Composer

A Tsar, wanting to have his photograph taken has no idea he’s surrounded by conspirator’s planning his assassination. And a young woman, who can outsmart anybody – even a King.

EPSG:4326

The Tsar wants his Photograph taken / The Clever Woman

Oper Frankfurt

As part of the CSO’s tribute to 250 years of American history, Jean-Yves Thibaudet takes on the extravagant, jazz-infused piano solo in Leonard Bernstein’s The Age of Anxiety, based on W. H. Auden’s poem about the quest for faith and meaning. Sumptuous orchestral highlights from Gershwin and Weill musicals frame a stirring selection of spirituals performed with the Apostolic Church of God Sanctuary Choir.

Gaffigan, Thibaudet & Bernstein

Chicago Symphony Orchestra

In her ESO debut, Harmony Zhu performs Rachmaninoff’s Rhapsody on a Theme of Paganini, a set of 24 variations that is bursting with energy and passion from the first note.

Rachmaninoff's Rhapsody

Winspear Centre

Departure is your chance to experience something different—an intimate evening of two short operas that draw you into two very different stories. In Down in the Valley, a young couple’s love is pushed to the breaking point, leading to a violent choice that changes everything. Then The Bear shifts gears: a tense standoff between a widow and an unexpected visitor turns into something fast, funny, and surprisingly romantic. Two very different stories. One unforgettable night.

Departure

Denver Performing Arts Complex

Rohan Purohit, tenor

Northwestern Bienen School of Music

In his melancholically beautiful piece "Youkali," Kurt Weill yearned for the unattainable land of our dreams. Yet Weill had long since fled the decadent Berlin of the "Golden Twenties" for Paris, the city of light that never slept, a meeting place for exiles and artists. The spirit of the era was captured by the North American F. Scott Fitzgerald in his novel "The Great Gatsby," while in Buenos Aires, Carlos Gardell rose to international tango stardom. Pain and hedonism, longing and hope pass by whenSona MacDonald,Sophie HeinrichandMiloš Todorovskion their musical and literary journey, they evoke the "Roaring Twenties".

Listening To The Heart

Das MuTh

Never-before performed at Shreveport Opera, The Seven Deadly Sins and Mahagonny-Songspiel provide an intriguing ending to our 2025-26 season and feature our SOX artists. The Seven Deadly Sins tells the story of two sisters who leave Louisiana in search of fame, while Mahagonny-Songspiel tells of the rise and fall of a Sodom and Gamora-esque town.

Art After Dark

The Catholic Center

Joana Mallwitz & Radoslaw Szulc

Munich Residence

Under the baton of Timothy Weiss, DCWS reunites with the Detroit Opera Resident Artists for a performance of Kurt Weill’s Mahagonny Songspiel and Maurice Ravel’s Hebrew Songs.

Mahagonny Songspiel

Temple Emanu-El

The Bochum Symphony Orchestra's orchestra course offers talented musicians aged 15 and up the opportunity to gain valuable experience in orchestral playing and is a fantastic opportunity for musical development.

Final concert of the BoSy orchestra course

Bochumer Symphoniker

Windswept

University of Alabama

Written on a walking holiday in the countryside, its unstoppable stream of melody immediately evokes freedom, natural beauty and high spirits.

Voyagers: Schubert, Ravel, Hankash, Weill

Smith Square Hall

Lost In The Stars

Trinity-St. Paul's United Church and Centre for Faith, Justice and the Arts

Michael Witt, conducting

Mary B. Galvin Recital Hall

Anny Clyne wrote Masquerade for the London Proms, which she describes as “…a place where people from all walks of life mingle to enjoy a wide array of music…”.  To widen our array of concert offerings, we bring Kurt Weill’s rarely heard second symphony, composed just before his escape to France during the second world war.  It is a must-hear mix of neo classical irony and modernism.  Sergei Rachmaninoff’s third symphony, which the composer called ‘one of my best pieces’, is a masterclass in melody.

Masquerade

The Forum Auditorium

Premiered in Germany on February 18, 1933, and promptly banned by the recently elected Nazi party, Der Silbersee (The Silver Lake) was composer Kurt Weill’s final theatrical work written before he fled to Paris in March 1933 to escape the rising tide of fascism, eventually immigrating to the United States. A groundbreaking work that stands as both a testament to artistic defiance and a timeless reflection of humanity's struggles and hopes, Der Silbersee is a genre-defying masterpiece that blurs the boundaries between opera, operetta, and musical theater, paving the way for the future of music drama.

