Tōru Takemitsu, composer | Schedule & Tickets 2025

Edit profile

Name and profession

Full Name

Profession

Filters

Genres

Locations

Edit profile

This event is in drafts

Event information

Title

Organization

Direct ticket link

Event description

Dates (Optional)

Program (Optional)

Creative works you’re performing

Venue (Optional)

Venue name

Participants (Optional)

Edit profile

This event is in drafts

Event information

Title

Organization

Direct ticket link

Event description

Dates (Optional)

Program (Optional)

Creative works you’re performing

Venue (Optional)

Venue name

Participants (Optional)

Edit profile

This event is in drafts

Event information

Title

Organization

Direct ticket link

Event description

Dates (Optional)

Program (Optional)

Creative works you’re performing

Venue (Optional)

Venue name

Participants (Optional)

Edit profile

This event is in drafts

Event information

Title

Organization

Direct ticket link

Event description

Dates (Optional)

Program (Optional)

Creative works you’re performing

Venue (Optional)

Venue name

Participants (Optional)

Edit profile

This event is in drafts

Event information

Title

Organization

Direct ticket link

Event description

Dates (Optional)

Program (Optional)

Creative works you’re performing

Venue (Optional)

Venue name

Participants (Optional)

Edit profile

This event is in drafts

Event information

Title

Organization

Direct ticket link

Event description

The stage is set for our favourite organist, who is also in great demand on the international scene: In the last organ concert of this season, Christian Schmitt will play our large concert hall organ – accompanied by our solo flutist Daniela Koch and our deputy solo violist Branko Kabadaić. The concert begins with a fascinating etude for organ pedal, which Christian Schmitt premièred in Zurich in 2023 – and about which the composer Maximilian Schnaus writes: »The musical idea illuminates the peripheral areas of the organ sound and the peripheral areas of our perception.« Liszt studied Bach’s organ works and passions intensively, particularly during his time in Weimar – and his affection for this Baroque master found intimate expression in the Andante »Aus tiefer Not«, written in 1859. Paul Hindemith wrote this touching funeral music on a concert tour in London on 21 January 1936 within a few hours after King George V had died there on the previous day. Bach’s masterful Sonata in G major captivates with its skilful interweaving of voices between the two instruments. For César Franck, it was clear: »Mon orgue? – C'est un orchestre!« And that is exactly how his magnificent musical creations sound – including the »Grande pièce symphonique«, completed in 1862, which even bears the required orchestral gesture in its title. Tōru Takemitsu, the cosmopolitan and influential composer from Japan, created an almost revolutionary work in 1971 with his flute piece »Voice« – because the human voice is included here in an interesting way. To wrap things up, the concertino by Cécile Chaminade, written in 1902, impresses with its breathtaking virtuosity, passionate gestures, shimmering harmonies and yearning melodies.