Composer

Direct from the West End, the original London cast returns to Cadogan Hall in its 22nd year of touring!

Back by popular demand and following sell-out performances across the globe, The Definitive Rat Pack brings you an evening of festive classics, including ‘White Christmas’, ‘Baby It’s Cold Outside’, ‘The Christmas Song’ and ‘Let It Snow’, plus all-time favourites including ‘Mack the Knife’, ‘That’s Amore’, ‘Mr Bojangles’ and ‘New York, New York’.

EPSG:4326

The Rat Pack at Christmas 2024

Cadogan Hall 

Two versatile artists come together for a cabaret programme, presenting the lighter side of song from various traditions.

Claire Booth soprano; Jâms Coleman piano

Wigmore Hall

A ceremonial, elegant dance is hidden behind the name Pavane, derived from the Spanish word for peacock. Ravel's "Pavane pour une infante défunte" has become particularly famous, and the Celli Family plays it in a version for eight cellos. In addition to this elegiac, dreamy composition, the program also includes works and arrangements of a different kind. A morning full of wonderful cello sounds - the perfect start to an exciting and relaxed Sunday!


Chamber Music Matinee Special Concert: Pavane

NDR Konzerthaus | Kleiner Sendesaal

### Event Description: The Threepenny Opera

**Event Title:** The Threepenny Opera

**Dates and Times:**
- **Friday, November 22:** 7:30 PM
- **Sunday, November 24:** 2:00 PM

**Location:** 
- **Venue:** Opera Columbus
- **Parking:** Available at the Columbus Commons Parking Garage located off of Rich or Main Street.

**Overview:**
Set in the impoverished back alleys of Victorian London, "The Threepenny Opera" follows the underworld antihero Mackie Messer, also known as Mack the Knife, as he tries to woo Polly Peachum and elude the authorities. This landmark 20th-century work, rarely performed by a professional opera company, offers a satiric critique of capitalism and the meaning of morality in the slums. The opera is renowned for its palpable evocation of corruption and dread, set to Kurt Weill’s irresistible score.

**Music and Highlights:**
- **Composer:** Kurt Weill
- **Librettist:** Bertolt Brecht
- **Classic Tunes:** Including "Mack the Knife," "Pirate Jenny," and ballads that explore themes of broken relationships, struggle, love, life, and death.

**Production Team:**
- **Stage Director:** Austin Regan, an NYC-based director known for his acclaimed stage work across the United States.
- **Conductor:** Dr. Everett McCorvey, a distinguished conductor and tenor with a global performance history.

**Special Notes:**
- This is a 90-minute version of "The Threepenny Opera."
- The opera has been adapted numerous times for stage and screen, most notably as the 1931 German film and the 1989 American film "Mack the Knife."

**Audience Information:**
- **Dress Code:** There is no formal dress code. Patrons may choose to dress for a special occasion or keep it casual.
- **Arrival:** Plan to arrive 30-40 minutes early to allow time for parking, ticket collection, and seating. Latecomers will be seated at an appropriate point in the production.

**Tickets:**
- Available for purchase online. Options to buy individual tickets or subscribe for the season.

**Additional Information:**
For more details, visit the Opera Columbus website or contact their box office at 614.461.8101.

The Threepenny Opera

The Westin Great Southern Columbus

Here is a unique opportunity to experience star soprano Danielle de Niese in a portrayal of female characters pushed to their extreme limits. In Purcell's tragic baroque opera, Queen Dido must die for her love for Aeneas. In Weill's burlesque, cabaret-inspired satire, two sisters must sacrifice all their principles to get ahead in the world.

De Niese & Dido og Æneas

DR Koncerthuset

The Salina Symphony meets Jazz in this high-energy performance of genre-defying works. We will literally kick things off with music from the Tony Award-winning musical Cabaret followed by two new works by Kyle Saulnier, a multi-instrumentalist and composer who fuses American music with industrial rock. Singer Janie Brokenicky and dancer Alison Hiatt will then tell the story of Kurt Weill’s The Seven Deadly Sins, an accessible and satirical tale that uses wit, theatrical flair, dancing, cabaret music and a Greek chorus to explore the complexities of human nature and society.

Lights, Camera, Cabaret!

Kansas Wesleyan University

Slatkin Conducts Gershwin!

The Smith Center for the Performing Arts

For the new season, James Gaffigan is bringing a piece of his homeland New York to the Komische Oper Berlin! While our General Music Director has found his adopted home here, many prominent European composers headed for the safe haven of America in the 20th century. New York opened up influential professional opportunities for Antonín Dvořák and Gustav Mahler. Kurt Weill worked on the up-and-coming musical on Broadway. Erich Wolfgang Korngold laid the foundations for the film music genre in Hollywood and his soundtracks inspired film music legend John Williams.

