Composer

For the final program of the season, every note awakens the soul, reaffirming music’s timeless power to guide us toward joy and meaning—even when none seems to be found. Led by celebrated BSO Choral Director James Burton, “Boston’s best professional chorus” (The Boston Musical Intelligencer) delivers a concert experience unlike any other in our season, showcasing the transcendent music of Bach, Brahms, Gesualdo, and more–reminding us that in music, we can rediscover hope.

EPSG:4326

Voices Carry

New England Conservatory of Music

Following his Elbphilharmonie debut with the Balthasar Neumann Choir and Orchestra, conductor Lionel Sow returns with the choir at the Hamburg International Music Festival. The French conductor will be able to showcase his passion for the German-language choral repertoire and, in keeping with the festival's theme of "The End," has developed a concert program centered around the musical fascination with death and final things.

Balthasar Neumann Choir and Soloists / Lionel Sow

Elbphilharmonie Hamburg

Grammy-nominated countertenor Reginald Mobley puts Black spirituals in resonance with sacred music by J.S. Bach and other German Baroque composers. Through five curated sections, Mobley charts a musical journey from the trauma of war and enslavement to the finding of peace, freedom, and resilience.

Philharmonia Baroque Orchestra & Chorale Pearls of Sorrow

Stanford University

The first in a multi-year series, this concert centers on Leipzig, Germany, the city where Johann Sebastian Bach lived and worked for the last 27 years of life and produced many of his greatest compositions. The program features Bach’s music alongside the works of those who preceded and followed him, spanning the Baroque through the Romantic eras. The chorus will return to Bach’s cantata Jesu, meine Freude, an audience and singer favorite, and perform works by Schütz, Rheinberger, Reger, and the siblings Felix and Fanny Mendelssohn.

Leipzig Connections

Broadway Presbyterian Church

Just as the three wise men traveled to Bethlehem to visit the newborn baby Jesus, the DR Vocal Ensemble invites you this evening on a musical journey from darkness to light. We begin at the manger scene under the starry sky and end with the final chapter in the story of Jesus' birth: Candlemas, where the light returns, and the Virgin Mary, according to the Bible, presents Jesus in the temple.

Journey towards the light

Frederiksborg Castle

Trinity Church Copenhagen

Start the festive week with an evening of J.S. Bach and Schütz as part of the Sinfonia Smith Square Christmas Festival. Expect vocal, choral and instrumental virtuosity as Polyphony & the OAE join forces under the direction of Stephen Layton, for Bach’s great retelling of the nativity story.

Bach’s Christmas Oratorio

Smith Square Hall

Our 65th Anniversary Season opens with ECHOES — a concert that blends traditions of remembrance and celebration. Inspired by All Saints Day and Día de los Muertos, this program highlights the power of music to uplift, connect, and bring joy. From David Conte’s Three Mexican Folk Songs to Dan Forrest’s Introit-Kyrie from Requiem for the Living, Ēriks Ešenvalds’ O Salutaris Hostia to Bach’s Dona Nobis Pacem, and more, the afternoon unfolds in a rich tapestry of sound.

Echoes

San Dieguito United Methodist Church

St. Paul's Episcopal Cathedral

Before becoming Head of Music at Westminster Cathedral in London in 2021, Simon Johnson was organist at St. Paul's Cathedral, where he performed at a variety of royal events, including the Diamond Jubilee of Queen Elizabeth II and the celebrations for her 90th birthday. The Eule organ in the Philharmonie Mercatorhalle, with its four manuals and 72 stops, is also very British and majestic. Its four manuals and 72 stops are modeled on the late-Romantic English town hall organs—in the first Toccata of the season, the Duisburg Philharmonic Choir will provide powerful support. Choir director Marcus Strümpe has included Anton Bruckner, among others, on the program, as the late-Romantic composer, as a virtuoso organist and composer of sacred music, was well versed in the combination of choir and organ. In Felix Mendelssohn Bartholdy's "Hear My Prayer," a soprano joins the organ and choir: the frequent alternations between solo voice and choir are reminiscent of the "anthem" tradition of the Anglican liturgy. William Harris and Herbert Howells, two prominent representatives of Anglican church music, are also on the program, while Louis Vierne, long-time chief organist at Notre-Dame de Paris, represents the rich organ scene in France. An exuberant romantic richness of sound characterizes his organ symphonies, a genre he himself invented.

Organ & Choir

CityPalais

Following the acclaim from last year’s SurRound concert, Musica Sacra concludes the 2024-25 season with an entirely new iteration of SurRound. This immersive concert will feature choral works in direct dialogue with the many acoustics of the Cathedral of St. John Divine, as singers move in, among, and around the audience for a truly thrilling and unforgettable experience.

SurRound II

Cathedral of St. John the Divine

Under its founder and artistic director Jonathan Cohen, the versatile period-instrument group celebrates Christmas with vocal works and instrumental pieces by two leading figures from the early German Baroque, including Heinrich Schütz’s moving Christmas Story (1664).

