Composer

Elevate Piano Festival

Hotel Imperial

EPSG:4326

Nosky's Baroque Band

Central Park

Violinist Njioma Grevious brings her "vibrant and compelling" artistry to the Music Room following her previous performances as a founding member of the Abeo Quartet (2023-24 Ernst Stiefel String Quartet-in-Residence).  She is a winner of both the Robert F. Smith First Prize and the Audience Choice Award at the 2023 Sphinx Competition and received a prestigious 2024 Avery Fisher Career Grant. She has an active solo career and has made recent debuts with the Chicago and National Symphony Orchestras.

Njioma Grevious, violin & Andrew Goodridge, piano

The Rosen House at Caramoor

Musik für 3 Streicher, a product of the composer’s mid-20s, sets out to encompass the span of human emotions and experience. Ilya Gringolts, Lawrence Power and Nicolas Altstaedt begin their expedition through the string trio repertoire with two movements from Wolfgang Rihm’s monumental work. Their programme also includes the remarkable Ricercari by Roman Haubenatock-Ramati, who escaped Nazi and Stalinist persecution to join General Anders’s Polish Army and survived the Second World War to become editor of new music for Universal Edition in Vienna.

Ilya Gringolts violin; Lawrence Power viola; Nicolas Altstaedt cello

Wigmore Hall

Few can match the dazzling brilliance and zen-like focus that Boris Giltburg brings to every performance. His latest Wigmore Hall recital would command attention for no other reason than its inclusion of Liszt’s Sonata in B minor, a titanic monument of Romantic music. Yet the Moscow-born Israeli pianist places Liszt’s single-movement masterwork in company with a succession of musically powerful, technically-demanding compositions, crowned by Gaspard de la nuit, Ravel’s mesmerising suite of character pieces.

Boris Giltburg piano

Genre-defying South African cellist Abel Selaocoe returns as soloist in the UK premiere of American composer Jessie Montgomery’s These Righteous Paths – inspired by her late mother, the poet and playwright Robbie McCauley. The concert opens with Bach’s mighty Fantasia and Fugue in G minor in Andrew Davis’s colourful orchestral arrangement. After the interval comes the monumental power of Beethoven’s ‘Choral’ Symphony: a musical cry for freedom and brotherhood that culminates in the radiant ‘Ode to Joy’. This concert marks Gianandrea Noseda’s return to the podium of the BBC Philharmonic Orchestra after his final appearance as its Chief Conductor 11 years ago.

Beethoven’s Ninth

Royal Albert Hall

Violinist Elissa Lee Koljonen (’94), hailed for her “boundless technique and musicianship” (Chicago Tribune), guitarist Hao Yang (’22), and cellist Romain-Olivier Gray present a program of virtuosic solo repertoire by J.S. Bach. The program features Bach’s Lute Suite in E minor, the beloved sixth cello suite, and the masterful Chaconne for solo violin.

Curtis on Tour in Nantucket, MA

Nantucket Atheneum

Led by Hans-Christoph Rademann, the Gaechinger Cantorey embodies the highest level of Bach expertise. We are fortunate that the ensemble is stopping in Blaibach to perform four impressive examples from Bach's epochal cantata oeuvre. "Give us wings of faith!"

Gaechinger Cantorey

Blaibach Concert Hall

Celebrating the Art of Baroque Concerto, director Marios Papadopoulos steers the Oxford Philharmonic through a programme of youthful energy and dazzling virtuosity. Led by the orchestra’s rising stars, this concert highlights concerto masterpieces by Baroque greats Bach, Vivaldi and Telemann. Full of colour, conversation, and exuberance, this concert is a chance to experience Baroque music at its most exhilarating.

The Art of Baroque Concerto by candlelight

St Martin-in-the-Fields Church, London

Celebrating the Art of Baroque Concerto, conductor Marios Papadopoulos steers the Oxford Philharmonic through a programme of youthful energy and dazzling virtuosity. Led by the orchestra’s rising stars, this concert highlights concerto masterpieces by Baroque greats Bach, Vivaldi and Telemann. Full of colour, conversation, and exuberance, this concert is a chance to experience Baroque music at its most exhilarating.

The Art of Baroque Concerto

University of Oxford

West London Chorus celebrates its 50th Anniversary with a concert featuring three of the greatest composers of the 18th century.