DER SILBERSEE The Silver Lake

Studebaker Theatre

Friday Concert No. 4

Volkshaus Jena

What do you do if you’ve had a falling-out with a cherished friend and advisor and want to make amends? Well, if you’re Johannes Brahms and violinist Josef Joachim is your friend, a Double Concerto is the perfect peace offering, expressed in musical language. A give-and-take between violin and cello as they trade phrases and musical gestures full of drama and lyricism, confirming the emotional capital they’ve invested in one another over the decades. Bringing the concerto to life are Chad Hoopes, internationally lauded faculty member of Southern Methodist University, and world-renowned cellist Jan Vogler. Maurice Cohn also leads the first DSO performance of Weill’s Second Symphony, composed in the fraught Post-World-War-I period. The funeral cortège-second movement, says commentator David Drew, is followed by a rondo finale with “marches and counter-marches, and a demented tarantella coda.”

Brahms’ Double Concerto

Morton H. Meyerson Symphony Center

Two giants of London's underworld clash: On one side, Jonathan Peachum, who has turned begging in the metropolis into a lucrative business. On the other, Macheath, known as Mackie Messer, the gang leader, who, thanks to his excellent connections with the police, is considered completely innocent. When Peachum's daughter Polly marries Macheath, the conflict erupts into open conflict. Can the marriage be annulled, perhaps even by hanging? The beggar king denounces the master criminal: Mackie Messer is forced into hiding, betrays Polly, and is betrayed himself. And above it all, the moon shines over Soho!

The Threepenny Opera

Stadt Northeim

Teo Otto Theater der Stadt Remscheid

Theater am Wall

Theater & Konzerthaus Solingen

Tourist, Congress and Saalbau GmbH

A brass quintet of exceptional caliber. When trumpet, trombone, horn, and tuba come together in the hr concert hall, you can expect a rich, magnificent sound and a varied and captivating program. Frankfurt Radio Brass was founded in 2023 by five members of the hr Symphony Orchestra with the desire to present the audience not only with orchestral repertoire but also with the broad and brilliant spectrum of brass music at the highest level. From Baroque and Romantic to contemporary, there's something for everyone, because the musicians of Frankfurt Radio Brass have made it their mission to present every genre of music with the same passion, musicality, and technical perfection that listeners have come to expect from the hr Symphony Orchestra. The joy of making music together is always paramount and is visible and palpable to everyone.

Brass Connection

Hessischer Rundfunk

Enter the City of Mahagonny, where the pleasure is all yours – if you’re willing to pay for it. Lose yourself in a desert boomtown built on the foundations of greed and moral corruption.

Rise and Fall of the City of Mahagonny tells the story of three criminals on the run who find Mahagonny, a city of gold. In a place where absolutely anything goes, everything is permitted and the rules are, there are no rules. The question is, who will get out alive?

Rise and Fall of The City of Mahagonny

London Coliseum

Rare gems from the golden age of American Music Theatre take us through the passing of day into late evening and night, looking at the complex thoughts, hopes, and fears that come to us in the dreaming hours.

Dominic Mattos countertenor

The Bridgewater Hall

Barbara Hannigan returns for an electrifying evening, bringing the intoxicating rhythms of Offenbach and the sultry nostalgia of the tango in Youkali. Renowned for her stunning performances at the Maison symphonique in 2022 and 2024, the Canadian conductor and soprano is set to mesmerize with her extraordinary talent and magnetic presence in this bold and captivating program.

The Flamboyant Barbara Hannigan

Place des Arts

Aufstieg und Fall der Stadt Mahagonny

Teatro Lirico Giuseppe Verdi

We kick off our 36th season with music shaped by African and African American traditions. Saint-Saëns’s Piano Concerto No. 5, written during his time in Egypt, is infused with exotic melodies and dazzling virtuosity. Gershwin and Weill both wove blues and jazz into a classical framework in their groundbreaking operas, Porgy and Bess and The Threepenny Opera, whose unforgettable tunes – like Mack the Knife and Summertime – have become standards of both the concert hall and the Great American Songbook.

