance, and renewal—depicted in such songs and verses as “Wade in the Water,” “Deep River,” “Crossing Jordan,” and “By the Waters of Babylon.”

The power of water and its spiritual dimensions equally resonates in the beautiful, sacred texts of Bach’s cantatas. Infused with poetry, Bach’s music sounds and speaks to every drop of water, in drought and in full flood, moving and alive.

Shall We Gather at the River

Park Avenue Armory

The vibrant and eclectic style of Pulitzer Prize-winning composer John Adams is paired with biblical verse, modern Spanish-language poetry, and more in this contemporary take on the Christmas story, uniquely told from a mother’s point of view. Experience the power of this spellbinding masterpiece, which in Adams’s words explores “what is meant by a miracle.”

Adams’s El Niño

Jones Hall

The Comet / Poppea brings together seemingly disparate worlds connected by stories of cultural transformation. The work juxtaposes Claudio Monteverdi’s L’incoronazione di Poppea (The Coronation of Poppea), an Italian opera from 1643 unfolding among the social divisions of ancient Rome; and the world premiere of The Comet, based on the 1924 science-fiction short story by sociologist and Pan-Africanist civil rights activist W.E.B. Du Bois. Set in 1920s New York City, “The Comet” depicts a Black man and white woman as the only survivors after a comet hits Earth.

The Comet / Poppea

Museum of Contemporary Art

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Mark Grey

Composer, Sound Designer

Events

Apr 23 - May 17, 2024

El Niño · The Metropolitan Opera

May 21, 2024

Shall We Gather at the River · Park Avenue Armory

25 - 26 May, 2024

Adams’s El Niño · Houston Symphony

14 - 23 Jun, 2024

The Comet / Poppea · The Industry

May 12 - Jun 7, 2025

Antony and Cleopatra · The Metropolitan Opera

About

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