Singer

‘The extraordinary power encapsulated in Carl Orff’s Carmina Burana, one of the more recognisable pieces of classical music worldwide, touches the imagination of the audience is a straightforward and open manner from the first listen. Combined with an almost contemporary score, the medieval phrases and texts communicate a universal message about the laws of this world that apply to the mighty and small, those at the beginning of their life and those who are near their end. Orff thought in music, in words, and in theatre. The sense of his works is inscribed in overlapping dimensions,’ wrote Waldemar Dąbrowski, general manager of the Polish National Opera.

Carmina Burana (blink Of An Eye)

Teatr Wielki - Polish National Opera

Unforgettable characters search for love and truth in this playful reimagining of Mozart’s classic fairytale. Be transported by hand-drawn illustrations and elaborate puppetry, as well as some of the best music Mozart ever composed.

Die Zauberflöte

Glyndebourne

The Met’s abridged, family-friendly version of Mozart’s musical fairy tale returns for the holiday season, with Maestro Duncan Ward making his company debut conducting Julie Taymor’s irresistible production. Tenors Ben Bliss and David Portillo share the role of Tamino, the noble prince on a quest to win the fair princess Pamina, sung by sopranos Joélle Harvey and Sydney Mancasola. The cast also features baritones Joshua Hopkins and Chris Kenney as the bird catcher Papageno, soprano Aleksandra Olczyk as the Queen of the Night, and bass Soloman Howard as Sarastro.

EPSG:4326

The Magic Flute — Holiday Presentation

Lincoln Center

The name Rigoletto is borrowed from a parody of Victor Hugo’s play, while the opera is based on an original prose piece (for a change) penned by the author of Les Misérables. The road to operatic stages was long and bumpy: it began in 1844, it ended seven years later. Censorship kept intently weeding out the 'indecency and vulgarity' of the libretto, disregarding the logical and dramatic consequences of these interventions. If we compare the starting point with the arrival point, it would turn out that there is barely anything left of the first version – even the names were changed in order to hide the association with Hugo, whom the authorities did not regard with kindness. It had certain, shall we say, rather unobvious results: the title character has no real aria to sing, the prima donna has but one, and the acts break off, say, spontaneously. Verdi’s genius, however, trumped the authorities in the end. The opera immediately won the hearts of the audiences – and nothing has changed since the world premiere in that regard. The Warsaw staging begins with a riot of colours, textures, shapes, flashes, gilding and jewels – I had the impression that I was seeing the tinted Orthodox churches of Kremlin of absolutely incomprehensible beauty and physics, suddenly descended in human form. Well it does not matter, what exactly descended, what matters is that the singing is done in Italian. And it shakes you.



Aleksandra Olczyk

Soprano

Events

Upcoming events

Sep 25, 2024 - Mar 15, 2025

Carmina Burana (blink Of An Eye) · Polish National Opera

8 - 11 May, 2025

Rigoletto · Polish National Opera

Past events

Sep 25, 2024 - Mar 15, 2025

Carmina Burana (blink Of An Eye) · Polish National Opera

18 - 21 Jul, 2024

Die Zauberflöte · Glyndebourne

About

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