Singer

The first ever Mariachi opera, Cruzar la Cara de la Luna/To Cross the Face of the Moon, follows the two families of Laurentino, a Mexican man who has moved to the United States to work, even though that means leaving behind his wife Renata and son Rafael. Although he sends money home, and visits when he can, his choices have tragic consequences for his family left in Michoacán. Decades later, he lies dying. Now an elderly man, cared for by his American son Mark and granddaughter Diana, Laurentino questions the true meaning for him of ‘family’ and ‘home’ after a life straddling two cultures, a life in which he kept so many secrets from those he loved. Even as he draws his final breath, the two strands of his life finally come together in an emotional reunion, and Laurentino perhaps finds the answers he needs to rest peacefully.

EPSG:4326

Cruzar la Cara de la Luna

Long Center for the Performing Arts

Falstaff, Verdi’s enduringly popular final masterpiece, recounts the misdeeds of drunken, absurdly vain, formerly thin knight Sir John Falstaff, plucked straight from Shakespeare’s plays. He’s fallen on hard times and, while drinking at an inn, announces his plans to pay off his debts by wooing not one, but two wealthy, married women: Alice Ford and Meg Page. But after he dashes off identical letters to each, they quickly discover his scheme and vow revenge. And as Falstaff—along with the rest of the men in this joyously life-affirming comedy—soon learns, he’s deeply outmatched by the women. With quick scene changes and a large wooden set, this iconic production perfectly captures the feel of an Elizabethan play. The stellar cast features four beloved favorites: baritone Reginald Smith Jr. as Falstaff, soprano Nicole Heaston as Alice, baritone Blake Denson as her husband, Ford, and soprano Andrea Carroll as the young Nannetta. Paula Suozzi directs, with Maestro Patrick Summers as conductor.

Falstaff

Wortham Theater Center

All peace is followed by war, behind all happiness awaits disaster. Tragedy also shares this universal view, and in his grand opera “Les Troyens”, Hector Berlioz presents it in the face of two women: Cassandra and Dido lose their personal happiness, as it has no place in the struggle between the peoples and heroes, and ultimately lose their life. In the first part of “The Trojans” the seeress Cassandra proclaims the fall of Troy. Being the only one to do so, none believe her. With her entire people, she falls victim to the Greeks’ stratagem. In the second part, Berlioz puts Dido, Queen of Carthage, at the centre of the piece. Her love for the Trojan hero Aeneas turns to hate when he leaves her to found a new Troy.  Berlioz wrote the libretto loosely based on Vergil’s Aeneid. He went his own way with the music, which was never performed in its entirety while the composer lived, to produce grand opéra, spectacular choirs and ballets, along with new form experiments. Les Troyens remains a challenge for musical theatre to this day, and is indeed one of the monumental conceptual pieces of the previous century.

Daniel Noyola

Bass

Events

1 - 4 Feb, 2024

Cruzar la Cara de la Luna · Austin Opera

Oct 27 - Nov 10, 2023

Falstaff · Houston Grand Opera

May 9 - Jul 10, 2022

Les Troyens · Bayerische Staatsoper

Future and recently performed repertoire

Soldat in Les Troyens by Berlioz

Bayerische Staatsoper

Un chef grec in Les Troyens by Berlioz

Bayerische Staatsoper

Pistola in Falstaff by Verdi

Houston Grand Opera

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