Composer

EPSG:4326

75th ARD International Music Competition

Munich Residence

Heartful Concert in 2026

Ikebukuro Nishi-guchi Park

This seminal opera was premiered in April 1826 at Covent Garden Theatre with Weber conducting. Weeks later the composer died of tuberculosis, at the age of just 39, leaving an operatic legacy – Der Freischütz, Euryanthe, and finally Oberon – that shaped the future of German Romantic opera.

Oberon is a work of magic and chivalry: enchanted horns, glittering fairy choruses, ocean storms and ardent love duets combining in a narrative that leaps from Bordeaux to Baghdad. Encompassing this fanciful plot is a score of radiant beauty: presaging Wagner and his leitmotif whilst drawing on wide-ranging traditions – the German Singspiel of Mozart, the English semi-opera of Purcell, and Weber’s longstanding interest in the music of non-Western cultures.

With a distinguished cast, newly-commissioned narration, and dramatic concert staging, the Monteverdi Choir and Orchestre Révolutionnaire et Romantique will illuminate anew this English-language cornerstone of Romantic opera, two centuries after its London premiere.

Weber: Oberon

Royal Albert Hall

In a village community that holds firm to archaic customs, the young hunter Max must pass a marksmanship test so he may marry his sweetheart, Agathe. Of all times now when his shooting has been very much below par! Carl Maria von Weber and his librettist Friedrich Kind fluctuate between ghost story, fairy tale, fortune play and interplay between heaven and hell. The plot centres around a diabolical ritual in the “Wolf's Glen”, where a pact is made with Samiel to cast magic bullets that never miss their target. Its composer declared that the opera was celebrated by its world premiere audience in Berlin in 1821 with the, “most incredible enthusiasm”. In the decades that followed, the piece, at the time considered nature-oriented and traditional-romantic, swiftly became one of the most performed operas on German stages. And little wonder it was: In an age with a popular yearning for cultural, national identification opportunities, Der Freischütz offered a projection surface for an ideal community. So what about this opera appeals to director Dmitri Tcherniakov today?

Der Freischütz

Max-Joseph-Platz

Best known for the stabbing strings of Psycho, Bernard Herrmann’s Souvenirs de Voyage sounds like the soundtrack to an epic romance, full of yearning.

Cocktail Hour with Alexander Morris

Sydney Opera House

Principal Bass Clarinet Alexander Morris presents two very different works that showcase the expressive range of the clarinet.

Sydney Symphony Vanguard Farewell

Yannick Nézet-Séguin conducts the Chamber Orchestra of Europe – an ensemble with a special history. Founded in 1981 by young musicians who had met in the EU Youth Orchestra, the ensemble is still democratically organized today. Claudio Abbado was the most important mentor from the very beginning. Today, the Chamber Orchestra of Europe is one of Europe's leading chamber orchestras.

Yannick Nézet-Séguin

Festspielhaus Baden-Baden

The turning point was the failed revolution of 1848–49: before, music was forward-looking, young, like spring; after, it became bombastic, supporting the state. No wonder Yannick Nézet-Séguin always turns to early Romanticism like to a secret, first love. Listen to your inner revolutionary with Schubert, Weber, and Mendelssohn – it's so refreshing!

Radek Baborák returns to Frankfurt (Oder) in his dual role as conductor and soloist. During the 2023/24 season, we hosted this top-class horn player as our regular "Artist in Residence." Radek Baborák has performed with the world's most established orchestras. He has also worked with renowned conductors such as Daniel Barenboim, Sir Simon Rattle, Neeme Järvi, James Levine, and Vladimir Askhenazy. His concerts have been broadcast by Europe's major television and radio stations. He has also achieved worldwide recognition with dozens of CD recordings (including those with EMI) and the opening concert of the Nagano Olympic Games.

