The story of Cio-Cio-San is one of Giacomo Puccini's most beautiful love operas. And to think, the premiere of this production in 1904 at La Scala in Milan was one of the composer's most bitter experiences. The atmosphere in the audience was unbearable. The audience chanted "La Bohème!!!" – accusing the composer of duplicating musical passages, booed, and yawned loudly. The performance was a complete failure. Critics also lambasted the composer. Only after several changes were made and a performance at the Teatro Grande in Brescia did the opera triumph. Seven encores were required, and from then on, it has been a popular addition to the repertoire of opera houses around the world.

Madame Butterfly

Teatr Wielki - Polish National Opera

Even though The Haunted Manor is considered Moniuszko’s most remarkable work, it is still hard to fathom the fact that the opera has been put before the Warsaw public over 1,500 times already. Written after Poland had been wiped from the map of Europe, the masterpiece enabled the desolate nation to go on a sentimental journey back to the time when its motherland was self-governing and free from external peril. A praise for family and native traditions evoking the happy days of yore won the hearts of the Polish audience yearning for its heritage. Before the tsarist censors realised the opera had been written to lift the Poles’ spirits and banned it after the third show in 1865, large portions of the public had managed to see the production and spread the word about the hope of restoring freedom that it offered. Unfortunately, Moniuszko did not live to see the next staging. A hundred years since its world premiere, the opera opened the first season at the newly restored Warsaw opera house following its destruction during the Second World War. It was no coincidence: in the course of the intervening decades The Hunted Manor became a symbol of Polish patriotism, Poland, and the strength of her nation that has risen from ashes many times it its history. 

The Haunted Manor

The story of Cio-Cio-San is one of the most beautiful Puccini operas about love. To think that its 1904 premiere at Milan’s La Scala was one of the most bitter experiences in the composer’s life! The atmosphere in the auditorium was almost unbearable. ‘La Bohème!’ chanted the crowd, accusing Puccini of reusing his musical ideas, while booing and yawning ostentatiously. The performance was a complete and utter failure. The composer was savaged by the critics. Rewritten and restaged at the Teatro Grande in Brescia, the opera scored an ultimate triumph. The audience demanded encores of seven passages and the opera became a favourite with theatre programmers around the world.

Madama Butterfly

Krzysztof Penderecki has the ability to build fascinating worlds in his operas. His third work for the stage, The Black Mask, transports the audience into the future, to a Lower Silesian town of Bolkenhain (now: Bolków).

The Black Mask

Dead End is a singular work: an opera exploring current issues, written by two prominent Polish artists, Krzysztof Meyer and Antoni Libera.

Krzysztof Meyer is considered one of the most prominent present-day composers. He was a noteworthy student of Krzysztof Penderecki, then a pupil of Nadia Boulanger and Witold Lutosławski, and finally, a professor of composition of the Cologne University of Music, now retired. As an eminent expert on Shostakovich, he penned a monograph on the composer and composed the third act of The Gamblers. A composer of mainly large-scale symphonic pieces and chamber music, he also wrote a youthful opera after Stanisław Lem’s The Cyberiad. The composer has a number of prestigious awards to his name.

Dead End

Blind Track is a unique work - an opera on a contemporary, even current topic, written by two outstanding Polish artists: Krzysztof Meyer and Antoni Libera.

Blind Track

Die Frau ohne Schatten is the fourth opera created in collaboration between composer Richard Strauss and writer Hugo von Hofmannsthal. The work is full of ambiguous symbolism, yet simultaneously focuses on fundamental human experiences: love, loneliness, unfulfillment, and longing.

Mateusz Zajdel

Events

Upcoming events

15 - 28 Feb, 2026

A woman without a shadow · Polish National Opera

Past events

10 - 15 Oct, 2025

Madame Butterfly · Polish National Opera

17 - 29 Jan, 2025

The Haunted Manor · Polish National Opera

Future and recently performed repertoire

The Vision of a Young Man / The Hunchback in Die Frau ohne Schatten by Strauss

Polish National Opera

Goro in Madame Butterfly by Puccini

Polish National Opera

About

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