Chorus Director

Famed Venezuelan conductor Domingo Hindoyan and our very own Resident Conductor Lina González-Granados lead Gounod’s romantic score, studded with one gorgeous love duet after another. Rising stars Amina Edris and Duke Kim make their house debuts as opera’s favorite star-crossed lovers, with Justin Austin in his company debut as Mercutio and company favorite Craig Colclough as Lord Capulet. Enter a sensuous, elegant world of vengeful duels and young love as this fan favorite returns to LA Opera for the first time since 2011.

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Romeo And Juliet

The Music Center

Directed by the Goya Award-winning Mario Gas, this stunning Madame Butterfly gets a cinematic twist as all the action takes place on a 1930s film set. Korean soprano Karah Son reprises her signature role as Puccini’s tragic heroine trying to find her way in a world dominated by men. Tenor Jonathan Tetelman is the callous Pinkerton, with Hyona Kim as Suzuki, Cio-Cio-San’s devoted maid who sees right past his gentlemanly facade, and Michael Sumuel as Sharpless, the sympathetic American consul. James Conlon, "the most accomplished music director currently working on the podium of an American opera house" (Opera News), opens the season conducting Puccini's poignant and unforgettable score.

Madame Butterfly

Captivated by a beauty who scorns love, a renegade prince enters an all but impossible contest, where the price of failure is death. But beyond the legendary riddles, he’ll find another challenge in melting Turandot’s stubborn heart.

Soprano Angela Meade takes on the thrilling title role, with tenor Russell Thomas as her impetuous suitor and soprano Guanqun Yu as the woman who shows everyone the true meaning of devotion.

Turandot

Los Angeles Music Center

Violetta Valéry is the queen of Parisian nightlife for now, but she knows that life in the fast lane can't last forever. The arrival of a fresh-faced suitor offers her an unexpected taste of true love, until society’s disapproval threatens to tear them apart.

Rachel Willis-Sørensen, one of the most acclaimed American sopranos of her generation, returns as the glamorous Violetta, whose time is quickly running out. Rising star Liparit Avetisyan is the enamored Alfredo, with Kihun Yoon as his disapproving, controlling father. Verdi master James Conlon conducts one of opera’s most enduring tragedies in this vibrant and luxuriously rich new-to-L.A. production that shines the spotlight on Violetta’s tragic attempts to outrun her fate.

La Traviata

The power of art triumphs over historical neglect and censorship in two 20th-century gems. First up is a rare staging of Highway 1, USA by William Grant Still, a trailblazing Jim Crow-era composer hailed as “the Dean of African-American Composers.” Norman Garrett and Nicole Heaston star as a hardworking couple determined to build a better life, who discover that their years of sacrifices have been misguided. Chaz'men Williams-Ali portrays the beneficiary of their support, who squanders the opportunities granted to him. This new production is staged by visionary director Kaneza Schaal, who helmed the stunning 2022 production of Omar.

Next, Rodrick Dixon performs the title role opposite audience favorites Erica Petrocelli and Kristinn Sigmundsson in The Dwarf, a heartbreaking tale of one-sided love in an opulent Spanish court. Last presented here in 2008 to critical acclaim, Oscar Wilde’s fable is brought to life through a lush and romantic score by Alexander Zemlinsky, whose career was cut short by the rise of the Nazi regime.

Highway 1, USA / The Dwarf

Mexico’s most iconic artists (and infamously stormy lovers) leap off the canvas in this new musical portrait from Grammy Award-winning composer Gabriela Lena Frank and Pulitzer Prize-winning playwright Nilo Cruz. When a desperate wish on Day of the Dead reunites Diego Rivera with his wife Frida Kahlo, he jumps at the chance to seek forgiveness. But Frida refuses to return to the world that caused her so much pain, until another departed soul inspires her to look back at the art (and the man) she once loved.

Resident Conductor Lina González-Granados commands a cast packed with international talent, including Daniela Mack, Alfredo Daza and Ana María Martínez in this tribute to one of the most pivotal romances in history. The artists‘ own emblematic paintings merge with a folklore-inspired score to breathe new life into the love-hate saga of Frida and Diego.

El último sueño de Frida y Diego

The dashing Count Almaviva is ready to sweep Rosina off her feet and make her his countess—but not if her greedy guardian Doctor Bartolo has anything to say about it. Enter Figaro: barber, valet and the man with a plan to wreak joyful havoc and let true love bloom.

Internationally acclaimed mezzo-soprano Isabel Leonard returns to star as Rosina along with baritone Emmett O’Hanlon as the street-smart matchmaker Figaro. Rossini’s beloved score (filled with delightful earworms) is conducted by Louis Lohraseb, fresh from his triumphant Tosca in 2022. Best of all, experience this colorful comedy in a new-to-Los Angeles production by Tony- and Emmy-winning director and choreographer Rob Ashford. This is one appointment with a barber you don’t want to miss.

The Barber of Seville

In the heat of the moment, the notorious Don Giovanni (aka Don Juan) murders the father of one of his conquests, unwittingly unleashing an ominous force from beyond the grave that can’t be stopped. Accustomed to getting away with anything and everything, he must now face the music as years of cruelty and debauchery come due.

