Composer

Lost is a whimsical dream play that is reminiscent of Alice’s Adventures in Wonderland, with music by Andrea Tarrodi – one of our most acclaimed contemporary Swedish composers. Its 2024 première proved popular with critics and audiences of all ages. This is a truly great musical experience in a small format.

Lost

Royal Swedish Opera

Written at Villa Senar, the composer’s home on Lake Lucerne in Switzerland, this compact late work – premièred in Philadelphia in 1936 – features romantic melodies, references to the Dies irae and a thunderously triumphant conclusion.

Rachmaninov’s Symphony No.3

Smith Square Hall

Experience the splendors of Italy with Music Director Stéphane Denève and the SLSO in this captivating season opener. Visit a kaleidoscopic carnival in Berlioz’s Roman Carnival Overture and venture through colorful fishing villages of the northern coast in Andrea Tarrodi’s Liguria. Respighi’s Pines of Rome guides us through parks and catacombs and then to the dark forests of the Italian hills. At the center of it all, the dazzling technique of pianist Yefim Bronfman transports us from the dream-like to the thunderous in Liszt’s Piano Concerto No. 2.

Opening Weekend

Powell Hall

In the opera cabaret Jag är Ulla Winblad, the 18th century's most legendary and celebrated Stockholm woman gets to play the lead role in her own story. Behind the Folkoperan" class="css-u850">Folkoperan's anniversary performance is the super trio Klas Östergren, who wrote the libretto, the composer Andrea Tarrodi and the director Nora Nilsson. On stage, the actors Björn Kjellman and Hanna Dorsin meet with the Folkoperan's soloists and orchestra.

When an elderly Bellman (Björn Kjellman) seeks out “Ulla” (Hanna Dorsin) to say goodbye and perhaps reconcile, we are thrown back to the days of youth and the brutal 18th century Stockholm. Among bustling taverns and stinking alleys, the young beauty Maria Kristina Kjellström “Maja-Stina” (Tessan-Maria Lehmussaari) and the young star Carl Michael Bellman (Wiktor Sundqvist) meet.

I am Ulla Winblad.

The Folk Opera

The spring season atNorrland Operaends with a real music festival where a variety of musical expressions from different corners of the world share the spotlight. On the podium we find, in honor of the concert and as expected, the house's ownEduardo StrausserThe evening

begins with Jessie Montgomery's Records from a Vanishing City, a tribute to the eclectic soundscape she was surrounded by in the bohemian East Village neighborhood of New York as a child in the 80s and 90s.

Lorenz and Shostakovich

Norrlandsoperan

Principal Guest Conductor Pekka Kuusisto selects music by Swedish Amanda Maier-Röntgen and Andrea Tarrodi. To conclude, we hear one of Brahms’ passionate Sextets, all performed by musicians from the orchestra.

Chamber music with Kuusisto

Göteborgs Symfoniker

WhenThe Prince's Music Corpsinvites you to a concert with the American-Swedish sopranoBarbara Hendricks, a world-class musical event is planned. Hendricks is one of the 20th century's most brilliant opera stars whose voice fascinates audiences to this day.

Barbara HendricksandThe Prince's Music Corps

Aarhus Music Hall

Doric Quartet’s members use specially made original-style bows for a more refined performance of Classical repertoire such as Haydn’s Quartet #23  which opens the program with its dramatic pauses and clever transitions. The inclusion of Andrea Tarrodi’s Light Scattering underscores the ensemble’s commitment to new music as well. Lastly, Beethoven’s Quartet #10 mirrors the transitions of his life at the time: his Scherzo echoes the heroic power of his Fifth Symphony and “Emperor” Piano Concerto (written with Napoleon in mind), while his tender Adagio gives us a first taste of the transcendence yet to come in future slow movements of his later quartets.

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Doric Quartet

Rice University

Experience Sweden's premier competition for young classical soloists. We hear three accomplished musicians all performing together with the Gothenburg Symphony Orchestra and conductor Anna-Maria Helsing.

The Soloist Prize 2026

New Friday is for the curious listener who wants to explore the innovative music of our time. This evening brings together two leading Swedish musicians with distinguished international careers, in a programme of new Swedish music.