6. Classical Music on Sunday

Exhibition Hall 4

Every instrument has its own color, every instrument has its own character. But which of the many instruments can laugh and cry, sob and rejoice - and thus comes very close to the human voice? Also Phili, our curious meerkat, has asked herself this and has taken a very close look in the orchestra cellar. She guesses the clarinet. I wonder if that's true? And how do you even play it? And what does this Carl Maria von Weber have to do with it, who spent many years in the summer in Dresden-Hosterwitz? Questions, all questions - to which Malte will surely find good answers.

phil to explore ...with the romantic clarinet

Palace of Culture

Contemporary composers often struggle to become known to a wider audience. This is different for Jörg Widmann. Not only is he a celebrated clarinetist, but also perhaps the most performed living German composer. His "Con brio" is a captivating concert overture that captivates from the first second. With incredible dynamics and precise rhythm, Widmann unleashes a musical fireworks display. The virtuosity of the orchestra is also put to the test. On the other hand, Carl Maria von Weber's Clarinet Concerto No. 1 in F minor is a masterpiece of Romanticism. The soloist becomes a storyteller here: especially the lyrically beautiful Adagio touches the soul... Weber's music impressively shows why the clarinet is one of the most expressive instruments. Ludwig van Beethoven's Fifth Symphony with its "Fate motif" - that compelling ta-ta-ta-taaa - is known to everyone, and yet it impresses anew every time. From the dark beginnings to the triumphant finale, Beethoven tells of struggle, hope, and victory. This symphony is a milestone in music history and an overwhelming final chord for this special concert evening.

Beethoven 5

Andrew Guo, clarinet

Northwestern Bienen School of Music

8th Chamber Music Concert in the Vienna State Opera

Vienna State Opera

Jimin Lee, Viola

The Juilliard School

Attention Dvořák fans: After the Fifth Symphony in the fifth symphony concert, here follows his Seventh – perhaps the most serious, but possibly also the most deeply moving, by the Bohemian musician, who over time conquered Europe and the USA. But those who focus only on this classic can easily overlook the others in this concert. Annabel Hauk, born in Frankfurt am Main in 1999, plays cello in Robert Schumann's A minor Concerto, which offers the solo instrument a pleasing amount of scope for elegiac expression and, as one of the first works from his Düsseldorf period, still exudes a great deal of joie de vivre. It is only fitting that chief conductor Nicholas Milton opens the morning with Weber's Freischütz Overture, as it is equally rich in color.

Mystical

PS Speicher

Stadthalle Osterode am Harz

Stadthalle Göttingen

Emanuel Blumin-Sint is a rising star in the classical music world. The 20-year-old bassoonist has already given solo performances at New York's Carnegie Hall and the Elbphilharmonie. He has collaborated with Sir Simon Rattle and won more than a dozen first prizes in competitions. In 2024, he was awarded the Fanny Mendelssohn Förderpreis, which enabled him to create his debut album, "Leading Bassoon." This record clearly shows that Emanuel Blumin-Sint is on a mission. He wants to bring the bassoon to create a new image, bringing the sonic diversity offered by his instrument closer to the audience. In this "Classics on Sunday – Extra," he plays three of his most beautiful declarations of love for his instrument. Mozart's Bassoon Concerto is a poetic reverie tailor-made for the warm, singing tone of the bassoon. And Rossini beautifully combines the bassoon's soft tone with lightness and Italian flair.

Bassoon Concerts – Classical on Sunday Extra

The Romantics

The Salvation Army Scarborough Citadel Community Church

Edward Lee, Viola

Join us as we journey from the origins of musical classicism to the opening salvo of the Romantic era. Following CPE Bach’s energetic Symphony in B-flat Major, we showcase LA Phil cellist David Garrett in Hadyn’s beloved Cello Concerto in D Major. The program continues with Schubert’s sparkling Symphony No. 5 and Carl Maria von Weber’s landmark “Invitation to the Dance,” a piece historian John Warrack called “the first and still perhaps most brilliant and poetic example of the Romantic concert waltz.”

David Garrett, Haydn, and “A Classical Journey”

St. Matthew's Music Guild

"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports.

