Lighting Designer

Britten’s gripping psychological drama returns in this award-winning staging.

When a young sailor is unjustly accused of mutiny, it triggers a tragic sequence of events. Good and evil, innocence and corruption come together in this heartbreaking opera, a seafaring epic brought to vivid life in Michael Grandage’s evocative, claustrophobic production.

Michael Grandage returns to direct Britten’s opera, not seen at Glyndebourne for a over decade. Nicholas Carter will conduct the London Philharmonic Orchestra.

Thomas Mole will play in the title role, Olivier Award-winner Allan Clayton and Sam Carl make their role debuts playing Captain Vere and John Claggart. See full cast and creative team details here.

Billy Budd

Glyndebourne

A mysterious princess. A remote castle. A love triangle. Debussy’s breathtaking opera is a dark fairytale caught in a dream.

“No time, no place. No big scene.” So Debussy wrote to his teacher Ernest Guiraud in 1890. It was a kind of mission statement for his ideal style of opera: in a world of increasingly “big scenes” – courtesy of Wagner and Verdi – Debussy wanted something radically different.

After several false starts, he finally found what he was looking for in an enigmatic play by Maurice Maeterlinck called Pelléas et Mélisande, full of symbols, ambiguous meanings and shadowy characters. It was the perfect home for Debussy’s innovative approach to opera, and for his startlingly new musical language. He finished Pelléas et Mélisande, his only completed opera, in 1902. The critics were perplexed, but in more recent years it has become one of the most admired works in the repertoire, beguiling audiences time and again with its elusive, shimmering beauty.

Rory Kinnear directs a semi-staging of the opera, while Ryan Wigglesworth conducts the BBC Scottish Symphony Orchestra and a dream of a cast, including Sophie Bevan and Jacques Imbrailo as the two lovers.

Aldeburgh Festival 2026: Pelléas et Mélisande

Snape Maltings

Moral outrage one moment, coquettish expediency the next. The intrigues of the powerful interwoven with the desperation of hapless refugees. When it comes to the gamut of human emotion and modes of behaviour, few operas of the baroque period can touch Handel’s GIULIO CESARE IN EGITTO, which premiered in London in 1724. This tale of the love affair between the ageing Roman general Julius Caesar and the young pharaoh Cleopatra was one of Handel’s greatest triumphs within his lifetime and remains his most performed opera. That is not just down to the base material – one of the best-known historically attested love stories, which has been given treatments ranging from Shakespeare to Liz Taylor and Richard Burton and “Asterix und Cleopatra” – but also to a sophisticated libretto that provided the inspiration for a string of great arias and memorable character studies, for aside from the Roman-Egyptian pairing of Caesar and Cleopatra GIULIO CESARE IN EGITTO features another pair who are busy not with flirting but with the serious business of staying alive: Cornelia, the widow of Pompeius, a murdered rival of Caesar, and her son Sesto. Both have sought refuge in Egypt but have become pawns in the scheming between Cleopatra and her brother Tolomeo.

Giulio Cesare in Egitto

Deutsche Oper Berlin

A timeless fairytale and Academy Award-winning movie, The Red Shoes has captivated audiences and inspired generations of dancers with its powerful tale of obsession, possession and one girl’s dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a fierce struggle between the two men who inspire her passion.

Matthew Bourne’s magical double Olivier Award-winning production of the legendary Powell and Pressburger film is set to a score orchestrated by Terry Davies, featuring the mesmerizing music of golden-age Hollywood composer Bernard Herrmann, with sumptuous designs by Lez Brotherston (set and costumes), Paule Constable (lighting) and Paul Groothuis (sound).

The Red Shoes

Marlowe Theatre

Matthew Bourne's Olivier award-winning The Red Shoes returns to stages across the UK for a new tour in 2026. Based on the 1948 Powell and Pressburger film, which is in turn based on the tragic fairytale by Hans Christian Anderson, The Red Shoes is the story of a talented young dancer who finds herself torn between love and her career, with heartbreaking consequences.

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Matthew Bournes' The Red Shoes

Liverpool Empire Theatre

A timeless fairytale and Academy Award-winning movie, The Red Shoes has captivated audiences and inspired generations of dancers with its powerful tale of obsession, possession and one girl’s dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a fierce struggle between the two men who inspire her passion.