New Friday – A Ship Full of Music

Stockholm Concert Hall

Mozart Requiem

Granada Theatre

A dream made of brass – and a musical encounter of the highest order: Daniel Téllez Gutiérrez, principal trombonist of the Düsseldorf Symphony Orchestra, meets the world-renowned trombone legend Christian Lindberg. Together they present the world premiere of composer Andrea Tarrodi's captivating new double concerto – a work that will captivate and inspire you with the power and richness of sound of two outstanding soloists.
Alpesh Chauhan then guides you through Anton Bruckner's monumental 7th Symphony, which, with its sublime sound architecture, rises before you like an imposing cathedral. 

Bruckner 7

Tonhalle Düsseldorf

Mozart’s Serenade No. 10 Gran Partita for 12 wind instruments and a double bass is, with its seven movements, rich in everything that is usually associated with the composer’s style; playfulness, contrasts, and virtuosity mixed with infectious melodies. When musicians from the Swedish Radio Symphony Orchestra take on this masterpiece, it is combined with the contemporary Swedish composer Andrea Tarrodi’s Serenade in Seven Colours, written with Gran Partita and the jazz trumpeter Miles Davis and pianist Gil Evans’ album Quiet Nights from 1963 as sources of inspiration.

Mozarts Gran Partita

Berwaldhallen

Music Director Ken-David Masur opens his phenomenal final season with a festive fanfare by Andrea Tarrodi. The celebration continues as the MSO raises a ruckus with R. Strauss’s tone poem Ein Heldenleben (“A Hero’s Life”), rife with, in the composer’s words, “lots of horns, horns being quite the thing to express heroism.” Ravel was determined not to make his Piano Concerto for the Left Hand feel like a thin parlor trick; its music is robust, demanding, and full of dramatic illusion. The MSO welcomes “one of the best pianists of his generation” (Philadelphia Inquirer), Stewart Goodyear, to perform this impressive concerto.

Season Opener: A Hero’s Life

Warner Grand Theater

Across centuries, Italy’s magnificent architecture and breathtaking landscapes have inspired countless artists. Respighi’s Fountains of Rome paints a Technicolor portrait of the Eternal City’s great fountains, while the seaside towns of the Liguria region are lovingly depicted in Swedish composer Andrea Tarrodi’s work by the same name. It was in that same region, in the rugged village of Rapallo, that Sibelius conceived his heroic Second Symphony.

Respighi, Tarrodi & Sibelius 2

Symphony Center

Musical storytelling joy is one of the characteristics of this evening's conductor, Finnish Pekka Kuusisto. In the evening's masterpiece  Mother Goose Tales, the French composer Maurice Ravel gives a new and resonant form to fairy tales by the author Charles Perrault, where figures such as Sleeping Beauty and Beauty and the Beast appear in Ravel's unmistakably glittering orchestral attire.

Kuusisto & Ravel

DR Koncerthuset

The Swedish mezzo-soprano Nina Stemme has been one of the world's best voices for three decades, and not just on the opera stage. The singer, who is praised for her fulfilling expressive depth and her balsamic melody, is also an experience in the song repertoire, especially in the Gustav Mahler repertoire.

Nina Stemme | Royal Stockholm Philharmonic Orchestra | Ryan Bancroft

Museum Ludwig

Sibelius's violin concerto is now the most performed of all violin concertos from the 20th century. Yet its musical language belongs to the late 19th century, and the music is warm and lyrical, dramatic and melancholic. Sibelius, himself a violinist, possibly wrote the concerto he himself would have wanted to play – albeit on a technical level far beyond his own. In this way, the violin concerto can be seen as a farewell to the youthful dreams of a career as a violin virtuoso. It is among the more challenging in the genre, as many violinists have attested.

Sibelius and Tchaikovsky

Stockholm City Hall

Tchaikovsky composed his fifth symphony during a few summer months in 1888. He had complained of lacking inspiration in the spring: "Am I burned out? No ideas, no desire?" But the fifth became a vital, emotionally charged, and in many respects brilliant symphony. It premiered under the composer's direction at the Mariinsky Theatre in St. Petersburg in November of the same year.

Tchaikovsky's Fifth Symphony

Off to Italy! If not in person, you can at least escape the grey of Berlin for a while with the Konzerthausorchester, Joana Mallwitz and our former artist in residence violist Antoine Tamestit. First, Swedish composer Andrea Tarrodi will take you through picturesque Ligurian villages.

