Older audiences of the Polish National Opera will undoubtedly remember Lech Majewski's splendid classical production of George Bizet’s most famous opera with monumental sets by Janusz Kapusta and costumes by designed by Hanna Bakuła. Twenty-three years after that premiere, the job of staging Carmen for the Teatr Wielki was taken on by Poland’s popular actor and director, Andrzej Chyra. This time round, the Warsaw audience was treated to a completely different and hardly traditional take on the masterpiece of the world opera repertoire.   

Carmen

Teatr Wielki - Polish National Opera

Krzysztof Penderecki has the ability to build fascinating worlds in his operas. His third work for the stage, The Black Mask, transports the audience into the future, to a Lower Silesian town of Bolkenhain (now: Bolków).

The Black Mask

Everything in Barrie Kosky’s production of The Magic Flute seems like a fairytale and each subsequent idea is a proof of the director’s enormous sense of humour: the composer must have had a lot of fun working with Wolfgang Amadeus Mozart’s score. The red curtain opens to reveal nothing but a white screen where all the frolics will soon take place – the director will juggle elements of silent film, slapstick comedy and cartoon art. His collaborators, Suzanne Andrade and Paul Barritt, also known as “1927”, mixed film animation with live theatre. The effect is stunning. Papageno, the boisterous bumpkin portrayed here as a sad clown channelling Buster Keaton, gets drunk onstage in the company of pink elephants quaffing cocktails from flute glasses. The Queen of the Night is a huge spider, Monostatos appears as a pale vampire dressed as Count Dracula, while Pamina’s black wig with a fringe makes her look like Louise Brooks, the iconic silent film actress and dancer.

Piotr Maciejowski

Events

Upcoming events

Oct 11 - Dec 6, 2024

Carmen · Polish National Opera

22 - 29 Nov, 2024

The Black Mask · Polish National Opera

Dec 29, 2024 - Feb 1, 2025

The Magic Flute · Polish National Opera

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