Composer

From Flanders looking westwards across the Channel, and eastwards to Bohemia’s hills and forests, this is a concert inspired by nature.

Butterworth and Vaughan Williams’ sumptuous works were set in motion by English poetry. But in a richly burnished orchestral tone poem, and in Vaughan Williams’ ever-popular, ravishing violin rhapsody, you can almost smell the warm earth, hear the dawn chorus and imagine yourself bathing in the still, sweet air of the English countryside.

Flanders Symphony Orchestra

Cadogan Hall

On Fancies and Goodnights, Richard writes: ‘As a curious traveller will collect objects that catch his eye, these short pieces are among the many that have caught my ear with their beauty, strangeness, and unpredictability. I have borrowed the title “Fancies and Goodnights” from a book of bewitching tales by the English writer, John Collier.’

EPSG:4326

Richard Goode piano

Wigmore Hall

Ukrainian-born Australian pianist Alexander Gavrylyuk’s pianism is rooted in the great traditions of the Russian keyboard school, supercharged with virtuosity yet, as The Times put it, ‘emotionally gripping, structurally thoughtful, and deeply musical’. His recital embraces a striking range of musical styles and moods, from the Sonata in C K330, described by Alfred Einstein as ‘one of the most lovable works Mozart ever wrote’, to the deeply affecting romance of Rachmaninov’s capricious Second Piano Sonata.

Alexander Gavrylyuk piano

Piano phenomenon Nobuyuki Tsujii has visited us here in Liverpool many times now – but with every performance, he just blows us away. In another electrifying recital here at the Hall, he’ll deliver a programme that showcases the very best of his technical mastery and virtuosic warmth – bringing us timeless masterpieces by Beethoven, the captivating lyricism of Grieg and pure magic in beloved music from Tchaikovsky’s The Nutcracker.

Nobuyuki Tsujii Piano Recital

Royal Liverpool Philharmonic

Delight in every turn of phrase as SF Symphony musicians perform together within the intimate realm of chamber music. This series showcases the 1742 Guarneri del Gesù violin on loan to Alexander Barantschik and the San Francisco Symphony from the Fine Arts Museums of San Francisco.

Mozart, Bridge, and Saint-Saëns

Legion of Honor

Solo piano concert featuring works from Viennese classicism to late Romanticism

Jakob Westh

KUMUS

The acclaimed Brentano String Quartet explores a more intimate and contemplative side of Ludwig van Beethoven in a program shaped by themes of loss, reflection, and quiet drama. Beethoven’s String Quartet in F major, Op. 18, No. 1, written early in his career, contains a deeply expressive slow movement inspired by the tomb scene from William Shakespeare’s Romeo and Juliet.

Brentano String Quartet

Segerstrom Center for the Arts

Sorcery, Magic & Fireworks with Julian Jacobson. Worthing Symphony Orchestra and Isata Kanneh-Mason open WSO's 100th season with Russian drama and Classical elegance. Note: Jeneba Kanneh-Mason withdrew due to injury; Julian Jacobson replaced her as piano soloist for the Sunday 1 November 2026 concert.

Kalinnikov, Mozart & Tchaikovsky

Worthing Assembly Hall

It’s a busy day in the manor house as the staff prepare for the marriage of the wily valet Figaro and his quick-witted fiancée, the maid Susanna. But the head of the house, Count Almaviva, wants Susanna for himself—and he’s used to getting his way. With the help of the slighted Countess, Figaro and Susanna work to turn the manor upside down in order to exchange their holy vows of matrimony. 

You can’t help but fall in love with Mozart’s endearing comedy of schemes and disguises. But hidden beneath its lighthearted façade is an exploration of the social constructs of power and class. At every turn, the servants are one step ahead of the Count.

Set at the birth of America, San Francisco Opera’s production highlights the deconstruction of class within a recently-built manor house. Scaffolding, blueprints and the dust of recently plastered walls pervade Erhard Rom’s set design, suggesting a new world emerging that challenges old ideals.  

Conductor Sebastian Weigle makes an exciting house debut on the podium.