Konzerthausorchester Berlin, Joana Mallwitz

Konzerthaus Berlin

A summer holiday in the Bohemian countryside inspired Antonín Dvořák to compose his tranquil Eighth Symphony, where the composer weaves the traditions of Czech folk music with his own romantic melodies to evoke the beauty of his surroundings. Although this is a work of abstract music (meaning it doesn't tell a specific story), listen closely and you'll hear the enchanting sounds of summer — from beautiful birdsong to the echoes of a shepherd's horn and even a rumbling thunderstorm

Bancroft, Dvořák & Clara-Jumi Kang

Southam Hall

A summer holiday in the Bohemian countryside inspired Antonín Dvořák to compose his tranquil Eighth Symphony, where the composer weaves the traditions of Czech folk music with his own romantic melodies to evoke the beauty of his surroundings. Although this is a work of abstract music (meaning it doesn't tell a specific story), listen closely and you'll hear the enchanting sounds of summer — from beautiful birdsong to the echoes of a shepherd's horn and even a rumbling thunderstorm.

National Arts Centre

Join us for an unforgettable evening of music as the Eugene Symphony presents "Tania conducts Sibelius" on Thursday, January 23, at 7:30 PM at the Hult Center for the Performing Arts. Under the baton of conductor Tania Miller, this concert promises a blend of power, grandeur, and tender poetic expression.

The evening will feature a remarkable program, including the profound "Beethoven Piano Concerto No. 4," performed by the deeply musical and technically nimble pianist Harmony Zhu. Zhu, hailed for her naturalness and probing sensitivity, will bring this masterpiece to life, showcasing her exceptional talents. The concert will also take you on a journey through the Nordic ice with Sibelius's soaring "Symphony No. 1" and explore the enchanting "Birds of Paradise," inspired by BBC's Planet Earth.

Harmony Zhu, a prodigious talent recognized worldwide, will captivate the audience with her extraordinary musical maturity and charming charisma. Having performed with some of the world's leading orchestras and at prestigious festivals, Zhu's performance is not to be missed.

The Eugene Symphony is committed to the health and safety of its audience members, musicians, and staff. Attendees are encouraged to follow the most up-to-date health and safety protocols available on the Eugene Symphony Safety page. Whether you choose to wear a mask or not, we want you to feel comfortable and enjoy the exceptional musical experience we have prepared for you.

Don't miss this special evening with the Eugene Symphony, Tania Miller, and Harmony Zhu. Secure your tickets now for "Tania conducts Sibelius" and be part of a musical event that promises to be both powerful and poetically expressive.

Tania conducts Sibelius

Hult Center for the Performing Arts

Kensington Symphony Orchestra returns to Sinfonia Smith Square on Monday 25 November, when soprano Monica McGhee joins the group for a performance of Mahler’s Symphony No.4 (1899-1900).

Mahler’s Fourth Symphony

### Mahler's Symphony No.4 - Kensington Symphony Orchestra

**Date:** Monday, 25 November 2024  
**Time:** 7:30 PM  
**Venue:** St John’s Smith Square

Join the Kensington Symphony Orchestra (KSO) for an enchanting evening of classical music at St John’s Smith Square. Under the baton of conductor Russell Keable, the orchestra will present a captivating program featuring works by Andrea Tarrodi, Grace Williams, and Gustav Mahler.

**Programme:**
- **Andrea Tarrodi:** *Serenade in Seven Colours* (2013)
- **Grace Williams:** *Sea Sketches* (1944)
- **Gustav Mahler:** *Symphony No.4* (1899-1900)

**Soloist:** Monica McGhee, soprano

The evening will open with Andrea Tarrodi’s *Serenade in Seven Colours*, a vibrant piece for woodwind and percussion inspired by Mozart’s *Serenade for 13 Winds No.10, Gran Partita* and the jazz compositions of Miles Davis and Gil Evans. This kaleidoscopic showpiece transitions from shimmering textures to an explosion of color.

Next, the orchestra’s string section will perform Grace Williams’s *Sea Sketches*, a five-movement work that evokes the life and beauty of the sea. Written during World War II, this piece reflects Williams’s longing for her home in Barry, South Wales.

The highlight of the evening will be Mahler’s *Symphony No.4*, featuring soprano Monica McGhee. This four-movement symphony, known for its tuneful opening and the evocative scherzo depicting Death playing the violin, culminates in the finale with the song *Das himmlische Leben* (The Heavenly Life), presenting a child’s vision of heaven.

