François-Joseph Gossec, | Schedule & Tickets 2025

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The roads in Central Europe were long and uncomfortable back in the 18th century. Wolfgang Amadeus Mozart’s reports of stagecoach journeys, which he would have spent with his face contorted in pain and his bottom up in the air, bear vivid witness to this … Nevertheless, even in the time before Instagram & Co, music could not be stopped – it made its way from one musical metropolis to another, there was a lively exchange not only of sheet music, but also of musicians travelling from Vienna to Prague, from Augsburg to Milan, or from Bonn to Paris and back. The seat of the Churcöllnian prince and his Rhine metropolis were a centre of attraction for virtuosos from near and far. High-ranking musicians from different generations played together in the fantastic chapel and their employer’s library was one of the best in the entire empire. Naturally, such a modern court knew what was in vogue in London and Rome – as well as in Paris. The pre-revolutionary capital of France was also one of the musical capitals of the continent and there were important impulses in all directions. We play music associated with the city on the Seine, which was recognised and performed in Bonn. Fortunately, the electoral archives were anything but a Rhenish clique: every copy of music, every score and every part was recorded down to the last detail and every performance was documented. So, off to Paris: Allons-y!