The Marriage of Figaro

War Memorial Opera House

Fresh off the Greenville Symphony’s season‑opening performances of Mozart’s Requiem, we return to the composer’s world — this time in the intimate glow of the Gunter Theatre, where his brilliance feels especially close and alive. In this up‑close setting, Mozart’s music sparkles: you’ll hear the wit, warmth, and emotional electricity that made him one of history’s most irresistible voices, revealed with extraordinary clarity.

Mozart Among Friends

Peace Center

This season, the Karajan-Akademie once again awards the Claudio Abbado Composition Prize to an outstanding young composer. The prize includes the commission of a new work for the Academy, premiered in this concert. Visual artist Norbert Bisky joins the musicians live on stage, creating a new work in response to the music as the performance unfolds. The programme also features Arnold Schoenberg’s expressionist Verklärte Nacht and Mozart’s impassioned Symphony No. 40.

Karajan-Akademie: presentation of the Claudio Abbado Composition Prize

Berliner Philharmonie

Leave the bustle of everyday life behind and experience The Lark Ascending with Manchester Camerata, recommended by Classic FM. Under the baton of our esteemed Music Director, Gábor Takács-Nagy, and featuring our brilliant Leader, Caroline Pether, as soloist, this live classical concert will transport you into forests, fields, and open skies, celebrating the natural world and the feeling of pure joy.

Manchester Camerata: The Lark Ascending & The Sounds of Nature

Stoller Hall, Manchester

French composer Cécile Chaminade composed over four hundred works in the shadows of her contemporaries Brahms and Saint-Saëns, yet her music was so popular that “Chaminade Clubs” sprang up in the United States during her lifetime. Debussy’s early trio, also overtly Romantic, is offered as a companion work, with both trios now increasingly heard in concert halls around the world. 

Grand Rapids, MI 

St. Cecilia Music Center

To mark the 200th anniversary of Ludwig van Beethoven’s death in 2027, the season’s first chamber music concert will focus on a lesser-known facet of his oeuvre. After all, wind music is not the genre most readily associated with Beethoven. This makes the Octet in E-flat Major and the Trio for Two Oboes and English Horn all the more surprising: both works grew out of the late 18th-century tradition of Harmoniemusik – music for courtly wind ensembles – yet they already bear Beethoven’s unmistakable musical voice. The programme will continue with one of the great masterpieces of the wind repertoire: Wolfgang Amadeus Mozart’s work, which is also entitled “Nachtmusique”. Here, the serenade’s light-hearted form is transformed into a sound world of extraordinary richness of colour and expressive power. “Exquisite” indeed – as the concert’s title promises.

Chamber Concert “Exquisite Wind Music”

Evangelische Akademie Tutzing

Irenensaal

Munich Residence

In the final decade of his life, Mozart composed many of the works that define his legacy today. Settled in Vienna, he began to push at the edges of the Classical style, shaping a direction that would influence composers like Beethoven in the years to come.

Mozart with Roderick Williams and Sophie Bevan

St Martin-in-the-Fields

A Night at the Opera returns to Cadogan Hall with a spectacular programme of operatic favourites. Featuring four outstanding soloists – soprano, mezzo-soprano, tenor and baritone – the evening brings together some of opera’s greatest showstoppers, including the irresistible ‘Largo al factotum’ from The Barber of Seville, the triumphant ‘Toreador Song’ from Carmen, and celebrated ensemble highlights such as Mozart’s serene trio ‘Soave sia il vento’ from Così fan tutte and Verdi’s dramatic quartet ‘Bella figlia dell’amore’ from Rigoletto.

A Night at the Opera by Candlelight

Join distinguished composer and public radio personality Bruce Adolphe for investigations and insights into masterworks performed during the Alice Tully Hall season. Inside Chamber Music lectures are beloved by regulars and a revelation to first timers for their depth, accessibility and brilliance.