The Marksman

Hamburg State Opera

360° No. 4 (2026)

Volkshaus Jena

This concert program features three masterpieces that impressively reflect the diversity of the Romantic era. The program opens with Carl Maria von Weber's Symphony No. 1, which combines both vitality and melodic beauty. Richard Strauss's symphonic poem "Don Juan" transports the audience into a passionate world of heroic myth. The concert concludes with Antonín Dvořák's Symphony No. 7, an emotionally intense work that impressively reflects the expressive power of the Romantic era. Sebastian Weigle, General Music Director of the Frankfurt Opera from 2008 to 2023, leads the Graz Philharmonic through this fascinating program.

4th Music Association Concert

Stefaniensaal

"Man only plays when he is in the full sense of the word a human being, and he is only fully a human being when he plays." These famous words come from Friedrich Schiller, and the program under the direction of our honorary conductor Christoph Eschenbach inspires us to many musical flourishes – with our wind players repeatedly shining through with their playful spirit. And the instrumental pieces hit the mark perfectly, for example in the overture from Weber's opera "Der Freischütz" from 1821: Here, bullets cursed by demonic powers decide the love life of a young hunter in a competition – but "the whole thing ends joyfully," as the composer noted. Afterwards, together with our solo horn player Andreas Kreuzhuber, we perform a fascinating concerto by Reinhold Glière: Although this virtuoso piece was composed in 1950, it is entirely imbued with a romantic spirit.

Christoph Eschenbach, Andreas Kreuzhuber

Bamberger Symphoniker

The season closes with sweeping emotion and unequivocal beauty. From Schubert’s wistful “Unfinished” Symphony to Brahms’ thunderous piano concerto, performed by the incomparable Robert Conway, this concert is a journey through depths of Romantic expression.

Genius Unfurled

Imperial Theatre

Boardwalk Theater

Experience an evening of profound musical depth with "Stirring Emotions." The concert begins with Samuel Barber's hauntingly beautiful Adagio for Strings, a work that has become a poignant anthem of mourning and introspection, resonating with listeners worldwide.

Stirring Emotions

Eglinton St. George's United Church

Visiting Innsbruck

Congress Innsbruck

Up-and-coming Colburn School artists Martha Chan, Andrea Caputo, and Chi-Jo Lee come together for a stunning evening of flute, clarinet, and piano. Featuring Debussy’s Première rhapsodie, Weber’s Grand duo in Concertant, Shostakovich’s Four Waltzes, and more!

Colburn Concerts: Trio Aeris

Boston Court Pasadena

In 2026—200 years following the death of Carl Maria von Weber, a decisive figure in the development of German opera in the Romantic period—the American Symphony Orchestra takes on the composer’s seminal opera Der Freischütz (1821), performed with a twist: in place of the original opera, the ASO presents Hector Berlioz’s version of the work, arranged for the Paris Opera in 1841.

Weber & Berlioz: Der Freischütz Reimagined

Carnegie Hall

In the 18th century, Central European composers such as Wolfgang Amadeus Mozart invented sounds intended to evoke associations with "Turkish music"—for example, in his opera The Abduction from the Seraglio , which premieres at the Staatsoper Unter den Linden in June 2026. In addition to Mozart's Prague Symphony , Tim Fluch will also conduct the orchestral work "Effaced Figures" by Istanbul-born Ege Gür, who was awarded the European Composition Prize in Berlin in 2024 and whose works combine influences of 20th-century music with the traditions of classical Turkish music. Carl Maria von Weber's Clarinet Concerto No. 2 is also on the program.

Concert in the Pierre Boulez Hall II

Pierre Boulez Saal

With our "Artist in Residence," Alexander Krichel, we perform one of the greatest piano works of all time: Beethoven's Piano Concerto No. 5 in E-flat major. The way Beethoven allows soloist and orchestra to interact, the way he lets one lead at times, the other at times, the way the piano and orchestra meld together, and the way he creates dream worlds with distant keys, is the work of a genius. No wonder Beethoven's Piano Concerto No. 5 was a revelation for Robert Schumann, Brahms, Chopin, Liszt, Tchaikovsky, and Rachmaninoff.

