Stage Director

Production Designer

Puccini’s Suor Angelica and Gianni Schicchi are a perfect pairing of high emotion, intense drama, and black comedy.

Suor Angelica weaves a poignant tale of sacrifice and redemption, when a young nun is sent to a convent to repent her sins, and Gianni Schicchi is full of unexpected twists, deception and greed as a family dispute over a missing will.

Suor Angelica & Gianni Schicchi

Theatre Royal Plymouth

Puccini’s Suor Angelica and Gianni Schicchi are a perfect pairing of high emotion, intense drama, and black comedy. Suor Angelica weaves a poignant tale of sacrifice and redemption, when a young nun is sent to a convent to repent her sins, and Gianni Schicchi is full of unexpected twists, deception and greed as a family dispute over a missing will.  

EPSG:4326

Venue Cymru

Mayflower Theatre

Buckle up as Puccini’s trio of one-act operas, Il trittico, takes you on an unforgettable rollercoaster of high emotion, intense drama, and black comedy. Il tabarro (The Cloak) gazes upon an unhappy marriage with murderous consequences, Suor Angelica (Sister Angelica) follows a nun’s sacrifice and familial yearning when sent to a convent to repent her sins, and Gianni Schicchi is full of deception and greed as a family dispute over a missing will.

Il trittico Puccini

Wales Millennium Centre

It’s Figaro’s wedding, and you’re invited to join the Almaviva household for an uproarious day of revelation and scandal. Mozart’s comic opera is packed with plot twists, forbidden desires and unforgettable melodies, combining laugh-out-loud comedy with moments of breathtaking beauty.

The Royal Opera: The Marriage of Figaro

Gloucester Guildhall

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on the night of the wedding. Meanwhile, Cherubino, the Count’s young page, has a crush on the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter. 

Figaro decides he must foil the Count’s attempt to seduce his wife-to-be and enlists the help of the Countess, Susanna and Cherubino – the latter disguising himself as a woman. A series of mistaken identities, misunderstandings and thwarted plans ensue, with all members of the household participating as each tries to get what – and who – they want.

The Marriage of Figaro - Royal Ballet & Opera Live Broadcast

Swan Theatre

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s servant, Figaro. Much to Figaro’s dismay,
the Count plans to seduce Susanna on the night of the wedding. Meanwhile, Cherubino, the Count’s young page, has a crush on the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.

RB&O: The Marriage of Figaro

Forum Theatre

Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is about to marry the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on the night of the wedding. Meanwhile, Cherubino, the Count’s young page, has a crush on the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter. 

The Marriage of Figaro

Royal Opera House

If anyone can make the ridiculous sublime, it’s Mozart. Here is proof. The last in his celebrated trilogy of operas composed with his friend and librettist Da Ponte, Così fan tutte is an absurd story set to music of impossible beauty.

Così fan tutte

Sydney Opera House

Bollywood meets Baroque in this utterly original retelling of Cleopatra and Julius Caesar’s tempestuous love affair.
Handel’s masterpiece, full of seduction, dazzling spectacle and vocal fireworks, is given the all-singing, all-dancing treatment in this Glyndebourne classic.

Giulio Cesare

Glyndebourne

At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...

Andrea Chenier (12A) Royal Opera House Live 23-24

Barbican Centre

Lost in the forest, a prince encounters an ethereal beauty with a mysterious past (and lush locks that would make Rapunzel envious). But after she's brought home to his family, she begins to grow increasingly close to his handsome younger brother.
Debussy's sensual, exquisitely nuanced score casts a hypnotic spell, capturing an enigmatic dream world where forbidden love blossoms.
Conducted by James Conlon, this fascinating lyric masterpiece stars two riveting young performers, soprano Sydney Mancasola and baritone Will Liverman, as the doomed lovers, and Kyle Ketelsen as the jealous prince. The magnificent Susan Graham makes her role debut as Geneviève, mother of the two rival brothers, and the legendary bass Ferruccio Furlanetto returns as King Arkel, the family patriarch unable to grasp the tragedy unfolding before him.

Pelléas and Mélisande

Los Angeles Music Center

Umberto Giordano’s exhilarating drama returns to the Met repertory for the first time in 25 years. Packed with memorable melody, showstopping arias, and explosive confrontations, Fedora requires a cast of thrilling voices to take flight, and the Met’s new production promises to deliver. Soprano Sonya Yoncheva, one of today’s most riveting artists, sings the title role of the 19th-century Russian princess who falls in love with her fiancé’s murderer, Count Loris, sung by star tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidant, and baritone Artur Ruciński is the diplomat De Siriex, with Met maestro Marco Armiliato conducting. Director David McVicar delivers a detailed and dramatic staging based around an ingenious fixed set that, like a Russian nesting doll, unfolds to reveal the opera’s three distinctive settings—a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.

Fedora

Lincoln Center

Sparks are sure to fly as some of opera’s most electrifying artists light up Puccini’s classic thriller. Sopranos Aleksandra Kurzak, Angela Gheorghiu, and Liudmyla Monastyrska take on the title role of the desperate diva, opposite tenors Michael Fabiano, Roberto Alagna, and Yusif Eyvazov as the ardent painter-revolutionary Cavaradossi. Baritone John Lundgren makes his Met debut as the merciless Baron Scarpia, sharing the role with baritone Željko Lučić, who reprises his acclaimed portrayal.

Tosca

La traviata, or Violetta Valéry, is a Parisian courtesan with a very glamorous life who sells her body as in The Lady of the Camellias , by Dumas son, the origin of Verdi's opera. A woman with her own light who, ill with tuberculosis, will have to sacrifice her pure love for Alfredo Germont for social conventions. Alfredo's father does not approve of the relationship and the family reputation is called into question.

David McVicar

Stage Director, Production Designer

Events

Upcoming events

Jan 17 - Feb 1, 2025

La traviata · Gran Teatre del Liceu

Past events

Oct 19, 2024

Suor Angelica & Gianni Schicchi · Theatre Royal Plymouth

12 - 19 Oct, 2024

Suor Angelica & Gianni Schicchi · Welsh National Opera

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