James' Choice

Kleiner Saal

Join the Newfoundland Symphony Orchestra’s Atlantic String Quartet for an intimate evening of extraordinary chamber music at Recital 1. On October 20, 2024, at the D.F. Cook Recital Hall, MUN School of Music, immerse yourself in a program that spans the intriguing textures and emotional depths of string quartet repertoire.

Recital 1

Memorial University School of Music

A cast of multidisciplinary creatives, including groundbreaking director Yuval Sharon, join Stéphane Denève for two operas written by once silenced voices. These powerful performances juxtapose dance and opera.

Denève: The Seven Deadly Sins

New World Center

The universally admired Swedish artist received the Female Singer of the Year Award at the International Opera Awards in 2018, the same year that she was awarded the title of Court Singer by Carl XVI Gustaf of Sweden. Her operatic roles – many of them performed at the Royal Opera House in London or at the Metropolitan Opera in New York, as well as in Sweden and elsewhere – run from Mozart to Puccini, Richard Strauss and Janáček. Her widely ranging programme explores songs from the French, German (or in Weill’s case from his post-German period) and Swedish traditions.

Malin Byström soprano; Magnus Svensson piano

The rising star tenor won first prize at the 2022 Wigmore Hall/Bollinger International Song Competition and was shortlisted in the Young Singer category at the 2023 International Opera Awards.

Sunday Afternoon Song

Join us for an enchanting evening under the stars with the American Symphony Orchestra at Bryant Park on September 6, 2024, for "Beyond the Hall," a unique, free concert experience. This special performance is part of the Picnic Performance series, offering a delightful program that traverses the realms of dance salons, opera houses, cabaret, and the cinematic world of the silver screen.

For the third year in a row, the American Symphony Orchestra is thrilled to kick off our season in the lush surroundings of Bryant Park. "Beyond the Hall" invites audiences to explore music beyond the traditional concert hall setting, featuring an eclectic mix of compositions. From Florence Price's vibrant "Suite of Dances" to the theatrical melodies of Weill's "Threepenny Opera," from Scott Joplin's operatic "Treemonisha" to Bernstein's lively "On the Town," and the haunting strains of Herrmann's "Psycho," this program promises to captivate with its exploration of music's dramatic and diverse roles across various venues and genres.

Bryant Park enhances the experience by offering hundreds of free picnic blankets, comfortable bistro chairs, and a curated selection of food and drink available for purchase from local vendors. With no tickets required and no lines for entry, attendees are welcomed to a hassle-free and immersive musical evening.

The program includes:
- Scott Joplin's "Treemonisha: Overture"
- Florence Price's "Suite of Dances"
- Bernard Herrmann's "Psycho Suite"
- Kurt Weill's "Kleine Dreigroschenmusik"
- Leonard Bernstein's "Three Dance Episodes from On the Town"

This memorable evening begins at 7 PM and is completely free to the public. For those unable to attend on September 6, a repeat performance will take place on September 7, 2024, at the Kupferberg Center for the Arts.

"Beyond the Hall" is part of the ASO’s Vanguard Series, supported by the New York State Council on the Arts, the Office of the Governor, the New York State Legislature, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Don't miss this opportunity to experience the American Symphony Orchestra in one of New York City's most beloved parks, bringing together community, culture, and the arts in an accessible and vibrant setting.

Beyond the Hall

Kupferberg Center for the Arts.

Bryant Park

After a day full of opera, backstage experiences, children's programmes, stage shows and more, arias and ensembles from premieres and revivals will be performed. You can look forward to our orchestra, the chorus, and many soloists who will get you in the mood for an exciting and musical season 24/25.

Season Opening Concert 24/25

Deutsche Oper Berlin

Exciting young Metropolitan Opera soprano Erika Baikoff returns to Music@Menlo to explore the broad, colorful art of French songs. Programmed in partnership with renowned pianist and vocal coach Ken Noda, the music of eleven different composers creates an entrancing immersion into some of chamber music’s most exquisite repertoire.

Carte Blanche Concert Iii Erika Baikoff, Soprano; Ken Noda, Piano

Menlo School Campus

Taking place over two hot summer days in New York City, Kurt Weill’s two-act American opera Street Scene delves into the lives of the multi-ethnic residents of a tenement building, showcasing their hopes, dreams, and struggles. Throughout the story, musical numbers range from operatic arias to jazz and blues, reflecting the mix of cultures and emotions present in the tenement setting. Street Scene offers a commentary on the challenges faced by immigrants, the impact of poverty, and the complexities of love and relationships in a densely populated urban environment.

