Maria Solozobova-Neuenschwander was born in Moscow and now lives in Switzerland. After attending the Moscow music school "Gnessin" for highly gifted children, she completed her studies at the famous Moscow Tchaikovsky Conservatory, with Prof. Zakhar Bron in Zurich and at the Basel Music Academy with Prof. Raphael Oleg "with distinction". While still a student, she was already working as first concertmaster with the Orchestre de la Suisse Romande. She is the winner of several renowned international music competitions.

Epiphany Concert 2025

Matthäuskirche

Last Night of the Year

Gasteig HP8

Tickets for this choir concert with the Nuremberg Symphony Orchestra are available exclusively through the organizing choir or from the usual advance booking offices.

EPSG:4326

Concert Choir Lgv Nürnberg

Meistersingerhalle

Oboist Juri Vallentin shows off his skills in two concertos: Tommaso Albinoni's op. 9, No. 11 and Ralph Vaughan Williams' Oboe Concerto from 1943. In Albinoni's work, two elegant outer movements frame the noble, simple lyricism of the middle Adagio; Vaughan Williams' romantic concerto expresses a longing for a more peaceful, better world.

2nd Congress Park Symphony 2024/2025

Congress Park Hanau

Arcangelo Corelli's Christmas concert is as much a part of the festivities as biscuits and candlelight. It consists of six contrasting, short movements, of which the last movement, the "Pastorale", is particularly catchy: it is easy to imagine that the shepherds played the catchy lullaby in 12/8 time as a serenade for the sleeping Christ Child, while the star of..

Guest Concert

Rheingoldhalle Mainz

Arcangelo Corelli's Christmas concert is as much a part of the festivities as cookies and candlelight. It consists of six contrasting, short movements, of which the last movement, the "Pastorale", is particularly catchy: it is easy to imagine that the shepherds played the catchy lullaby in 12/8 time as a serenade for the sleeping Christ Child, while the Star of Bethlehem illuminated the scene.  

Backnanger Bürgerhaus

Public Dress Rehearsal

Pfalzbau Ludwigshafen

Christmas concert

Southbank Centre

Faszination Klassik

Isar Philharmonic

Around 5

Deutsche Staatsphilharmonie Rheinland-Pfalz

1. Sinfoniekonzert

Kongresshaus Garmisch-Partenkirchen

The first Philharmonic Concert draws attention to two beginnings and one end of three great composers. For example, the young Felix Mendelssohn Bartholdy, who at the age of 20 made his first great journey to England and Scotland. He visited the mythical Fingal's Cave in the Hebrides by steamship - and was terribly seasick from the stormy crossing. Nevertheless, the sea cave, battered by waves, made such a big impression on him that he immediately wrote down a few bars of music: it was the beginning of the tone-painting "Hebrides" Overture. Robert Schumann, on the other hand, was at the end of his life when he composed his Violin Concerto. He was dead only a short time later, having died in a mental hospital near Bonn. It was precisely the proximity to this tragic and sad end that had a long-lasting effect on the work - its creator was accused of lacking mental strength. The first Urtext edition with the correct musical text was not published until 2009. And the German violinist Lena Neudauer, who has studied Schumann's violin works intensively, will play it in her Duisburg debut. Another beginning is Brahms' 1st Symphony, which he struggled with for almost 15 years because the "giant Beethoven" had cast such a heavy shadow over him. In the finale he even quotes his role model's 9th Symphony, only to finally free himself from it in the triumphant conclusion.

Suffering and life paths

Philharmonie Mercatorhalle

*Prelude Performances and Koret Young Performers Concerts feature young artists from the Chamber Music Institute. Admission is fre

Prelude Performance Vii

Menlo School Campus

Die 94. Symphonie von Joseph Haydn ist ein Ertrag seiner ersten London-Reise 1791/92. Im Deutschen trägt sie den Untertitel „mit dem Paukenschlag“, im Englischen, knapper und erhellender: „The Surprise“. Ob der überraschende Paukenschlag wirklich die Zuhörer*innen wecken sollte – wir wissen es nicht. Dass aber diese Symphonie eine der charmantesten, elegantesten und unterhaltsamsten des Meisters ist, das lässt sich mit Bestimmtheit sagen! Ralph Vaughan Williams (1872–1958) darf man den wichtigsten britischen Komponist*innen des 20. Jahrhunderts nennen. Solokonzerte sind in seinem Schaffen wenig vertreten, gleichwohl ist das Konzert für Basstuba und Orchester von 1954 kein exzentrischer Scherz, sondern ein Meisterwerk! Die „schottische“ Symphonie von Felix Mendelssohn hat ihren Ursprung in seiner Bildungsreise nach England, wo ihn besonders Edinburgh beeindruckte. Die dort empfangenen Eindrücke bilden die Keimzelle für diese Symphonie, die, obwohl als Nr. 3 bezeichnet, Mendelssohns letzter Beitrag zu dieser Gattung ist.