In 1707, the 22-year-old Handel was living in Rome, a time when operatic performances were forbidden. That ban in no way precluded his composition of vivid, dramatic music, as is demonstrated by two psalm settings: Nisi Dominus (Psalm 127) and in particular, Dixit Dominus (Psalm 110), whose tremendous energy and exuberant choruses mark it as one of his finest works.

London Mozart Players perform the most popular of J.S. Bach’s Brandenburg Concertos, No. 3, noted for its unusual two-movement structure and the energy of its complex instrumental interplay.

Bach, Handel & Mozart

Cadogan Hall

The Grammy Award-winning Baroque orchestra Apollo’s Fire returns to the Venetian Theater with FENCING MATCH, a high-energy program directed by the "charismatic and tireless" Jeannette Sorrell. These "Dueling Double Concertos” pit soloists against one another in a brilliant display of 18th-century virtuosity.

Apollo's Fire

Venetian Theater at Caramoor

We invite you to listen to the incendiary cello music at Paliesius Manor! Augustas Gocentas will perform – a Lithuanian cellist, born into a musical family in Vilnius. He began studying the cello at the MK Čiurlionis School in the class of Ramutė Kalnėnaitė, and also studied piano for eleven years in the class of Jūratė Rudaitienė. The cellist received his bachelor's and master's degrees at the Sibelius Academy and in 2024 became a member of the Turku Philharmonic Orchestra.

Burning Cella

Paliesius Manor

2025 Van Cliburn Gold Medalist Aristo Sham brings his "lucid and gripping" artistry to the intimate Music Room for a program centered on the transformative transcriptions of Ferruccio Busoni. This afternoon recital highlights Sham’s technical mastery through a curated selection of Brahms character pieces, including the soulful Intermezzo in A Major and the spirited Capriccio in C Major. The second half of the performance focuses on Busoni's iconic arrangements, featuring the monumental Bach Chaconne and Chopin’s Variations on Prelude in C minor. As the newest Cliburn winner, Sham continues the competition's legacy of elite pianism with a performance that balances late-Romantic introspection with towering virtuosity.

Aristo Sham, piano

Violinist Leonidas Kavakos is joined by The Apollon Ensemble for an evening of Bach’s masterful concertos, works that showcase dazzling virtuosity, expressive depth and the timeless brilliance of Baroque craftsmanship.

Leonidas Kavakos violin; The Apollon Ensemble

‘I think it’s safe to conclude that another new countertenor superstar has arrived, and he’s found just the right ensemble to work with,’ concluded Gramophone’s critic following the release in 2024 of Carlo Vistoli’s recording of Vivaldi’s famous Stabat Mater setting and Nisi Dominus with the Akademie für Alte Musik. Its reprises both works this evening, placed together with JS Bach’s contemplative solo cantata Ich habe genug and three superb instrumental works.

Akademie für Alte Musik Berlin; Carlo Vistoli countertenor

2nd Choir Concert with the Evangelical University of Church Music Halle

St. Thomas Church

Cameron Carpenter is both a pop star and a bird of paradise. For years, the dazzling organist has thrilled audiences around the world with the traveling organ he specially designed. But during the coronavirus pandemic, it was irreparably damaged. Over ten years ago, the keyboard virtuoso made his "Toccata" debut in Duisburg, and now, after a long absence, he returns to the magnificent Eule organ in the Philharmonie Mercatorhalle. Yet he remains true to his penchant for the unusual, playing the Goldberg Variations, a work written by Johann Sebastian Bach for a two-manual "clavicimbel"—or harpsichord for short. To this day, this enigmatic cycle remains one of the pinnacles of piano literature: 30 variations, some of which pose horrendous technical challenges and offer tremendous expressive depth, based on an "aria" of timeless beauty. Before Bach's masterpiece, as a kind of prelude, Cameron Carpenter plays one of the three chorales composed by César Franck shortly before his death in 1890, which are considered the pinnacle of his organ output. Originally written for the magnificent organ in the Parisian church of Sainte-Clotilde, where Franck served not only as Kapellmeister but also as organist.

Summit points

CityPalais

Sharks are curious – and students even more so! With our specially designed student concerts, we bring classical music directly into the everyday life of schools in Saxony-Anhalt. Whether in the concert hall or on-site at the school: familiar works, exciting composers, and relevant topics seamlessly connect to music lessons – live, lively, and age-appropriate.