Mozart's Quintet in A major for Clarinet, Two Violins, Viola, and Cello, K. 581

Chamber Music Society of Lincoln Center

Mæland / Aadland

Norwegian Academy of Music

“The rays of sun chase night away.” If there is an opera for everyone, an opera about the very essence of life, it’s The Magic Flute. For the first time since 2015, Iván Fischer will once again bring to the stage Mozart’s philosophical tale, where good and bad, light and darkness, right and wrong, courage and fear, wisdom and superstition, vengeance and mercy are juxtaposed. The opera, which is Mozart’s last work for the stage, is an initiation ceremony and a moral tale about the journey to adulthood. “It’s an inscrutable work of magical power,” says Fischer, who is particularly awed by the opera’s optimism, humor, playfulness, fairy tale-like quality, deep humanism, or, in a single word, complexity. The international cast includes Mozart specialists from the world’s leading opera houses, several of whom are already familiar to the BFO’s audiences.

Vicenza Opera Festival: Fischer and The Magic Flute

Teatro Olimpico

Teo is having some trouble with his La Scala report card: he just can’t seem to understand opera! What he needs is an artificial intelligence… a robot capable of showing him a different perspective on music. But watch out for those notes!

Mimì & Teo and… The Jazz Robot!

Teatro alla Scala

From early fame as a BBC Young Musician of the Year finalist in 2014 to being the inaugural recipient of the Prix Serdang in 2022, Martin’s performances are hailed as a thrilling experience delivered with passion and technical mastery. His festival appearance includes pieces by Bach, Handel, Mozart, Chopin and Fauré.

Martin James Bartlett Piano Recital

Kent College

Since 2012, World Opera Day has celebrated opera as a complete art form, capable of moving, surprising, and transporting all audiences. To demonstrate this, the Opera Orchestra is marking the event with two evenings of opera at the Opéra Comédie. Faust , Carmen , La Bohème , Turandot , The Magic Flute , Die Fledermaus … arias you've already heard or even hummed.

Opera Passion

Opéra Comédie

October 2026 Symphony Concert

The Independence School

When you think of Russian music, you think of Tchaikovsky and Rachmaninov – two giants of melody and emotion, who could create whole worlds of feeling from a single piano. Ukrainian born Alexander Gavrylyuk is soaked in that tradition, and today he pairs two of their most personal masterpieces with three composers who inspired them: Chopin, Liszt, and Tchaikovsky’s lifelong hero Mozart.

Steinway International Piano Series: Alexander Gavrylyuk

Bute Park

The London Mozart Players return to Mill Hill Music Club as warmly familiar guests, bringing with them the elegance, flexibility and freshness that have long made them one of Britain’s most cherished chamber orchestras. Directed from the violin by Simon Blendis, their leader since 2014, they are joined by the gifted young cellist Hugo Svedberg, whose recent successes include major recognition in Sweden and at the Eurovision Young Musicians Competition.

Serenade and Elegy: Mill Hill Music Club

Henrietta Barnett School

Mad Scenes

Piedmont Center for the Arts

Crouch End Festival Chorus: Mozart Requiem

Alexandra Palace

Midori’s penetrating artistry, rich in insight and profound musical maturity, and special gifts as teacher and communicator have touched audiences far beyond the world’s leading concert halls, thanks to the reach of her acclaimed Midori and Friends education programme. She is also a firm supporter of music by living composers, reflected in the presence in her latest Wigmore Hall programme of a new work by Thierry Escaich, one of the four titular organists of Notre-Dame de Paris. A diverse trio of sonatas completes the Japanese American violinist’s alluring menu of works.

Midori violin; Özgür Aydin piano

Overflowing with gorgeous melody, Mozart’s witty romantic comedy follows two sailors who switch places to test their fiancées’ faithfulness, with hilarious results.

Così fan tutte

Town Hall Theater

“The rays of sun chase night away.” If there is an opera for everyone, an opera about the very essence of life, it’s The Magic Flute. For the first time since 2015, Iván Fischer will once again bring to the stage Mozart’s philosophical tale, where good and bad, light and darkness, right and wrong, courage and fear, wisdom and superstition, vengeance and mercy are juxtaposed. The opera, which is Mozart’s last work for the stage, is an initiation ceremony and a moral tale about the journey to adulthood. “It’s an inscrutable work of magical power,” says Fischer, who is particularly awed by the opera’s optimism, humor, playfulness, fairy tale-like quality, deep humanism, or, in a single word, complexity. The international cast includes Mozart specialists from the world’s leading opera houses, several of whom are already familiar to the BFO’s audiences.