Street Scene

Central City Opera House

Experience an unforgettable evening with the Dallas Symphony Orchestra at the Auditorio Nacional de Música de Madrid on Wednesday, 5th June 2024, at 19:30h. This special performance, part of the Ibermúsica 2023-2024 season, features the renowned baritone Thomas Hampson alongside the illustrious conductor Fabio Luisi. The evening promises a mesmerizing program including "What Keeps Me Awake" by Negron, Kurt Weill's "4 Walt Whitman Songs," and Tchaikovsky's Symphony No. 5.

Tickets are available starting from 45€, offering you the chance to immerse yourself in a night of exquisite music. Please note that ticket prices include a 10% VAT but exclude handling fees, which will be applied at the time of payment. In the event of any unforeseen changes to the program or artist availability, Ibermúsica reserves the right to make necessary adjustments, ensuring a performance of equal or superior quality.

For those interested in enhancing their concert experience, Ibermúsica offers subscription packages with exclusive benefits for the 24/25 season, including preferred seating, flexible payment options, and free cancellation.

Don't miss this opportunity to witness the Dallas Symphony Orchestra and Thomas Hampson under the baton of Fabio Luisi in a breathtaking setting. Secure your tickets now and prepare for an evening of captivating music that promises to linger in your memory long after the final note has been played.

Dallas Symphony Orchestra - A12

National Music Auditorium

### Event Description: ASMF & Håkan Hardenberger

**Date:** 24 May 2024, 7:30 PM  
**Venue:** Church of St Martin-in-the-Fields

Join the Academy of St Martin in the Fields (ASMF) for an unforgettable evening featuring the world-renowned trumpet virtuoso, Håkan Hardenberger. Celebrated as "the best trumpet player in the galaxy" by The Times, Hardenberger will perform a captivating programme that highlights his illustrious history with the orchestra.

**Programme Highlights:**
- **Telemann:** Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings, and Continuo in D, TWV 54.D2 (featuring soloists Matilda Lloyd and William O’Sullivan)
- **Mozart:** Symphony No. 26 in E-flat major, K. 184
- **Haydn:** Trumpet Concerto in E-flat major, Hob.VIIe:1
- **Tobias Brostrom:** Sputnik
- **Grieg:** Two Elegiac Melodies, Op. 34: "Heartwounds" (Hjertesår) and "Last Spring" (Våren)
- **Jan Lundgren:** The Seagull (arr. R. Pöntinen)
- **Martinsson:** Airy Flight
- **Joni Mitchell:** Both Sides Now (arr. R. Pöntinen)
- **Kurt Weill:** Speak Low (arr. R. Pöntinen)
- **Piazzolla:** Oblivion

**Director:** Simon Blendis

Don't miss this extraordinary concert that promises to be a highlight of the musical calendar. Secure your tickets now and experience the magic of ASMF and Håkan Hardenberger live at the Church of St Martin-in-the-Fields.

**[Buy Tickets](#)**

For more information and to stay updated with the latest news and offers from the Academy, join our mailing list.

ASMF & Håkan Hardenberger

St Martin-in-the-Fields

Experience the electrifying fusion of American music as the City of Birmingham Symphony Orchestra presents "Bernstein & Elfman" on Thursday, 23 May 2024, at 7:30pm in the prestigious Symphony Hall, Birmingham. This remarkable concert promises to immerse you in the driving rhythms and wide-screen sounds that have shaped American music, featuring the works of Leonard Bernstein and Danny Elfman.

Danny Elfman, renowned for his iconic film scores for The Simpsons, Batman, and Edward Scissorhands, reveals another facet of his genius through the exhilarating performance of his Percussion Concerto by Colin Currie, hailed as the world's finest and most daring percussionist. The concert also showcases symphonic showstoppers from Bernstein's beloved musicals, Candide and West Side Story, under the dynamic baton of conductor Fabien Gabel.

Tickets are priced between £26 and £59, with a per-ticket commission of £3.50 for tickets over £15. The concert offers various ways to save, including multi-buy discounts and reduced prices for students, 18-30s, under-18s, and benefit recipients. The performance will last approximately 2 hours, including a 20-minute interval.

Before the main event, join us for a FREE percussion ensemble performance by the Royal Birmingham Conservatoire in the Jennifer Blackwell Performance Space from 6:30pm to 7:10pm. This pre-concert showcase will feature minimalist-inspired works by Philip Glass, Caroline Shaw, and Julian Sartorius, providing a perfect introduction to the evening's main performance.

Don't miss this opportunity to witness the music that made America, brought to life by the City of Birmingham Symphony Orchestra. Book your tickets now for an unforgettable evening of Bernstein and Elfman's most electrifying compositions.

Bernstein & Elfman

The International Convention Centre

Aufgrund einer Erkrankung von Nodoka Okisawa kommt es beim nächsten Abonnementkonzert STROM am 16. Mai zu einer Besetzungs- und geringfügigen Programmänderung. Der Dirigent Tung-Chieh Chuang wird für Nodoka Okisawa einspringen. Anstatt des Divertissements von Jacques Ibert wird die Pavane in fis-Moll op. 50 von Gabriel Fauré das Konzert eröffnen.

