Theatre makers find Henrik Ibsen’s Peer Gynt to be rather problematic. While challenging to mount on the stage, the dramatic poem with episodic structure featuring fantastical elements turned out to be perfect material for a ballet. In 2015 Slovenian dancer of Romanian origin, Edward Clug created a choreographic adaptation of Peer Gynt. The ballet’s Maribor world premiere was a triumph and the work was subsequently staged in Zurich, Vienna, Dortmund, Hannover, and Leipzig. What is the reason for its popularity? It is not intimidated by the original’s broken narrative, leaving questions about the meaning of the protagonist’s individual adventures unanswered, and, crucially, uses a very contemporary visual language, without treating the Ibsen play as a dusty old fairytale inspired by folklore.

Tomaž Premzl

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Oct 25 - Nov 8, 2024

Peer Gynt · Polish National Opera

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