Arcangelo; Jonathan Cohen artistic director

Wigmore Hall

All University of Texas at Austin students are allowed one free ticket as long as they are available. Student tickets must be picked up at the Box Office with valid student I.D. Seating is unassigned.

Concert Chorale

The University of Texas at Austin

Join us for an enchanting evening of choral music as Logan J. Henke takes the stage to conduct a masterful selection of works. This event, part of his Master of Music studies under the guidance of Andrew Megill, promises to be a memorable experience for all attendees. The program includes a diverse range of compositions, from the traditional arrangement of "Gabriel’s Message" by Jim Clements to the contemporary vibrance of Alex Berko's new work. Delve into the poetic depths of Paweł Łukaszewski's "Shakespeare Sonnets: I. Like as the waves" and experience the serene beauty of Ēriks Ešenvalds' "Earth Teach Me Quiet." The evening will also feature Jóhann Jóhannsson's poignant "The Last Foul Wind I Ever Knew" from Drone Mass, alongside classics like Heinrich Schütz's "Ich bin eine rufende stimme" from Geistliche Chormusik. Elliot Cole's "Visions: I Saw You Under the Fig Tree" and Arvo Pärt's "The Deer’s Cry" will add to the spiritual depth of the program, with traditional arrangements like "Carrickfergus" by Joshua Pacey and Orlando di Lassus' "Lagrime di San Pietro" rounding out the evening.

This event is scheduled for Saturday, May 11, 2024, at 7:30pm CDT in the Mary B. Galvin Recital Hall, located within the Ryan Center for the Musical Arts at 70 Arts Circle Drive, Evanston, IL 60208. The hall, known for its stunning acoustics and breathtaking views of Lake Michigan and the Chicago skyline, provides the perfect backdrop for this musical journey. Admission is free, and no tickets are required. For those unable to attend in person, a live stream will be available, ensuring no one misses out on this spectacular showcase of talent.

Don't miss this opportunity to support emerging talent and immerse yourself in the transformative power of music.

Logan J. Henke, conducting

Mary B. Galvin Recital Hall

Donna M. Di Grazia, David J. Baldwin Professor of Music, leads the celebrated Pomona College Glee Club in a bouquet of unaccompanied music by Williametta Spencer, Will Todd, Paul Mealor, Heinrich Schütz, Johann Christoph Bach, and Sean Kirchner. The program will also feature Handel’s magnificent Dixit Dominus, performed with student soloists and Harmonologia Pomona a period-instrument ensemble in collaboration with faculty members Malachai Bandy (violone), Alfred Cramer (violin), Cynthia Fogg (viola), and friends.

Pomona College Glee Club

Pomona College

Come and listen when the conducting class from the Jutland Conservatory of Music offers approx. 45 minute four evening concert.

Conductor's concert

Royal Academy of Music Aarhus

Join us for an enchanting evening with the University Singers at the Northwestern Bienen School of Music for their performance titled "Heartoutbursts." This concert promises a captivating exploration of love's complex emotions through a diverse repertoire spanning various styles and musical eras. Under the skilled direction of conductors A.J. Keller and Zachary Shand, with Charles Foster on piano, the ensemble will delve into the themes of longing, remorse, and the profound joy that love brings.

**Event Details:**
- **Date:** Sunday, March 3, 2024
- **Time:** 5:00pm CST
- **Location:** Galvin Recital Hall, 70 Arts Circle Drive, Evanston, IL 60208, United States. Nestled within the Ryan Center for the Musical Arts, the Galvin Recital Hall offers an intimate setting with stunning views of Lake Michigan and the Chicago skyline, enhanced by its exceptional acoustics.

**Program Highlights:**
- Frank Ticheli's "Earth Song"
- Josquin des Prez's "Gaude Virgo, mater Christi"
- Heinrich Schütz's "Also hat Gott die Welt geliebt, SWV 380"
- Johannes Brahms's "Im Herbst, Op. 104, No. 5"
- Claudio Monteverdi's "Cor mio, mentre vi miro"
- Eric Whitacre's "i carry your heart"
- And more, including works by Urmas Sisask, Undine Smith Moore, and arrangements of songs by Billy Joel and Nicky Mehta.

**Tickets:**
- General Public: $6
- Students (with valid ID): $4

Please note that tickets have sold out, indicating the high anticipation and excitement for this performance. However, those unable to secure a ticket can still enjoy the concert through the live stream option, ensuring no one misses out on this musical celebration of love.

Don't miss this opportunity to experience the University Singers' "Heartoutbursts," a performance that promises to be as moving as it is memorable.

University Singers

The Concertgebouw Orchestra in Ein deutsches Requiem with conductor Dinis Sousa, the Monteverdi Choir, baritone Christian Gerhaher and soprano Lenneke Ruiten – in her Concertgebouw Orchestra debut.

A German Requiem

The Concertgebouw

Following their widely acclaimed collaboration on Lagrime di San Pietro (which was performed at Koerner Hall in 2020), Peter Sellars, Grant Gershon, and singers of the Los Angeles Master Chorale reunite with a deeply personal yet uplifting meditation on what it means to say goodbye to those we love. 24 singers will be accompanied by Baroque organ and viol da gamba to create an intimate ceremony of connection across time and space.

