In 2005, composer-librettist Mark Adamo—fresh off his first opera, Little Women—freely adapted, for his second, Aristophanes’s Lysistrata, the comedy about the women of Athens and Sparta who, disgusted by a pointless war, barricade themselves in the Athenian treasury and swear a sanction on sex until their men make peace. “Freely” is the key word here: the composer “…cut all but three scenes of the play, created new male characters, changed the war, and invented a wrangling romance between Lysistrata and the Athenian leader Nico. The opera imagines a woman who, at first, fakes political convictions so as to wreak on her lover an emotional revenge: only later must she ask herself, to whom does she belong, herself or her people? And its score sends its melodies searching through a labyrinth of mirrors; no sooner is a theme sung by one character, given one meaning, than it is assumed by someone else and inflected with quite another. The libretto suggests, ‘Each of you will tell the truth; neither will agree.’ The score aims to make that suggestion an audible process.”

EPSG:4326

Lysistrata, or The Nude Goddess

New England Conservatory

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Fred Vanness

Events

Past events

Feb 15, 2025

Lysistrata, or The Nude Goddess · Boston Modern Orchestra Project

Mar 12, 2023

Spring Concert · Narragansett Bay Symphony Community Orchestra

Future and recently performed repertoire

Meleagros in Lysistrata by Adamo

Boston Modern Orchestra Project

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