Borrowed & Blue

Lyric Theatre

Vero Beach Country Club

There are countless string quartets—both ensembles and works—but saxophone quartets? With this lineup, the MAAT Saxophone Quartet is making a name for itself. As the European Concert Hall Organization's "Rising Star," they will tour throughout Europe in the 2025/26 season. After eight sold-out children's concerts in 2024, they will also return to the Elbphilharmonie with a program that showcases the quartet's diversity, with arrangements ranging from string quartets to piano concertos.

Size Saxophone Quartet

Elbphilharmonie Hamburg

Packed with personality and humour, Crooners has been wowing audiences with its witty and exhilarating show full of hilarious one liners, laugh out loud silliness and superb musical numbers with the outstanding 9-piece The Mini Big Band live on stage.

Crooners

Queen's Theatre Hornchurch

This concert features four composers who crossed and blurred the boundaries of jazz, Broadway, and classical music.

Inspired By Jazz

St. Paul's Syracuse, the Downtown Episcopal Church

Each stopover will introduce you to a different sound world, combining lively rhythms and captivating melodies. Under the direction of conductor Zoe Zeniodi, the musicians will be joined by soprano Sheva Tehoval, the distinguished guest of this festive event. Together, they will perform works with multiple influences, reflecting the richness of the world's musical heritage. A moment of sharing, joy, and escape to experience with family or friends, to start the year with a smile.

New Year's Concert

Opéra Berlioz

The hr-Symphony Orchestra's chamber concert series returns to Bad Nauheim, this time with a truly exceptional quintet. When trumpet, trombone, horn, and tuba come together, you can expect a rich, magnificent sound and a varied and captivating program. The first half of the evening will surprise with vibrant and lively pieces that evoke memories of faraway places, bygone eras, and sunny days. The second half will then focus entirely on the Christmas season. Frankfurt Radio Brass was founded in 2023 by five members of the orchestra with the desire to present the audience not only with orchestral repertoire but also with the broad and brilliant spectrum of brass music at the highest level. From Baroque and Romantic to contemporary, there's something for everyone, as the musicians of Frankfurt Radio Brass are committed to presenting every genre of music with the same passion, musicality, and technical perfection that listeners have come to expect from the hr-Symphony Orchestra. The joy of making music together is always paramount and is visible and palpable to everyone. The five solo wind players are among the leading musicians of their generation and have won numerous prizes at national and international competitions.

Werner-Borchers-Halle

Konzertmuschel der Trinkkuranlage

In the heart of the desert, three fugitive criminals establish the city of Mahagonny. This ‘paradise city’ has its own rules for living life, fueled by the wealth of men passing through from the Gold Coast. Eating, loving, boxing, and drinking are the order of the day. However, this idyllic utopia soon begins to falter, as natural disasters, excesses, violence, and corruption push the city to its breaking point.

Rise and Fall of the City of Maha­gonny

Schiller Theater

Jazz was condemned by the art music audience in the early 20th century, but that did not stop composers from being inspired by jazz rhythms and sounds.

Bad influences

Espoo Cultural Centre

Dani Ewing – Senior Recital

Hamel Music Center

Works from great composers who immigrated to America.

Stravinsky

University of Nevada

The soundscapes of the Hamburg Philharmonic State Orchestra's chamber concerts are as diverse as the characters of the musicians who perform in them. The demands in the orchestra pit are often characterized by the size and diversity of the voices. Chamber music, on the other hand, reduces this dimension to smaller ensembles and allows for intimate musical interaction.

2nd Chamber Concert

Elbphilharmonie

Storm Large, Portland’s "favorite songstress”, wows you as she explores the world of sin! The Seven Deadly Sins, no less. Reprising one of her signature roles, this working girl moves across America to help her greedy family build their little house back in Louisiana, accompanied by the jazzy sounds of the Swinging ‘30s. Plus, hear music from the Oregon Symphony’s first concert in 1896 and new works by Portland composers – including a jazz piano concerto inspired by Langston Hughes and the friendship between the composer and pianist.

Seven Deadly Sins

Arlene Schnitzer Concert Hall

Willamette University

Venture beyond Kurt Weill’s irresistible ballad Mack the Knife and you’ll find there’s lots to explore. That includes his Second Symphony, commissioned by Winnaretta Singer, an heir to the Singer sewing machine fortune and generous patron of the arts. Bookending that are contrasting voices of three extraordinary French composers.