STROM

Prinzregententheater

Join us for a spectacular season finale with the Duluth Superior Symphony Orchestra's "Empress of the World" concert. This masterful performance will take place on May 4th, from 7:00 PM to 9:30 PM at the DECC Symphony Hall, located at 350 Harbor Dr, Duluth, MN 55802.

The evening will open with Joan Tower’s dynamic "Fanfare to the Uncommon Woman," setting the stage for a night of extraordinary music. The program will also feature Kurt Weill’s Symphony No.2, a gem in orchestral music that remains vastly underperformed despite its rich melodic and harmonic language. Weill, known for his significant contributions to American musical theatre, showcases his mastery in purely orchestral works through this symphony.

The highlight of the night will be Carl Orff’s "Carmina Burana," a piece that won the hearts of our audience in the previous season and emerged as the Audience-Favorite. This powerful work will be brought to life with the help of vocal soloists, the DSSO Chorus, and the Lake Superior Youth Chorus, promising an unforgettable experience as we explore themes of fate and fortune.

Featured soloists for the evening include Alice Pierce (soprano), Brian Wallin (tenor), and Mark Billy (baritone), whose exceptional talents will elevate the performance to new heights.

Don't miss this incredible opportunity to witness the DSSO's stage come alive with music that wrestles with Fate, the Empress of the World. Tickets are available for purchase now. Join us for a night of masterworks that promises to be a feast for the senses and a fitting closure to our season.

Empress of the World

Duluth Entertainment Convention Center

Yale Opera presents a fully-staged double-bill production featuring Puccini’s Gianni Schicchi and Kurt Weill’s The Seven Deadly Sins, performed with piano.

Puccini’s Gianni Schicchi & Kurt Weill’s The Seven Deadly Sins

Yale University

Student Recital: Wallis Lucas

Carnegie Mellon University

Siyu Pan, Mezzo-soprano – Doctoral Qualifying Recital

University of Arizona

The Weimar Republic’s urgent blend of desperate defiance and vast artistic possibility come together in this Ensemble Modern performance. It opens with Hindemith’s Kammermusik No. 1, a masterstroke of postmodernism. Erich Korngold’s hit suite from Much Ado About Nothing offers an early glimpse at his wildly successful partnership with Max Reinhardt, more than a decade before they fled Europe and made Hollywood history. Schoenberg’s Accompaniment to a Cinematographic Scene is—almost certainly intentionally—not so much a film “accompaniment” as it is a full-fledged main attraction. Mezzo-soprano Wallis Giunta joins in HK Gruber and Christian Muthspiel’s brand-new arrangement of The Seven Deadly Sins, a biting satire composed the same year Kurt Weill and Bertolt Brecht’s works were banned in their native Germany.

Ensemble Modern

Carnegie Hall

No series featuring the music of Bach would be complete without his music for voice. Collaborating with the Savannah VOICE Festival to present Mark Delavan (who played Gianni Schicchi in the collaborative Puccini production at SMF 2015), the Bach Cantata in the first half is contrasted by a second half of songs by Copland and Weill. How interesting would it have been for Bach to have sat in the audience to hear the songs by Copland and Kurt Weill and to see his response?

Philip Dukes & Friends IV: The Voice of Bach, A Musical Salute

Trinity United Methodist Church

In a rare U.S. performance, their first ever in Texas, Germany’s famed Ensemble Modern performs the American premiere of a new arrangement of Kurt Weill and Bertolt Brecht’s popular musical theater work, The Seven Deadly Sins, with acclaimed mezzo-soprano Wallis Giunta singing the lead role of Anna. The sound world conjures up Berlin cabaret, but Seven Deadly Sins begins and ends in Louisiana, evoking the exile of its creators. Music from the theater worlds of Berlin and Vienna round out this remarkable program.

Ensemble Modern | Kurt Weill’s “The Seven Deadly Sins”

Hobby Center for the Performing Arts

Student Recital: Abigail Cunningham

Student Recital: Henry Wright

Curtis Opera Theatre presents a double bill featuring Francis Poulenc’s outrageously funny farce, Les Mamelles de Tirésias, alongside Kurt Weill and Bertolt Brecht’s darkly satirical “ballet chanté,” The Seven Deadly Sins, at the Philadelphia Film Center.