2nd Student Concert

Halle Opera House

Alex performs a programme that contrasts the spiritual depth of Bach’s chorales with the vivid imagination of Jehan Alain, culminating in Duruflé’s poignant tribute to Alain’s life and music.

Franck’s expansive Choral No. 1 provides the centrepiece, weaving a rich tapestry of colour, contemplation, and the brilliance of French organ writing.

Alex Robson, Organ

Smith Square Hall

Renowned "Renaissance woman" Hélène Grimaud returns to Caramoor for a deeply poetic recital exploring the profound emotional landscapes of the "Three Bs"—Bach, Beethoven, and Brahms. Known for a visceral intensity that has captivated Caramoor audiences since her 1998 debut and a celebrated 2015 residency, Grimaud brings her trademark technical control to a program of autumnal masterpieces. From the intimate, variation-rich Beethoven Piano Sonata No. 30 to the nostalgic textures of Brahms’ Fantasies and the monumental architecture of Bach’s Chaconne, this performance showcases the same unapologetically personal artistry that defines her work as both a world-class pianist and a dedicated wildlife conservationist.

Hélène Grimaud,  piano

Harpsichordist Jean Rondeau returns to lead OSL in the finale of this year’s Bach Festival with a program tracing the evolution of the Bach dynasty’s music across the 18th century.

Jean Rondeau and The Bach Dynasty

Carnegie Hall

Following our captivating performance at Halifax Minster in 2025, we are delighted to return to Halifax as part of our ongoing commitment to Culturedale and our work with UNESCO’s Seeds of Hope initiative.

As echoes of The Lark Ascending continue to resonate across the town, we look forward to bringing another vibrant programme of string repertoire to the Victoria Theatre, celebrating the very best of English music alongside inspiring works from around the world. The programme includes Vaughan Williams’ Fantasia on Greensleeves, Piazzolla’s The Four Seasons of Buenos Aires, and Grieg’s much-loved Holberg Suite.

We are especially pleased to premiere a new arrangement of Malcolm Arnold’s English Dances and to share the stage with talented young musicians from the Calderdale Music Youth Ensemble. This special concert provides a wonderful opportunity to showcase our award-winning work with schools and community groups across the region before we return to Calderdale again in August.

Close Encounters: Beyond the Lark

Victoria Theatre Halifax

The love for music is in Czech genes. There is good reason for the saying: Every Czech is a musician. Czech musicians are rightly considered to be the absolute best in the interpretation of classical music in the world. Do you want to meet them live?Come to a concert of the Prague Music Orchestra chamber ensemble, which originated in the beginning of the 21st century and is one of the most renowned Czech musical ensembles today. It is distinguished by a unique, cultivated sound and it is a representative of highly appreciated interpretation art.

The Best of Classics

Municipal House

All stops are pulled when organist Sebastian Heindl plays our Eule organ, demonstrating the versatility of his instrument with a virtuosic program. As a modern representative of the centuries-old Leipzig music tradition, Heindl opens his program with Bach. After warming up his fingers – and the audience – with the virtuosic cascades of the Toccata in F major, he leads through a mini-panorama of organ music, in which he also presents his own compositions. The thrilling conclusion is formed by Camille Saint-Saëns' "Danse macabre," arranged for organ by Heindl himself – dance-like, grotesque, and dizzyingly virtuosic.

Toccata

Palace of Culture

8.  Chamber Concert

Lübeck Town Hall

Hear violinist Renaud Capuçon make his OSL debut as both soloist and conductor in a program of vibrant and expressive works by Bach and Mozart.

Renaud Capuçon, Bach, and Mozart

The cello, long confined to the bass, rises to imitate the violin and reveal all its virtuosity. Exploring previously unpublished works by composers such as Giulio Ruvo, Giorgio Antoniotto, and Vivaldi, this concert tells the fascinating story of the instrument and its popular origins, sometimes meditative, sometimes exuberant. An invitation to discover an instrument in full emancipation.

And the cello suonò

Opéra Comédie

His piano recitals are unforgettable emotional events: Turkish pianist and composer Fazıl Say fascinates with his expressive playing style. Born in Ankara, trained in Düsseldorf and Berlin, Say combines experiences from Western classical music, oriental music, and jazz, building bridges between eras and cultures.

