Choreographer

Volumes have been written about the influential music of Tristan und Isolde . The music is based on the idea of ​​an insatiable longing that can never be fulfilled in this life. The prelude sweeps the listener into an ecstatic but agonizing world of desire, and the vocal parts are of unique dignity. The opera culminates in Isolde's famous closing aria, Mild und leise, with a final octave leap that concludes this unique musical-dramatic journey.

Opera (live) at the cinema: Tristan and Isolde

Umeå Folkets Hus

Lise Davidsen - Isolde in Wagner's masterpiece about love and death

After many years of waiting, Lise Davidsen makes her debut in one of the opera world's most demanding roles: Isolde in Wagner's masterpiece of love and death. Michael Spyres sings Tristan, while the Met's music director Yannick Nézet-Séguin conducts the orchestra. Yuval Sharon, hailed as one of the most visionary directors of our time, debuts with a new, innovative production Language: German Swedish subtitles!

Tristan and Isolde

Odeon, Skovde

Archipelago House, Hall A, Trosa

Ullareds Community Centre

The most recent opera by preeminent American composer John Adams—a glorious adaptation of Shakespeare’s immortal drama—has its Met premiere. Following her debut in the company premiere of Adams’s El Niño in 2024, soprano Julia Bullock stars as the irresistible Cleopatra, one of theater’s most complex and captivating characters, opposite bass-baritone Gerald Finley as the conflicted Antony. Adams himself takes the podium to conduct his lyrical and richly orchestrated score, leading a new staging by groundbreaking director Elkhanah Pulitzer that transports the story of troubled romance and political strife from ancient Rome to the Golden Age of Hollywood in the 1930s. Tenor Paul Appleby is Caesar, who goes to war with Antony, and mezzo-soprano Elizabeth DeShong is Caesar’s sister and Antony’s forsaken wife Octavia.

EPSG:4326

Antony and Cleopatra

Lincoln Center for the Performing Arts

After years of anticipation, a truly unmissable event arrives as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her signature portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.

Tristan und Isolde

Lincoln Center

An evening of dance comprised of three distinct dances created by three acclaimed choreographers. This intergenerational group: Tendayi Kuumba (recently seen in David Byrne’s American Utopia and For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf), Big Dance Theater co-founder Annie-B Parson (David Byrne’s American Utopia), and Guggenheim Fellow Donna Uchizono (State of Heads) have joined forces to interrogate our very human compulsion to move together in time. Each dance maker experiments with “getting big” both in scale and emotion, moving as one voice, as one body, and the necessity behind this impulse.

The March

Perelman Performing Arts Center

Renée Fleming makes her highly anticipated return to the Met in the world-premiere production of Pulitzer Prize–winning composer Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel. Inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman, the powerful story concerns three women from different eras who each grapple with their inner demons and their roles in society. The exciting premiere radiates with star power, with Kelli O’Hara and mezzo-soprano Joyce DiDonato joining Fleming as the opera’s trio of heroines. Phelim McDermott—who most recently wowed Met audiences with his staging of Philip Glass’s Akhnaten—directs this compelling drama, with Met Music Director Yannick Nézet-Séguin on the podium to conduct Puts’s poignant and powerful score.

Choreographer

Annie-B Parson

Events

Past events

Mar 21, 2026

Opera (live) at the cinema: Tristan and Isolde · Umeå Folkets Hus

Mar 21, 2026

Tristan and Isolde · Riksteatern

About

Annie-B Parson hasn't added a bio