“The Magic Flute is a childhood experience for everyone that accompanies them throughout their lives. Because this opera speaks to both children and adults.” Fischer shares his own experiences, as he and his brother participated in a production of the work held in the Opera House as children. Much later, the Festival Orchestra’s opera performances also traditionally began with a semi-staged production of The Magic Flute at the Liszt Academy in the early 1990s.

Winterfestspiele Baden-Baden: Fischer and Die Zauberflöte

Festspielhaus Baden-Baden

Visionary pianist-composer Conrad Tao performs Beethoven’s youthful First Piano Concerto and his own captivating new concert work The Hand, written as a modern companion piece to Beethoven’s First Piano Concerto. Historical performance specialist Richard Egarr leads Mozart’s grand Symphony No. 39, completing a vibrant musical experience.

Conrad Tao, Beethov­en, and Mozart

Hilbert Circle Theatre

Pavel Berman and Maria Meerovitch

Teatro La Fenice

We shine the spotlight on outstanding Wind, Brass & Percussion students as they perform Mozart’s Gran Partita, Serenade No 10 – a landmark work of extraordinary colour and scale.

Spotlight on Wind, Brass & Percussion

Guildhall School of Music & Drama

The Agora Orchestra and the Atelier lyrique of the Opéra de Montréal invite audiences to an extraordinary experience of Mozart's Requiem in the immersive atmosphere of the Richmond 1861 Salon, a former church in Little Burgundy. Far from a traditional concert, this performance transforms listening into a sensory journey. Staged by Thomas Lussier, the Requiem unfolds around and among the audience, carried by the voices of the Choir of St. Andrew and St. Paul Church and soloists Grace Buddolski, Ellita Gagner, Jeremy Scinocca, and Colin Mackey. Under the direction of Nicolas Ellis, this production offers a striking encounter with a timeless work.

Mozart's Requiem

Richmond Salon 1861

Hear the evolution of keyboard fantasias — stretching from the 17th century to today — with works by Telemann, Mozart, Chopin, and Billy Joel.

Robert Blocker plays Telemann and Schumann

Yale University

Violinist Braimah Kanneh-Mason is joined by pianist Sophia Rahman for this Canterbury Festival performance, presenting together a varied programme of works including pieces by Pärt, Shostakovich, Mozart and more.

Braimah Kanneh-Mason and Sophia Rahman

Audience favorite Emanuel Ax joins chamber orchestra The Knights in a concert of Mozart’s piano concertos and more. Piano Concerto No. 17 is a delightful piece that’s as memorable for its unusually prominent wind writing as it is for its melodic piano part. Piano Concerto No. 25 is one of Mozart’s most revered and popular concertos, blending the heroic and the humane into a whole that continues to excite. Both concertos feature particularly touching slow movements, which Ax performs with incredible insight and sensitivity. The program opens with Carnegie Hall’s first-ever performance of the overture from Saint-Georges’s L’amant anonyme. Composed in 1779, it is a brisk and energetic three-movement work that highlights the extraordinary symphonic gifts of one of Mozart’s leading contemporaries.

The Knights with Emanuel Ax at Carnegie Hall

Carnegie Hall

Vojtěch Pelka & Mozart

Church of Saints Simon and Jude

A narrator performance for children with piano music by Wolfgang Amadeus Mozart

Children's Sunday: Mozart as a Child

Fredrikshalds Teater

Ljubljana, Slovenia

Cankarjev dom

In 2022, Yunchan Lim became the youngest winner in the history of the prestigious Van Cliburn Competition, launching an international career at the age of 18. Before making his debut as a soloist with the Berliner Philharmoniker next May, the South Korean pianist appears in our Piano series with an all-Mozart programme. Featured works include the graceful, rococo-inspired Sonata in D major KV 284, the dark Sonata in A minor KV 310 and the Fantasy in D minor.