Strahlkraft

Herkulessaal der Residenz

Wagner’s Prelude to Act One of Die Meistersinger climaxes with a compositional tour-de-force as he effortlessly combines five of its main themes. Mendelssohn’s Violin Concerto has been described as ‘the dearest, the heart’s jewel’ of the 19th-century German concertos for the instrument which will be performed by Carolin Widmann. Liszt’s symphonic poem Les préludes plumbs the mystery of life and what lies beyond it, and Richard Strauss’s suite from Der Rosenkavalier encapsulates the opera with its sparkling waltzes, sumptuous orchestration and ravishing love music.

Mendelssohn’s Violin Concerto

The Bridgewater Hall

The Conducting Forum is the German Music Council's support program for top young conductors in Germany. The Nuremberg Symphony Orchestra is a regular partner of this program. The final concerts are both the finale of the four-year funding program for scholarship holders in the orchestral conducting category and a possible preliminary stage for the German Conducting Award 2024. Two of the candidates will be sent directly by the jury to the competition, which will be held in the Cologne Philharmonic Hall in autumn in cooperation with the WDR Symphony Orchestra, the Gürzenich Orchestra Cologne and the Cologne Opera. Experience the podium stars of tomorrow today!

Springboard No. 3

Documentation Center Nazi Party Rally Grounds

The fact that Felix Mendelssohn Bartholdy dedicated a concert overture to the beautiful mermaid Melusine goes back to an experience he had had while attending the opera. While Mendelssohn was hardly enthusiastic about the music, the old mythical material and, not least, the convincing performance of the protagonist quickly inspired him to compose his own piece - and he managed to create a moving atmospheric picture of profound beauty. Antonín Dvořák's 5th Symphony is just as bright and light, revealing the young composer's mature and personal style. With its Bohemian tone, it is often referred to as Dvořák's Pastorale .

2nd Philharmonic Concert / Unknown Beauty

Join us for an unforgettable evening of classical music at the Southbank Centre, London, on Saturday, 11 November 2023, at 19:30. The West-Eastern Divan Ensemble, led by the virtuosic Michael Barenboim alongside Hisham Khoury on violins, Miriam Manasherov and Sindy Mohamed on violas, Assif Binness on cello, David Santos Luque on double bass, Mor Biron on bassoon, Daniel Gurfinkel on clarinet, and Ben Goldscheider on horn, will grace the stage with their transcendent performances.

The evening's program promises a journey through the works of Elliott Carter with "Figment IV for Solo Viola," "Au Quai for Bassoon and Viola," and "Duettone for Violin and Cello," alongside Felix Mendelssohn Bartholdy's "String Quintet No. 2 in B-flat major Op. 87," and culminating with Ludwig van Beethoven's majestic "Septet in E flat major Op. 20."

This performance at the Southbank Centre is a highlight of the cultural calendar, showcasing the ensemble's dedication to bridging the divide between Eastern and Western musical traditions. Don't miss this opportunity to experience the harmony and beauty of classical music brought to life by an ensemble of unparalleled talent.

Southbank Centre 2023

Join us for an unforgettable evening of classical music at the Mendelssohn-Festtage 2023, featuring the renowned West-Eastern Divan Ensemble. This prestigious event will take place at the iconic Gewandhaus Leipzig on Wednesday, 1st November 2023, starting at 18:00.

The West-Eastern Divan Ensemble, under the artistic direction of Michael Barenboim, will present a captivating program that includes works by Elliott Carter, Felix Mendelssohn Bartholdy, and Ludwig van Beethoven. The ensemble, comprising talented musicians such as Hisham Khoury and Miriam Manasherov on violins, Sindy Mohamed and Assif Binness on violas, David Santos Luque on double bass, Mor Biron on bassoon, Daniel Gurfinkel on clarinet, and Ben Goldscheider on horn, promises an evening of exquisite musical performances.

