This program will contain a variety of music whose structure or style is of British origin.   It will feature traditional English, Irish, and Scottish ballads as they made their way to early American settings, as well as dance forms of England borrowed by composers from other European countries.  Featured will be baroque triple harp, baroque violin/fiddle, dulcimer, tin whistle, baroque flute, and vocalists.

Three Notch’d Road Baroque Ensemble – English Baroque Structures

Garth Newel Music Center

‘A good voice… [is a] gift… so rare there is not one among a thousand that hath it’, wrote William Byrd in 1588. This didn’t put off singers wishing to try their luck: songbooks became hugely popular around the turn of the 17th century, most notably John Dowland’s groundbreaking First Booke of Songs or Ayres (1597).
This was music for performers to make their own. These works have a strongly operatic flavour, blending poetry and music to create intensely expressive drama that goes straight to the listener’s heart. Highlights include Purcell’s masterpiece In guilty night, which is held in the Academy’s Spencer Collection.

EPSG:4326

Resounding Shores: Songs, Scenes and Dialogues

Royal Academy of Music

So, the music of the London-born Purcell sits alongside masterpieces by Handel – a German who became English by choice – and Ignatius Sancho, who was born into slavery but found freedom and musical success in Georgian England. Curated by American countertenor Reginald Mobley, Sons of England weaves music and words to explore alternative histories of the English baroque, culminating in a Sancho-inspired new commission by composer Roderick Williams: musical history shaping a shared future.

John Blow

Events

Past events

Aug 10, 2024

Three Notch’d Road Baroque Ensemble – English Baroque Structures · Garth Newel Music Center

Jun 30, 2024

Resounding Shores: Songs, Scenes and Dialogues · Royal Academy of Music

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