Don’t miss this opportunity to experience one of the finest non-professional orchestras in the UK, as they bring to life these masterful compositions.

Mahler's Symphony No.4

St. John's Smith Square

Mozart meets Miles Davis in this kaleidoscopic showpiece from contemporary Swedish composer Andrea Tarrodi. She draws influences from both iconic musicians in this sparkling piece, devised according to Tarrodi’s own unique colour palette: Serenade in Seven Colours transports you through purples to reds to yellows – via tendrils of melody and shimmering textures. Alongside Tarrodi’s Lucioles, inspired by the flight of fireflies, performed live in November, discover a magical and deeply moving sound world of sonorous wind and glittering percussion.

TARRODI Serenade in Seven Colours

Leith Theatre

Head north – to Norway’s dramatic fjords and the natural wonders of Finland and Sweden – in the company of California-born conductor Ryan Bancroft and one of today’s most exciting young pianists.

Grieg Piano Concerto

The Usher Hall

Buchanan Galleries

His Majesty's Theatre

SCO Grieg Piano Concerto

Usher Hall

The Doric String Quartet brings an elegance and intimacy both to the Classical canon and new music and the players continue to deepen their interpretations and win fans across the world. Having performed cycles of Haydn, Mendelssohn, Britten and Bartók at famous venues around the world, including Amsterdam’s Concertgebouw, Vienna Konzerthaus and Hamburg’s Elbphilharmonie.

The Doric String Quartet 2024

Stamford Arts Centre

Swedish conductor Christian Karlsen makes his debut with the BBC Symphony Orchestra for this free evening studio concert at Maida Vale – with music by five composers.

Karlsen conducts the BBC Symphony Orchestra

BBC Maida Vale Studios

Sibelius’ Violin Concerto is one of the most played of all violin concertos composed in the twentieth century. Sibelius, himself a violinist, may have composed the concerto he would have wanted to play himself – even if it was at a technical level that far exceeded his own – in a farewell to his youthful dream of a career as a violin virtuoso. With the unparalleled Dutch violinist Janine Jansen, we can await a captivating, intense and emotional adventure.

Janine Jansen plays Sibelius

Alongside his celebrated concerts in other cultural temples worldwide, Christian Schmitt has been our trusted »Principal Organist« for many years now. He is not the only one on the podium this afternoon, but together with musicians from the ranks of our orchestra, he creates magnificent sound effects – such as a work composed in 1976 referring to Marc Chagall: This painter-poet designed famous glass windows in iridescent colours in many places. The fascinating composition »Okna« by the Czech Petr Eben reflects his experiencing of Chagall‘s vitrage for the synagogue in Jerusalem. The piece is congenially encompassed by Bach's virtuoso music: the E-flat major prelude functions as an atmospheric overture, and the corresponding fugue follows as a masterful Baroque piece with three tightly interlocked themes. Trombone and organ then unite for the romantically-influenced »Morceau symphonique« by Alexandre Guilmant. The sparkling piece from 1902 captivates with its lyrical opening and its vibrant development with energetic, rocketing scales. Sofia Gubaidulina's 1978 sonata »Detto 1« is more spiritual – but the meditative lines also repeatedly produce heated cascades. Finally, the god of the seas symbolically makes his grand appearance: the impressive piece »Poseidon« was composed by the Swede Andrea Tarrodi in 2021. Everything here is in a state of flux with rising and falling sound masses.

Our principal organist Christian Schmitt

Bamberg Concert Hall

Friday 10th subscription - André Schuen - Roberto González-Monjas

Ferrol Auditorium

Opera Palace of A Coruña

Featuring the SFCM woodwind, brass and percussion students, and conducted by Brad Hogarth, the concert will also include guest brass quintet Brass Over Bridges joining the ensemble in a premiere performance of Transfigurations. Originally written for brass quintet and orchestra by SFCM faculty Stefan Cwik, Cwik rearranged the work specifically for the SFCM Wind Ensemble. The performance of the piece will also include projections of artwork by Mexican artist Eduardo Rodriguez Calzado.

SFCM Wind Ensemble with Brad Hogarth

San Francisco Conservatory of Music

Piteå Kammaropera presents SYLVIA, an opera with music by Andrea Tarrodi and libretto by Katarina Aronsson, performed by Norrbotten NEO and four singers. A free fantasy inspired by Sylvia Plath's novel The Bell Jar.