Piano recital Yunchan Lim plays MozartPiano

Berliner Philharmoniker

ProMusica opens its 48th season with Music Director David Danzmayr leading an evening of elegance and emotion. Mozart’s sparkling Divertimento in D Major opens the program, followed by Max Richter’s hauntingly beautiful On the Nature of Daylight. Four vocal soloists join the Columbus Choral Artists and Capital University Chapel Choir for Mozart’s majestic Mass in C Minor, creating a powerful and unforgettable collaboration and celebration of music.

Mozart’s Great Mass

The Westin Great Southern Columbus

Halloween Spooktacular

Robinson Center

Vienna fostered the development of two extraordinary schools of composers. This first concert of the Nash Ensemble’s series Beethoven Re-Sounded follows the first wave of Haydn, Mozart and Beethoven. They were to take music to the brink of Romanticism and lay the foundations for Schoenberg and his colleagues to stretch that Romanticism to breaking point.

Nash Ensemble; Harriet Walter narrator

Step into a world of romance, wit, and enchantment with Shakespeare and Love, where music brings the Bard’s most beloved stories to life. From the sparkling magic of A Midsummer Night’s Dream Overture to the passion and drama of Piano Concerto No. 20 in D minor, K. 466—featuring acclaimed pianist Adam Golka—this program weaves together humor, heartache, and timeless love. Suites inspired by Love’s Labour’s Lost and Much Ado About Nothing complete an evening of elegance, charm, and theatrical delight.

Shakespeare & Love

Butler University

The spark of genius ignites with commanding, unstoppable force in Mozart’s Jupiter Symphony, setting off a grand display of musical fireworks every bit as astounding today as 200 years ago.

Mozart’s Jupiter & JIJI

Jones Hall

Travel from Estonia to the German Rhineland as conductor Kristiina Poska makes her SLSO debut in a concert that celebrates a variety of European folk music. Poska introduces us to the musical shapeshifting of a new composition by fellow Estonian, Ülo Krigul, and rising-star pianist Marie-Ange Nguci shines in Mozart’s sweet and playful Piano Concerto No. 21. Robert Schumann’s Third Symphony emphasizes the vibrant culture along the Rhine River in Germany, re-imagining folk dances, bucolic scenes, and the grandeur of a cathedral.

Mozart and Schumann

Powell Hall

Wynton Marsalis is America’s jazz ambassador. Always expanding his compositional language, Marsalis’ Violin Concerto* has become a work taken up by several outstanding artists.  And you'll never forget the night Kelly Hall-Tompkins played this piece in Nashville. It’s a work rooted in swing, blues, and the American fiddle tradition that sounds like nothing else. Hall-Tompkins, acclaimed by the New York Times as "the versatile violinist who makes the music come alive," brings her signature lyricism and verve to this performance. 

The Three Ms: Marsalis, Mozart, and Mendelssohn

Shermerhorn Symphony Center

The Knights with Emanuel Ax at Music Worcester

Mechanics Hall

Belmonte is looking for his fiancée Konstanze, who has been kidnapped with Blonde and Pedrillo by pirates and sold to Bassa Selim.

Die Entführung aus dem Serail

Vienna State Opera

As the Founding Fathers launched the Revolutionary War in 1776, they also dispatched their most charming and skilled diplomat, Ben Franklin, on an assignment in Paris to secure crucial French military aid for the American Revolution. As one of the most colorful geniuses in American history, the 70-year-old Franklin knew that the way to win the hearts and loyalty of the French was to immerse himself in their cultural life. He undertook his assignment with gusto, attending concerts, ballroom dances, and opera performances, and meeting the great French writer, Voltaire. Apollo’s Fire evokes his musical adventures in this festive program of orchestral works that were performed in Paris during his 9-year stay, including Mozart’s “Paris” Symphony and highlights from a Rameau opera.

BEN FRANKLIN in Paris

First United Methodist Church Of Akron

St. Raphael Catholic Church, Bay Village

Cleveland Institute of Music

A mounting harvest of five-star reviews bear witness to the astonishing artistry of Yunchan Lim. The stellar trajectory of the South Korean pianist’s career since he became the youngest ever winner of the Van Cliburn International Piano Competition in 2022 has been as remarkable as his gilt-edged technique and profound artistry. His all-Mozart programme, not to be missed, includes the beguiling Fantasia in D minor and the young composer’s joyful Piano Sonata No. 1 in C K279.