The program will feature Elliott Carter's "Figment IV for Solo Viola," Mendelssohn's "String Quintet No. 2 in B-flat major Op. 87," Carter's "Au Quai for Bassoon and Viola" and "Duettone for Violin and Cello," culminating with Beethoven's "Septet in E flat major Op. 20."

This event is a highlight of the cultural calendar in Leipzig, Germany, and offers a unique opportunity to experience the harmonious blend of Western and Eastern musical traditions. Don't miss this chance to immerse yourself in the beauty of classical music at the Mendelssohn-Festtage 2023.

Mendelssohn-Festtage 2023

Mendelssohn-Haus

Study concert with voice students under Helene Gjerris

Study concert with voice students

DKDM

Join us for an exquisite musical journey with the Chamber Orchestra Bomsori Kim & Giorgi Kharadze, presented by the Symphonieorchester des Bayerischen Rundfunks. This captivating concert is scheduled for Sunday, 19th February 2023, at 11:00 am in the prestigious Prinzregententheater, Munich. 

Under the artistic direction of Radoslaw Szulc, the performance will showcase the exceptional talents of Bomsori Kim on the violin and Giorgi Kharadze on the violoncello. The program promises an unforgettable experience with a selection of masterpieces including Antonio Vivaldi's Concerto for violin, violoncello, strings, and basso continuo in A major, RV 546, Felix Mendelssohn Bartholdy's Violin concerto in D minor, and Richard Strauss's Metamorphosen, a study for 23 solo strings.

Don't miss this opportunity to witness the harmonious blend of virtuosity and passion by these renowned musicians. For tickets and further information, please visit our website or contact our ticket hotline. Experience the magic of classical music in one of Munich's most iconic venues.

Chamber Orchestra Bomsori Kim & Giorgi Kharadze

Prinzregententheater

**NotenTexte Am Ende der Zeit: A Musical and Literary Evening**

Join us for an enchanting evening where music and literature intertwine, presented by the Symphonieorchester des Bayerischen Rundfunks. "NotenTexte Am Ende der Zeit" promises to be a memorable event, blending the beauty of classical music with the depth of literary expression.

**Date and Time:** Saturday, 18th February 2023, at 7:00 pm

**Venue:** Munich, Schloss Blutenburg, Jella-Lepman-Saal

**About the Event:**
This chamber concert features a carefully curated program that showcases the works of renowned composers alongside poignant literary pieces. The evening's repertoire includes:

- **Joseph Haydn:** String Quartet No. 66 in G Major, op. 77 No. 1, Hob.III:81
- **Felix Mendelssohn Bartholdy:** String Quartet No. 6 in F minor, op. 80
- Literary contributions by Ilse Aichinger with "Kleist, Moos, Fasane" and Esther Kinsky's "Hain. Geländeroman."

**Performers:**
- Andrea Eun-Jeong Kim, violin
- Nicola Birkhan, violin
- Christiane Hörr-Kalmer, viola
- Jaka Stadler, violoncello
- Heiko Ruprecht, speaker

**Further Information:**
For those interested in exploring more musical and literary evenings, additional concerts are scheduled, including performances under the baton of François-Xavier Roth and appearances by Riccardo Muti, among others.

**Tickets:**
Secure your place at this unique event by purchasing tickets online via the BRticket-Webshop or by contacting the ticket hotline at +49 89 5900 10880 (available Mon, Tue, Thu, Fri, 9 am - 4 pm).

Don't miss this opportunity to immerse yourself in an evening of exquisite music and captivating stories at the beautiful Schloss Blutenburg.

NotenTexte Am Ende der Zeit. Ein musikalisch-literarischer Abend

Schloss Blutenburg

Join us for an extraordinary musical experience as Herbert Blomstedt and Leonidas Kavakos grace the stage with the Symphonieorchester des Bayerischen Rundfunks. This remarkable concert series will take place at the prestigious Munich Residence, Herkulessaal, offering two performances on Thursday, January 12, 2023, and Friday, January 13, 2023, both at 8:00 pm.

Under the baton of Herbert Blomstedt, with the virtuosic Leonidas Kavakos on violin, the evening promises an unforgettable journey through the works of Felix Mendelssohn Bartholdy and Anton Bruckner. The program will feature Mendelssohn's Violin Concerto in E Minor, Op. 64, followed by Bruckner's Symphony No. 4 in E-Flat Major, "Romantic," in its 1878 final version.