Les Mamelles de Tirésias & The Seven Deadly Sins

Philadelphia Film Center

Through music spanning the 1920s to today, the American Composers Orchestra explores the United States’ influence on the Weimar Republic, and, conversely, aspects of the Weimar legacy that resonate now in American culture. They perform Antheil’s Jazz Symphony, one of the first significant classical pieces influenced by jazz; short works by Duke Ellington, which caused a sensation during Sam Wooding and the Chocolate Kiddies’ 1925 tour of Berlin and Hamburg; and “My Ship” from Kurt Weill’s Lady in the Dark, with lyrics by Ira Gershwin. New works include a world premiere by Tonia Ko, co-commissioned by Carnegie Hall; a world premiere by John Glover, featuring mezzo-soprano Chrystal E. Williamsand accordionist Felipe Hostins; and the New York premiere of Clans from Jerod Impichchaachaaha’ Tate’s Lowak Shoppala’.

American Composers Orchestra

Baritone Justin Austin's star has risen considerably since his 2017 Carnegie Hall debut. In his return to the Hall—featured as part of the Fall of the Weimar Republic: Dancing on the Precipice festival—the inimitable Weill and Brecht songbook takes the spotlight. Hear the tale of “Mack the Knife” in selections from the uncategorizable Threepenny Opera, which premiered in Berlin in 1928; rousing settings of Walt Whitman poems, which Weill wrote throughout the 1940s after emigrating to the United States; and additional pieces soon to be announced.

Justin Austin, Baritone Howard Watkins, Piano

The Knights are a musically omnivorous chamber ensemble, a self-described “fellowship of adventurous musicians dedicated to transforming the orchestral experience.” In this program of Ravel, Weill and Brecht, Bob Dylan, Chico Buarque, and Du Yun, the orchestra—conducted by Eric Jacobsen—welcomes pipa virtuoso Wu Man, “one of the rare musicians who has changed the history of the instrument she plays” (The Boston Globe); and The Knights’ own multifaceted violinist and singer-songwriter Christina Courtin. To close the evening, special guest Magos Herrera—a versatile interpreter of jazz and Latin American music—joins the group for a new arrangement of Buarque’s powerful, Weill/Brecht–inspired “Geni e o Zepelim.” As part of Carnegie Hall’s Fall of the Weimar Republic festival, this program looks to the past and present through multiple layers of history and culture, in true “Knightsian” style.

The Knights

Continuing a long-standing relationship with pipa legend Wu Man, this program will feature the world premiere performance of Pulitzer Prize-winning composer Du Yun’s new work for pipa and orchestra and explore themes of cultural memory, transformation of old into new, and a sense of theatricality within both instrumental and vocal music.

The Knights with Wu Man at Carnegie Hall

Subscription 14 - Royal Philharmonic of Galicia - Kari Kriikku - Baldur Brönnimann

Opera Palace of A Coruña

Alexa Bartschat, soprano

Ryan Center for the Musical Arts

Our Concertmaster Rimma shines in works by Americans of different eras: Gershwin and young superstar-composer Jessie Montgomery’s virtuosic Rhapsody. Kurt Weill embraced his adopted country, creating legendary Broadway musicals and unforgettable songs that are now part of the beloved American Songbook. You’ll be treated to some iconic favorites, irresistibly performed by Grammy Award-winner Gabriel Preisser (“impossibly charming … Whenever he’s on stage, the energy sizzles.” ~ Tampa Bay Times).

Celebrating American Music

Winter Park Events Center

Internationally known and honored with awards and prizes, Grenadian-Canadian singer, songwriter, and banjo artist Kaia Kater pays homage to the great Zora Neale Hurston, whose novels, short stories, and plays focus on racial struggles in the South in the early 1900s.

Zora Neale Hurston

Rhapsody in Blue 100th Anniversary

Crosstown Concourse

Scheidt Family Performing Arts Center

The Philadelphia Orchestra and Marcus Roberts Trio present a 20th-century musical feast that’s perfect both for newcomers and afficionados, beginning with the magical storytelling of Stravinsky’s Pétrouchka. A rare symphonic piece by Kurt Weill follows, sure to impress listeners familiar only with the composer’s theatrical works. Conductor Yannick Nézet-Séguin calls it “a jewel [from] someone who completely mastered the symphonic world.” Finally, hear Gershwin’s Rhapsody in Blue like you never have before, as the Marcus Roberts Trio—which has “reinvented” (Chicago Tribune) the masterpiece alongside multiple top orchestras—joins us in celebrating its 100th anniversary.

The Philadelphia Orchestra 2024

A chamber ensemble handpicked from The Met Orchestra explores the Weimar Republic’s “Golden Twenties.” This program highlights the era’s incredible contradictions and the thrillingly divergent, thriving artistic movements that came into shape as the republic approached catastrophe. Hear music from Weill and Brecht’s smash hit, the soon-to-be-banned Threepenny Opera. Hindemith’s grinning reconstruction of Wagner is paired with the well-loved Kammermusik No. 1, which offers excitement of a more sincere, if not significantly less eccentric nature. Also included are two of Schoenberg’s arrangements of Johann Strauss Jr., in which the “father of atonality” gave reverential treatment to Vienna’s beloved “Waltz King.”