Yunchan Lim piano

When Thomas Adès conducts the Swedish Radio Symphony Orchestra, a concert awaits where the large-scale visions of romanticism meet the glow of modernism and Dante's dramatic underworld. Franz Liszt's Les Préludes opens with philosophical images of the origin of the world, before Tomo Keller and Sascha Bota take the stage in Wolfgang Amadeus Mozart's brilliant Sinfonia concertante, one of the most beloved works for violin and viola. After the intermission, the atmosphere deepens in the 100th anniversary jubilee György Kurtág's concentrated and charged Movement for Viola and Orchestra , before Adès himself leads us into his own musical interpretation of Inferno – a suite that vibrates with sharp contours, humour, heat and brilliant imagination.

Mozart, Liszt & Dante’s Inferno

Berwaldhallen

With Guy Braunstein as leader and violin soloist, the Hong Kong Philharmonic strings embark on a journey from Mozart’s youthful brilliance to Pärt’s profound stillness. Webern’s lush early Romanticism and Vasks’s searching, spiritual Viatore lead to a thrilling conclusion in Mahler’s reimagining of Beethoven’s fiery “Serioso” Quartet for string orchestra.

The HK Phil Community Concert 2026: Evening of Quiet Reflection

Hong Kong Cultural Centre

When a lusty aristocrat tries to seduce his valet’s pretty young fiancée, his servants and long-suffering wife conspire to teach him a lesson in fidelity.

Glyndebourne

Yunchan Lim

San Carlo Theatre

Step into the splendour of Inner Temple Hall for an exhilarating evening with the London Mozart Players, conducted by Jonathan Bloxham. The programme opens with Mozart’s sparkling Marriage of Figaro Overture and closes with the majestic ‘Prague’ Symphony, framing Haydn’s radiant Cello Concerto in C major. Rising star Leo Popplewell will be the cello soloist, while the orchestra’s acclaimed clarity and energy promise to illuminate every note. Within one of London’s most captivating and lesser-known historic spaces, this concert is given in memory of Joe Butler-Sloss, former secretary of the Bar Musical Society and Leslie Wise, former treasurer of the Society.  An unforgettable celebration of the Classical era at its finest.

Mostly Mozart Gala: Temple Music Foundation

Inner Temple Hall

Robert Jackson hosts an afternoon of music at New House, Southmoor as a fundraiser for Orchestra of St John’s.

Concert with lunch at New House

Dorchester Abbey

Artistic Partner Maria Włoszczowska joins Royal Northern Sinfonia to kick off a brand new season at the Fire Station.

Mendelssohn's Violin Concerto

The Fire Station, Sunderland

Linz, Austria

Brucknerhaus

Concord Chamber Music opens its season with three masterpieces: Mozart’s dramatic G Minor Piano Quartet, Ravel’s dazzling Duo for Violin and Cello, and Brahms’s powerful C Minor Piano Quartet. Artistic directors Daniel Chong and Jessica Bodner are joined by cellist Karen Ouzounian, a singular voice in classical music, and pianist Katherine Chi, renowned for her elegant and deeply committed artistry.

CCM Season Opener: Mozart, Ravel, & Brahms

Groton Hill Music Center

Sunday Chamber Music – 2

BFO Rehearsal Hall

Swedish Norwegian ensemble Opus13 soared to success in the Final of the 16th Wigmore Hall International String Quartet Competition in April 2025 with a sensational performance of Beethoven’s String Quartet Op. 130. Its returns to the Hall for an eagerly-awaited Winner’s Concert, opening with Mozart’s ‘Dissonance’ Quartet with its near-operatic cast of contrasting themes and moods, before turning to the impassioned lyricism of Grieg’s four-movement First String Quartet.