Fazıl Say

Festspielhaus Baden-Baden

Baroklyn, Simone Dinnerstein, & CONCORA

The final concert of the subscription serie I will be performed by the beloved Czech Philharmonic Chamber Orchestra. Under the expert direction of Nicholas Kraemer—a regular guest of the orchestra—the ensemble will present three of Bach's Brandenburg Concertos, masterpieces that epitomize the Baroque concerto grosso tradition.

Czech Chamber Music Society • Nicholas Kraemer

Rudolfinum

Our 40th Season concludes with the 1946 revision of Stravinsky's ballet suite Petrushka. A second performance this season featuring soloists from the ranks of the orchestra will be Assistant Concertmaster Viet Block and oboist Lauren Nebel's performance of Bach's Concerto for Violin and Oboe. Oregon composer (and occasional OES contra-bassoonist) Nicole Buetti's Odyssey Overture will round out the program.

OES Summer Concert 2026

Vert Auditorium

Erin Yu, piano

Northwestern Bienen School of Music

Claire Coven, mezzo-soprano

Jimi Wexler, guitar

Clare Choi, cello

Paul McCreesh launches OSL’s annual Bach Festival alongside GRAMMY-nominated countertenor Reginald Mobley.

Paul McCreesh Conducts Bach and Mozart

The Hamburg State Orchestra's Philharmonic Concerts become ZeitSpiele and transcend the boundaries of the ordinary: In this concert, Daniela Terranova's orchestration of Bach's music on the one hand and her compositional dialog with Beethoven on the other will be heard - for the third movement of his 6th Symphony will be replaced by a new composition from her pen, inspired by the original.

9th Philharmonic Concert BEETHOVEN / TERRANOVA

Elbphilharmonie

The Hamburg State Orchestra's Philharmonic Concerts become time-plays, transcending the boundaries of the ordinary: This concert features Daniela Terranova's orchestration of Bach's music and her compositional dialogue with Beethoven – the third movement of his Sixth Symphony is replaced by a new composition by her, inspired by the original. Beethoven confronts us today as a mirror of the past and, through Terranova, as a part of the here and now. This unabashed musical interplay opens new perspectives on our musical culture, our thinking and being, and our way of receiving music.

Hamburg Philharmonic State Orchestra / Jean-Christophe Spinosi

Elbphilharmonie Hamburg

Sacred and secular songs of hope, light, and comfort, by composers ranging from Giovanni Battista Pergolesi and J. S. Bach to Craig Hella Johnson and Caroline Shaw.

Northwestern Camerata

Director of Chamber Music Margaret Batjer invites you to savor an intimate bouquet of Baroque treasures, featuring the return of soprano Amanda Forsythe. From Handel’s expressive arias to Bach’s luminous “Wedding Cantata,” each piece unfolds like a flower in full bloom. On the second half, LACO cuts loose with Telemann’s Don Quixote suite and Biber’s Battalia, inviting you to dance into the night at this wedding themed program.

Baroque In Bloom

Wallis Annenberg Center for the Performing Arts

The Huntington

Daniel Dorsey, cello

Ashley Ryoo, cello

For the final program of the season, every note awakens the soul, reaffirming music’s timeless power to guide us toward joy and meaning—even when none seems to be found. Led by celebrated BSO Choral Director James Burton, “Boston’s best professional chorus” (The Boston Musical Intelligencer) delivers a concert experience unlike any other in our season, showcasing the transcendent music of Bach, Brahms, Gesualdo, and more–reminding us that in music, we can rediscover hope.

Voices Carry

New England Conservatory of Music

Xin Quan, violin

Amy Chu Yi Zhang, violin

Eunchai Kang, viola

Vintage baroque meets pure rock in this spirited double bill. Because when Vilde Frang and Kammerorchester Basel tackle Bach together, you know sparks will fly. The Norwegian string queen chose not only a violin concerto but also a harpsichord concerto, massaged into string music. And then there are Mendelssohn's string symphonies, brimming with youthful exuberance, and the Holberg Suite, in which Grieg proves that the spirit of Bach lingers even in the Far North.

Vintage baroque

Music Center De Bijloke

Experience the artistry of Sir András Schiff in his dual role as pianist and conductor. One of today’s foremost interpreters of Bach and Mozart, he leads from the keyboard in a sunny concerto by each. He then takes the podium for Mendelssohn’s Third Symphony, a piece inspired by the composer’s travels in the dramatic landscape of the Scottish Highlands.