The Met Orchestra Chamber Ensemble

Be swept away by a brilliantly wide-ranging program curated by rising-star classical singer Julia Bullock. With a voice “among today’s most expressive” (NPR), Bullock brings an arresting, often transformative emotional depth to songs both time-tested and obscure. There’s something for everyone here, but really, the magic is realized when taken all together. Hear personable and powerful renditions of music by Franz Schubert, Robert Schumann, Hugo Wolf, Kurt Weill, Billie Holiday, Nina Simone, Luciano Berio, Gioachino Rossini, John Cage, Connie Converse, and more.

Julia Bullock, Soprano Bretton Brown, Piano

"A musician who delights in making her own rules" (The New Yorker), soprano Julia Bullock presents a brilliantly wide-ranging program.  She brings an arresting, often transformative emotional depth to songs both familiar and obscure with a voice that "rises with strength and focus like a cloud condensing into a thunderbolt, [breathing] both humanity and epic grace into the music" (New York Times).

Julia Bullock, soprano (Baltimore Recital Debut) Bretton Brown, piano

Johns Hopkins University

We take a detour through jazz-mad Europe. Darius Milhaud, Igor Stravinsky, and Kurt Weill all fell in love with American jazz, and their sassy music bears its stamp. Victor Goines, jazz clarinetist and president of Jazz St. Louis, rocks and wails in Stravinsky’s Ebony Concerto. Kurt Weill’s Suite from The Threepenny Opera includes hits like “Mack the Knife,” and the program ends with the honking horns and swaggering tunes of Gershwin’s An American in Paris. 

An American in Paris

Touhill Performing Arts Center

Prepare for a thrilling musical journey that will have your heart racing and your soul soaring! Music Director candidate Leslie Dunner returns to the Tanger stage with a spectacular fusion of dynamic compositions. Bernstein’s Three Dance Episodes from On The Town will set the stage on fire with its infectious rhythm and unbridled energy, sweeping you into the heart of a bustling city. Then, be captivated by the raw, dark allure of Kurt Weill’s The Seven Deadly Sins, a tale of temptation and redemption told through spellbinding vocal prowess of guest mezzo, Gina Perregrino. As the evening unfolds, you’ll be mesmerized by Darzins’ hauntingly beautiful Valse mélancolique and transported to the enchanting streets of Rome with Respighi’s Roman Festivals. This concert promises an unforgettable, emotionally charged experience that will leave you breathless and craving more.

Leslie Dunner Music Director Candidate

Steven Tanger Center for the Performing Arts

“A musician who delights in making her own rules” (New Yorker), Julia Bullock is known for genre-defying, innovative performances that showcase her intellect and commanding stage presence. Her voice “rises with strength and focus, like a cloud condensing into a thunderbolt,” imbuing the music with “both humanity and epic grace” (New York Times).

Julia Bullock, soprano & Bretton Brown, piano

Kimmel Center for the Performing Arts

Join SFCM alumni Carolyn Bacon (MM Voice ’14) and Brian Fitzsousa (MM Composition ’16) for an evening that explores American song. With a blend of classical art song and musical theater, the program draws parallels between genres and represents how the artists’ careers have taken shape since graduation. Repertoire includes song by Composition Dept. Chair David Conte, Ned Rorem, Aaron Copland, Steven Sondheim, Adam Guettel, Carmel Dean, Kurt Weill, and others

Carolyn Bacon and Brian Fitzsousa - Alumni Recital

Bowes Center

American One Acts: a double bill

Baruch College

Founded in 1945 by Edmond de Stoutz, the Zurich Chamber Orchestra cultivates a broad repertoire, ranging from baroque to classical and from romantic to contemporary music. Hope was appointed Music Director of the Zurich Chamber Orchestra, effective with the 2016-17 season, succeeding Sir Roger Norrington.

Hope has enjoyed a thriving international solo career for more than 30 years. Celebrated for his musical versatility and dedication to humanitarian causes, he has been recognized with a string of honors including the Order of Merit of the Federal Republic of Germany and the 2015 European Culture Prize for Music. An exclusive Deutsche Grammophon artist since 2007, he has an award-winning discography and is also a popular radio and television host who recently anchored the TV and streaming series Hope@Home. In 2019 he completed his 16th and final season as Associate Artistic Director of Georgia’s Savannah Music Festival as well as becoming Artistic Director of Dresden’s Frauenkirche Cathedral. Since 2020, following in the distinguished footsteps of Kurt Masur and Joseph Joachim, Hope started his tenure as President of the Beethoven-Haus Bonn.