David Afkham Returns

Orchestra Hall

MSM OPERA THEATRE Die sieben Todsünden

Manhattan School of Music

Join everyone’s favorite vampire, Peter “the Count” Jaffe, for a musical journey into the darker side of the Great White Way.

Symphonic Spooktacular

California Theatre

*World premiere of New York Times bestselling author Amanda Gorman’s poetry set to symphonic music, creating a powerful fusion of words and orchestral expression.

Reflections and Hope

Shermerhorn Symphony Center

Filled with hummable themes and sultry jazz tones, Gershwin’s crowd-pleasing Concerto in F will glisten and glow in the hands of Hélène Grimaud. Like Gershwin, Kurt Weill’s talents ranged from symphonies to Broadway and popular music (most notably, the jazz standard “Mack the Knife”), and his irresistible Symphony No. 2 showcases his effortless gift for songwriting. The concert opens with Julia Perry’s action-packed A Short Piece for Orchestra.

Gershwin & Grimaud: Jazz Meets Symphony

Jones Hall

October 2025 Concert

St. Paul & St. Andrew United Methodist Church

Julia Sporsén is one of Sweden’s most acclaimed sopranos today. She was awarded the Svenska Dagbladet Opera Prize in 2023 for her portrayal of the title role in Bellini’s Norma at Folkoperan, with the jury stating: “In the service of artistic expression, she tests all boundaries with beautiful sensitivity and complete vocal mastery.” Equally praised was her performance as Desdemona in Verdi’s Otello at the Gothenburg Opera last season.

Lied Concert with Sporsén and Risberg

Stockholm Concert Hall

Jonathan Peachum, a successful entrepreneur in organized begging, has the city firmly in his grip. No one who wants to make it as a beggar can get past him. Only his daughter Polly, of all people, doesn't listen to him. She has plans to marry Macheath, known as Mackie Messer, who is also a big name in the London underworld. Macheath has good contacts in the authorities, especially with Police Chief Tiger Brown. These contacts are very useful in preventing the occasional unpleasant (murder) story from becoming a problem. But now it's not just Polly's father who is out to get him; other women he has promised to marry are also reminding people of themselves. In The Threepenny Opera, Kurt Weill mixes elements of jazz, tango, and fairground music, garnishing them with sideswipes at opera and operetta. The piece, which is based on John Gay's baroque opera parody The Beggar's Opera , is directed by Jan Neumann, who has staged the plays Sensemann & Söhne and kurz&nackig at the Staatstheater Mainz, among others.

Staatstheater Mainz

The soundscapes of the Hamburg Philharmonic State Orchestra's chamber concerts are as diverse as the personalities of the musicians who perform in them. The demands of the orchestra pit are often determined by the scale and diversity of voices. Chamber music, on the other hand, reduces this dimension to smaller ensembles and allows for intimate musical interaction. As in a dialogue, diverse opinions collide, new ideas emerge and develop during performance, thus opening up a creative space for spontaneous development.

Chamber Concert / Hamburg Philharmonic State Orchestra

Inselmusik 2025 brings together experienced and young chamber musicians who will immerse themselves in the atmosphere of the island of Rügen for three days of music-making. Eckart Runge, former cellist of the legendary Artemis Quartet, and his duo partner Jacques Ammon will lead the festival and also present their own transcendent programs. The young musicians will have the opportunity to showcase their work in portrait concerts.

Opening concert of the island music

im-jaich Naturoase Gustow

South African soprano Golda Schultz, the ‘glorious’ star of 2020’s Last Night, returns to the Proms with songs by Bernstein, Gershwin, Weill and others. Bask in the sultry heat of the Deep South in ‘Summertime’ from Porgy and Bess; feel the intensity of first love in ‘Somewhere’ from West Side Story. A programme of contrasting moods and colours also includes Schreker’s sensuous Chamber Symphony – glittering and mercurial – and the bold, folk-infused dances of Stravinsky’s ballet The Firebird.