Sir András Schiff: Bach, Mozart & Mendelssohn

David Geffen Hall

Shu-Tien Lin, guitar

The MZ Duo, made up of Canadian saxophonist David Zucchi and Spanish accordionist Iñigo Mikeleiz- Berrade, presents a programme of creative reimaginings of the classical repertoire, reaching as far back as JS Bach’s whirlwind Flute Sonata in E Minor and Edvard Grieg’s landmark Holberg Suite, to a Dixieland interpretation of Eric Satie’s iconic Gnossienne no. 1, and finishing with a much- loved exploration of Astor Piazzolla’s Nuevo Tango.

MZ Duo

Donnington Priory

A unique collaboration between outstanding young musicians and an expert on the music of J.S. Bach, the Gamut Bach Ensemble prides itself on stylistically sensitive, earnest, and insightful performances. Directed by Koji Otsuki, the Ensemble embarks on its annual program of cantatas in the luminous Church of the Holy Trinity.

Gamut Bach Ensemble

The Church of the Holy Trinity Philadelphia

Violinist Liza Ferschtman (‘00), known for her “laserlike intensity, purity, and refined beauty of playing” (New York Times), and pianist Benjamin Hochman (‘01), celebrated for his “elegant, polished, and heartfelt” playing (Boston Globe), lead a piano quintet ensemble with emerging artists Leah Amory, Davin Mar, and Carson Ling-Efird from Curtis Institute of Music. The program will begin with Bohuslav Martinů’s exuberant Three Madrigals and Beethoven’s “Ghost” piano trio, and close with Brahms’ masterful Piano Quintet in F minor.

Curtis on Tour in Berlin, Germany

Konzerthaus Berlin

Jonas Koh, Percussion

The Juilliard School

Driven by infectious energy and great interpretative finesse, the ensemble takes on some of Johann Sebastian Bach's finest concertos, combining virtuosity, balance, and expressiveness. A luminous program that highlights the richness of instrumental dialogue so dear to the Leipzig master.

Bach Concertos

Founded in 2019, Ensemble Augelletti were New Generation Baroque Ensemble in partnership with BBC Radio 3, the National Centre for Early Music, and the Royal College of Music and City Music Foundation Artists 2024-5. They are now regarded as among the most innovative and exciting period instrument ensembles and specialise in creating engaging programmes that tell the everyday stories of people living in the 17th and 18th centuries through baroque chamber music.

Ensemble Augelletti

St. Mary's Church

Conductor Andrew Megill leads a celebration of our Chorus in breathtaking spaces. From the intricate counterpoint and surprising dissonance of Machaut’s Kyrie and Andrieu’s Armes, amours to the Renaissance splendor of Ockeghem, Josquin, and Byrd, the evolution of choral music unfolds. Tallis’s breathtaking 40-part motet, Spem in alium (Hope in no other), soars alongside Monteverdi’s highly expressive madrigals and Bach’s deeply moving Komm, Jesu, komm and Jesu, meine Freude.

Celestial Voices

Fourth Presbyterian Church Chicago

Sts Faith, Hope, And Charity Catholic Church

Harpsichordist Justin Taylor will offer a suspended moment around Chopin, echoing the literary voice of Léonor de Récondo, writer and violinist, whose unique journey opens a sensitive dialogue with the composer's universe. Her new novel, Marcher dans tes pas, was published by L'Iconoclaste in 2025. An inspired evening, at the crossroads of imagination.

Justin Taylor & Léonor de Récondo

True to its mission of promoting and raising awareness of classical music, the Opéra Orchestre National Montpellier Occitanie travels across the Occitanie region in various formations.

Jazz Spirit Quartet

Tauriac-de-Camarès

What does musical progress sound like? And what happens when composers consciously look back? Under the motto "BACKWARDS is also FORWARDS," Christopher Lichtenstein explores the complex relationship between past and present in this program.