Zurich Chamber Orchestra With Daniel Hope

Segerstrom Center for the Arts

AMERICA IN WEIMAR: ON THE MARGINS explores American influence on the Weimar period and—conversely—the legacy of Weimar’s embrace of transgression, non-Teutonic identity, and utopian ideals, all of which continually resonate in today’s American art and music.

America in Weimar: On the Margins

Orchestra Miami presents the Florida premiere of the oratorio The Road of Promise, adapted from Kurt Weill’s opera The Eternal Road by Ed Harsh. This version condenses Weill’s original 4- act opera into 14 movements lasting a little over two hours. The opera was conceived as a method of raising the American public’s awareness to Hitler’s persecution of the Jews in 1937. Set in a synagogue where Jews hide as a pogrom rages outside, the story combines Biblical & pre-World War II Jewish history.  The performances will be at Temple Emanu-el in Miami Beach, the oldest Conservative congregation on Miami Beach and considered to be one of the most beautiful synagogues in America.

The Road of Promise cast features stars from the Metropolitan Opera and a combined choir of over 100 voices. The cast is led by tenor Allan Glassman in the roles of the Rabbi/Narrator & baritone Mark Delavan in the roles of Abraham/ Moses/ Jeremiah, and soprano Elizabeth Caballero as Rachel. The performance will be conducted by Orchestra Miami's Artistic Director, Elaine Rinaldi, with stage direction by Vernon Hartman.

The Road of Promise

Temple Emanu-El

Let us tempt you with the seductive, sexy street flavors, rhythms, and melodies of Argentina. As the music soars, our tango dancers flash and glide across the stage in a mesmerizing evening of passionate music. Join us for music by Argentine Tango composer Astor Piazzolla, Kurt Weill’s Tango Habanera, and a new commission by Argentine virtuoso double bassist Andrés Martín. You, too, will become obsessed!

Tango Obsessed

Conrad Prebys Performing Arts Center

Something magical happens in the nursery at midnight: a magic fairy brings the two children’s toys to life with her song, resulting in chaos. Whether jumping jack, princess or dinosaur, all of them suddenly have a mind of their own. The teddy bear does a tap dance, and the puppets dance too! Sleep is out of the question. Kurt Weill’s children’s pantomime <em>Zaubernacht</em> (Magic Night) invites young and old to dreams and astonishment, with enchanting music and rousing dance rhythms

“Magic Night”

Brass Quintet at The Hacienda

And off we go – New Year's Concert

Museum Ludwig

Mezzo-soprano Wallis Giunta, the Ensemble Modern under the direction of HK Gruber and the ensemble amarcord – a concert dedicated to voices. The singers perform a varied program, with a focus on modern works.

Weill: "The Seven Deadly Sins"

Now in his third decade of touring worldwide, American pianist Jon Nakamatsu continues to draw critical and public acclaim for his intensity, elegance and electrifying solo, concerto and chamber music performances.

A Night With Nakamatsu

Clay Center

Join us at the Joslyn Art Museum for an unforgettable afternoon with the Omaha Symphony, featuring the exceptional "Mazzoli & Weill" program. This All-American showcase, happening on Sunday, March 2 at 2:00 PM, centers around the extraordinary range of the orchestra’s smallest instrument, the piccolo, in Lowell Liebermann’s Concerto for Piccolo and Orchestra. 

Under the baton of Maurice Cohn, with Lisa Meyerhofer as the Assistant Principal Flute and Piccolo, the program promises an intense and emotional journey through music. The lineup includes Missy Mazzoli's "These Worlds In Us," a piece known for its intense, emotional writing for chamber orchestra. Following this, the spotlight shines on Meyerhofer as she takes on Liebermann’s challenging concerto, showcasing the piccolo's versatility and range. The afternoon will also feature Erich Wolfgang Korngold's "Theme and Variations, Op. 42," and conclude with Kurt Weill’s "Symphony No. 2," a 20th-century masterpiece penned after Weill's escape from Nazi Germany in 1933.

Don't miss this opportunity to experience the depth and breadth of American orchestral music. Individual tickets will be available in August, but you can enjoy savings, free exchanges, and more benefits by subscribing to the Symphony Joslyn series now. A 6-Concert package is available for just $190.

Prepare for an afternoon of captivating music that promises to be both a showcase of virtuosity and a deep, emotional journey.

Mazzoli & Weill

Joslyn Art Museum

The Seven Deadly Sins

Granada Theatre

Love Life, the only collaboration between Kurt Weill and Alan Jay Lerner, depicts a love story that takes place over 200 years of American history, through the eyes of a family who never ages. This rarely staged production is directed by Tony winner Victoria Clark (Kimberly Akimbo) and explores the epic and intimate aspects of a marriage through a juxtaposition of heartfelt scenes and satirical vaudeville acts.

