Claudio Marino Moretti for vocal chamber music events. Music by Eisler, Schreker and Richard Strauss

Morgenlieder

Carlo Felice Theater

EPSG:4326

Dani Ewing – Senior Recital

Hamel Music Center

Our honorary conductor Iván Fischer is a guarantee for unusual programmes. This time, he and the Konzerthausorchester will perform works by four composers who were ostracised and persecuted by the National Socialists and whose works shaped the avant-garde of the interwar period. Paul Hindemith, Kurt Weill and Hanns Eisler found their way to the United States via detours, but Erwin Schulhoff was interned in Prague, deported and died of tuberculosis in a camp in Bavaria.

Konzerthausorchester Berlin, Iván Fischer

Konzerthaus Berlin

Right in the middle – pick your favourite spot in the midst of the orchestra! The musicians of the Konzerthausorchester Berlin will rearrange themselves for you. Experience music where it is created and feel the special atmosphere that arises between the orchestral members and our conductor while making music. You’ll also have the opportunity to ask Iván Fischer questions. In the end, you will definitely be able to say: I was right in the thick of things, not just on the sidelines.

In the middle

Line 2: Radio Music

E-WERK Freiburg e.V.

Gentle drizzling, vigorous splashing, thunderous drumming – rain comes in many guises. Hanns Eisler’s 1941 film score Fourteen Ways to Describe Rain was one of his best chamber music works. Today, in the face of accelerating climate change, weather patterns take on a whole new urgency. Inspired by Eisler, Gregor Mayrhofer explores these phenomena in his composition Tipping Points. Fourteen ways to describe climate change, a commissioned work which will be premiered as part of our Biennale, explores pivotal moments for our climate. The physicist and science journalist Harald Lesch will host this dialogue concert.

“Tipping Points. Fourteen ways to describe climate change”

Berliner Philharmonie

Presenting creative arrangements for chamber ensembles by Arnold Schoenberg, Gustav Mahler and Alexander Zemlinsky at the renowned Wigmore Hall in London, Klangforum Wien celebrates these musical pioneers of the city of Vienna, who opposed the prevailing conservatism with their new ideas in music in the early 1900s. Under the baton of its Conductor-in-Residence Vimbayi Kaziboni, the ensemble is joined by mezzo-soprano Barbara Kozelj.

Wigmore Hall, London

Classical composers and literary types have long been drawn to Hollywood's glamour, glitz, grime, and grit. With their newest program, Mirror Visions Ensemble celebrates the influence and inspiration of movies with songs that pay homage to “the silver screen” — a cultural beacon for generations. The program will premiere MVE's latest commission, Griffin Candey’s Silver Songs with poetry by Rae Armantrout, Richie Hofmann, Rebecca Hoogs, Jeanne Murray Walker, Kate Northrop, and Frank O’Hara. The program includes a “mirror vision” (the same text set to music by different composers) with Howard Moss’ hilarious poem “Horror Movie” in songs by Chris DeBlasio and William Flanagan. The program gives a glimpse of Bertolt Brecht and Hanns Eisler’s disdain for Hollywood, provides melodic morsels of Erich Korngold’s film scoring, and commemorates Humphrey Bogart, Lana Turner, and other Hollywood royalty.

Silver Songs (songs about movies)

Kaufman Music Center

Featuring “some of the brightest young classical musicians in the world” (Time Out New York), Decoda is Carnegie Hall’s first-ever affiliate ensemble, comprising alums of the adventurous Ensemble Connect. Copland’s Appalachian Spring—celebrating its 80th anniversary this season—serves as an inspiration and departure point for this unique program. Experience a premiere composed by and featuring Ringdown, the new electronic cinematic pop duo of Caroline Shaw and Danni Lee; an American folk–inspired septet by Copland’s friend Hanns Eisler written shortly before his expulsion from the US; a new arrangement of Billy Bragg’s setting of Woody Guthrie’s “Eisler on the Go”; and the dynamic Vera by Hannah Kendall.

Decoda

Carnegie Hall

Musicians from the Concertgebouw Orchestra and soprano Laetitia Gerards will revive an exciting period one hundred years ago, when avant-garde music, jazz, and cabaret coalesced.

Close-Up: Roaring Twenties

The Concertgebouw

The jury was unanimous: the 2025 Music Prize of the German Economy goes to the young baritone Jonas Müller! Born in Lower Bavaria in 1999, Müller could celebrate not only the € 15,000 award but also his debut concert at Lucerne Festival. He impressed with an intelligent program that, as the jury noted, was “marked by authenticity and seriousness.” He follows the same principle in his Lucerne recital. Under the theme “Somewhere in the World,” he sings of longing for faraway places and for home, of dreams of love and of solitude — with settings by Franz Schubert and Robert Schumann, Gustav Mahler and Hanns Eisler. From Eisler, he performs six songs from the Hollywood Songbook: his contribution to this summer’s theme, “American Dreams.” Jonas Müller has already won numerous prizes, including as a duo with his piano partner Anna Gebhardt. Since the fall of 2025, the student of Christian Gerhaher has been a member of the Opera Studio of Oper Frankfurt, where he made his debut as Guglielmo in Mozart’s Così fan tutte. The Frankfurter Allgemeine Zeitung praised him for “vocal elegance and a fine touch of comedy.”

Hanns Eisler

Events

Upcoming events

Sep 1, 2026

Jonas Müller | Anna Gebhardt · Lucerne Festival

Past events

Jan 18, 2026

Morgenlieder · Opera Carlo Felice Genova

Nov 16, 2025

Dani Ewing – Senior Recital · University of Wisconsin-Madison Mead Witter School of Music

About

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