BACKWARDS is also FORWARDS

Schloss Osnabrück

Bach — and beyond. For the grand finale of Lucerne Festival Pulse, Víkingur Ólafsson himself takes the stage to perform the composer’s famous F minor Piano Concerto. Following intermission, Hong Kong-born maestra Elim Chan leads the Mahler Chamber Orchestra in Brahms’s Fourth Symphony — a work that likewise bears Bach’s influence. The finale’s Passacaglia theme, which Brahms transforms with masterly skill, comes from Bach’s earliest surviving cantata, Nach dir, Herr, verlanget mich (“For Thee, O Lord, I Long”), BWV 150. Even in Berg’s Violin Concerto — “one of the most Romantic ever,” as Víkingur calls it — a Bach reference appears in the form of a quote from the chorale Es ist genug (“It Is Enough”). For this performance, he has invited his favorite violinist, Patricia Kopatchinskaja, entrusting her with a special role: instead of an encore, she will play the original chorale. The orchestra will sing along, and the audience is invited to join in. “That’s something I’m not sure has ever been done at Lucerne Festival,” Víkingur says. “But the question is, can we really ever have enough of music?” The answer is clear: no — nor of Lucerne Festival Pulse, which will return for its second edition in 2027.

Mahler Chamber Orchestra | Elim Chan | Víkingur Ólafsson | Patricia Kopatchinskaja

KKL Luzern Concert Hall

Inspired by Dylan Thomas’ stirring poem, Do Not Go Gentle explores the awe, mystery, and magnitude of the cosmos through music that evokes both the vastness of space and the human spirit’s refusal to fade quietly into the night.

Do Not Go Gentle

Central Presbyterian Church Denver

Mapleton Arts Center

Víkingur Ólafsson believes that Ludwig van Beethoven reinvented himself with the Sonata in E major, Op. 109, while at the same time paying homage to one of his great inspirations: Johann Sebastian Bach, who served as Beethoven’s “compass” for this venture into the unknown, as he puts it. The last movement of Op. 109 is a theme and variations that reveals “striking connections with the Goldberg Variations,” according to Víkingur. “Both are built on a songful Sarabande theme which comes back at the end in a cyclical return — the only time Beethoven does so in a variation movement. Even more, he brings little glimpses from the Goldbergs into play, including direct citations from Bach and such techniques as a fugato and so on.” Víkingur’s recital traces a path to this pinnacle through four works, all in E major or minor yet each strikingly different in character. Alongside a Bach prelude and the great E minor Partita, he includes a rarely heard Schubert sonata comprising only two movements that he believes was written in response to Beethoven’s own two-movement Sonata in E minor, Op. 90 — which is why it, too, merits a place on his program.

Víkingur Ólafsson

Got Bach? We do–and Telemann too! Enjoy the unparalleled H+H Orchestra led by Artistic Director Jonathan Cohen as they share their “consistently fresh and vital” takes on Baroque music (The Boston Globe). Embrace the warm comfort of Bach cantatas perfectly paired by the grace of Brandenburg Concerto No. 6. To send us off, Telemann’s Du aber Daniel gehe hin reminds the soul of blessed bliss!

Bach + Telemann

Old South Church in Boston

Harvard University

“Is there a string quartet on this planet that I like more?” Víkingur Ólafsson rhetorically asks. The answer, of course, is no. Formed 25 years ago at the Royal Academy of Music in Copenhagen, the Danish String Quartet has achieved cult status, with a shelf full of awards to match. Most recently, the four “Vikings,” as they jokingly call themselves on account of their bearded looks, received the prestigious Léonie Sonning Music Prize. Their hallmarks include electrifying arrangements of Nordic folk music, yet they are equally at home in the classical and contemporary repertoire. Their Festival debut begins, fittingly for Víkingur’s programming vision, with Bach. Stravinsky’s neoclassical Suite italienne, heard here in the quartet’s own arrangement, also draws on Baroque models. But the title of the concert comes from Beethoven, who inscribed the finale of his last string quartet with a question: “Muss es sein?” (“Must it be?”) — and gave his own reply in the lively main section: “It must be!” Just like this concert.

Danish String Quartet

He was not yet 15 years old when Mendelssohn Bartholdy was already able to present twelve short so-called string symphonies. They were already far more than compositional finger exercises and caused open-mouthed performances at the distinguished concerts in his parents' garden hall (with professional musicians from the royal court orchestra!). And then Bach: musical demands on the performer? Oh yes! Precision, logical phrasing, teamwork, and a soaring sound. Perfectly suited to Vilde Frang. And his popularity among the audience? Ten!

Idols

Don Bosco Basel

Written for Baroque orchestra, Stacy Garrop’s Handel-inspired concert opener features bursts of musical color and leads perfectly into Music for the Royal Fireworks. Musical pyrotechnics continue in the jubilant trumpet line of Bach’s Brandenburg Concerto No. 2 and conclude with Haydn’s beloved final symphony. Dame Jane Glover conducts this spectacular program.