Love Life

New York City Center

In 1930 Kurt Weill and Bertolt Brecht created a new type of grand opera, radical in both, entertainment as well as criticism. With the wit of an epic theater and the musical esprit of old and worn bar songs mixed with music of the avant-garde, Weill and Brecht built the fable of a city in paradise that finally perishes from its own utopias: in the end there is only one mortal sin left – the sin of insolvency. Together with a young ensemble, director Ulrike Schwab explores the one question: Who would still dare to dream of a better future today.

Rise and Fall of the City of Mahagonny

The Staatstheater Stuttgart

Youkali - this is the name of a fictitious island of the peaceful, where all the world's persecuted and displaced people could one day find refuge. A kind of utopia that Kurt Weill created in his 1934 chanson of the same name while fleeing from the National Socialists and which is the melancholy center of this special song recital.

Youkali

As Hitler’s armies surrounded the city of Leningrad, and bombs rained down on a starving population, Dmitri Shostakovich sat down and – somehow – composed his Seventh Symphony. Written for massed battalions of musicians, this is music from the front line: a roar of defiance from an unbreakable city. You can hear it this afternoon conducted by Vasily Petrenko, whose recording of the piece was described by one critic as ‘devastating’. It’s a stupendous climax to a concert that’s all about struggle and resistance: whether it’s Sibelius defying Russian imperialism with a mighty hymn to his native Finland or the poet Walt Whitman’s pleas for tolerance, set to music by the exiled Kurt Weill. Singing them today is the fabulous British baritone Roderick Williams: a born communicator at the heart of a truly epic programme.

Shostakovich’s ‘Leningrad’ Symphony

Royal Festival Hall

The end of the season will be a tribute to the vibrant American musical life, and inspiration has been drawn from jazz, blues, bebop, rock'n'roll and the cabaret genre.



It begins with Duke Ellington's charming musical portrait of the New York district of Harlem. He takes listeners on a Sunday morning walk – in his own words: “We walk from 110th Street up 7th Avenue, north through the Spanish and West Indian Quarter towards the business district that is on 125th Street... You can hear a parade go by past, or a funeral, or you can recognize the music of those demanding civil rights.”

Weilerstein & The Seven Deadly Sins

Aalborg Central Waterfront

Shostakovich's piano concertos are rarely separated. The first dates from 1933. With its witty humor, it is reminiscent of silent film music: the composer once earned his living as a cinema pianist. The neoclassical second from 1957, on the other hand, seems out of date. "I have finished a piano concerto that has no value whatsoever," judged the Russian. But like so many things, these words should not be taken too lightly: Shostakovich composed the work for his son, who he did not want to prevent from seeing it. To open the Shostakovich Days, Marie Jacquot combines the Janus-faced pair with Kurt Weill's 2nd Symphony, which was premiered in exile in Paris in 1934.

Special concert on the eve of the International Shostakovich Days Gohrisch

Kulturpalast Dresden

Shostakovich’s two piano concertos are worlds apart. The lively humour of the first, which dates back to 1933, is reminiscent of music for the silent screen; indeed, the composer had once earned his living as a cinema pianist. The neoclassical second from 1957, on the other hand, seems unrooted in time. The composer’s own view was merciless: »I have finished a piano concerto that has no redeeming artistic merits«. Yet perhaps his words should be taken with a pinch of salt: Shostakovich composed the work for his son, and he did not hinder him from performing it. To help launch the Shostakovich Festival, Marie Jacquot is combining this Janus-faced pair of works with Kurt Weill’s Symphony No. 2, which premiered in Paris in 1934, the year in which the composer fled Nazi Germany.

Special Concert International Shostakovich Festival Gohrisch

RISE AND FALL OF THE CITY OF MAHAGONNY in Benedikt von Peter's production will take place in the foyers and on the stage - guests can move freely between the venues and video screens. There will be free choice of seating, including on mattresses.

Journey through the remarkable music of Kurt Weill - well known songs covered by popular artists such as 'Alabama Song' and 'Mack the Knife' and his not so well known - yet equally brilliant. All bound to surprise, delight and take us back to a time in history that we cannot repeat. Art imitates life imitates art.

ONE NIGHT ONLY.

Kurt Weill

Composer

Events

Upcoming events

Jan 3, 2025

And off we go – New Year's Concert · Kölner Philharmonie

Jan 6, 2025

Weill: "The Seven Deadly Sins" · Kölner Philharmonie

Feb 22, 2025

A Night With Nakamatsu · West Virginia Symphony Orchestra

Mar 2, 2025

Mazzoli & Weill · Omaha Symphony

22 - 23 Mar, 2025

The Seven Deadly Sins · Santa Barbara Symphony Orchestra

Past events

Dec 14, 2024

The Rat Pack at Christmas 2024 · Cadogan Hall

Nov 29, 2024

Claire Booth soprano; Jâms Coleman piano · Wigmore Hall

About

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