Matthew Bourne’s New Adventures The Red Shoes

Sadler's Wells Theatre

Lyric Opera of Chicago presents Medea, a tale of infidelity and revenge like no other. Euripides’s millennia-old tragedy comes to life — and gruesome death — in this presentation of acclaimed director Sir David McVicar’s iconic, grand-scale production.

Featuring Lyric’s own Music Director Enrique Mazzola on the podium, this intense spectacle stars international powerhouse soprano Sondra Radvanovsky in one of the fiercest, most demanding roles ever written. She shares the stage with equally formidable tenor — and Lyric favorite — Matthew Polenzani.

Medea

Lyric Opera House

On April 26, Mozart’s timeless comedy returns to cinemas worldwide with a live transmission from the Metropolitan Opera. Conductor Joana Mallwitz, in her Met debut, takes the podium to conduct a stellar ensemble cast including American bass-baritone Michael Sumuel as the clever valet Figaro, Ukrainian soprano Olga Kulchynska as the wily maid Susanna, Canadian baritone Joshua Hopkins as the skirt-chasing Count, Italian soprano Federica Lombardi as his anguished wife, and French mezzo-soprano Marianne Crebassa as the adolescent page Cherubino.

Le Nozze Di Figaro

Shalin Liu Performance Center

Conductor Joana Mallwitz makes her Met debut leading two extraordinary casts in Mozart’s comic masterpiece. Bass-baritones Michael Sumuel and Luca Pisaroni star as the clever valet Figaro, opposite sopranos Olga Kulchynska and Rosa Feola as his betrothed, the wily maid Susanna. Baritone Joshua Hopkins and bass-baritone Adam Plachetka alternate as the skirt-chasing Count, sopranos Federica Lombardi and Jacquelyn Stucker (in her Met debut) trade off as his anguished wife, and mezzo-sopranos Marianne Crebassa and Emily D’Angelo share the role of the adolescent page Cherubino.

Le Nozze di Figaro

Lincoln Center for the Performing Arts

Conflict threatens to tear apart a close-knit fishing community on the east coast of England in this searing, sea-swept classic.

Opera North - Peter Grimes

Theatre Royal Nottingham

A storm rages off the coast of Crete, forcing King Idomeneo, who is returning from the Trojan War, to make an ill-fated promise to Neptune: if the enraged god lets him reach land safely, he will sacrifice the first man he meets. When Idomeneo arrives on the beach, he meets his son Idamante. But the unforgiving world of the gods seems determined to exact the king’s promise.

Idomeneo

Bebelplatz

Oliver!

Gielgud Theatre

Under the watchful eyes and guidance of their guardian Sylvia, Nana, and some unlikely lodgers, they fight to pursue their individual passions. But in a world that wasn’t built for women with big ambitions, can they forge a future, keep their family together, and even learn a dance or two along the way?

Ballet Shoes

National Theatre

As free as a rebellious bird, it is hard to escape the magnetic allure of Carmen. Entranced by her passionate seguidilla, the soldier Don José descends into a dangerous spiral of desire.

Carmen

War Memorial Opera House

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s servant, Figaro. Much to Figaro’s dismay,
the Count plans to seduce Susanna on the night of the wedding. Meanwhile, Cherubino, the Count’s young page, has a crush on the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.

RB&O: The Marriage of Figaro

Forum Theatre

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on the night of the wedding. Meanwhile, Cherubino, the Count’s young page, has a crush on the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter. 

Figaro decides he must foil the Count’s attempt to seduce his wife-to-be and enlists the help of the Countess, Susanna and Cherubino – the latter disguising himself as a woman. A series of mistaken identities, misunderstandings and thwarted plans ensue, with all members of the household participating as each tries to get what – and who – they want.

The Marriage of Figaro - Royal Ballet & Opera Live Broadcast

Swan Theatre

It’s Figaro’s wedding, and you’re invited to join the Almaviva household for an uproarious day of revelation and scandal. Mozart’s comic opera is packed with plot twists, forbidden desires and unforgettable melodies, combining laugh-out-loud comedy with moments of breathtaking beauty.

The Royal Opera: The Marriage of Figaro

Gloucester Guildhall

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on the night of the wedding. Meanwhile, Cherubino, the Count’s young page, has a crush on the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter. 

The Marriage of Figaro

Royal Opera House

Bollywood meets Baroque in this utterly original retelling of Cleopatra and Julius Caesar’s tempestuous love affair.
Handel’s masterpiece, full of seduction, dazzling spectacle and vocal fireworks, is given the all-singing, all-dancing treatment in this Glyndebourne classic.