Golda Schultz Sings Gershwin and Bernstein

Royal Albert Hall

The Chamber Orchestra of Europe (COE), founded in 1981 by former members of the European Community Youth Orchestra, has long been one of the world's leading orchestras. Still organized as a project-based independent ensemble, this ensemble has been a regular guest at the Musikfest since 1994, and this year marks its twelfth appearance. With Robin Ticciati, Chief Conductor of the Deutsches Symphonie-Orchester Berlin, Music Director of Glyndebourne Festival Opera, and newly appointed Honorary Member of the COE, the program showcases the richness of music from the first half of the 20th century. All of the composers featured in the program were closely connected to a wide variety of musical movements, thus demonstrating a truly pluralistic approach to style, yet never questioning tonality in their works of great expressive density. And when the South African soprano Golda Schultz sings songs and arias by Gershwin, Weill, Korngold and Bernstein at her music festival debut with her wonderfully warm, extremely expressive and technically flawless voice, then happiness is complete!

To new shores

Die Glocke

Is it jazz, musical, or opera? Is it American or European? It’s hard to say for sure when it comes to the American music of the early twentieth century, influenced as it was by exiles. The Chamber Orchestra of Europe present arias with a captivating Broadway flair, as if tailor-made for the brilliant and shimmering voice of South African soprano Golda Schultz, whose career is fast on the rise at the world’s major opera houses. Immigrants Stravinsky, Korngold, and Weill meet second-generation Americans Gershwin and Bernstein – their music reveals both personal dislocation and bold innovation. These works are contrasted with Beethoven’s concise and humorous Symphony No. 8 as the Chamber Orchestra of Europe once again demonstrates its top credentials as a Beethoven orchestra.

Chamber Orchestra of Europe

Theater Bonn Opera House

Chiesa di S. Francesco

"Give My Regards to Old Broadway": Our opera ensemble and the Hessian State Orchestra bring the golden age of musicals to Wiesbaden. Grand glamour, tender moments: In this gala concert, the hits from Broadway to the MGM films of the 1940s to 1960s are presented at their very best. Look forward to a dazzling journey through time for fans of George Gershwin, Rodgers and Hammerstein, Irving Berlin, Leonard Bernstein, and many more!

Summertime: Broadway in concert: Concert featuring works by George Gershwin and others

Hessisches Staatstheater Wiesbaden

Founded in 1981, the Chamber Orchestra of Europe is one of the world’s most esteemed chamber orchestras. Comprised of top musicians from across Europe, the orchestra collaborates with leading conductors and soloists worldwide. What unites its musicians is a shared artistic vision that transcends borders and nationalities. The orchestra has recorded hundreds of acclaimed albums, many of them for the prestigious classical music label Deutsche Grammophon.

Korngold! Stravinsky! Gershwin! Weill! – Chamber Orchestra of Europe

Musiikkitalo

For ten years now, the five musicians and friends have formed the ensemble Karidion Brass. With wit and passion, they introduce their listeners to the full diversity of brass music and inspire with their joy in making music together at the highest level. Under the open sky of the courtyard of Dobbertin Monastery, Karidion Brass presents a colorful and diverse program of virtuoso baroque pieces, sophisticated original compositions, and modern, jazzy melodies.

YOUNG ELITE Karidion Brass

Klosterkirche Dobbertin

From Berlin to Broadway

Stadttheater Flensburg

Watt'n Hus

Caramoor is thrilled to welcome back the Grammy-winning male vocal ensemble Chanticleer, known globally as “an orchestra of voices.”  In Music of a silent world, Chanticleer sings the songs of the natural world and gives a voice to the otherwise voiceless rocks and stones and trees and rivers that share our planet with us. The program centers around a new arrangement of Majel Connery’s The Rivers are our Brothers, and alsoincludes music by Heinrich Isaac, Joni Mitchell, Max Reger,  Stephen Sondheim, Kurt Weill, and Ayanna Woods.

Chanticleer

The Rosen House at Caramoor

RISE AND FALL OF THE CITY OF MAHAGONNY in Benedikt von Peter's production will take place in the foyers and on the stage - guests can move freely between the venues and video screens. There will be free choice of seating, including on mattresses.

Rise and Fall of the City of Mahagonny

Deutsche Oper Berlin

Two masterpieces from the 20th century form an unforgettable double bill that could not be more topical, given its similarities to today's social and political situation. Kurt Weill' s Die sieben Todsünden tells the story of sisters Anna 1 and Anna 2, who commit the seven deadly sins in seven cities to save their families. Der Kaiser von Atlantis is a gripping parable about a war machine so destructive that even death refuses to do its job unless the emperor himself is willing to die first. Composer Viktor Ullmann wrote this work in the Theresienstadt concentration camp, but was deported to Auschwitz, where he was murdered, before its premiere.

