Continuing our Mozart Festival, enjoy works by two peers: Joseph Bologne’s jaunty Symphony No. 2 and Maria Theresia von Paradis’s Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell’arte form. Mozart’s five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery “Haffner” Symphony, honoring a former Salzburg patron, is bold and regal.

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Mozart’s Violin

Kleinhans Music Hall

Join “the country’s favourite violinist”, Nicola Benedetti, for a unique and personal concert, and her first solo headline appearance at the Royal Albert Hall in over a decade.

Nicola Benedetti

Royal Albert Hall

For a long time, women composers had a hard time; they were mostly ignored in their time and throughout history. But women have composed with strength and talent at many times. In this concert, you can experience some of them, with their rich music and their creative work. You may still know Clara Schumann, Lili Boulanger and Rebecca Clark, but it is a different story with Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century. The Frenchwoman Mélanie Bonis, whose works were mostly published in the 19th century under the pseudonym Mel Bonis, is also hardly known in this country, as is the Austrian pianist, singer and composer Maria Theresia von Paradis, who was blind since childhood and was also very prominent in the musical life of her time, the Viennese Classical period. In this concert you can get to know them all, as well as Emilie Mayer, a German composer of the 19th century who was also highly celebrated during her lifetime and was widely regarded as the "female Beethoven".

Women Power

Bertramstraße 8

Female composers have had a hard time for a long time, and have been largely ignored by history. This year's chamber concert by the hr Symphony Orchestra in Erbach will feature some of them, with their rich music and creative work. Clara Schumann, Lili Boulanger and Rebecca Clark will be familiar, but Isabella Leonarda, an Italian nun from the 17th century who was one of the most productive composers of her era, or Marie Jaëll, a French pianist and composer from the 19th century, is not. The Frenchwoman Mélanie Bonis, whose works were mostly published under the pseudonym Mel Bonis in the 19th century, is also hardly known in this country, as is the Austrian Maria Theresia von Paradis, who was blind since childhood and was very prominent in the musical life of her time, the Viennese Classical period, as a pianist, singer and composer. In this concert you can get to know them all, as well as Emilie Mayer, a 19th-century German composer who was celebrated during her lifetime as the "female Beethoven".

Werner-Borchers-Halle

Female composers have long faced challenges, largely ignored by history. This year's chamber concert by the hr-Symphony Orchestra in Erbach offers the opportunity to experience several of them, showcasing their rich music and creative output. Clara Schumann, Lili Boulanger, and Rebecca Clarke are still familiar figures, but the same cannot be said for Isabella Leonarda, a 17th-century Italian nun who was among the most prolific composers of her era, or Marie Jaëll, a 19th-century French pianist and composer. The French composer Mélanie Bonis, whose works were mostly published under the pseudonym Mel Bonis in the 19th century, is also largely unknown in Germany, as is the Austrian Maria Theresia von Paradis, who was blind from childhood and a prominent figure in the Viennese Classical music scene as a pianist, singer, and composer. In this concert you can get to know them all, including Emilie Mayer, a 19th-century German composer who was celebrated during her lifetime as the "female Beethoven".

The magic of Mahler’s Fourth lies in its ability to transport listeners to a world that is both ethereal and familiar. It is a musical depiction of heaven seen through the eyes of a child, voiced by our exquisite Spotlight Artist Anna Prohaska, who also shimmers in works by Mozart and Haydn.

Mahler’s Fourth

David Pecaut Square

Pre-College Studio Recital: Eric Sung, cello

San Francisco Conservatory of Music

The BSO Benevolent Fund is a charity run by the musicians for the musicians. It was set up in 1958 to provide financial support for musicians in cases of prolonged and/or serious illness or injury. From the start it has been successful in meeting these aims with the very generous support of those who have contributed. The main source of income is the annual Benevolent Fund Concert at which all the musicians give freely of their services, as have many conductors and soloists who have featured in these concerts over the years. The Fund also embraces members when they retire, and by keeping in touch with them at Christmas it helps to maintain a link with old colleagues.

BSO Benevolent Fund

Christchurch Priory

Women of Notes

560 Music Center

Departmental Recitals showcase performance departments through its students. Featuring various students and repertoire, and curated by the faculty, performances in this recital highlight SFCM programs and the wide range of study. 

SFCM Baroque Ensemble

The South Korean conductor Eun Sun Kim makes her debut at Berwaldhallen with the Swedish Radio Symphony Orchestra, alongside the Polish pianist Piotr Anderszewski, performing Wolfgang Amadeus Mozart's Piano Concerto No. 24 in C minor, one of only two piano concertos he wrote in a minor key. The concert begins with the overture to Austrian composer Maria Theresia von Paradis' comic opera Der Schulkandidat (The School Candidate).

Mozart, Korngold & von Paradis

Berwaldhallen

Offering music that evokes strength, resilience, and triumph, this concert leaves a lasting impression. Two stars of the classical music world make their debuts: Eun Sun Kim, San Francisco Opera Music Director, conducts Strauss’s Ein Heldenleben ("A Hero’s Life"), and pianist Javier Perianes brings rich tone and expressiveness to Schumann's impassioned Piano Concerto.

A Hero's Journey: Schumann & Strauss

Joseph Meyerhoff Symphony Hall

"I would like to write you a violin concerto," wrote the composer Felix Mendelssohn to his friend, the star violinist Ferdinand David. "I have one in E minor in my head, and the beginning will not leave me alone." And the opening of Mendelssohn's Violin Concerto is among classical music's most iconic, stormy and passionate, with the solo violin in the role of the ultimate romantic hero. Here, it is the DR Symphony Orchestra's 1st concertmaster Soo-Jin Hong who is allowed to be the soloist with his own orchestra.

Maria Theresia von Paradis

Events

Upcoming events

20 - 21 Feb, 2026

Mozart, Korngold & von Paradis · Swedish Radio Symphony Orchestra

26 - 28 Mar, 2026

A Hero's Journey: Schumann & Strauss · Baltimore Symphony Orchestra

9 - 11 Apr, 2026

Eun Sun Kim & Dvorak's 8th. · Danish National Symphony Orchestra

Past events

24 - 25 Jan, 2026

Mozart’s Violin · Buffalo Philharmonic Orchestra

Nov 27, 2025

Nicola Benedetti · Royal Albert Hall

About

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