These performances are part of Subscription C, offering a unique opportunity to immerse yourself in the world of classical music within the intimate setting of the Herkulessaal. Don't miss this chance to witness the synergy of these renowned artists alongside one of the world's leading orchestras.

For tickets and further information, please visit our website or contact our ticket hotline. Experience the magic of classical music in Munich with Herbert Blomstedt, Leonidas Kavakos, and the Symphonieorchester des Bayerischen Rundfunks.

Herbert Blomstedt & Leonidas Kavakos

Munich Residence

Just as every new year has its January 1st, (almost) every opera has an overture: sometimes as a turbulent introduction to a comedy full of intrigue and passion, as in Wolfgang Amadeus Mozart's "Figaro", sometimes as a departure into an adventure fairy tale full of magic, as in Mikhail Glinka's "Ruslan and Ludmilla". The Duisburg Philharmonic's salon orchestra welcomes the year 2025 with a selection of overtures that is as varied as it is virtuoso, mixing lively sounds in three-quarter time. "Everything is a waltz" is not only the motto of Johann Strauss and his brother Josef, but also in Carl Maria von Weber's "Invitation to the Dance" from 1819 - the epitome of Biedermeier waltz bliss.

New Year's Concert with the Salon Orchestra

Theater Duisburg

Stilles Appassionata

Bremer Philharmoniker

The C major Trio No. 27 is part of an opus of three piano trios that Joseph Haydn wrote during his second stay in England in 1795 and dedicated to Therese Jansen, an obviously excellent pianist considering the technical demands of these works. The virtuosity of the piano writing in the C major Trio is also remarkable. In the first movement it surprises with large gestures and strong forzato accents. The Andante relies on contrasts that point to Beethoven and the humorous Presto finale, a sonata rondo, gets its originality from the perfect balance of humor, dance rhythm and precise fluency.

Trio classical

Anneliese Brost Musikforum Ruhr

Since the ensemble was founded in 2009, the Aris Quartet has long since played its way into the top league of chamber music, is a regular guest on the most renowned stages in the world - and has developed a preference for programs rich in relationships. In the 3rd chamber concert, the four musicians focus on two of the most important romantic composers who have a few things in common: Felix Mendelssohn Bartholdy and Johannes Brahms. Both come from Hamburg and both share a passion for Switzerland: Brahms traveled 14 times to the beloved Alpine country, about which Mendelssohn Bartholdy raved euphorically: "Of all the countries I know, this is the most beautiful." But both also share a respect for the "giant Beethoven", as Brahms once called his larger-than-life role model. The string quartets of the two romantics are therefore also a musical confrontation with the shadow of their idol. Fanny Hensel, however, had to contend with a completely different shadow: while her younger brother Felix was celebrated as a musical prodigy, her conservative father pushed her sister into the role of "housewife and mother who also composed music on the side". However, her more than 460 works tell a completely different story. So it's time we heard them!

Aris Quartet

VIBES

Technikum

3. Sinfoniekonzert

Kongresshaus

No, no artist has ever fallen from the sky. Not even an exceptional talent like Felix Mendelssohn Bartholdy. The fact that the ability to learn and self-criticism must accompany talent is demonstrated by three works that all date from Mendelssohn's youth: a sonata, a symphony and an overture. In a joint discussion, Jörg Widmann - First Guest Conductor of the NDR Radio Philharmonic - and Friederike Westerhaus will explore how the mature artist gradually emerged from the flood of ideas and orientation towards role models.

Poetic. Works by Mendelssohn in Concert and Discussion

NDR Concert Hall | Small Broadcasting Hall

Die Rheinische In Boppard Symphony Concert

Stadthalle Boppard

The Folkwang Chamber Orchestra Essen will be coming to the Philharmonie in April with a lot of energy. Beethoven's 7th Symphony is full of dance rhythms that give the classic a driving groove and have contributed greatly to the work's popularity. Mendelssohn's E minor Violin Concerto, with its distinctive catchy tunes, is just as popular and listened to, especially in the first movement. The solo is played by the young violinist Anna Im, who recently won several international violin competitions. The music of the German-Turkish composer Sinem Altan, who explores the styles and traditions of her two home countries in her works and combines them with virtuosity, is also full of energy. In 2023 she wrote her work "Sieben Hügel" for the FKO, which can be heard here again after the brilliant premiere for the 150th anniversary of Villa Hügel.

Energie!