5. Classical Music on Sunday

Kleist Forum

Benjamin Faden is a violist from Iowa City, Iowa, and a senior at WashU. Ben began his musical career at five years old at the Preucil School of Music, playing the violin. In eighth grade, seeking more excitement in his classical journey, he chose to switch to an objectively richer and more beautiful instrument: the viola. He has loved it ever since. After learning from a violin teacher throughout high school, it was not until college that he first began playing proper viola repertoire. This recital is the culmination of all that he has learned.

Benjamin Faden, Senior Minor Recital, viola

560 Music Center

A whole world

Bochumer Symphoniker

Raphael Attila Vogl demonstrates the diverse sounds of the organ in a program that brings works from Bach to Bruckner to life through impressive transcriptions. The opening piece is Carl Maria von Weber's Overture to "Der Freischütz," which surprises with dramatic contrasts and a romantic sound ideal - in the version for organ, it unfolds with an almost orchestral force. Johann Sebastian Bach's Third Brandenburg Concerto in G major, originally intended for strings, becomes a virtuosic challenge in the organ transcription, emphasizing the clarity and brilliance of the Baroque period. With an excerpt from Max Reger's String Quartet in E-flat major, Vogl adds a chamber music touch that preserves the sonic intimacy of the original while exploring the vastness of the instrument. The conclusion is the finale from Anton Bruckner's Symphony No. 8 - a monumental work whose transcendent power gains even more grandeur in the organ arrangement. Invited by the Dresden Philharmonic.

Bach Reger Bruckner

Brahms Double Concerto

Merrill Auditorium

Thursday Concert No. 8 »Between Worlds«

Dvořák’s goal for his Symphony No. 7, here conducted by Andrés Orozco-Estrada, was to surpass all of his previous efforts. Grand, gloomy, and dramatic, it contains few of the Slavic folk–derived, nationalistic elements associated with the composer. The influence of Brahms—particularly his recent Third Symphony, which impressed Dvořák as the finest symphony ever written—permeates the four movements. Mozart’s exuberant and expressive Piano Concerto No. 9 represented a great leap forward in ambition and achievement alike. The young Canadian soloist Jan Lisiecki interprets what legendary pianist Alfred Brendel called “one of the greatest wonders of the world.”

Orozco-Estrada Conducts Dvořák 7

Davies Symphony Hall

He was the legendary seducer—and ultimately ended up in hell: Don Giovanni in Wolfgang Amadeus Mozart's version, Don Juan in the ancient Spanish legend, and in Nikolaus Lenau's work, which inspired Richard Strauss's tone poem . Both works offer a captivating auditory experience, as does Henze's overture to a theater. Carl Maria von Weber's favorite instrument was the clarinet, perhaps also because he was commissioned by the Bavarian King Maximilian I to write his Concerto No. 1. While widely performed internationally, it remains (for now?) a hidden gem in Vienna.

MUK.sinfonieorchester | Don Giovanni & Don Juan

Wiener Konzerthaus

Liszt’s piano concertos challenge even the most virtuosic pianists, and his passionate Second is no exception, traversing the keyboard with knuckle-cramping, breakneck passages that render the player’s hands a blur. Canadian pianist Marc-André Hamelin, a “marvelous, moving” artist (The New York Times) whose “technical finesse borders on the supernatural” (The Seattle Times), is more than equal to the challenge. Buckle up for a wild ride in this virtuoso display! 

Liszt’s Piano Fireworks

Kimmel Center for the Performing Arts

Under Anthony Parnther, this program highlights voices of change as composer James Lee III channels Coretta Scott King in a new work featuring Angela Brown. ISO Principal Viola Yu Jin performs Chen Yi’s Xian shi, and Beethoven’s uplifting Symphony No. 8 closes this unique program.

Beethoven's 8th Symphony

Hilbert Circle Theatre

The horn held a high status in the Romantic era. It was the instrument whose distinctive sound symbolized nature, the forest, and freedom. The German Hornsound ensemble will perform a full horn quartet in this school concert, playing Robert Schumann's Konzertstück for four horns and orchestra. The forest also plays a central role in the Romantic opera "Der Freischütz," whose overture will be heard in this concert.