Los Angeles Master Chorale, staged by Peter Sellars

The Royal Conservatory of Music

Next Ensemble, Peabody Camerata & Peabody-hopkins Conservatory Choir

Emmanuel Episcopal Church

Twenty-four singers breathe life and movement into this meditation on death with stage direction by Peter Sellars.

Music to Accompany a Departure

Walt Disney Concert Hall

A glance at Fretwork’s copious discography reveals the scope of its musical interests and appetite for exploring the glories of the viol consort repertoire. It is joined by a cast of close colleagues and friends to celebrate its 40th anniversary at Wigmore Hall with a programme that reaches back to the consort music of Dowland, John Jenkins and William Lawes and forward to works by Sir George Benjamin and Silas Wollston. ‘Fretwork is the finest viol consort on the planet’, wrote the London Evening Standard, a view endorsed by sage critics worldwide.

Fretwork; Sir George Benjamin conductor; Susan Bickley mezzo-soprano; Iestyn Davies countertenor; Ian Bostridge tenor; Silas Wollston organ

The Renaissance saw Europe regularly convulsed by war, as neighbours and rivals jostled for territory and power, Catholics and Protestants clashed over religious principle, and Christian nations contended with the threat of the Ottoman Turks. But it was also a time of great alliances, when peace treaties were celebrated with lavish diplomatic displays, and hostile nations were bound together through dynastic marriages. This fascinating programme explores the responses of composers to these turbulent times, drawing on almost two centuries of music from Dufay to Schütz. Along the way we experience the sounds of battle in Jannequin’s remarkable chanson La guerre, encounter plangent laments for fallen cities and lost generations, and savour serene motets welcoming longed-for peace.

Stile Antico

A Venetian Christmas resounds in il Pomo d’Oro’s unmissable seasonal celebration, crammed with songs of praise and exquisite choral prayers written for or inspired by St Mark’s in Venice. Its majestic programme traces the lineage of composers who studied there with the Basilica’s organist, Giovanni Gabrieli, Alessandro Grandi and Heinrich Schütz among them, and the direct influence of its greatest musician of all, Claudio Monteverdi, over Giovanni Rovetta and Francesco Cavalli.

il Pomo d’Oro Choir

Harpsichordist and conductor Francesco Corti leads a festive programme that unites three composers at the heart of the Venetian school and its international influence: Gabrieli, Schütz and Monteverdi.

Giovanni Gabrieli was the defining figure of the Venetian polychoral tradition, writing magnificent works for spatially-separated vocal and instrumental choirs that exploited the immense architecture of St Mark’s. His student, Heinrich Schütz, fused the grandeur and theatricality of this Venetian style with the Lutheran intimacy and theological intensity of his native Germany. And Monteverdi, who became maestro di cappella at St Mark’s not long after Gabrieli’s death, brought his unique sense of drama and emotional immediacy to Venice’s ceremonial musical tradition.

Taking the Christmas Eve services as our guide, this programme weaves together the psalms and grand Magnificat of Vespers with the Mass and instrumental sonatas for Midnight Mass. This music is the raison d’être of the Monteverdi Choir, and together with the specialist period-instrument players of the English Baroque Soloists, they will recreate the glorious sound-world of a seventeenth-century Venetian Christmas.

Venetian Christmas

St Martin-in-the-Fields

Music played a crucial role in the Protestant Reformation, promoting congregational hymn singing and enhancing the rituals of worship with rousing festive melodies. John Butt and the Dunedin Consort offer a rich taste of works written to celebrate Christ’s birth, embracing sonorous rarities by Rosenmüller, Geist and Theile, the latter graced by a delightful lullaby, and a rousing instrumental Intrada by Samuel Scheidt, Chapel Master to the Margrave of Brandenburg. They close with JS Bach’s majestic cantata Nun komm, der Heiden Heiland BWV61, composed in 1714 for the first Sunday in Advent.

Composer

Heinrich Schütz

Events

Upcoming events

Oct 1, 2026

Fretwork; Sir George Benjamin conductor; Susan Bickley mezzo-soprano; Iestyn Davies countertenor; Ian Bostridge tenor; Silas Wollston organ · Wigmore Hall

Nov 11, 2026

Stile Antico · Wigmore Hall

Dec 16, 2026

il Pomo d’Oro Choir · Wigmore Hall

Dec 17, 2026

Venetian Christmas · Monteverdi Choir & Orchestras

Dec 23, 2026

Dunedin Consort; John Butt director; Zoë Brookshaw soprano; Joanna Songi soprano; Sarah Anne Champion alto; Guy Cutting tenor; Chris Webb bass · Wigmore Hall

Past events

29 - 31 May, 2026

Voices Carry · Handel and Haydn Society

May 4, 2026

Balthasar Neumann Choir and Soloists / Lionel Sow · Elbphilharmonie

About

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