Set Designer

You could say Vivaldi had a kind of synesthesia when writing The Four Seasons. What does being cold feel and sound like? MacArthur Award-winning playwright and librettist Sarah Ruhl joins Anthony Roth Costanzo to co-conceive a tapestry of Vivaldi’s music, telling an original story about a world in which the seasons are completely out of order. 

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The Seasons

Kimmel Center for the Performing Arts

AMOC* opens our milestone Run AMOC* Festival with the New York premiere of The Comet / Poppea. This production fuses Monteverdi’s The Coronation of Poppea (1642) with W.E.B. Du Bois’s short story The Comet (1920). Directed by Yuval Sharon, it explores power, survival, and race through the lens of cosmic disaster. George Lewis’s evocative new score—a 2025 Pulitzer finalist—links these narratives in a visionary operatic landscape. The stellar cast features AMOC* members Davóne Tines and Anthony Roth Costanzo. Tony Award-winner and Lincoln Center Artist-in-Residence (2022–24) Mimi Lien’s rotating set merges ancient Rome with comet-ravaged New York, creating an apocalyptic, immersive experience.

“The Comet / Poppea” – Run AMOC* Festival at Lincoln Center

Lincoln Center

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

Antony and Cleopatra

Lincoln Center for the Performing Arts

Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded premieres at the Metropolitan Opera, wrestling with often-overlooked issues created by 21st-century warmaking: the ethical conflicts created by the use of modern military technology and the psychological and emotional toll supposedly safe remote technology takes on our servicepersons. Canadian mezzo-soprano Emily D’Angelo stars as the hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. American tenor Ben Bliss costars as the Wyoming rancher Eric in a production by Michael Mayer that brings this story to life in a high-tech staging which presents a variety of perspectives on the action. Met Music Director Yannick Nézet-Séguin takes the podium to conduct Tesori’s kaleidoscopic opera, which will be transmitted live from the Met stage to cinemas on October 19.

Grounded

Shalin Liu Performance Center

In its Metropolitan Opera premiere, Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded wrestles with often-overlooked issues created by 21st-century warmaking: the ethical conflicts posed by the use of modern military technology, and the psychological and emotional toll that supposedly safe remote technology takes on our servicepersons. Canadian mezzo-soprano Emily D’Angelo stars as the hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. American tenor Ben Bliss co-stars as the Wyoming rancher Eric in a production by Michael Mayer, which brings this story to life in a high-tech staging presenting a variety of perspectives on the action. Met Music Director Yannick Nézet-Séguin takes the podium to conduct Tesori’s kaleidoscopic opera.

Brooklyn Academy of Music

Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare. Mezzo-soprano Emily D’Angelo, one of opera’s most compelling young stars, portrays Jess, a hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. As she struggles to adjust to this new way of doing battle, she fights to maintain her sanity, and her soul, as she is called to rain down death by remote control. Met Music Director Yannick Nézet-Séguin oversees the Met premiere of Tesori’s kaleidoscopic score and a cast that also features tenor Ben Bliss as the Wyoming rancher who becomes Jess’s husband. Michael Mayer’s high-tech staging, using a vast array of LED screens, presents a variety of perspectives on the action, including the drone’s predatory view from high above.

Saratoga Market Center

David struggles to reconcile spiritual humility with ambition. His desire for more wreaks havoc on his family, friendships and, perhaps, his own faith. His journey from preacher to Governor, like the lives of those closest to him, is shaped by the current affairs of the 1980s.

The Righteous

Santa Fe Opera

The Comet / Poppea brings together seemingly disparate worlds connected by stories of cultural transformation. The work juxtaposes Claudio Monteverdi’s L’incoronazione di Poppea (The Coronation of Poppea), an Italian opera from 1643 unfolding among the social divisions of ancient Rome; and the world premiere of The Comet, based on the 1924 science-fiction short story by sociologist and Pan-Africanist civil rights activist W.E.B. Du Bois. Set in 1920s New York City, “The Comet” depicts a Black man and white woman as the only survivors after a comet hits Earth.

The Comet / Poppea

Museum of Contemporary Art

Sonya and her uncle Vanya have devoted their lives to managing the family farm in isolation, but when her celebrated, ailing father and his charismatic wife move in, their lives are upended. In the heat of the summer, the wrong people fall in love, desires and resentments erupt, and the family is forced to reckon with the ghosts of their unlived lives.

Uncle Vanya

Lincoln Center Theatre

She was his queen. He was her downfall.  San Francisco Opera's 100th Season begins with John Adams' thrilling new opera, commissioned for the Company's centennial and conducted by Music Director Eun Sun Kim.

Segerstrom Center for the Arts

Don’t miss the Houston premiere of the Pulitzer Prize-winning 2011 opera Silent Night. HGO will present a new production of the opera, in a revised version from hit-making composer Kevin Puts, who recently debuted his The Hours to raves at the Met. Inspired by the 2005 film Joyeux Noël, this powerful portrayal of peace amidst conflict captures the real-life Christmas truce of 1914, during World War I.

Set Designer

Mimi Lien

Events

Upcoming events

19 - 21 Dec, 2025

The Seasons · Opera Philadelphia

Jan 23 - Feb 8, 2026

Silent Night · Houston Grand Opera

Past events

19 - 21 Dec, 2025

The Seasons · Opera Philadelphia

18 - 21 Jun, 2025

“The Comet / Poppea” – Run AMOC* Festival at Lincoln Center · AMOC / American Modern Opera Company

About

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