Costume Designer

Queen Rodelinda navigates a dangerous political web to protect her throne and family while her love for her supposedly dead husband reignites in a dramatic clash of passion and ambition. A timeless tale of love and redemption unfolds in a new production that captivates from start to finish.

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Rodelinda

The Santa Fe Opera

Who are we, who do we want to be? How far will longing for more power, wealth and a more elevated position in society make peope go? Triggered by a curious encounter, which he thinks is a prophesy, Macbeth’s wife goads him into murdering King Duncan. The throne falls to him, but remorse and hallucinations throw him deeper and deeper into turmoil, while Lady Macbeth urges him to carry out more atrocious deeds. But her feelings of guilt ending up destroying her too. R.B. Schlather’s production traces the extraordinary actuality of the protagonists, just as Verdi was fascinated by Shakespeare’s King and Queen. The Director studied the gruesome events surrounding a childless couple in an elegant but cheerless atmosphere of an imposing residence: global politics mirrored in private lives. In the end the oppressed put a violent end to the Macbeth’s autocratic regime.

Macbeth

Oper Frankfurt

The relationship between Cio-Cio-San, called »Butterfly«, and US American marine officer Benjamin F. Pinkerton begins as a proforma wedding – with unexpected consequences: the young Japanese woman cuts herself off from her family, hoping to leave her impoverished origins behind; Pinkerton, on the other hand, despite his overwhelming desires, doesn’t feel committed to this »provisional marriage«. When he’s ordered home Cio-Cio-San’s left behind, expecting his baby. She waits unwaveringly for his return; her only rock is her faithful servant Suzuki. But when Pinkerton’s ship re-docks in Nagasaki, the illusion shatters: He married another woman in America. When Butterfly realises they intend to take her child as well, she sees no other way out; she commits ritual suicide, as her father before her. Doing away with superficial clichés, the director R.B. Schlather focuses on the human tragedy, for which Puccini, Master of Melody found such heart-rending music.

Madama Butterfly

Lyric Opera of Chicago presents Medea, a tale of infidelity and revenge like no other. Euripides’s millennia-old tragedy comes to life — and gruesome death — in this presentation of acclaimed director Sir David McVicar’s iconic, grand-scale production.

Featuring Lyric’s own Music Director Enrique Mazzola on the podium, this intense spectacle stars international powerhouse soprano Sondra Radvanovsky in one of the fiercest, most demanding roles ever written. She shares the stage with equally formidable tenor — and Lyric favorite — Matthew Polenzani.

Medea

Lyric Opera House

What Macbeth thinks are prophesies are expressions of his own suppressed dreams and fears. Goaded on by his wife, who’s no less ambitious, he commits murder, which leads to more murders, creating a gruesome system of oppression. But the tyrant Macbeth and his wife are plagued by pangs of conscience. They’re both psychologically shattered - in different ways. In the end, the oppressed populace rebel, putting an end to an unjust regime.

In a domestic setting surrounding this childless, murderous couple, mechanisms of violent rule become apparent that can be found on a larger scale: World politics are reflected in a private sphere. From this perspective the story of a medieval Scottish despot seems frighteningly relevant today.

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky opens the new season as the mythic sorceress who will stop at nothing in her quest for vengeance—a tour-de-force role made famous by opera’s ultimate diva, Maria Callas. The Met premiere of Cherubini’s rarely performed masterpiece marks Radvanovsky’s fourth new production with director David McVicar, who also designed the sets for this vivid, atmospheric staging, simultaneously classical, updated, and timeless. Joining Radvanovsky are tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. In an impressive fall trifecta at the Met, Maestro Carlo Rizzi conducts Medea, in addition to Don Carlo and Tosca.

Lincoln Center

An Emperor’s court decays around him; a princess, haunted by inherited trauma, plays a deadly game of riddles; a visiting prince takes one look and decides to risk his life for love. The stakes could not be higher.

Turandot

Festival Theatre Edinburgh

Theatre Royal Glasgow

Cherubini’s rarely performed take on classic Greek tragedy stars leading diva Sonya Yoncheva as the ultimate woman scorned, the sorceress whose betrayal drives her to an unthinkable act of revenge. Clarion tenor Michael Spyres is Giasone, Medea’s unfaithful Argonaut husband, in David McVicar’s “impressive and enjoyable” (The New York Times) setting of the timeless myth.

World-renowned Scottish director Sir David McVicar brings his visionary storytelling to bear on Puccini’s epic, final opera in this, its centenary year.

Costume Designer

Doey Lüthi

Events

Upcoming events

Oct 22 - Nov 22, 2026

Turandot · Scottish Opera

Oct 30 - Nov 21, 2026

Medea · The Metropolitan Opera

11 - 22 Nov, 2026

Turandot · Capital Theatres

Past events

Jul 25 - Aug 21, 2026

Rodelinda · Santa Fe Opera

Apr 18 - Jun 13, 2026

Macbeth · Oper Frankfurt

About

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