In The Forest, There Are The Horns

BASF-Feierabendhaus

Guest Concert

An evening between eras, styles and masterpieces: Conductor Howard Arman, well known to the Halle audience through the reorganization of the Handel Festival Orchestra in 1993 and celebrated guest of the Staatskapelle – most recently in the New Year's Eve concert in 2023 – leads through a sonic journey of a special kind.

5th Symphony Concert

Georg-Friedrich-Händel-Halle

Seven times this season, members of the Mainz Philharmonic State Orchestra and guests will perform Sunday matinees in the foyer of the Grand Hall. Here, various ensembles cultivate the rich genre of chamber music and present works of their own choosing – from great classics to rare chamber music works.

Sunday matinee in February

Staatstheater Mainz

Robert Schumann’s joyous First Symphony, written after his marriage to Clara Wieck, captures the optimism of spring. Philippe Herreweghe, a devoted admirer of Schumann’s music, brings this vitality to life. Contrasting in mood is Mozart’s Piano Concerto No. 24, performed by French pianist Bertrand Chamayou. This introspective masterpiece, where the orchestra becomes an equal partner in the musical drama, deeply influenced Beethoven’s own work. With these historic highlights, the Antwerp Symphony Orchestra treats its Brussels audience to an evening of timeless brilliance.

Philippe Herreweghe and Bertrand Chamayou

BOZAR

KU Wind Ensemble & Wind Symphony Concert

University of Kansas

That's what you call fate: While the bassoon is featured prominently as a soloist in many symphonies and operas, explicit solo concertos for this particularly dark woodwind instrument are rare. Carl Maria von Weber, the composer of the rather dark opera "Der Freischütz," wrote a bassoon concerto in 1811: an ideal playing field for the French bassoonist Marceau Lefèvre. The Italian conductor and pianist Vanessa Benelli Mosell frames Weber's rarely heard gem with timeless works: Wagner's Ringfarbige Musik der Freude über seinen neuen Sohn Siegfried (Ring-colored Music of Joy over His Newborn Son Siegfried), and Schubert's arguably best-known and unfinished symphony, whose two movements are among the finest of the entire 19th century.

Unfinished

Sometimes gently swaying, sometimes wildly stomping – this is how the successive waltzes in Carl Maria von Weber's "Invitation to the Dance" sound. With this piece, originally composed for piano, Weber created a depiction of the intoxicating love of dance of his time in 1819. The Spanish composer Manuel de Falla – the music world will celebrate his 150th birthday in 2026 – was so fascinated by a performance of the "Ballets Russes" in Paris that he wanted to create music for a ballet himself. Inspired by the dancer Pastore Imperio from his homeland, de Falla studied the tradition of Andalusian flamenco and the singing style of "cante jondo" and, on this basis, wrote the ballet "El amor brujo" (The Love Spell) for voice and orchestra in the winter of 1914/15, from which he transformed a year later into a symphonic suite with voice. The solo part is played by Ieva Prudnikovaite, who is currently delighting audiences as Carmen at the Lübeck Theater.

5th  Symphony Concert

Music and Congress Hall Lübeck

An evening that invokes the spirit of Romanticism: the overture to »Der Freischütz« introduces a key work from the era, whose magic spell was cast early in the Dresden career of Carl Maria von Weber. Robert Schumann’s Piano Concerto in A minor combines poetic expression with formal clarity. First performed in Dresden in December 1845, the work sees the piano and orchestra enter into a lively dialogue. The programme concludes with Mendelssohn’s »Scottish« symphony, an atmospheric piece permeated by a sense of vastness, melancholy and hymn-like power. Drawing inspiration from a visit to Edinburgh’s Holyrood Palace in 1829, the young composer did not complete the symphony until twelve years later.