Giulio Cesare

Cameron Mackintosh presents the acclaimed production of Boublil and Schönberg’s Tony Award-winning musical phenomenon, Les Misérables. This brilliant staging has taken the world by storm and has been hailed as “a reborn dream of a production” (Daily Telegraph). Set against the backdrop of 19th century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. The magnificent score of Les Misérables includes the songs “I Dreamed a Dream,” “On My Own,” “Bring Him Home,” “One Day More” and many more.

Les Misérables

Shea's Performing Arts Center

Matthew Bourne’s Romeo and Juliet gives Shakespeare’s timeless story of forbidden love a scintillating injection of raw passion and youthful vitality. Confined against their will by a society that seeks to divide, our two young lovers must follow their hearts as they risk everything to be together. A masterful re-telling of an ageless tale of teenage discovery and the madness of first love, Romeo and Juliet garnered universal critical acclaim when it premiered in 2019, and now returns to the New Adventures repertoire alongside the very best of Bourne’s world renowned dance theatre productions.

Matthew Bourne’s Romeo and Juliet

Center Theatre Group

From the imagination of Neil Gaiman, best-selling author of Good Omens, Coraline and The Sandman, this spectacular and thrilling theatrical event is a tour de force of magic and storytelling. Adapted by Joel Horwood and directed by Katy Rudd, The Ocean at the End of the Lane takes audiences on an epic journey to a childhood once forgotten.

Returning to his childhood home, a man finds himself standing beside the pond of the old Sussex farmhouse where he used to play. He’s transported to his 12th birthday when his friend Lettie claimed it wasn’t a pond, but an ocean… Plunged into a magical world, their survival depends on their ability to reckon with ancient forces that threaten to destroy everything around them.

The Ocean at the End of the Lane

Noël Coward Theatre

From the imagination of Neil Gaiman, best-selling author of Coraline, Good Omens and The Sandman, comes the National Theatre’s major new stage adaptation of The Ocean at the End of the Lane.

This thrilling adventure of fantasy, myth and friendship, is a five-star spectacular which blends magic with memory in a tour-de-force of storytelling that takes audiences on an epic journey to a childhood once forgotten and the darkness that lurks at the very edge of it.

The Ocean at the End of the Lane on tour

The Quays

Lost in the forest, a prince encounters an ethereal beauty with a mysterious past (and lush locks that would make Rapunzel envious). But after she's brought home to his family, she begins to grow increasingly close to his handsome younger brother.
Debussy's sensual, exquisitely nuanced score casts a hypnotic spell, capturing an enigmatic dream world where forbidden love blossoms.
Conducted by James Conlon, this fascinating lyric masterpiece stars two riveting young performers, soprano Sydney Mancasola and baritone Will Liverman, as the doomed lovers, and Kyle Ketelsen as the jealous prince. The magnificent Susan Graham makes her role debut as Geneviève, mother of the two rival brothers, and the legendary bass Ferruccio Furlanetto returns as King Arkel, the family patriarch unable to grasp the tragedy unfolding before him.

Pelléas and Mélisande

Los Angeles Music Center

Soprano Sonya Yoncheva adds another major heroine to her impressive list of Met roles, starring as the fearless title priestess of Bellini’s scorching bel canto drama. The extraordinary cast also features tenor Michael Spyres as Norma’s unfaithful Roman lover, mezzo-soprano Ekaterina Gubanova as Norma’s protégé turned rival, and bass-baritone Christian Van Horn as Norma’s warrior father out for blood. Maurizio Benini conducts David McVicar’s fiery production, which played to sold-out audiences when it premiered in 2017.

Norma

Lincoln Center

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky opens the new season as the mythic sorceress who will stop at nothing in her quest for vengeance—a tour-de-force role made famous by opera’s ultimate diva, Maria Callas. The Met premiere of Cherubini’s rarely performed masterpiece marks Radvanovsky’s fourth new production with director David McVicar, who also designed the sets for this vivid, atmospheric staging, simultaneously classical, updated, and timeless. Joining Radvanovsky are tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. In an impressive fall trifecta at the Met, Maestro Carlo Rizzi conducts Medea, in addition to Don Carlo and Tosca.

The Handmaid's Tale

Satyagraha

When a young sailor is unjustly accused of mutiny, it triggers a tragic sequence of events. Good and evil, innocence and corruption come together in this heartbreaking opera, a seafaring epic brought to vivid life in Michael Grandage’s evocative, claustrophobic production.

