Set Designer

Did Richard Wagner already know when, in The Flying Dutchman, he first explored the notion of redemption, that this would end up being the central concern of his art? In his final opera, Parsifal, which was first performed in Bayreuth in 1882, it is not just a single person but society as a whole that awaits a saviour – buoyed by the hope of one day meeting the One who will fulfil this role. Parsifal’s qualification for this tremendous task is that he has become “knowing through compassion” – a process that takes many years, perhaps an entire lifetime. But there are forces trying to hinder him on his path. Will Parsifal be willing to place himself at the service of the community? Parsifal, which has been called a “stage consecration festival”, is still an overwhelming experience today. Can art truly help us find redemption?

Parsifal

Semperoper Dresden

An ambitious local politician is talked into building a spaceport by an oligarch – to help his city - and perhaps himself - achieve new greatness. And yet Gabriel von Eisenstein actually has other problems: He is due to start a prison sentence tomorrow for disorderly conduct. But why face reality? Eisenstein prefers to follow the advice of his friend Dr. Falke and have a good time before starting his prison sentence - and thus falls into a net of intrigue in which quite a few honorable personalities stand to lose their good reputation.

The bat

German Oper am Rhein

Don Giovanni is constantly searching for new erotic adventures, seducing one woman after another and leaving a trail of ruined relationships in his wake. He is indifferent to the damage others suffer. With false promises, he rushes from one conquest to the next, without any real goal in mind, until his own actions ultimately catch up with him. His unconditional desire for freedom is both appealing and fascinating, thus becoming a projection screen for various female characters and their desires.

Don Giovanni

Staatstheater Braunschweig

Power, love and intrigue prevail in ancient Egypt, as no fewer than three ruling houses are entangled in the country’s political turmoil: following the defeat of Giulio Cesare, his adversary Pompeo has fled to Egypt with his wife Cornelia and his son Sesto. However, King Tolomeo has Pompeo murdered immediately in order to hand Pompeo’s head to Cesare on his arrival. However, the “gift” misses its mark: Cesare is dismayed by so much malice. Cornelia and Sesto swear revenge on Tolomeo. Cleopatra, Tolomeo’s sister, also tries to win favour with Cesare. Tolomeo’s power threatens to crumble and the battle for the throne unfolds...

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Julius Caesar in Egypt

Staatenhaus Köln

It is about a pair of siblings who have lost each other and then find each other again. It is about incestuous love, adultery and affairs. It is about power and intrigue. But it is also about love, trust and the search for happiness. And it is about a ring that represents the future of the world. Richard Wagner's Die Walküre begins as a simple love triangle in which two people fall in love and a third suffers. But as the opera progresses, the deeper dimension of this entanglement becomes apparent and the perspective broadens beyond the purely human. It is nothing less than a part of the global epic The Ring of the Nibelung , which Richard Wagner created with Die Walküre .

Die Walküre

Opernhaus Dortmund

Nothing is more improbable than the love between Tristan and Isolde: In a fight, Tristan murders her fiancé, then lets her heal his own wounds without being recognized. Tristan soon returns to Isolde and asks for her hand in marriage: not for himself, but in the name of King Marke. But something seems to be smoldering between the two, irreconcilable, on the border between love and hate. When Isolde plans to kill herself and Tristan, Isolde's servant Brangäne exchanges the poison for a love potion - the moment of impending death becomes the birth of a love that transcends everything.

Tristan and Isolde

Theater Lübeck

La Traviata is the final work in the Trilogia Popolare, Verdi’s trio of masterpieces written between 1850-52. Once again, he was inspired by an outsider: after the jester in Rigoletto and the gypsy Azucena in Il Trovatore, the courtesan Violetta Valéry -- a woman whose charm surpasses her predecessors -- takes center stage here. The Parisian demimonde is the setting for the story of the unconditional and hopeless love between Alfredo Germont and the terminally ill Violetta. From the very beginning, their love is threatened not only by death, but also by the norms of the society and the honor of a family.

La Traviata

Oper Leipzig

Violetta Valéry is beautiful, clever, warm-hearted - and terminally ill. Her life as a noble courtesan is preordained. There is no room for private happiness, not even for her love for the young Alfredo Germont, who conquers her heart and wants to save her from the vicious circle of venal love into a carefree private sphere. There she meets her doom in the shape of Alfredo's father Giorgio Germont....

La travi­ata

Theater Duisburg

A prominent Mozart opera. This opera buffa masterpiece unfolds around the story of the Count and the Countessa Almaviva, their servant Figaro, Figaro's betrothed Susanna and the count's page Cherubino.

Le Nozze di Figaro

New National Theatre

Isolation and loneliness have become part of our collective experience, especially since the coronavirus pandemic. Violetta, the young courtesan, suffers them on her deathbed, forced by societal demand to reject her lover. Verdi’s only opera set in the bourgeois world of his time demonstrates the hypocrisy of a society that first fawns over a young woman and then abandons her. Götz Friedrich’s production amplifies the emotional impact of Verdi’s music by telling Violetta’s story as a flashback: The premonition of death is present from the beginning, hanging like a shadow over the Parisian party. Thus, a timeless drama with a requiem-like quality unfolds. We eagerly anticipate the Violetta debut of Federica Lombardi, a favourite with audiences at Deutsche Oper Berlin. She will later be succeeded by Martina Russomanno, new in our ensemble. Michele Spotti, the new Principal Guest Conductor, promises a sophisticated musical interpretation.

Set Designer

Frank Philipp Schlößmann

Events

Upcoming events

6 - 12 Dec, 2026

Le Nozze di Figaro · Tokyo Philharmonic Orchestra

Dec 26, 2026 - Jun 20, 2027

La traviata · Deutsche Oper Berlin

Past events

Mar 22 - Apr 6, 2026

Parsifal · Semperoper Dresden

Oct 18, 2025 - Jan 23, 2026

The bat · Deutsche Oper am Rhein

About

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