Special concert with Myung-Whun Chung

Celebrated American conductor Jonathon Heyward returns in a program featuring the all-star Kanneh-Mason siblings in Beethoven’s rarely performed Triple Concerto, effectively a concerto for piano trio and orchestra. Mendelssohn’s “Italian” Symphony takes inspiration from the composer’s travels in Italy, reflecting the sunny countryside, imposing architecture, and spirited local dances.

Beethoven's Triple Concerto

Detroit Symphony Orchestra

Celebrate the arrival of the New Year in true Viennese style with Welsh National Opera’s toe-tapping take on the world-famous New Year’s Concert in Vienna. WNO Orchestra will fill the air with a delightful selection of waltzes, polkas, and dances to lift the spirits and welcome the year ahead in style.

WNO Orchestra: A New Year’s Celebration

Bute Park

Celebrate the New Year with Legacy of a Titan, a program tracing Beethoven’s enduring influence. Featuring Orpheus: Symphonic Variations, Weber’s Clarinet Concerto No. 1 with ASU Professor Emeritus Robert Spring, and Brahms’ Symphony No. 4 – each work shaped by Beethoven’s revolutionary legacy.

A tribute to the past, and a spark for what’s to come.

Legacy of A Titan

The Vista Center for the Arts

Romanticism is the 19th century; it is the magic of nature and great emotion, it is the deaths of love and the bliss of redemption. But this era was also filled with the passionate energy of dances and lavish celebrations.

Epiphany Concert 2026: Salzburg Wind Philharmonic | "Music of the Romantic Period"

Great Festival House

The programme begins with a work by the Grammy-winning composer Jessie Montgomery, who hails from New York’s Lower East Side. Renowned for her socially inspired and richly layered music, Starburst, written in 2012 for string orchestra, radiates energy and colour. It clearly portrays the rapid formation of large groups of stars in the galaxy, with its use of gesture and compositional approach.

BBC Radio 3 Classical Live

Belfast

The Opera Orchestra's Midis Musicales are always a great success with audiences. These short concerts (from 45 minutes to 1 hour) are presented in a warm and friendly atmosphere and will surprise you with the richness of the offerings!

Midi Musical | Montpellier Occitanie National Opera Choir

Opéra Comédie

Orchestra Vincenzo Galilei

Maggio Musicale Fiorentino Theatre

Symphonic Metamorphosis

Ohio Wesleyan University

The sonorous and sparkling virtuosity of MSO Principal Clarinetist Jorge Diez holds the spotlight in two definitive works by Debussy and Weber. Plus, Berlioz’s daring blockbuster Symphonie Fantastique engages the senses and enlivens the imagination to deliver a bold genius-stroke of a finish, in a program that will take you places you never knew you wanted to go.

Bravo 2: Epic Dreamscape

Thalia Mara Hall

“Klassikatähed” (Rising Stars of Classics) is more than just a competition, it’s an extraordinary journey for young musicians. It’s a rollercoaster of emotions, from the exhilarating highs to the nail-biting tension. But above all, it’s an experience that forges lifelong friendships. While circumstances of recent years have created some challenges, the journey of these gifted young artists is now back on your television screens.

Klassikatähed 2025 gala concert

Estonia Concert Hall

Vanemuise kontserdimaja

Coffee Concert No. 2 »On the Road Through Europe«

Chayse Hoefler – Senior Recital

Hamel Music Center

The "Freischütz Overture" had already established itself quite early on. Independent of the opera to which it actually belongs, it enjoyed a remarkable career in the concert halls. Carl Maria von Weber incorporates the central elements of the opera's plot in it. The forest atmosphere, the Wolf's Glen, and Agathe's love aria characterize the overture, which anticipates the opera's happy ending in radiant C major.