Baroque Fireworks

Detroit Symphony Orchestra

Join the Oxford Philharmonic Orchestra for a joyful evening celebrating a significant birthday of one of Britain’s most beloved composers and conductors, Sir John Rutter. A cherished friend of the Orchestra, John returns to the podium to lead a programme featuring his celebrated works.

Sir John Rutter Birthday Celebration

Maestro Adam Johnson conducts over 80 musicians on Gustav Mahler’s epic Symphony no. 5, one of the most emotionally powerful symphonies ever written.

Johnson conducts Mahler's Fifth Symphony

River Center Theatre

Centuries pass, but artistry is forever, and whether it’s 1726 or 2026, there’s nothing to match the voltage generated by a virtuoso performer at the absolute peak of their game. In this extraordinary, genre-crossing collaboration the Academy of Ancient Music meets marimba phenomenon Christoph Sietzen and his Wave Quartet. Sparks will fly.

Rhythm Across Time

Milton Court Concert Hall

Haoran Cui, Piano and Dustin Breshears, Violin

Audrey Wang, Viola

Academy of Ancient Music joins The Wave Quartet in an ingenious, audacious musical voyage across five centuries.
Centuries pass, but artistry is forever, and whether it’s 1726 or 2026, there’s nothing to match the voltage generated by a virtuoso performer at the absolute peak of their game. In this extraordinary, genre-crossing collaboration AAM meets marimba phenomenon Christoph Sietzen and his Wave Quartet. Sparks will fly.

Sammi Li, piano

Joshua Lee, piano

Simon Johnson became Master of Music at Westminster Cathedral in September 2021, following 13 years as the Organist and Assistant Director of Music at St Paul’s Cathedral. He was involved in all of the national occasions that took place at St Paul’s during this time, playing for Her Majesty the Queen, the Dalai Lama, as well as numerous Prime Ministers and Archbishops.

Simon Johnson

Douai Abbey

We look forward to welcoming Ensemble MidtVest back to Esbjerg with a broad program featuring some of chamber music's finest composers.
Ensemble MidtVest is based primarily at the HEART art museum and creates exciting musical experiences in the tension between traditional chamber concerts and innovative outreach formats.

Guest Concert With Ensemble Midwest

Southern Denmark Conservatory of Music

Colors Ignited

Whitman College

Since forming their duo in 2016, saxophonist Huw Wiggin and harpist Oliver Wass have continued to develop and refine their programmes of music for this unusual pairing of instruments. Huw and Oliver have developed a reputation as warm communicators who draw audiences into their intimate and engaging performances.

The Highclere Concert

Highclere Castle

An exciting dialogue between Baroque and modern styles will unfold: Corelli's renowned Concerto Grosso, a Baroque masterpiece, will be followed by Handel's Concerto Grosso, showcasing the splendid, festive character of the Baroque era. Bach's Brandenburg Concerto No. 1, with its diverse instrumentation and sophisticated structures, is a shining example of his virtuosity and inventiveness. Schnittke's Concerto Grosso No. 1 blends Baroque tradition with modern sonic elements and unusual harmonies.

7th Symphony Concert

Theater Osnabrück

Freshmen Double Bass Recital

Maximilian Hornung regularly enchants his Blaibach audiences with his outstanding chamber music partners. Now you can experience him in his purest form: as a breathtaking soloist performing two of Johann Sebastian Bach's famous cello suites and exciting modern works.

Composer

Johann Sebastian Bach

Events

Upcoming events

Jun 18 - Aug 31, 2026

The Best of Classics · Prague Music Orchestra

Aug 13, 2026

Havana Lyceum Orchestra | José Antonio Méndez Padrón | Sarah Willis · Lucerne Festival

Aug 13, 2026

Program Six • I live with God ever before me: Mozart’s Religion · Fisher Center for the Performing Arts at Bard College

Aug 16, 2026

ANGELA HEWITT, piano · Maverick Concerts

Aug 17, 2026

Musica Viva Australia presents Nicolas Altstaedt & Thomas Dunford · Queensland Conservatorium Griffith University

Past events

Aug 6, 2026

Elevate Piano Festival · Karlovy Vary Symphony Orchestra

Aug 4, 2026

Nosky's Baroque Band · Naumburg Orchestral Concerts

About

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