Mozart’s first concerto, dated 14 April 1773, was for the violin. That charming piece was already broadening the horizons of the form before the composer followed with more during the course of 1775, all filled with the character, comedy, pacing and emotional breadth Mozart was soon to bring to the opera stage. Frequent collaborator of the Oxford Philharmonic Orchestra, Maxim Vengerov, comes to the stunning Olivier Hall of St Edward’s School for the joy and melancholy of Mozart’s first three Violin Concertos. He is joined by OPO Concertmaster Carmine Lauri, for a rare chance to hear Mozart’s Concertone for two violins, a fascinating developmental work fusing the baroque concerto grosso style with the latest fashions in symphony and concerto form.

Maxim Vengerov

St Edward's School

Love courses through this programme of chamber music delicacies played by two principal string players from the Oxford Philharmonic Orchestra, joined by the eminent American pianist Russell Hirshfield. When Shostakovich wrote his first piano trio, he was smitten; his longing for a fellow student peers out from behind the trio’s yearning melodies. ‘You won’t have heard such a beautiful trio from me,’ wrote Brahms to his publisher of his own C major trio, a work that could easily sweep you off your feet. Reena Esmail wrote her own piano trio Saans as a wedding gift for a close friend, while the sublime slowness of Schubert’s nocturne for piano trio could easily accompany a tryst. No less beauteous is Jennifer Higdon’s trio exploring whether colours and their shades can be reflected in music.

Piano Trio Rarities

Wadham College

Marios Papadopoulos takes the Oxford Philharmonic Orchestra through the momentous symphonic dance that is Beethoven’s Symphony No. 7, a work whose pounding, marching and pirouetting permanently realigned western music’s fundamental relationship between rhythm and harmony. Another of our own musicians, Concertmaster Carmine Lauri, is the soloist in the most lyrical and operatic violin concerto by the great guru of virtuosity, Niccolò Paganini, a work that will fill the Sheldonian Theatre with rococo elegance. To open, all the ferocity and impact of one of Beethoven’s most striking orchestral overtures, ‘Coriolan’.

Carmine Lauri

Events

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Oct 4, 2024

Maxim Vengerov · Oxford Philharmonic Orchestra

Jan 11, 2025

Piano Trio Rarities · Oxford Philharmonic Orchestra

May 22, 2025

Beethoven Seven · Oxford Philharmonic Orchestra

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