Stage Director

Will the Man Who Always Gets What He Wants have his way once again? High tragedy and comedy alternate in this rare work by the eminent soprano and composer Antonia Bembo.

EPSG:4326

Ercole amante

ODC Theater

A work of emotional chiaroscuro that ranges from heroic tragedy to slamming-door farce, set in the late Roman Republic under the rule of the fearsome dictator Sulla (here called Silla). Young Flora and Pompeo are impassioned lovers. But Silla and Pompeo’s dad have other plans: Pompeo is to marry Silla’s daughter, Emilia. The only problem is that Emilia is already married to somebody else. And Pompeo (the future Pompey the Great), though a hero on the battlefield, turns out to be a spineless wuss when it comes to standing up to Dad and defending his girlfriend. Flora exerts her seductive superpowers to get her man. But will she succeed?

La Flora

A double-bill of short operas written 270 years apart, yet similar in themes of love and betrayal. Both Elle and Dido suffer the devastating consequences of heartbreak. Their stories resonate across time, bringing the audience in-close as they share these deeply human experiences.

La voix humaine

Lesher Center for the Arts

Olimpia Vendicata is Ariadne auf Naxos in a distinctly more 17th-century Italian key.
Poor Olimpia, a Princess of Holland, is abandoned on a desert island by her faithless lover, Bireno. Kidnapped by pirates, she is made a slave at the elegant, sensuous court of Hibernia, where it seems everybody is amorous of somebody else.
(Remember, this is fiction.) Imagine her surprise when Bireno crops up and begins
wooing the Hibernian princess Alinda! With finesse and malice, Olimpia exacts
poetic justice.

Olimpia Vendicata

A dark tale of post-Iliad trauma, vengeance, sexual havoc and threatened infanticide, composed by one of the early 18th century’s most brilliant and under-recognized operatic masters. Similar material inspired such milestones as Euripides’ Andromache, Racine’s Andromaque, and Rossini’s Ermione.
This is by far the most disturbing work Ars Minerva has revived, set in a topsy-turvy world of grim beauty where mother love counts for little, erotic attraction excuses any cruelty, and conventional gender roles are reversed: Heroic males are at the mercy of their emotions, while women are the cold voice of duty and honor. Even death itself may not be what it seems.
Troy has fallen. Andromache, widow of the Trojan hero Hector, is the prisoner of Achilles’ son Pyrrhus, king of Epirus. Pyrrhus has fallen desperately in love with his captive and now shuns his fiancée, Hermione. Andromache is revolted at the idea of marrying the son of her husband’s killer; meanwhile, Hermione is by no means willing to be spurned without a fight. Orestes arrives, bearing an ultimatum for Pyrrhus: Kill Andromache’s and Hector’s young son Astyanax (Astianatte), or face war with Greece. Not incidentally, Orestes would also be delighted to rekindle his
relationship with the jilted Hermione.
Can a happy resolution ever be found for this tragic tangle of jealousies and emotional blackmail, in which a child’s life seems to have value only as a tool for coercion?

Stage Director

Céline Ricci

Events

Past events

14 - 16 Nov, 2025

Ercole amante · Ars Minerva

15 - 17 Nov, 2024

La Flora · Ars Minerva

About

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