SYLVIA

Sara kulturhus

Two of Sibelius’s most atmospheric works bookend this enterprising programme: the nationalistic fervour of his Karelia Suite and the rugged beauty of his last symphony. Beethoven’s rarely performed Triple Concerto provides an outstanding opportunity to hear three world-class soloists in a work of unexpected twists and turns and closing with a bravura finale. Completing the evening is a work by one of Sweden’s most exciting young composers. You can be sure Andrea Tarrodi’s Paradisfåglar II will leave a vivid impression.

Beethoven’s Triple Concerto

St David’s Dewi Sant

The Bridgewater Hall

Catherine Larsen-Maguire makes her debut with Ensemble 10:10, not only bringing music she is passionate about by Brett Dean, Andrea Tarrodi, Charlotte Bray and Jessie Montgomery, but also presenting gripping new sounds from Ailís Ní Ríain and Claire Victoria Roberts to carry on the ensemble’s inspiring tradition of commissioning composers from the North West.

Ensemble 10:10

Yoko Ono Lennon Centre

Fast-rising Finnish conductor Dalia Stasevska (now Principal Guest Conductor of the BBC Philharmonic) leads this arresting program, including the soul-filling Violin Concerto by Tchaikovsky played by Randall Goosby, who “plays like an angel with nothing to prove. A cool, calm, collected angel” (Los Angeles Times). To conclude, Stasevska leads one of Sibelius’ most performed symphonies, his Second, which combines high energy with long-limbed lyricism.

Tchaikovsky and Sibelius

Walt Disney Concert Hall

Andrea Tarrodi’s Birds of Paradise opens with shifting textures and rhythmic detail that suggest movement and natural imagery. Violinist Julia Mirzoev then leads Édouard Lalo’s Symphonie espagnole, a work shaped by expressive solo writing, dance influence, and strong melodic lines.

Flights of Fancy

Memorial University of Newfoundland

The music of the North is alive with colour; you just need to listen.

A bright, rippling song. A flash of multicoloured plumage. The iridescent marvel of the Aurora Borealis. The music of the North is alive with colour; you just need to listen, and no-one makes listening more of an adventure than Swedish clarinettist extraordinaire Martin Fröst. For him, there’s a ‘sort of magic’ in the act of playing, and tonight he leads us on an unstoppable dance and conjures a brand-new concerto out of silence: Jacob Mühlrad’s extraordinary meditation on Jewish spirituality. Andrea Tarrodi’s joyous musical aviary and Sibelius’s lush, windswept First Symphony complete a vibrant programme from guest conductor Anja Bihlmaier.

Sibelius’s First

Southbank Centre

A bright, rippling song. A flash of multicoloured plumage. The iridescent marvel of the Aurora Borealis.

Sibelius’ First + After Dark

Explosiveness, tempo and rest as Pekka Kuusisto plays and conducts Sibelius’ Violin Concerto with the Gothenburg Symphony Orchestra. In Kuusisto’s hands, the music is born anew.

Pekka Kuusisto in Sibelius Violin Concert

Göteborgs Konserthus

Gothenburg Symphony Orchestra plays at Örebro Concert Hall with conductor Pekka Kuusisto.

Gothenburg Symphony Orchestra plays in Örebro

Örebro Concert Hall

Gothenburg Symphony Orchestra plays at National Concert Hall Dublin with conductor Pekka Kuusisto.

Gothenburg Symphony Orchestra plays in Dublin

National Concert Hall Dublin

Gothenburg Symphony Orchestra plays at Concertgebouw in Amsterdam with conductor Pekka Kuusisto.

Composer

Andrea Tarrodi

Events

Upcoming events

Oct 24 - Nov 28, 2026

Lost · Kungliga Operan

Nov 13, 2026

Flights of Fancy · Newfoundland Symphony Orchestra

Jan 20, 2027

Sibelius’s First · London Philharmonic Orchestra

Jan 20, 2027

Sibelius’ First + After Dark · Southbank Centre

10 - 11 Feb, 2027

Pekka Kuusisto in Sibelius Violin Concert · Gothenburg Symphony Orchestra

Past events

Oct 24 - Nov 28, 2026

Lost · Kungliga Operan

Oct 12, 2026

Rachmaninov’s Symphony No.3 · Sinfonia Smith Square

About

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