Costume Designer

The Fondazione Teatro del Maggio Musicale Fiorentino along with the Fondazione “Musica per Roma” announce the important commission for a new opera: Romanzo criminale from the best seller by Giancarlo De Cataldo. The opera, with music and direction by Nicola Piovani, libretto by De Cataldo and directed by Massimo Popolizio, is scheduled at the Teatro del Maggio Fiorentino in October 2026, while in Rome at the Auditorium Parco della Musica “Ennio Morricone” it will be staged in 2027.

Romanzo criminale

Maggio Musicale Fiorentino Theatre

Figaro here, Figaro there! The Barber of Seville is everywhere always ready to lend a hand, whether it’s giving someone a haircut or playing matchmaker. Especially when it comes to helping Count Almaviva win the heart of the young Rosina, jealously watched over by her guardian. 

Il Barbiere di Siviglia

Opéra Bastille

In 1857, Verdi was called on to write an opera for the San Carlo Theatre in Naples, and he immediately began his search for the perfect story. His initial idea was King Lear by Shakespeare, but the lack of time available forced him to fall back on a libretto by Scribe, Gustave III ou Le bal masqué, which had already been set to music by Auber and by Mercadante. The story was inspired by actual events from 1792; the assassination of King Gustav III of Sweden by one of his officers during a ball. The subject was undoubtedly controversial, the on-stage murder of a monarch would not pass unnoticed by the Neapolitan censors, who in fact imposed numerous cuts and modifications. But the writer was too fond of the 18th-century traits and the lively French-influenced style of his new opera to be able to accept, among the many requests, the moving of the action to the 12th century, where it would have been impossible “to find a princeling, a duke, a devil, even from the North, who had seen a little of the world and experienced the atmosphere of Louis XIV”. With its Neapolitan debut thus grounded, Un ballo in maschera was staged at the Apollo Theatre in Rome, where it was performed on 17 February 1859.

Un ballo in maschera

The staging of Tosca, Puccini's masterpiece, by Massimo Popolizio and conducted by Michele Gamba, returns to the Maggio. On January 14, 1900 at the Teatro Costanzi in Rome, Tosca made its debut, an opera in three acts by Giacomo Puccini to a libretto by Luigi Illica and Giuseppe Giacosa. The source is Victorien Sardou's historical drama La Tosca, written in 1887 specifically for actress Sarah Bernhardt. Puccini was inflamed for that subject after attending a theatrical performance and did everything he could to turn it into an opera. However, the Ricordi publisher initially entrusted the project to another composer, Alberto Franchetti, only to then put it back in the hands of Puccini in 1895. To make Tosca's libretto, the Illica-Giacosa tandem, already successfully tested in La bohème, was reconfirmed. But the work proceeds slowly and with numerous complaints from the librettists. Both consider Sardou's drama unsuitable for operatic transposition due to too many events that prevail over poetry. Puccini, on the other hand, for his part does not care and following only his musical intuition in 1899 he signs what will soon become another of his great masterpieces. Tosca is therefore a work of action where the tension never relaxes and in which the musical discourse must necessarily proceed without stopping, with rare exceptions. This leads the composer from Lucca to adopt a narrative technique based on a dense network of short and recurring motifs - often combined with each other - to comment on the frenetic unfolding of the story. The action is set in papal Rome at the time of the battle of Marengo. The protagonists Floria Tosca, passionate and strong-willed prima donna squared, and her lover Mario Cavaradossi, a painter with liberal and convinced anticlerical sympathies, are hindered by Baron Scarpia, chief of the Bourbon police at the service of the papacy. Animated by murky passions and innate evil, the baron, like a sadistic puppeteer, determines the course of events from start to finish. Fierce persecutor of Mario first, and of Tosca then, (until he is murdered by the woman after an attempted violence) Scarpia continues to hover like a ghost in the orchestra even when dead with the repetition of his threatening theme built on the tritone, the sinister interval that has been associated with Evil in music for centuries. But the dramatic atmosphere of the story, which includes three violent deaths on stage (a stabbing, a shooting and a suicide), is further accentuated by Puccini also through an orchestral writing full of dissonances and tensions, which anticipate the expressionist aesthetics, and a voice often exasperated and pushed to the limit.

Tosca

War, flight, hatred and revenge characterize the grand portrait that Giuseppe Verdi created in «La forza del destino». Amid this unpredictable interplay of forces, Leonora and Alvaro search for each other, fight for their love, experience persecution, find refuge in faith, and are crushed by inexorable fate. Director Valentina Carrascothe Catalan, who was a member of the Catalan theater collective La Fura dels Baus, uses Verdi’s monumental scenes as an opportunity to question the values of war and peace in the 21st century, creating a dystopian fantasy. Anna Netrebko returns to Zurich as Leonora. General Music Director Gianandrea Noseda is on the podium.

The strength of destiny

Zurich Opera House

King Gustav III secretly harbors a love for Amelia, the wife of his closest advisor and friend. When a visit to a fortune teller confirms that his love is reciprocated and reveals a plot against his life, the seeds of his undoing take root.

Lavish costumes adorn masked courtiers as they gossip through the political machinations of eighteenth-century Sweden. Leo Muscato’s direction makes this new-to-San Francisco Opera production a must-see return to Verdi’s thrilling drama.

EPSG:4326

Un Ballo in Maschera

War Memorial Opera House

L’elisir d’amore

Teatro Lirico Giuseppe Verdi

Rinaldo is tasked with liberating Jerusalem. But the valiant crusader falls into the fatal clutches of the Saracen sorceress Armida. While the religious and political conflicts at stake remain controversial to this day, Handel's opera ultimately sees the transcendent power of love bring about peace. With unforgettable arias like "Lascia ch'io pianga" and spectacular stage effects, Handel's first operatic work for London captivated audiences and established a lasting passion for Italian opera. At the Zurich Opera House, Philippe Jaroussky conducts a top-tier Baroque ensemble, with Christophe Dumaux, Regula Mühlemann, and Jeanine De Bique in the solo roles.

Rinaldo

Opernhaus Zürich

Performing a new production of ardent Shakespeare-devotee Verdi's early-period iconic opera, Macbeth. A commemorative work that breaks new ground as a dramatic opera and features sinister music full of dramatic suspense, this stately opera depicts the psychology of Lord and Lady Macbeth--pushing the ambition, suspicion, scheming and confusion arising from a fateful prophecy to their ultimate limits.

Costume Designer

Silvia Aymonino

Events

Upcoming events

12 - 21 Feb, 2027

L’elisir d’amore · Teatro Lirico Giuseppe Verdi di Trieste

14 - 29 Mar, 2027

Rinaldo · Opernhaus Zürich

Jun 30 - Jul 18, 2027

Macbeth · Tokyo Philharmonic Orchestra

Past events

23 - 31 Oct, 2026

Romanzo criminale · Teatro del Maggio Musicale Fiorentino

Sep 12 - Nov 5, 2026

Il Barbiere di Siviglia · Opéra national de Paris

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