Die sieben Todsünden & Der Kaiser von Atlantis

Amare

Shostakovich's piano concertos are rarely separated. The first dates from 1933. With its witty humor, it is reminiscent of silent film music: the composer once earned his living as a cinema pianist. The neoclassical second from 1957, on the other hand, seems out of date. "I have finished a piano concerto that has no value whatsoever," judged the Russian. But like so many things, these words should not be taken too lightly: Shostakovich composed the work for his son, who he did not want to prevent from seeing it. To open the Shostakovich Days, Marie Jacquot combines the Janus-faced pair with Kurt Weill's 2nd Symphony, which was premiered in exile in Paris in 1934.

Special concert on the eve of the International Shostakovich Days Gohrisch

Kulturpalast Dresden

Shostakovich’s two piano concertos are worlds apart. The lively humour of the first, which dates back to 1933, is reminiscent of music for the silent screen; indeed, the composer had once earned his living as a cinema pianist. The neoclassical second from 1957, on the other hand, seems unrooted in time. The composer’s own view was merciless: »I have finished a piano concerto that has no redeeming artistic merits«. Yet perhaps his words should be taken with a pinch of salt: Shostakovich composed the work for his son, and he did not hinder him from performing it. To help launch the Shostakovich Festival, Marie Jacquot is combining this Janus-faced pair of works with Kurt Weill’s Symphony No. 2, which premiered in Paris in 1934, the year in which the composer fled Nazi Germany.

Special Concert International Shostakovich Festival Gohrisch

The end of the season will be a tribute to the vibrant American musical life, and inspiration has been drawn from jazz, blues, bebop, rock'n'roll and the cabaret genre.



It begins with Duke Ellington's charming musical portrait of the New York district of Harlem. He takes listeners on a Sunday morning walk – in his own words: “We walk from 110th Street up 7th Avenue, north through the Spanish and West Indian Quarter towards the business district that is on 125th Street... You can hear a parade go by past, or a funeral, or you can recognize the music of those demanding civil rights.”

Weilerstein & The Seven Deadly Sins

Aalborg Central Waterfront

As Hitler’s armies surrounded the city of Leningrad, and bombs rained down on a starving population, Dmitri Shostakovich sat down and – somehow – composed his Seventh Symphony. Written for massed battalions of musicians, this is music from the front line: a roar of defiance from an unbreakable city. You can hear it this afternoon conducted by Vasily Petrenko, whose recording of the piece was described by one critic as ‘devastating’. It’s a stupendous climax to a concert that’s all about struggle and resistance: whether it’s Sibelius defying Russian imperialism with a mighty hymn to his native Finland or the poet Walt Whitman’s pleas for tolerance, set to music by the exiled Kurt Weill. Singing them today is the fabulous British baritone Roderick Williams: a born communicator at the heart of a truly epic programme.

Shostakovich’s ‘Leningrad’ Symphony

Royal Festival Hall

Youkali - this is the name of a fictitious island of the peaceful, where all the world's persecuted and displaced people could one day find refuge. A kind of utopia that Kurt Weill created in his 1934 chanson of the same name while fleeing from the National Socialists and which is the melancholy center of this special song recital.

Youkali

The Staatstheater Stuttgart

In 1930 Kurt Weill and Bertolt Brecht created a new type of grand opera, radical in both, entertainment as well as criticism. With the wit of an epic theater and the musical esprit of old and worn bar songs mixed with music of the avant-garde, Weill and Brecht built the fable of a city in paradise that finally perishes from its own utopias: in the end there is only one mortal sin left – the sin of insolvency. Together with a young ensemble, director Ulrike Schwab explores the one question: Who would still dare to dream of a better future today.

A jingle of sleighbells, a flurry of flutes…it doesn’t take much to set Mahler’s Fourth Symphony in motion. But with Mahler, even the gentlest sounds can create a universe. From playful opening to final, blissful vision of heaven, the Fourth is a musical fairy tale like no other – an enchanting finish to a concert that begins with Dorothy Howell’s fantasy of a shape-shifting serpent and Kurt Weill’s typically feisty retelling of the myth of Orpheus.