Grammy Award-winning baritone Lucas Meachem returns as the ill-fated playboy, leading a dazzling ensemble of singers including Craig Colclough, Guanqun Yu and Isabel Leonard. James Conlon, renowned for his astonishing command of Mozart, conducts what many consider to be the greatest of all operas in a visually spectacular production by director Kasper Holten, with scenery by stage designer extraordinaire Es Devlin, known for innovative stage designs for Beyoncé, Adele, U2 and others.

Don Giovanni

He's a beloved leader, a distinguished military commander and a devoted husband. But when an envious subordinate introduces the notion—just the slightest whispered hint—that Othello's wife Desdemona might possibly be unfaithful, it's enough to send him into a downward spiral of fury and murder.  Hailed as the pinnacle of the Italian operatic repertoire, Verdi’s transformation of the original Shakespeare play is a powerful drama of uncontrolled human emotion at its most extreme. Verdi's musical portrait of Otello’s descent into a tortured heart of darkness is explicit in every chilling detail as he destroys all in life that he holds dear.  Verdi master James Conlon takes command of the truly epic musical forces. The powerhouse cast is led by Artist in Residence Russell Thomas in the title role (considered the "Mount Everest" of the dramatic tenor repertoire). Rachel Willis-Sørensen makes a highly anticipated company debut as the doomed Desdemona and Igor Golovatenko is the sadistic Iago, slyly explpoiting Otello's one fatal flaw: jealousy.

Otello

Floria Tosca, the famous opera singer, seems to have it all. Audiences cherish her artistry—and adore hearing about her tempestuous offstage romances. But as storms of repression and rebellion rage throughout Italy, the diva is forced to play a real-life role she never imagined.  Torn between devotion to her lover and the machinations of a treacherous sociopath who will do anything in his power to break her down, she’s trapped in an utterly impossible predicament, with fatal consequences for them all. But this prima donna isn’t going down without a fight.  The cast is led by four of the greatest artists of their generations. Soprano Angel Blue takes on the iconic role of Puccini’s glamorous but tough-as-nails heroine, with tenors Michael Fabiano and Gregory Kunde sharing the role of Mario Cavaradossi, the rebel who becomes the target of the most dangerous man in Rome. Bass-baritone Ryan McKinny is the evil Scarpia, who likes nothing more than seeing his victims suffer. In her company debut, trailblazing Ukrainian conductor Oksana Lyniv leads a heart-pounding production staged by the legendary director John Caird.

Tosca

Lucia is trapped in an impossible situation. Her abusive brother hates the man she loves. Worse, he's forcing her to marry someone else in a last-ditch effort to shore up the family's failing finances. Her only way out seems to be murder...
Donizetti's gorgeously moody score masterfully conveys Lucia's isolation and instability as she slips into a terrifying world of madness. Two extraordinary sopranos—who launched their careers at LA Opera—will take on the iconic title role: Amanda Woodbury, who's now a star at the Metropolitan Opera, and Liv Redpath, who'll sing Lucia at the Deutsche Oper Berlin this year. Tenor Arturo Chacón-Cruz returns as Lucia's beloved Edgardo, with Alexander Birch Elliott as Enrico and bass Eric Owens as Raimondo.
Lina González-Granados leads the proceedings in her first outing as the company's new Resident Conductor. Director Simon Stone creates a powerful new production that moves the story to a present-day world of desperation and decline.

Lucia di Lammermoor

Pittance is pleased to present this special evening featuring the complete Liebeslieder of Johannes Brahms, for vocal quartet and piano four hands. Members of the LA Opera Chorus - mezzo-soprano Melissa Treinkman, tenor Edmond Rodriguez and baritone James Martin Schaefer, are joined by soprano Elissa Johnston, with LA Opera conductors Grant Gershon and Jeremy Frank moonlighting on piano four hands.

Liebeslieder

First United Methodist Church

Mozart’s razor-sharp comedy is back in a delightful production by director Michael Cavanagh. A stylish set by Erhard Rom updates the action to a swanky American country club, bursting with kitsch and color. James Conlon conducts a fantastic ensemble cast, led by longtime LA Opera favorites Ana María Martínez and Rod Gilfry as the schemers behind the deception. Featuring an endless parade of exquisite ensembles, Mozart’s deliciously scandalous opera is a can’t-miss for newcomers and seasoned fans alike.

Cosi Fan Tutte

Verdi master James Conlon conducts Rigoletto, featuring some of the most famous music in history. Quinn Kelsey, the premier Verdi baritone of his generation, returns to star in the title role, with tenor René Barbera as the suave and sadistic Duke and Italian soprano Rosa Feola as Gilda, his unsuspecting prey. Stage director Tomer Zvulun updates the action to Mussolini’s Italy, transporting audiences to a realm of glittering grandeur that’s absolutely rotten to the core.

Jeremy Frank

Chorus Director

Events

Upcoming events

2 - 23 Nov, 2024

Romeo And Juliet · LA Opera

8 - 30 Mar, 2025

Cosi Fan Tutte · LA Opera

May 31 - Jun 21, 2025

Rigoletto · LA Opera

Past events

2 - 23 Nov, 2024

Romeo And Juliet · LA Opera

Sep 21 - Oct 13, 2024

Madame Butterfly · LA Opera

About

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