2. Classical on Sunday

Philippe Herreweghe, the Antwerp Symphony Orchestra, and Robert Schumann form a golden trio. Decades of collaboration have cultivated a deep affinity for Schumann’s music, making each performance a profound experience. Joining them is German cellist Marie-Elisabeth Hecker, born in Schumann’s hometown of Zwickau, for a long-awaited reunion after their celebrated recording of Elgar’s Cello Concerto. Schumann’s own cello concerto, once overlooked, now shines as one of the Romantic era’s finest, blending lyricism with heartfelt emotion. The programme concludes with his hopeful Second Symphony, a testament to resilience in the face of personal darkness. Together, Herreweghe and the Antwerp Symphony deliver a concert that speaks directly to the soul.

Opening concert: Schumann with Herreweghe and Hecker

Queen Elisabeth Hall

Concertgebouw Brugge

Spohr, Weber, Schubert, and Haydn—four titans of Classical-Romantic music history! Undoubtedly, they were pioneers in their respective musical paths, intuitively grasping the trends of their time and laying the foundations for future generations of composers. One thing is certain, however: without the others, they would probably not have existed, nor would they have achieved the virtuoso brilliance for which they are still celebrated today. A mutual influence was clearly present and contributed to the development of the musical landscape of their time. One example of this interaction is the connection between Franz Schubert and Carl Maria von Weber. Although they took different musical paths, as contemporaries they shared a common era of transition from Viennese Classicism to Romanticism. Schubert, inspired by Weber's operas, incorporated some of his ideas into his songs and music-dramatic works, thus coming closer to the Romantic ideal of musical expression.

Spohr, Weber, Schubert, Haydn – Classical! Romantic!

State Theatre Eisenach

Guest Concertmaster Alexandra Preucil and violist Antoine Tamestit lead a thrilling exploration of Hungarian music and culture with the raw passion of Bartók's duos, the folk-infused charm of Weber's Andante e Rondo ungarese, the dazzling virtuosity of Sarasate's Zigeunerweisen, and the fiery rhythms of Brahms' Hungarian Dances.

Hungarian Dances

Orpheum Theater

Riccardo Minasi—familiar to Hamburg residents through his long-standing collaboration with Ensemble Resonanz—and Beatrice Rana make their debuts with the Deutsche Kammerphilharmonie Bremen with this program. Both are known for their dedicated and electrifying music-making, making them a perfect fit for the Bremen orchestra, which regularly captivates audiences at the Elbphilharmonie and around the world with its intense concerts.

The Deutsche Kammerphilharmonie Bremen / Beatrice Rana / Riccardo Minasi

Elbphilharmonie Hamburg

Scheherazade, based on the Middle Eastern folktales, One Thousand and One Nights, showcases Rimsky-Korsakov’s mastery as an orchestrator and storyteller. Waves of sound feature many instrumental solos with a prominent role throughout for the solo violin. Our very own talented Concertmaster, Scott Moore, will be featured in this performance. The German-Jewish composer Paul Hindemith was newly settled in New York in 1951 when he transformed his sketches of a ballet based on themes by Carl Maria von Weber into his “American Symphony”.

Exotic Nights

Isaac Harris Cary Memorial Building

Kick off the new season in style! Superstar mezzo-soprano and 2025/26 CSO Artist-in-Residence Joyce DiDonato joins Nikolaj Szeps-Znaider and the CSO for a celebratory program of vocal pieces by Richard Strauss and Georges Bizet, stirring overtures by Weber and Wagner and selections from Mendelssohn’s enchanting A Midsummer Night’s Dream. Walk the red carpet and toast to the start of another incredible season.

Joyce DiDonato & the CSO

Chicago Symphony Orchestra

Visible from afar, the imposing Elbphilharmonie building towers over Hamburg's Hafencity as the metropolis's new landmark and one of the world's most exciting concert venues. The Duisburg Philharmonic's invitation to make its debut there in September is also a sign of the esteem in which this traditional orchestra is held far beyond the borders of its home city - a philharmonic accolade, so to speak. And for this special occasion, conductor Stefan Blunier has put together a program that revels in the most beautiful Romantic tones: Among the most popular operas of all time is "Der Freischütz", for whose overture Carl Maria von Weber anticipated the greatest hits of his Romantic opera. Full of catchy melodies, the yearning and melancholy First Violin Concerto by Max Bruch, played by Diana Tishchenko, a well-known singer to Duisburg audiences, follows . And finally, Antonín Dvořák's Eighth Symphony, a work overflowing with musical ideas. The "melodies just fly to me," the composer wrote of this cheerful and life-affirming work, for which he borrowed some themes from Bohemian folk music. The exuberant orchestral jubilation at the end of the symphony provides a fitting conclusion to this guest performance in the far north.