Oramo conducts Mahler's Fourth Symphony

Barbican Centre

In pursuit of their degrees at SFCM, each student presents a recital that represents their artistry and craft. Student Recitals feature repertoire curated by students with guidance from their faculty instructor. 

Jaimie Langner, voice - Senior Recital

San Francisco Conservatory of Music

Our honorary conductor Iván Fischer is a guarantee for unusual programmes. This time, he and the Konzerthausorchester will perform works by four composers who were ostracised and persecuted by the National Socialists and whose works shaped the avant-garde of the interwar period. Paul Hindemith, Kurt Weill and Hanns Eisler found their way to the United States via detours, but Erwin Schulhoff was interned in Prague, deported and died of tuberculosis in a camp in Bavaria.

Konzerthausorchester Berlin, Iván Fischer

Konzerthaus Berlin

Right in the middle – pick your favourite spot in the midst of the orchestra! The musicians of the Konzerthausorchester Berlin will rearrange themselves for you. Experience music where it is created and feel the special atmosphere that arises between the orchestral members and our conductor while making music. You’ll also have the opportunity to ask Iván Fischer questions. In the end, you will definitely be able to say: I was right in the thick of things, not just on the sidelines.

In the middle

Following his appointment as the Czech Philharmonic’s newest Principal Guest Conductor and Rafael Kubelík Chair, Simon Rattle announced his plans to devote himself to both music well-known and unknown by the orchestra. This is the reason for both the music of Dvořák and Weill on this programme. With the Slavonic Dances, Rattle returns to his childhood and the start of his life as a conductor; and with The Seven Deadly Sins, he brings to the Czech Philharmonic a piece he has already performed many times during his illustrious career with major orchestras worldwide.

Czech Philharmonic • Magdalena Kožená

Rudolfinum

Whoever has money has power. And whoever doesn't will find it difficult to build a fortune. This was already the case in 1837 in London's Soho or in Brecht's Berlin - and it is no different today. Life without capitalism is no longer imaginable, and in a self-corrupting system, everything has become a commodity - love, morality, and misery. Businessmen and the police are just as criminal and devoid of morals as criminals and beggars - there is no distinction between the bourgeoisie and the crooks. The top and the bottom of society merge seamlessly into one another. What connects them is money, and good business probably justifies any immoral behavior.

Murderous antihero Mackie Messer (a.k.a. Mack the Knife) slashes through Victorian London in The Threepenny Opera, Bertolt Brecht’s scandalous satire that electrified Weimar-era German audiences 400 times in just two years after its 1928 debut.

A century later, Brecht’s razor-sharp critique of unbridled capitalism still cuts deep—an eerily prophetic vision of a well-fed society teetering on the brink, propelled by Kurt Weill’s infectious, jazz-infused score.

Barrie Kosky’s Berliner Ensemble production is sly and perversely sexy, embracing seediness and cynicism with glitzy disillusion and more than a hint of danger. A master showman, Kosky manages to beguile us through the familiar rise and fall of Brecht’s sociopathic leading man, adding a knowing creepiness to his unrepentant antics.

Peter Jay Sharp Building

Love Life, the only collaboration between Kurt Weill and Alan Jay Lerner, depicts a love story that takes place over 200 years of American history, through the eyes of a family who never ages. This rarely staged production is directed by Tony winner Victoria Clark (Kimberly Akimbo) and explores the epic and intimate aspects of a marriage through a juxtaposition of heartfelt scenes and satirical vaudeville acts.

Composer

Kurt Weill

Events

Upcoming events

14 - 27 Jun, 2026

The Tsar wants his Photograph taken / The Clever Woman · Oper Frankfurt

Aug 22 - Sep 27, 2026

Rise and Fall of the City of Mahagonny · Theater Basel

Sep 13, 2026

Weill - Songs · Teatro del Maggio Musicale Fiorentino

Sep 21, 2924

Kurt Weill Cabaret · Bodhi Tree Concerts

Past events

14 - 27 Jun, 2026

The Tsar wants his Photograph taken / The Clever Woman · Oper Frankfurt

11 - 13 Jun, 2026

Gaffigan, Thibaudet & Bernstein · Chicago Symphony Orchestra

About

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