Philharmonie Essen

The concert series for connoisseurs and gourmets: Not only the masters of Viennese classical music are on the program here - you can also experience the Handel Festival Orchestra in this concert series of the Staatskapelle Halle. Always on Sunday afternoons, always great!

Classical Music in the Afternoon

Concert Hall Ulrichskirche

Christuskirche Mannheim

The Second World War in Europe ended with the capitulation of the German Wehrmacht on the night of May 8-9, 1945. The "liberation from National Socialism" has shaped German culture of remembrance ever since. This concert commemorates this date, which was so significant for German history, exactly 80 years ago. At the invitation of the Nuremberg Symphony Orchestra, the New York-based The Orchestra Now , which consists of talented young performers from all over the world, will play under the direction of Leon Botstein, founder of TON and first guest conductor of the Jerusalem Symphony Orchestra. Supported by the Chamber Choir of the Nuremberg University of Music and our first concertmaster, Anna Reszniak, music by Mendelssohn Bartholdy, whose music was banned during the Nazi era because of his Jewish origins, will be played in the Congress Hall. Sending a strong signal for peace and tolerance is the common goal of all those involved.

GRANT US PEACE! Memorial concert for the end of the Second World War 80 years ago

Instrumentation details. The tourist was Felix Mendelssohn Bartholdy, the key was B minor, the sketched work was the overture "The Hebrides", which was not completed until three and a half years later. On the trip, Mendelssohn Bartholdy had visited the island of Staffa with its legendary Fingal's Cave, but also experienced "the most horrible seasickness". The first version of the overture was written in Rome at the end of 1830, and Hector Berlioz, who was staying there, admiringly described it as a "delicate, fine musical fabric" that was "decorated with such rich colors". In 1832, Mendelssohn Bartholdy wrote from London during the premiere: "I have now made the Hebrides significantly different and better." A third, slightly shortened version was printed.

Elina Vähälä plays Britten Violin Concerto

Laeiszhalle Hamburg

Dancing is liberating. When the body moves and the heart beats faster, the head becomes free and the mind calm. Igor Stravinsky's great ballet Le Sacre du Printemps in 1913 was a liberating blow for rhythm, sound and harmony - a scandal for the audience at the premiere in Paris. Maurice Ravel's symphonic poem La Valse was also commissioned by the Ballets Russes and their director Sergei Diaghilev in 1920, but was then rejected: the piece had become too dark, too destructive. Schubert freed himself from the shackles of the traditional sonata form with his F minor Fantasy in 1828; the main theme of the first movement, which returns in the last, is reminiscent of a Hungarian dance with its dotted rhythm. Now the celebrated young piano duo of the brothers Lucas and Arthur Jussen invites you to a liberating dance on 88 keys (in Schubert's version) and 176 keys - and complements the brotherly togetherness with Felix Mendelssohn Bartholdy's virtuoso four-hand Andante and Allegro brilliant op. 92. A celebration of rhythm and freedom.

Lucas & Arthur Jussen

Hall Schwetzingen Castle

Leicester Symphony Orchestra: Heinz-peter Kortmann – Organ Recital

De Montfort Hall

The trio Johannes Brahms - Robert Schumann - Clara Schumann has inspired each other artistically and, in some parts, erotically since 1853. But this concert is not just about the question of who, why and whether at all. Rather, the alliance of three expands into a pentagonal story. Mendelssohn is added, whom Brahms greatly admired. And the composer Aribert Reimann, who died in 2024 and who felt a close connection with Schumann, also joins for a short time. Schumann's first and Brahms' third string quartets form the framework for a program rich in relationships, the intertwined paths of which are lined with excerpts from Peter Härtling's Schumann novel and letters from the Schumann couple, read by the actress Martina Gedeck. The Schumann Quartet is responsible for the music, although it is not named that because of Robert or Clara, but because of the three brothers Erik, Ken and Mark who play along. The violist is an external player, but that is another (square) story.

Martina Gedeck & Schumann Quartett

young geniuses

Die Glocke

Dortmund

Dortmund Concert Hall

Some talents burn out early: they are celebrated as long as great art is paired with early youth, after which they are forgotten. This does not apply to the three composers of this evening - with one exception: Clara Schumann was celebrated as a virtuoso during her lifetime, but she did not receive lasting recognition for her compositions until the 20th century. One critic even rejected the review of her 1837 piano concerto "because we are dealing with the work of a lady". Schumann took Mendelssohn's first trio of 1839 as an opportunity to praise his fellow composer as the "Mozart of the 19th century". Clara Schumann wrote her only piano trio in 1845 at the age of 25 - a year before her husband Robert composed his first trio, which was heavily influenced by her work. Lera Auerbach, born in Siberia in 1973 and now living in New York, writes music using what initially seem like traditional means and forms. Her powerful first trio from 1992 gives no indication that we are dealing with the work of a woman.