Opus13

The Lyric Opera of Chicago 2026/27 Season kicks off with a thrilling fable of deceit and retribution. Under the baton of Music Director Enrique Mazzola, sharp humor, high drama, and an exquisite score intertwine in the story of a charismatic seducer whose unrepentant lustfulness brings about a most spectacular demise.

Singing with a voice that can “shake the heavens” (Opera Today), bass-baritone and Lyric veteran Christian Van Horn stars as one of opera’s most infamous anti-heroes, crowning a stellar cast. 

Don Giovanni

Lyric Opera House

Così Fan Tutte (Mozart)

Stony Brook University

Program: W. A. Mozart: Don Giovanni Overture, K. 527; Jesse Jones: Concerto for Mandolin, "Tunebook"; K. Husa: Fantasies; S. Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical". Running time 1 hour and 40 minutes including intermission. Pre-concert chat with Maestro Pirard and Jacob Jolliff one hour before the concert.

Fantasies

Ithaca College

The string quartet can be considered the principal formation of chamber music, ever since the writing for four solo strings became the real test on which the leading composers measured themselves in the second half of the 18th century.

Mendelssohn, Haydn, Mozart: String Quartets

Gaetano Donizetti Theater

Belmonte sails from Spain to Turkey to rescue his beloved Konstanze from the harem where she has been kept since her ship was beset by pirates, who sold her, her friend Blonde and their servant Pedrillo to Pasha Selim, the Ottoman ruler. A fun story and a timeless perspective on human nature, told at the cultural crossroads of East and West. Period setting, orchestra and chorus. In German with projected English titles.

The Abduction from the Seraglio

Lucie Stern Community Theatre

A charming disaster of a man. A trail of people he has burned. A night when the consequences finally walk through the door.

Don Giovanni is the guy who treats every room like it belongs to him. He flirts, he lies, he takes what he wants, and he keeps moving before anyone can hold him accountable. His friend tries to clean up the mess. The people he has hurt are done being polite. The tension builds like a group text that has been simmering for months and finally turns into a public blowup.

Mozart’s Don Giovanni

Towson University

Mozart cobbled together his “Haffner” Symphony from music he wrote to celebrate the young Sigmund Haffner’s ascension to nobility, instructing musicians to play as “as fast as possible” in the thrilling finale. After the symphony, FWSO music director Robert Spano conducts American composer Steven Stucky’s The Classical Style: An Opera (of Sorts), a comedy in which Mozart is a character alongside other famous composers like Beethoven and Haydn, all portrayed by the talented Cafritz Young Artists of Washington National Opera.

 The Classical Style

Sundance Square

LSO’s chamber orchestra returns to the magnificent Saint Paul United Methodist Church, the location where the Lincoln Little Symphony held its first concert in 1927. After opening with Caroline Shaw’s string orchestra piece, Entr’acte: A Minuet & Trio, LSO is joined by principal bassoonist Dennis Pearson for Mozart’s Bassoon Concerto. The program closes with Haydn’s playful Symphony No. 94 “Surprise.”

Mozart & Haydn

Saint Paul United Methodist Church

Magnificent and intimate. Artistic Partner Richard Goode invites you along on his lifelong exploration of Mozart. With a feather touch, he inhabits different characters — at times sweet, then moody — removing any and all sense of distance between you and the stage. In the hands of one of the world's leading experts, you'll feel like you've been transported back to 1786 for a private salon performance of one of the greatest concertos of all time.

Composer

Wolfgang Amadeus Mozart

Events

Upcoming events

Jan 11 - Nov 15, 2026

Members of the Teatro alla Scala Orchestra · Teatro alla Scala

Apr 26, 2026 - Mar 21, 2027

La clemenza di Tito · Opernhaus Zürich

Apr 26, 2026 - Mar 21, 2027

La clemenza di Tito · Opernhaus Zürich

Jun 13, 2026 - Apr 29, 2027

Così fan tutte · Wiener Staatsoper

Jun 22, 2026 - May 19, 2027

Die Zauberflöte · Wiener Staatsoper

Past events

Nov 3, 2026

Flanders Symphony Orchestra · Cadogan Hall

Nov 2, 2026

Richard Goode piano · Wigmore Hall

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