YSP Closing Concert — Mozarteum Orchestra · Cimento

House for Mozart

Eröffnungskonzert "Dresden"

Schloss Moritzburg

The human voice, the most natural instrument, has inspired chamber music for centuries, bringing melodic beauty and the unique musicality of languages. This program celebrates the range and timbre of the voice as the ideal chamber collaborator. Music@Menlo debut artists include soprano Tony Arnold, “a luminary in the world of chamber music and art song” (Huffington Post), Met Opera mezzo-soprano Maire Therese Carmack, and baritone John Moore.

Let’s Add Voices!

Menlo School Campus

The early string quintets on this program represent the passions of their composers: W. A. Mozart, the avid violist wanting to join the ensemble, and Luigi Boccherini, the premier cello virtuoso of his day. The works by these quintet pioneers are juxtaposed with Romantic nineteenth-century essays in the genre, demonstrating the evolution of this versatile grouping. An all-star roster of violinists includes Indianapolis Competition-winner Richard Lin, Kristin Lee, and Julian Rhee.

Quintessential Quintets

Bregenz Festival 'The Marksman'

Bregenzer Festspiele

Weber Wirth Brahms

Opernhaus Zürich

Johann Sebastian Bach was not only a scholarly composer, but also a popular one. In 1742, he wrote a "Cantate burlesque" in Leipzig, a roughly half-hour-long work later referred to as a peasant cantata . Its distinctive character is not only due to the Saxon dialect in which some sections are written, but also due to the inclusion of dance forms and folk song melodies.

Summer Concert Children's Choir of the State Opera

State Opera Unter den Linden

This program begins with Dvořák’s Miniatures for Two Violins and Viola, a captivating suite of graceful, intimate pieces. Next is Mozart’s Clarinet Quintet in A Major, where the clarinet’s virtuosic passages and lyrical warmth blend beautifully with the strings. The evening closes with Weber’s Clarinet Quintet in B-flat Major, a lively showcase of the clarinet’s expressive power and brilliance.

Dvořák, Mozart, and Weber

Spruce Peak Performing Arts Center

Mecklenburg-Vorpommern Music Festival

Schloss und Gut Ulrichshusen

Clarinet and string quartet: Wolfgang Amadeus Mozart tried this combination for the first time in 1789 - and it was a great success. The quintet that Carl Maria von Weber composed 26 years later for the clarinetist Heinrich Joseph Baermann was just as popular. The fact that both pieces are still among the most popular of their kind today is not only due to their magical sound and melodies, but also to the humorous, cheerful mood that connects them. The path to Joseph Haydn, the grand master of musical humor, is of course not far. It was probably an enterprising publisher who first heard the many bird calls in his famous quartet op. 33 no. 3, to which the piece owes its sales-boosting nickname: "Bird Quartet".

Composer

Carl Maria von Weber

Events

Upcoming events

Oct 17, 2026

Music, Mystery & Magic · North Coast Symphony

Nov 13, 2026

The Persistence of the Female Poetic Voice · Royal Academy of Music

Jan 21, 2027

The 1040th Subscription Concert in Suntory Hall · Tokyo Philharmonic Orchestra

Jan 25, 2027

The 179th Subscription Concert in Tokyo Opera City Concert Hall · Tokyo Philharmonic Orchestra

Jan 26, 2027

Chicago, IL Virtuosic Clarinet Quintets · Chamber Music Society of Lincoln Center

Past events

Sep 11, 2026

75th ARD International Music Competition · Bavarian Radio Symphony Orchestra

Aug 15, 2026

Heartful Concert in 2026 · Tokyo Philharmonic Orchestra

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