Raphaela Gromes · Eldbjørg Hemsing · Alexei Volodin

Choral-symphonic concert "55 Years of the Jena Philharmonic Choir"

Volkshaus Jena

Cornelius Meister and the Staatsorchester Stuttgart are once again performing a symphony cycle this season.
Following the complete Schumann and Brahms symphonies, the last six Mozart symphonies and symphonies by Pyotr I. Tchaikovsky, the focus is now on the only four major symphonies by Felix Mendelssohn Bartholdy. His First, written at the age of 15, was premièred at the Mendelssohn home for his sister Fanny's birthday. This was followed in 1830 by the so-called "Reformation Symphony". However, as it only appeared in print posthumously in 1868, it was given the number 5.

6. Symphony Concert

Beethoven Hall (Beethovensaal)

Mendelssohn's "Scottish" is a prime example of romantic classicism: its wanderlust, its folk tone and its world of legends are romantic, while its structure is classicist. The work was inspired by a trip to Scotland in 1829. Mendelssohn found the opening A minor motif in the ruins of Holyrood Palace: "I think I have found the beginning of my Scottish Symphony today," he wrote to his parents. But the ascending triad remained unused for a long time. It was not until 1840 that Mendelssohn resumed work on this composition. The youthful work now became a symphony of maturity in the immediate vicinity of another masterpiece, the E minor Violin Concerto.

4. Aufführungsabend

Semperoper Dresden

Miller & Munich Symphony Orchestra

Brucknerhaus

And they bid their audience farewell to the summer break with extremely optimistic sounds. Felix Mendelssohn's overture to "A Midsummer Night's Dream" is one of his greatest strokes of genius: the famous introductory wind chords immediately transport their listeners to a fairy kingdom painted by Shakespeare, in which Mendelssohn's shimmering and darting sounds create fascinating scenes of mysterious magic. Prokofiev's 2nd Violin Concerto marks his turn to a "new simplicity" that should above all be good-humored, energetic and objective, while still demanding the highest level of art from the soloist. And it reflects Prokofiev's (still) cosmopolitan attitude, which was fueled by his international concert tours at the time of writing. The final point is set by Ludwig van Beethoven – as is already the custom in Pforzheim – with another symphony: this time it is the fourth, which – although written at a time when Beethoven's deafness had already progressed – is described as extremely positive, "Greekly slim" and downright luminous. It demonstrates in an incomparable way how clearly, purely and lively a master like Beethoven is able to bring ever new opposing principles into dialogue with one another and, as a result, into harmony!

summer dreams

CongressCentrum Pforzheim

Psalms – they have been prayed and sung for almost 3000 years, first by Jews and later by Christians. They can also be found in the Koran. They are poetically bold, visually powerful poems, pleading prayers, dramatic laments, jubilant hymns. And they are all attributed to King David, the defensive and powerful ruler in the mythical early days of Judaism. The oldest psalms go back even further and tell of the time when the now feuding parties had their common cultural and cultic roots. This concert offers both: the passionate drama with the religious Christian-Jewish confession of Felix Mendelssohn Bartholdy and the Baltic Cyrillus Kreek – and the change of perspective when Zad Moultaka, born in Lebanon, and Saed Haddad, who comes from Yemen, deal with these texts.

Felix Mendelssohn Bartholdy

Events

Upcoming events

Jan 12, 2025

New Year's Concert with the Salon Orchestra · Duisburger Philharmoniker

Jan 19, 2025

Stilles Appassionata · Bremer Philharmoniker

Jan 19, 2025

New Year's Concert with the Salon Orchestra · Duisburger Philharmoniker

Jan 19, 2025

Trio classical · Bochumer Symphoniker

Jan 26, 2025

Aris Quartet · Duisburger Philharmoniker

Past events

Jan 6, 2025

Epiphany Concert 2025 · Südwestdeutsches Kammerorchester Pforzheim

Dec 31, 2024

Last Night of the Year · Münchner Symphoniker

About

Felix Mendelssohn Bartholdy hasn't added a bio