Kidnapped by pirates and sold into a harem, Konstanze and Blonde plot their escape. But when hope seems lost, help comes from an unexpected quarter. In Die Entführung aus dem Serail (The Abduction from the Seraglio) Mozart’s colourful score is perfectly matched by David McVicar’s gorgeous, tender staging, set in the sun-filled gardens and shady terraces of an 18th-century palace.

Die Entführung aus dem Serail

Overflowing with gorgeous melody and hilarious hijinks, Mozart’s satirical comedy of fickle young love is one of the composer’s most sublime creations. Phelim McDermott’s “colorful, inventive” (The New York Times) staging, inspired by Coney Island in the 1950s, sets the uproarious story at a boardwalk amusement park, where the two pairs of lovers at the heart of the tale find themselves on one emotional—and literal—thrill ride after another.

Così fan tutte

When a lusty aristocrat tries to seduce his valet’s pretty young fiancée, his servants and long-suffering wife conspire to teach him a lesson in fidelity.

Temptation, redemption, and the price of desire take center stage in Gounod’s Faust, arriving in a dazzling, dance-infused production from visionary director David McVicar. Reimagined as a tormented composer in Belle Époque Paris, the title character makes a fateful pact with Mephistopheles: his soul in exchange for youth and sensual pleasure. After Faust sets his sights on the pure-hearted Marguerite, his passion leads to her ruin—but also her salvation. Set to one of the most beloved scores in French opera, Faust is full of iconic moments, from the diabolical “Song of the Golden Calf” to Marguerite’s glittering “Jewel Song.” Sublime soprano Pretty Yende makes her company debut as Marguerite, joined by tenor Matthew Polenzani as Faust and bass-baritone Ildebrando D’Arcangelo as Mephistopheles. Giacomo Sagripanti, music director of the Tbilisi Opera House, conducts in his HGO debut.

Faust

Wortham Theater Center

Cherubini’s rarely performed take on classic Greek tragedy stars leading diva Sonya Yoncheva as the ultimate woman scorned, the sorceress whose betrayal drives her to an unthinkable act of revenge. Clarion tenor Michael Spyres is Giasone, Medea’s unfaithful Argonaut husband, in David McVicar’s “impressive and enjoyable” (The New York Times) setting of the timeless myth.

The seven-time Olivier and five-time Tony-winning The Curious Incident of the Dog in the Night-Time returns to tour the country, introducing new audiences to its breathtaking stagecraft and storytelling. Wowing audiences since opening 2013, the hit play is based on the award-winning book by Mark Haddon, telling the story of a 15-year-old maths genius with Asperger's Syndrome, and the amazing journey he sets out on in order to solve the mysterious death of his neighbour's dog.

The Curious Incident of the Dog in the Night-Time

Sunderland Empire

A profoundly moving encounter as Bach’s music meets contemporary dance in a performance that reflects on our relationship with life’s final chapter.

LIGHT - Bach dances

The Royal Danish Theatre

The Smash Hit Returns!
"My name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507."

The seven-time Olivier and five-time Tony-winning The Curious Incident of the Dog in the Night-Time returns to tour the country, introducing new audiences to its breathtaking stagecraft and storytelling. Wowing audiences since opening 2013, the hit play is based on the award-winning book by Mark Haddon, telling the story of a 15-year-old maths genius with Asperger's Syndrome, and the amazing journey he sets out on in order to solve the mysterious death of his neighbour's dog.

This cleverly staged production has been hailed for its beautiful portrayal of life lived by children like Christopher and their unique perspective on the world. It will make you think, laugh and, most of all, look at the world around you in a whole new way.

Lighting Designer

Paule Constable

Events

Upcoming events

Jun 28 - Jul 30, 2026

Billy Budd · London Philharmonic Orchestra

24 - 30 Jul, 2026

Billy Budd · Glyndebourne

Jul 31 - Aug 28, 2026

Die Entführung aus dem Serail · Glyndebourne

Jul 31 - Aug 28, 2026

Die Entführung aus dem Serail · Orchestra of the Age of Enlightenment

Sep 23 - Oct 23, 2026

Così fan tutte · The Metropolitan Opera

Past events

Jun 28 - Jul 30, 2026

Billy Budd · London Philharmonic Orchestra

12 - 13 Jun, 2026

Aldeburgh Festival 2026: Pelléas et Mélisande · BBC Scottish Symphony Orchestra

About

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